關於 a touch of zen ，我們在網路上蒐集到這些相關的討論、資訊與評價

100 PHIM CHÂU Á XUẤT SẮC

1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
2. Rashomon (Kurosawa Akira, 1950) – Japan
3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
4. The Apu Trilogy (Satyajit Ray) – India
5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
6. Seven Samurai (Kurosawa Akira, 1954) – Japan
7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
8. Spring in a Small Town (Fei Mu, 1948) – China
9. Still Life (Jia Zhang Ke, 2006) – China
10. The Housemaid (Kim Ki-young, 1960) – Korea
11. Close Up (Abbas Kiarostami, 1990) – Iran
12. A One and a Two (Edward Yang, 2000) – China
13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
14. Oldboy (Park Chan-Wook, 2003) – Korea
15. Late Spring (Ozu Yasujiro, 1949) – Japan
16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
19. The Music Room (Satyajit Ray, 1958) – India
20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
22. Raise the Red Lantern (Zhang Yimou, 1991) – China
23. Sopyonje (Im Kwon Taek, 1993) – Korea
24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
25. Spirited Away (Miyazaki Hayao, 2001) – Japan
26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
27. Mother (Bong Joon-ho, 2008) – Korea
28. Poetry (Lee Chang-dong, 2010) – Korea
29. A Separation (Asghar Farhadi, 2011) – Iran
30. A Touch of Zen (King Hu, 1969) – Taiwan
31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
32. Mandala (In Kwon Taek, 1981) – Korea
33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
35. The River (Tsai Ming-Liang, 1997) – Taiwan
36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
37. Awaara (Raj Kapoor, 1951) – India
38. Floating Clouds (Naruse Mikio, 1955) – Japan
39. Pyaasa (Guru Dutt, 1957) – India
40. The Lonely Wife (Satyajit Ray, 1964) – India
41. The Cow (Dariush Mehrjui, 1969) – Iran
42. Red Sorghum (Zhang Yimou, 1987) – China
43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
44. Farewell My Concubine (Chen Kaige, 1993) – China
45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
52. The House is Black (Forough Farrokhzad, 1963) – Iran
53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
54. Scattered Clouds (Naruse Mikio, 1967) – Japan
55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
60. Children of Heaven (Majid Majidi, 1997) – Iran
61. Osama (Siddiq Barmak, 2003) – Afghanistan
62. West of Tracks (Wang Bing, 2003) – China
63. Paradise Now (Hany Abu Assad, 2005) – Palestine
64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
66. The Goddess (Wu Yonggang, 1934) – China
67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
68. Street Angels (Yuan Mizhi, 1937) – China
69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
70. Mother India (Mehboob Khan, 1957) – India
71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
72. Good Morning (Ozu Yasujiro, 1959) – Japan
73. Paper Flowers (Guru Dutt, 1959) – India
74. The Naked Island (Shindo Kaneto, 1960) – Japan
75. Intentions of Murder (Imamura Shohei, 1964) – Japan
76. A Man Vanishes (Imamura Shohei, 1967) – Japan
77. Holiday (Lee Man-hee, 1968) – Korea
78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
79. Insiang (Lino Brocka, 1976) – Philippines
80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
81. Batch ’81 (Mike de Leon, 1982) – Philipines
82. Taipei Story (Edward Yang, 1984) – Taiwan
83. The Runner (Amir Naderi, 1985) – Iran
84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
85. Ju Dou (Zhang Yimou, 1990) – China
86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
91. The White Balloon (Jafar Panahi, 1995) – Iran
92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
93. Hana-bi (Kitaro Takeshi, 1997) – Japan
94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
95. Chunhyang (Im Kwon Taek, 1999) – Korea
96. The Color of Paradise (Majid Majidi, 1999) – Iran
97. The Poet (Garin Nugroho, 1999) – Iran
98. Blackboards (Samira Makhmalbaf, 2000) – Iran
99. The Circle (Jafar Panahi, 2000) – Iran
100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran

#whatever

婚紗寫真
￣￣￣￣
本來因為疫情而從六月延期到十一月拍攝的介恩和謙柔
還抱著婚禮完再拍婚紗照也沒關係的決心
（真的很善解人意，因為怕我們太趕）

眼看最近疫情趨緩，我們於是又趕緊改期到八月拍攝
而我卻又開始擔心天氣會不理想
每天都在盯著天空看，心情跟著天上的烏雲數量上上下下的 XDD
沒想到！昨天居然出了一整天的大太陽！！！
只能說一切都是最好的安排啊～（老派）


他們稱呼彼此為酒友，因為喜歡一起喝啤酒
在拍攝的時候也感覺得到
從高中就認識的他們，真的是彼此的好朋友，也是很棒的隊友


謙柔在 PPT 裡面寫到，她喜歡怪怪的人
不知道我很怪是不是她找我拍照的原因之一⋯⋯
昨天她穿著乾媽結婚時穿過、特地傳承給她的古董洋裝
真的好喜歡～除了美之外，還很有意義 💛
在拍攝的過程中，介恩和謙柔的家人也一起入鏡
他們的家人都跟他們一樣可愛耶～～（療癒）


實在太喜歡你們（雖然你們都會故意覆誦我誇獎你們很Ｑ😈）
結果導致照片好難選啊啊啊


謝謝昨天的好天氣和一切的順利，由衷感恩：）


￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
HMUA｜ Erin Chu's makeup & hairstyle
Bouquet｜ 高雄 婚禮佈置 花店 花幻想花藝設計
Gown｜ Juno Lucina 高級手工訂製婚紗
Suit｜ 兔子威廉英式西服
Place｜ A Touch of Zen Guest House 眷村戀影民宿

￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
🦔 婚紗詢問表單
》https://forms.gle/qaHYVDse2toAEKzo9
#2021全年滿檔不接案

檔期從2022年5月開始安排，請提前詢問

每個月的拍攝都是限量的，有拍攝需求請及早預約喔～
各式寫真需求歡迎私訊詢問

￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
Instagram｜iast____（四個底線）
Web｜http://iast-photography.com

Steam ออกเครื่องเกมพกพาตัวใหม่ล่าสุดในชื่อว่า Steam Deck ใช้ระบบ SteamOS สามารถเล่นเกมต่าง ๆ ในร้าน Steam ได้ทั้งหมดเลย
-
ตัวเครื่องมีขนาดหน้าจอมาให้ 7 นิ้ว ความละเอียด 1280 x 800 พิกเซลแบบสัมผัสได้ Touchscreen พร้อมทั้ง Trackpad ที่ด้านข้างหน้าจอบริเวณตำแหน่งวางนิ้วโป้ง และปุ่มกดกับก้านโยกครบ ๆ
-
เตรียมวางจำหน่ายเดือนธันวาคมปี 2021 ที่จะถึงนี้ ที่ราคาเริ่มต้น $399 ประมาณ 13,000 บาท สำหรับเวอร์ชันความจุ 64GB ตามด้วยเวอร์ชันความจุเพิ่มขึ้นอีกหน่อย 256GB ราคา $529 ประมาณ 17,300 บาท และเวอร์ชันใหญ่สุด 512GB ที่ราคา $649 ประมาณ 21,200 บาท สองตัวหลังจะได้พื้นที่เก็บข้อมูลแบบ NVMe ด้วย และทุกรุ่นสามารถเพิ่มการ์ด microSD ได้
-
สเปกเครื่อง
• CPU: AMD Zen 2 4c/8t, 2.4-3.5GHz (up to 448 GFlops FP32)
• GPU: 8 RDNA 2 CUs, 1.0-1.6GHz (up to 1.6 TFlops FP32)
• RAM: 16 GB DDR5
• Storage: 64GB, 256GB, 512GB versions; expandable with MicroSD cards
• Display: 7" diagonal, 1280x800 (16:10), 60Hz LCD touchscreen
• Audio: Stereo speakers that "pack a punch," says Valve, 3.5mm stereo jack, dual mics, multichannel USB-C/Bluetooth output
• Controls: Two analog sticks with capacitive touch, D-pad, face buttons, analog triggers, bumpers, assignable grip buttons, "view" and "menu" buttons, gyro
• Trackpads: There's two of them, and Valve says that they have "55% better latency compared to Steam Controller."
• Wireless connectivity: Wi-Fi and Bluetooth
• Wired connectivity: USB-C with DisplayPort 1.4 Alt-mode support; up to 8K @60Hz or 4K @120Hz, USB 3.2 Gen 2
• Battery: 40Whr, "2-8 hours of gameplay"
• Size: 11.7" x 4.6" x 1.8" (298mm x 117mm x 49mm)
• Weight: Approximately 1.47 lbs (669 grams)
-
ที่มา https://www.pcgamer.com/steam-deck-handheld-announced/?utm_campaign=socialflow&utm_source=facebook.com&utm_medium=social&fbclid=IwAR3SIisQk2_B3YRtjQKl1EAb2x5bW4bgwPs0KgQiobBLw9fQjmjjOjH-pps

By RecCaz

Empty your mind, fear no pain.
Empty your mind, fear no death.
無心，則不痛。
無心，則不畏死。

Bloody Tyrant's upcoming album HAGAKURE, set to be released in 2018, has differed from the previous fast, aggressive musical direction, and has instead changed into more of a folk metal influence while exploring the mysterious sense of Japanese zen style.

The new album HAGAKURE talks about the minds of the samurai, philosophy of life and death, and subjectively ruminate and reflect upon the ways of the samurai.

=

暴君2018年發行新專輯《HAGAKURE》，完全轉型新曲風，一改過往的高速、衝擊，轉變為帶有日本孤峭禪意的民謠金屬團。
新專輯《HAGAKURE》，論武士心性，論死亡哲學，也客觀寫下對武士道的反芻與省思。

Guitar: Chi-An Lin 林祈安
Guitar: Jon Chang
Bass: Willy Tai 戴敬緯
Vocal: Kenneth Yao 饒亞哲
Drums: Chris Yeh 葉濬誠
Mixing & Mastering: QAQ Production
https://www.facebook.com/qaqproduction/
Acoustic Guitar: 林慧如(小歐)
Oboe: 盛涵
Cello：張哲瑜
Piano：KOBA 林品維
Pipa: Yu Lai 瑜子
Facebook：https://www.facebook.com/BloodyTyrantTW

=

Lyric:
As I acquaint with death void of fear,
I endeavour to absolve my heart.
I lay down my pen, and drive my blade through my belly,
And thus bring about my end.

I touch, yet my fingertips feel nothing,
I stand, yet my feet cannot sense the ground,
I breathe, yet cannot smell fragrant blooms,
Even gravity cannot keep my soul weighed down.

Pain cannot stop me with the flash of a blade.
Neither sorrow nor hesitation,
Neither tranquillity nor chaos,
Just the void that unfolds, while I silently pace in.

Look, the rising sun glows through stilly branches,
Lighting up the warrior’s fate.
Raise your sword and send me off into the void;
Swiftly demolish these twisted shackles of mine.

年末に向けてのパーティーメイク参考に是非して下さい！！
Today I am showing a video from the time when I took a makeup seminar by Mariko Tagayashi, one of only eight MAC Senior Artists in Asia. She is a famous makeup artist who represents Japan, so it was an honor to be given such a wonderful opportunity.
I learned about this year's makeup trends and useful makeup for the party season ahead.
I got to see makeup techniques that I didn't know about before, so those techniques are being utilized in my makeup videos too.
I'm sure that you will be able to learn a lot as well.
However, I found it difficult to add a translation to this long video, so you won't be able to get the words. But you can see the products that I'm using and the touch-up.
I really hope you like it.

MAC PRODUCTS USED:
-CREAM COLOUR BASE/ Shell（クリームカラーベース/ シェル）
-PRESSED PIGMENT/ Amethyst（プレストピグメント/ アメジスト）
-POWERPOINT EYE PENCIL/ Stubborn Brown（パワーポイントアイペンシル/ スタボーンブラウン）
-SMALL EYE SHADOW/ Casino（スモールアイシャドウ/ カジノ）
-EXTENDED PLAY LASH（エクステンディッド プレイラッシュ）
-EYE KOHL/ Heirloom（アイコール/ エアルーム）
-36 LASH（＃36 アイラッシュ）
-30 LASH（＃30 アイラッシュ）
-MINERALIZE SKINFINISH NATURAL/ Medium Dark（ミネラライズスキンフィニッシュナチュラル/ ミディアムダーク）
-MINERALIZE BLUSH/ Dainty（ミネラライズブラッシュ/ デインティ）
-MINERALIZE SKINFINISH/ Lightscapade（ミネラライズスキンフィニッシュ/ ライトスカペード）
-LIPSTICK/ Pure Zen（リップスティック/ ピュアゼン）
-CREMESHEEN GLASS/ Double Happiness（クリームシーンガラス/ ダブルハピネス）


M･A･Cシニア アーティスト　耕 万理子さん
https://twitter.com/MAC_MARIKO_T
http://www.maccosmetics.co.jp/artists/faves.tmpl?CATEGORY_ID=CAT1055
M･A･C senior artist MARIKO TAGAYASHI
http://www.maccosmetics.com/artists/faves.tmpl?CATEGORY_ID=CAT1055

M･A･C
http://www.maccosmetics.co.jp/
http://www.maccosmetics.com/

by Zen Jie (Malaysian) and Ayumu (Japanese)
AFS Australia 50th Anniversary Victoria State Dinner Dance Party in Melbourne. It was such a great night but also kinda sad, coz some of the exchange students are gona head off back home. Let's keep in touch, everybody!! and make the world smaller together with AFS!!