關於 best film photographers ，我們在網路上蒐集到這些相關的討論、資訊與評價

#Repost @imagazine.tv
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Y3NOLOGY ® PRESENTS: I-MAGAZINE FASHION FACE AWARDS 2020 - ASIAN FEMALE

Thank you all the judges. 🙏🏻
Key judges including John. H Lee @johnhleefilms Film Director & screenwriter; Yen Cheung, Founder of I-MAGAZINE; Samuli.K, Award-Winning High Fashion Photographer ; Stefania Lonetti, Film & Art Director

#Y3NOLOGY #IMAGAZINE #Fashionfaceawards2020 #FFA2020

Win A Free Vegan Lipstick:
Follow @y3nology_uk @imagazine.tv + Like this post + Tag 3 friends in comment, we will giveaway “
Y3NOLOGY ® FASHION FACE AWARDS JUDGE’S LIPSTICK FEAT. ECO-FRIENDLY LEATHER DUSTBAG “ to 101 winners.
*We will DM winners by end of Feb

Y3NOLOGY ® 페션 패이스 어워즈 심사위원의 비건 립스틱을 무료로 받아보세요.
1. @imagazine.tv @yenology_uk 인스타그램을 팔로우 한다.
2. 포스트에 좋아요를 누른 후,친구 3명을 태그한다.

SNS전세계에서 총 404명의 당첨자를 발표할 예정이며 당첨자는US$28달러 상당의 립스틱과 친환경 가죽 더스트가방을 받아보실수 있습니다. 많은 참여 부탁드립니다.

More Results: https://www.i-magazine.tv/pages/I-MAGAZINE-Fashion-Face-Award-Year-2019-2020

I-MAGAZINE moves into the fifth year of fashion face awards, we continued in partnership with Adobe behance's featured artists and invited film directors together selecting our best fashion faces in six categories with using Adobe's intelligent facial recognition software to support the analysing of facial features. With over 30 countries and 350 professional photographers, designers, makeup artists, stylists, editors and I-MAGAZINE in-house team in United Kingdom, HKSAR, China & South Korea, we have voted for the top faces from over 10,000 photos and videos published in 2019 and 2020. I-M team and our judges were considering the overall criteria including distinctive characters, unique facial expressions, the ability of story-telling, potential & versatility of carrying different styles and the facial analysis from adobe certified experts for

For the longest time I've avoiding my best to shoot weddings because I always felt I was never ready. It's honestly pretty scary to be asked to capture a wedding and huge respect to photographers who do! @roundtablestudiosmy shot our last wedding of the year in 2020 with Daniel and Evelyn and I remember being extremely nervous the night before. It turned out just right in the end. Nothing was rushed and it was just plain fun to shoot! More than anything, it made me remember that images that you're most proud of happen when you enjoy the process. Hopefully 2021 will give way more opportunities for us to document weddings (and maybe finally achieve my dream of shooting a wedding entirely on film heh)!

Captured on a Canon 1DX Mark iii + EF 35MM F1.4ii

#canonmalaysia #eosyouthambassador @ Petaling Jaya, Malaysia

Thanks Vogue Hong Kong for featuring me as one of the HK street photographers 🙏🏼

https://www.voguehk.com/en/article/art-lifestyle/best-hong-kong-photographers-instagram/

Below is the previously unreleased complete interview in which I shared about my inspirations, creative flow and philosophy, as well as some techniques. Feel free to take a look & CLS (comment, like & share) 😀

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(V: Vogue J: Jeremy)

V:
What/who inspired your photography style?

J:
When I started photography, Hong Kong’s legendary photographer Ho Fan’s work has inspired me a lot, mostly about the use of light and composition as well as the way to authentically capture the secular life of Hong Kong people. Around 6-7 years ago, I met some friends from Instagram whose double exposure film works are fascinating. They have inspired me to explore deeper in this special way of photo story-telling, which I tried to incorporate daily ordinary elements to make new interpretations of what I feel and perceive about the city. After years of experimentation, I am still enjoying the possibility double exposure brings to my creative journey.

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V:
How would you describe the Hong Kong that you present in your photos?

J:
Hong Kong is a city of varying landscapes (hills, harbours, hyper-dense urban hubs etc). My photos always try to illustrate snippets of things happening around the city, mixing the common experience with a bit of poetic imagination if possible (including openness or even ambiguity for the readers to interpret). At the same time, I always put in mind not to create something too cliche or off-the-ground. Words also play a role in my photos too, as they could add another layer (or twist) of background info or feel to the photos themselves.

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V:
In what way do you present it?

J:
Analogy with an implicit storyline is what I always aim at when I take photos. Although double exposure comprises of only a fraction of my photography work, I believe it suits my visual philosophy well in (1) recording things happening or surrounding around myself/the city in terms of both factual archives and personal-based memory, (2) freeing up the mind by letting imagination flow in (as to temporarily overlap the concrete realities into some forms of surrealism, creating as a remedy for the chaotic world). So I would say it is an aesthetically refreshing way of visual representation.

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V:
Why did you choose this photo?

J:
One of my mostly used double exposure approaches is the experimental blending of observed urban moments with on-the-spot patterns/materials (I have been using the instagram hashtag #rambler_hkdouble to collect my double exposure photos posted on IG). For this picture of Mongkok, I first captured a V-shaped pattern of bluish/greenish tiles from a nearby pedestrian underpass, then I captured the second layer on the Argyle Street footbridge which oversees the V-shape urban canyon of Mongkok. This was taken by an old Nikon film camera with a discontinued film stock called Rollei CN200. I like how the grains and tints worked together to offer a mood of ruggedness.

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V:
Is there a message that you’d like to share through your photos?

J:
I always try to capture the subtlety of a place (incl. urban fabrics and artefacts) through compositions and lighting. I hope my photos would bring a sense of resonance, reminiscence and reflection to my audience (whether HKer or not), connecting them with a place’s own history, her present reality and an extrapolation of the future.

My main channel of photo sharing is on Instagram, but I really treasure the interactions with my audience both online and offline, local and overseas, mostly through web comments, my own photo exhibitions or occasional organised photowalks. I love the moments when I try to inspire people, I got reversely inspired by them too. I hope these modes of sharing could continue in the future.

2020 Aug

——

Vogue Hong Kong
Vogue

Insta360 has updated their best small 360 camera! I tested the One X2 for filmmaking. These are my initial thoughts. Learn Filmmaking for Photographers: https://filmmakingforphotographers.com/

Buy Insta360 One X2: https://www.insta360.com/sal/one_x2?insrc=INRQ81A

My Gimbal Masterclass: https://gimbalmasterclass.com/brandon/

My complete run-and-gun film school: https://myfilm.school/insta360-one-x2

GOT A QUESTION FOR ME? CHECK MY HUGE LIST OF FILMMAKING Q&A! https://learn.unscripted.com/faq/

MY OTHER GEAR: https://learn.unscripted.com/gear/

Music by Audiosocket! Join here: https://audiosocket.com/?fpr=brandonli
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I am a participant in the Amazon Services LLC Associates Program and B&H Photo Video Affiliate program, affiliate advertising programs designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com and bhphotovideo.com. Additionally, I participate in other affiliate programs, and sometimes get a commission through purchases made through my links.

In this video we recommend two compact light stands for on location shoots for start up photographers or filmmakers. As for any job having proper lighting is important, but also the correct tool for holding the lights up. This video we recommend two compact light stands that we use quite a lot and found them the best suited to move to locations when having a shoot.

Manfrotto Nano Pole Stand - https://amzn.to/2QrhuZc
The first is that Nano Pole Stand which got special features and it being quite small when collapsed 49cm and reach 195cm height when extended. Its a great light stand when you are a single shooter and only need one stand for the job, as its lightweight and also quite small to carry without getting in your way. There is also a version without the extended feet which is the Manfrotto 5001B Nano stand ( https://amzn.to/2EjbESw ) which cost slightly less, but honestly the extended feet often needed when using any modifiers like and umbrella. Also we found the bag that comes with the Manfrotto Compact action tripod ( https://amzn.to/2UF74Uo )is the perfect fit for this stand and enable us to carry it and not get damages when traveling.

Manfrotto 1051bac - https://amzn.to/2PzxvHh
The 2nd light stand we recommend is the Manfrotto 1051bac, which in size is taller than the Nano being 67cm, but also have a reach of 210cm which is taller. However why we recommend it is because this stand is stackable and interlocks with each other making it easier to carry a stack of them, but also when placed in a case, they don't shuffle around and get scratch that easily. And the 1051BAC can hold up to 4kg which allows it being use with a much heavier light setup on top.

Gear used to film this episode:
Sony A7rii - https://amzn.to/2Qc8dUO
Sony 28mm f2 - https://amzn.to/2Qyn8rT
Rode Smartlav - https://amzn.to/2PnAfr8
Manfrotto Befree Live - https://amzn.to/2Qem9ha
Aputure Mini 20D - https://amzn.to/2UFou2X
Profoto B10 Duo Kit - https://amzn.to/2zGBIUf
Manfrotto 1052BAC - https://amzn.to/2QcG4gv


Edited with Adobe Premiere Pro - http://goo.gl/k2EagF

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