關於 born to die ，我們在網路上蒐集到這些相關的討論、資訊與評價

100 PHIM CHÂU Á XUẤT SẮC

1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
2. Rashomon (Kurosawa Akira, 1950) – Japan
3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
4. The Apu Trilogy (Satyajit Ray) – India
5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
6. Seven Samurai (Kurosawa Akira, 1954) – Japan
7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
8. Spring in a Small Town (Fei Mu, 1948) – China
9. Still Life (Jia Zhang Ke, 2006) – China
10. The Housemaid (Kim Ki-young, 1960) – Korea
11. Close Up (Abbas Kiarostami, 1990) – Iran
12. A One and a Two (Edward Yang, 2000) – China
13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
14. Oldboy (Park Chan-Wook, 2003) – Korea
15. Late Spring (Ozu Yasujiro, 1949) – Japan
16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
19. The Music Room (Satyajit Ray, 1958) – India
20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
22. Raise the Red Lantern (Zhang Yimou, 1991) – China
23. Sopyonje (Im Kwon Taek, 1993) – Korea
24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
25. Spirited Away (Miyazaki Hayao, 2001) – Japan
26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
27. Mother (Bong Joon-ho, 2008) – Korea
28. Poetry (Lee Chang-dong, 2010) – Korea
29. A Separation (Asghar Farhadi, 2011) – Iran
30. A Touch of Zen (King Hu, 1969) – Taiwan
31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
32. Mandala (In Kwon Taek, 1981) – Korea
33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
35. The River (Tsai Ming-Liang, 1997) – Taiwan
36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
37. Awaara (Raj Kapoor, 1951) – India
38. Floating Clouds (Naruse Mikio, 1955) – Japan
39. Pyaasa (Guru Dutt, 1957) – India
40. The Lonely Wife (Satyajit Ray, 1964) – India
41. The Cow (Dariush Mehrjui, 1969) – Iran
42. Red Sorghum (Zhang Yimou, 1987) – China
43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
44. Farewell My Concubine (Chen Kaige, 1993) – China
45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
52. The House is Black (Forough Farrokhzad, 1963) – Iran
53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
54. Scattered Clouds (Naruse Mikio, 1967) – Japan
55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
60. Children of Heaven (Majid Majidi, 1997) – Iran
61. Osama (Siddiq Barmak, 2003) – Afghanistan
62. West of Tracks (Wang Bing, 2003) – China
63. Paradise Now (Hany Abu Assad, 2005) – Palestine
64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
66. The Goddess (Wu Yonggang, 1934) – China
67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
68. Street Angels (Yuan Mizhi, 1937) – China
69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
70. Mother India (Mehboob Khan, 1957) – India
71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
72. Good Morning (Ozu Yasujiro, 1959) – Japan
73. Paper Flowers (Guru Dutt, 1959) – India
74. The Naked Island (Shindo Kaneto, 1960) – Japan
75. Intentions of Murder (Imamura Shohei, 1964) – Japan
76. A Man Vanishes (Imamura Shohei, 1967) – Japan
77. Holiday (Lee Man-hee, 1968) – Korea
78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
79. Insiang (Lino Brocka, 1976) – Philippines
80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
81. Batch ’81 (Mike de Leon, 1982) – Philipines
82. Taipei Story (Edward Yang, 1984) – Taiwan
83. The Runner (Amir Naderi, 1985) – Iran
84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
85. Ju Dou (Zhang Yimou, 1990) – China
86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
91. The White Balloon (Jafar Panahi, 1995) – Iran
92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
93. Hana-bi (Kitaro Takeshi, 1997) – Japan
94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
95. Chunhyang (Im Kwon Taek, 1999) – Korea
96. The Color of Paradise (Majid Majidi, 1999) – Iran
97. The Poet (Garin Nugroho, 1999) – Iran
98. Blackboards (Samira Makhmalbaf, 2000) – Iran
99. The Circle (Jafar Panahi, 2000) – Iran
100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran

#whatever

Resurrection from the Dead

“Now if Christ is preached, that he has been raised from the dead, how do some among you say that there is no resurrection of the dead? But if there is no resurrection of the dead, neither has Christ been raised. If Christ has not been raised, then our preaching is in vain, and your faith also is in vain. Yes, we are also found false witnesses of God, because we testified about God that he raised up Christ, whom he didn’t raise up, if it is so that the dead are not raised. For if the dead aren’t raised, neither has Christ been raised. If Christ has not been raised, your faith is vain; you are still in your sins. Then they also who are fallen asleep in Christ have perished. If we have only hoped in Christ in this life, we are of all men most pitiable. But now Christ has been raised from the dead. He became the first fruits of those who are asleep.” (1 Corinthians‬ ‭15:12-20‬ ‭WEB‬‬)

There seems to be more focus on Jesus’ death than on His resurrection.

However, His resurrection is extremely important too.

Jesus’ resurrection proves that He is the sinless Son of God who is the Christ.

If He was not truly sinless, Jesus would not be able to conquer death and be raised from the dead.

It is precisely because Jesus was raised from the dead, and His tomb remains empty today, that we know our sins are forgiven.

I had the privilege of stepping into His empty tomb in Jerusalem back in December of 2014. I went to Israel with Amilee and it was an amazing experience to see the holy land in person. The Bible truly came alive for me.

In the future, there will be a few phases of the resurrection from the dead.

Firstly, the dead in Christ will be raised at the time of the Rapture to receive their glorified bodies.

Next will be the “first resurrection” that happens at the end of the Great Tribulation, whereby those saints who died during the Tribulation will be raised to eternal life.

Lastly, the final resurrection happens before the “Great White Throne Judgment”, whereby the dead unbelievers throughout all time, those saints who died during the Millennium, and the Nephilim giants, will be resurrected to stand before Jesus’ throne to be judged. Fallen angels (demons) will also be there to be judged but they will not need to be resurrected because they are spirits.

“Jesus answered, “Most certainly I tell you, unless one is born of water and spirit, he can’t enter into God’s Kingdom. That which is born of the flesh is flesh. That which is born of the Spirit is spirit. Don’t marvel that I said to you, ‘You must be born anew.’” (John‬ ‭3:5-7‬ ‭WEB‬‬)

If you are born twice in this life—once in the flesh, and once through the Spirit, you will only die once (sharing in Christ’s death at the cross).

“I saw a great white throne, and him who sat on it, from whose face the earth and the heaven fled away. There was found no place for them. I saw the dead, the great and the small, standing before the throne, and they opened books. Another book was opened, which is the book of life. The dead were judged out of the things which were written in the books, according to their works. The sea gave up the dead who were in it. Death and Hades gave up the dead who were in them. They were judged, each one according to his works. Death and Hades were thrown into the lake of fire. This is the second death, the lake of fire. If anyone was not found written in the book of life, he was cast into the lake of fire.” (Revelation‬ ‭20:11-15‬ ‭WEB‬‬)

If you are only born once, you will die twice (once upon bodily death, and once during the Great White Throne Judgment, after being raised from the dead).

Christ has been raised from the dead. Your faith is neither futile, nor in vain!

Where does a believer go upon death now, what is the geographical layout of Heaven, and what will happen in the future as written in the Bible (Millennium, New Jerusalem)? Find out in “A Tour of Heaven and Eternity”: https://bit.ly/heavenandeternity

[EN] [ES] [DE] [JA]

[EN]
🦋NEWS🦋
Daoko's "Musuhi Musubi Exhibition" produced by LatiJapo will be held!!

With Daoko in the center, a team of up-and-coming talented creators and photographers will be gathering in Harajuku, Shibuya.
There will be an exhibition of artworks inspired by Kojiki!
Please take the opportunity to visit us!☀️

Details▶︎ https://daoko.jp/news/2514/
(Daoko_staff)

"Musuhi Musubi Exhibition".
The exhibition will be held simultaneously in Shibuya and Harajuku in September.
Please come and see the works that we have created together!

Venue A>Sept. 11 (Sat) - Sept. 23 (Thu), 2021 Shibuya
Art Space shibuya-san on the 1st floor of FUKURAS. Free admission.
Venue B>Sept. 17 (Fri) - Sept. 22 (Wed), 2021
At UNKNOWN HARAJUKU. Free admission.
*Please note that the schedule and content of the event may change rapidly depending on the response to the corona infection.

Inspired by the Kojiki, the oldest book of Japanese history, which tells us about our roots, artist Daoko will lead us to question the importance of a deep appreciation of Japan's unique culture and nature in today's technologically advanced society. The "Musuhi", the trigger for everything to be born and develop, will be launched from this "Musuhi Musubi" exhibition.

The picture of the rocky beach with waves is Ame-no-zume
And the picture of the profile with hair ornaments is Amaterasu Omikami.
We made this picture with the motif of the Yatagarasu. (Many-clawed crow) ☀️
There are many other motifs and pictures in the exhibition 👘
(picture 1-3)

And this person(?) is Musuhi-chan, a character I created based on the image of the exhibition.
❤️❤️❤️
(picture 4)
(daoko_official)
-

[ES]
🦋NOTICIAS🦋

¡La “Exhibición Musuhi Musubi” de Daoko producida por LatiJapo tomará lugar!

Con Daoko en el centro, un equipo de prometedores y talentosos creadores y fotógrafos se reunirán en Harajuku, Shibuya en septiembre. ¡Por favor ven y ve los trabajos que hemos creado juntos!☀️

Lugar del evento A > Septiembre 11 (sábado) – Septiembre 23 (Jueves) 2021, Shibuya Art Space en el primer piso de FUKURAS. Sin costo de admisión.
Lugar del evento B > Septiembre 17 (viernes) – Septiembre 22 (miércoles) 2021, en UNKNOWN HARAJUKU. Sin costo de admisión. *Por favor ten en cuenta que el horarioy el contenido del evento puede cambiar rápidamente dependiendo de la respuesta a la infección del coronavirus.

Inspirada por Kojiki, el libro más viejo de la historia japonesa, el cual nos habla sobre nuestras raíces, Daoko como artista nos llevará a cuestionar la importancia de la apreciación profunda sobre la cultura única de Japón y la naturaleza en la sociedad tecnológicamente avanzada de la actualidad. El “Musuhi”, que provoca que todo nazca y se desarrolle, será lanzado desde esta exhibición “Musuhi Musubi”.

La imagen de la playa rocosa con olas es Ame-no-zime y la foto de perfil con ornamentos en el cabello es Amaterasu Omikami. Hemos hecho esta imagen con el motivo de Yatagarasu (El cuervo de muchas garras) ☀️ Hay muchos otros motivos e imágenes en la exhibición 👘 (imagen 1-3)

Y esta persona(¿) es musuhi-chan, un personaje que creé basada en la imagen de la exhibición ❤️❤️❤️ (imagen 4) (daoko official)
-

[DE]
🦋NEWS🦋
Daokos "Musuhi Musubi Exhibition" von LatiJapo wird stattfinden!!

Mit Daoko im Mittelpunkt wird sich ein Team aufstrebender talentierter Kreativer und Fotografen in Harajuku und Shibuya treffen.
Es wird eine Ausstellung von Kunstwerken geben, die von Kojiki inspiriert wurden! Bitte nutze die Gelegenheit uns zu besuchen☀️

Details▶︎ https://daoko.jp/news/2514/
(Daoko_staff)

"Musuhi Musubi-Ausstellung".
Die Ausstellung findet im September gleichzeitig in Shibuya und Harajuku statt.
Komme und schau dir die Werke an, die wir gemeinsam geschaffen haben!

Veranstaltungsort A>11. Sept. (Sa) - 23. Sept. (Do), 2021 Shibuya
Kunstraum shibuya-san im 1. Stock von FUKURAS. Freier Eintritt.
Veranstaltungsort B>17. Sept. (Fr) - 22. Sept. (Mi), 2021
Im UNBEKANNTEN HARAJUKU. Freier Eintritt.
*Bitte beachten Sie, dass sich Zeitplan und Inhalt der Veranstaltung je nach Reaktion auf die Corona-Infektion schnell ändern können.

Inspiriert vom Kojiki, dem ältesten Buch der japanischen Geschichte, das uns von unseren Wurzeln erzählt, führt uns die Künstlerin Daoko dazu, die Bedeutung einer tiefen Wertschätzung der einzigartigen Kultur und Natur Japans in der heutigen technologisch fortschrittlichen Gesellschaft zu hinterfragen. Der "Musuhi", der Auslöser für alles, was geboren und entwickelt wird, wird von dieser "Musuhi Musubi"-Ausstellung aus gestartet.

Das Bild des felsigen Strandes mit Wellen ist Ame-no-zume
Und das Bild des Profils mit Haarschmuck ist Amaterasu Omikami.
Dieses Bild haben wir mit dem Motive von Yatagarasu (vielklauige Krähe) gemacht.☀️
Es gibt noch viele weitere Motive und Bilder in der Ausstellung 👘
(Bild 1-3)

Und diese Person(?) ist Musuhi-chan, eine Figur, die ich basierend auf dem Bild der Ausstellung geschaffen habe.
❤️❤️❤️
(Bild 4)
(daoko_official)
-

[JA]
🦋NEWS🦋
Daoko “むすひむすび展” produced by LatiJapo の開催が決定！！

Daokoを中⼼に、気鋭のクリエイター、フォトグラファーが渋⾕・原宿に集結。
古事記からインスピレーションを得たアート作品展⽰を行います！
ぜひこの機会に足をお運びください☀️

詳細▶︎ https://daoko.jp/news/2514/
(Daoko_staff)

"むすひむすび展"
9月に展示が渋谷·原宿で同時開催されます。
みんなであたためた作品たち、 是非みてほしいです

く会場A>2021年9月11日 (土)~9月23日 (木 祝) 渋谷
フクラス1階アートスペース shibuya-san にて。 入場無料。
く会場B>2021年9月17日 (金) ~9月22日 (水)
UNKNOWNHARAJUKUにて。 入場無料。
*コロナ感染拉大の対応等により、 スケジュールや内容が急速変
更される可能性があります。 ご了承ください。

アーティストDaokoが中心となり、 私たちのルーツを語る古事 記にインスピレーションを得ながら、 テクノロジーの発達した現代社会に、 改めて日本ならではの文化 や自然を深く感じることの重要さを問います。 すべてが生まれ、 発展するきっかけとなる「むすひ」 が、 こ の"むすひむすび展"から立ち上がります。

波打つ岩場の写真がアメノウズメ 髪飾りの横顔の写真が天照大御神
この写真は八限烏をモチーフに皆で作りました☀️
展示では他にも色んなモチーフ、 写真があります👘
(picture 1-3)

あとこのひと(?)は 私が展示をイメージして作った キャラクターのむすひちゃん
❤️❤️❤️
(picture 4)
(daoko_official)

@daoko_staff on Twitter
@daoko_official on Instagram

Back in the days, around the time when YouTube was founded, before most of you were born, I used to Vlog a lot. I was a little ahead of my time because video sharing platforms were premature back then. I Vlogged so that I can remember my experiences back then. You'll get to know me better if you actually spend the time to watch this. If you do have the patience.

Episode 17 - Chinese New Year 2006, Massachusetts

Part 1 was a simple dinner organized by the Chinese Society of the University to raise funds for the poor. I played a Chinese New Year song. The video was my practice.

Part 2 was me chilling with friends, had a very rare Chinese Dinner at school with Lion Dance!!

Part 3 was a short clip of my good friend Justin Ho playing the piano, my favorite song Strauss Die Fledermaus.

Part 4 was me chilling with my Taekwondo buddies, singing karaoke. And finally we attended a basketball game at school.

Year : Chinese New Year 2006
Location : Massachusetts

Intro by the amazing Bashcone
https://www.youtube.com/channel/UCLYCxC8fugNPo4KXsX2lVqg

(As you guys know, I've exhausted my Sub Count trying to support small YouTubers. So I'm using Intros and YouTube Community Postings to help move your channels forward. Hope you guys can appreciate that)

?SHEET MUSIC & Mp3 ▸ http://www.makhonkit.com
?LEARN MY SONGS ▸ https://tinyurl.com/RayMak-flowkey
?Listen on Spotify ▸ https://sptfy.com/raymak
?Listen on Apple Music ▸ https://music.apple.com/sg/artist/ray-mak/1498802526
?Full Song List ▸ http://www.redefiningpiano.com

Talk to me :
? Instagram ▸ http://instagram.com/makhonkit
? Facebook ▸ http://facebook.com/raymakpiano
? Twitter ▸ http://twitter.com/makhonkit

#VLOG #chinesenewyear #massachusetts #USA

https://linkco.re/CmMdUtut

〈SEEDA〉
I thought I wanted fame, but then I got fame
有名になりたいと思っていた そしたら有名になった
I thought I wanted money, but I just felt shame
お金が欲しいと思っていた でも寂しく思えた
I thought I wanted drugs, but I won't stay sane
麻薬が欲しいと思っていた でも正気でいられなかった
I thought I wanted love, but love gave me pain (2x)
愛が欲しいと思っていた でも愛は俺に傷みを教えた

Slipped into the belly of the beast
街の危ない場所にいる
Enemy’s around so I gotta keep the peace
敵がまわりにいるから 平和でいたい(武器を持つ )
(Yeah) (b-b-bitch)No my money don't crease
ビッチ 金は減らない
Look straight at em when we seeing the police, Yeah
お巡りの眼も 余裕で見れる

会社 上下 が ある
There are social ranks in companies
仕事 以外 wass up で十分
Other than work “wass up” is enough
息苦しくて 死にたくなる
Its hard to breath and I feel I want to die
そんなの日本だけ やめる理由　
Thats only in Japan and I wanna quit
Yea

And you know we had them hard times, hard times
俺達にはハードな時間があった、捕まったことも
They keep you medicated if you doing hard time
あいつら薬漬けにしてくる、塀の向うの仲間にさえ
Even money ain’t gon make a difference
お金なんてあまり違いを生まない
Only from inside can we get deliverance
心の内側からじゃないと助けられない

40 years man I’m walkin my shoes
４０才自分の道を歩いて来た
I keep my head up when they sang me the blues
過去の人と言われる度 ツーパックの歌を口ずさみ頭を上げてきた
Some people just grab for the nues
紐に手を伸ばす人もいる
That shit would break my heart when I watching the news
ニュースを見る度 俺の心も痛む

いじめにヤク 漬け
bullying and drugs
カネってレースが下手な だけ で
Just because I wasn’t good running in the race to chase the bag
悲惨な目？Fuck だぜ
Fuck those eyes filled with pity
aye aye aye aye

※〈Hook〉
傷み覚え怒り留めて
闇恐れず光求めて
歩み止めず希望届けて
情熱燃える 魂が吼えてる×2
Remember the pain and bottle up the anger
Seeking the light without fear of the darkness
Delivering hope, never stopping
Burning with passion, my soul screams

〈Jesse McFaddin〉
Sorry that I made you play the roll of daddy
It killed me when I left you with our daughter and the baby cuz
I don’t give a fuck about a lot of things
(that’s why) little thing is killing me
Losing the lottery
But please don’t bother me
(Because I finally found my way)
I’m living proof worth 40 years man
many more coming with my blood sweat and tears so
I’ve walked a little far but
(I needed something opposite, I’m fiending it)
Try to find my another end of chain
I’m
Still looking for it maybe next time
(habit that I have will never go away)
(so)you’ll have to understand me
(Art is all about pain)
So just let me flow as i want

(Every day daily)
(It’ll repeat)
(sometimes) feeling numb but I’ll
(ride my way through) with a black eye
Singing songs Iv been lately
So I can think sanely
But pain keeps on changing me
Cuz I’m born with a scar of Eighty

父親役を君にやらせてごめん
君と子供たちを置いて行くなんて生きた心地がしなかった
気に掛ける事などほとんど無いのに
当たり前を失うと気にしてしまう
負け？って誰が決めるんだ
遠回りしたからこそ見つけれた道
40年描き続けてきた地図
歳と共に重ねる血と汗と涙は
一歩一歩踏み残した足跡だ
たまに真逆にある物を欲する
チェーンの先を今日も探す
見つからなければ明日また探す
直感で向かうクセは未だに
治らないから受け入れるか消えろ
痛みがあるからartが生まれる
これが俺だ、好きに語らせてもらう

毎日繰り返す日々
感覚が麻痺しても
傷だらけになろうとも
乗りこなす他ない
狂いそうになると歌を歌う
すると自分が痛みと共に変化していく
1980年からこの先もその繰り返しだ

※〈Hook〉
傷み覚え怒り留めて
Since I know pain, I can release my anger.
闇恐れず光求めて
Never scare darkness. Hope is what I want to find out
歩み止めず希望届けて
I take that hope to you, keep doing.
情熱燃える 魂が吼えてる×2
my soul is passionately screaming.
　
〈SIMON JAP〉
I’m out for presidents to represent me get money
自分を表す札束のために、儲けるぜ
なら痛い目見ても全然平気
Then I'm fine even if I get hurt

げんなりしても諦めず攻めてみる
I will try to attack without giving up even if I get tired

限界など決めないテメェでいる
I'm not setting limits

天才もバカも紙一重
Theres a fine line between genius and idiot

想いを歌詞に込め
put all of my energy to my lines,

派手にブッ放して弾き飛べ
blast, spit and fly

今は今だ後にも先にもねぇ
Time never goes back

後悔しないよう握るファミリーの手
Hold hands of my family to not have regret.

もうこれ以上他にない要求
No other request

あの悪ガキが親になり40
I was bad boy. Now I’m 40 years old and became a father.

時が経てば笑って言えたり
We can talk after time has passed

胸に深く刺さって消えない
It sticks deeply in my heart and does not disappear

空が代わりに涙流した日
The day the sky shed tears instead

決して忘れず一花咲かしたい
I never forget to make one flower bloom

かすり傷だろ死ぬ事以外
It ’s a scratch, except to die

タフに生きるこの時代
This era to live tough

※〈Hook〉
傷み覚え怒り留めて
Since I know pain, I can release my anger.
闇恐れず光求めて
Never scare darkness. Hope is what I want to find out
歩み止めず希望届けて
I take that hope to you, keep doing.
情熱燃える 魂が吼えてる×2
my soul is passionately screaming.

https://linkco.re/CmMdUtut

SIMON JAP - ART OF PAIN（REMIX）feat.SEEDA, Jesse McFaddin

Produced by SIMON JAP & GUCHI
Arranged & Mixed by Fourd Nkay
Designed by N.S.P

DIRECTOR：NABE
CAMERA：Lighter
LIGHT：Daiky
EDIT：NABE,VIDEOMAFIA

Styling
https://instagram.com/hiroki_matsui_
https://gola.jp.net/

SIMON JAP（サイモンジャップ）
https://www.instagram.com/simon_jap​

SEEDA（シーダ）
https://twitter.com/neetseeda

Jesse McFaddin（ジェシーマクファディン）
https://instagram.com/jesse_mcfaddin_original

SIMON JAP - ART OF PAIN Feat.GUCHI,Felipe,麻猿,Tomokuni,GRACE https://youtu.be/0Xub6-xef8A

SIMON JAP 3rd Album『ART OF PAIN』
https://linkco.re/nzmacvQA

#simonjap #seeda #jessemcfaddin

捲髮、紅唇、過度曝光、顆粒、不太高清的畫質。這些畫面就好像是來自50-60年代，但它們卻都是2012年正式以Lana Del Rey這個名字發片的歌手的作品。

她的每張專輯都像是她的一部電影作品。

讓我們以4張專輯，來認識不同面向的 Lana Del Rey。

YouTube: Student Tan 学昇
https://www.youtube.com/StudentTan学昇/​

Instagram：@tanhocksheng
http://instagram.com/tanhocksheng​

#lanadelrel #打雷姐 #拉納德芮

BGM & Covers by:
Bloom/Pool
Sheng Moua
Wintərly Heīghts
astonmusic
Elena Coats

【自我介紹】
你好，我叫陳學昇。我喜歡復古的一切事物。 目前在台灣念書，也在學習泰語！ 任何的合作或咨詢可以聯絡：hocksheng308@gmail.com