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Baca Ini Jika Tak Pandai Bahasa Inggeris

Kepada korang yang dah pandai bahasa Inggeris boleh abaikan surat ini. Biarkan abang ajar kepada korang korang yang lain.

Semua sedia maklum bahasa Inggeris itu penting kerana banyak sekali sumber ilmu yang dapat dirujuk dalam bahasa ini.

Wikipedia yang menjadi rujukan terbesar pun paling banyak artikel ditulis dalam bahasa Inggeris. Begitu juga kalau korang berniat untuk menyelamatkan dunia, maka ‘kerja’ itu akan jadi lebih mudah bila korang pandai English. InshaAllah berjaya terutamanya jika korang expert like a crazy pig (pandai gila babi).

Nota: Gila babi bukan digunakan untuk menghina tapi untuk menujukkan rasa kagum yang teramat iaitu kagum gila babi. Harap maklum.

Berbalik pada topik utama. Dipendekkan cerita, dulu abang mayat adalah seorang Melayu yang agak malas untuk belajar bahasa Inggeris. Mungkin pada zaman itu, PM belum mewajibkan lagi pelajaran matematik dan sains dalam bahasa Inggeris. Lagipun pada masa itu belum ada internet, maka abang membuat endah tak endah dengan pentingnya BI (alasan semuanya itu).

Sehinggalah pada suatu hari, abang mayat melihat sekumpulan budak-budak Punk ketawa selepas membaca tulisan di dinding tandas terutama bila ada F word. Hal ini membuatkan abang iri hati dengan kelebihan ilmu mereka dan ditambah pula dengan ramainya pendosa dari luar negara yang datang ke Malaysia, maka abang memulakan langkah to improve my English sebagai salah satu kaedah yang lebih cepat dalam usaha menyelamatkan dunia. InshaAllah!

Bak kata pepatah:

“Everyone should be able to do one card trick, tell two jokes and recite three poems, in case they are ever trapped in an elevator.” (Lemony Snicket)

Namun, oleh kerana abang dah lama habis sekolah dan datang dari keluarga yang kurang berkemampuan, maka abang belajar bahasa Inggeris dengan cara sendiri.

Sekarang, berkat usaha gigih, karisma, dedikasi dan integriti... err… kejap! Cerita ini bukanlah nak bercerita tentang abang yang pandai English gila babi, tapi cerita tentang bagaimana kita boleh cepat pandai dalam bahasa itu. Bila cepat tiada lagi istilah ‘hot-hot chicken shit’.

Kalau mahu belajar apa-apa bahasa, perkara pertama adalah korang kena ada kamus sendiri. Korang kena beli kamus dan bawa ke mana sahaja. Kalau boleh hafal satu kamus. Jika dulu nabi digelar ‘al-Quran bergerak’, sekarang giliran korang pula menjadi ‘kamus bergerak’. Jika ada kawan bertanya, what is inception? Terus dapat jawab, the Nolam film in the beginning blah blah...nampak tak?

Abang tahu, korang lemah BI bukan sebab bodoh tetapi korang tak tahu makna dan malas menghafal kerana dalam otak sudah ditanam ‘tak tahu English pun boleh hidup juga’ atau ‘malaikat dalam kubur tak tanya dalam bahasa Inggeris’. Bukankah dalam syurga lebih afdal cakap Arab? Arghh… malas nak cerita bab ni. Apa kata korang buang persepsi itu. Jangan jadikan itu alasan dan halangan.

Abang juga hairan kenapa pelajar dalam kelas English jarang bawa kamus. Masalah utama korang adalah tak tahu makna. Jadi, kalau tak tahu kenalah beli kamus dan hafal. Itu kunci yang pertama!

“Don't be so humble, you are not that great.” (Golda Meir)

Dah ada kamus? Sekarang pergi beli buku nota untuk mencatat perkataan yang tak faham sewaktu membaca dan sebelum tidur hafal balik perkataan baru tadi.

Jadi korang akan ada dua buku, satu adalah kamus dan satu lagi buku nota yang akan menjadi kamus peribadi kerana korang akan mencatat perkataan baru dan tak tahu makna sahaja. Lama kelamaan, buku nota itu akan menjadi tebal dan korang dah tak perlu merujuk kamus lagi.

Untuk permulaan, Pilih bahn bacaan yang mudah dahulu. Kalau boleh ambil bahan bacaan budak tadika, baca dan faham makna keseluruhan cerita. Selepas itu, baca buku budak sekolah rendah pula, seterusnya buku sekolah menengah, lirik lagu, dialog film, dan akhirnya bacalah novel Inggeris sebelum membaca tafsir al-Quran dalam bahasa Inggeris.

Abang masih ingat apabila baru berkecimpung dalam dunia internet, rasa teruja sungguh. Begitu banyak sumber ilmu yang boleh kita terokai. Buka sahaja Wikipedia bermacam-macam cerita yang boleh dibaca. Cukuplah ada wiki.. Ilmu tak bertepi.. perghhh!

Waktu tu pun baru tahu apa itu Rotten Tomatoes, siapa Maddox, imdb info dan banyak lagi istilah baru. Tetapi sebelum itu kenalah pandai English dulu!

Bila dah pandai, boleh mula berniat untuk berdakwah ke peringkat antarabangsa. Bukan setakat dari Perlis sampai ke Sabah saja perjuangan kita. Think BIG dan langkah kita akan besar tapi jika Think SMALL maka langkah pun akan small.

Contoh: Jika korang fikir habis belajar nanti cukuplah dapat bekerja makan gaji di company yang stabil, maka perjalanan hidup akan terhad kepada kerja lapan jam sehari, lima hari seminggu dan menunggu dinaikkan pangkat. Tetapi jika korang fikir mahu berbisnes, mencipta produk, menggaji pekerja, kayakan diri sendiri dan membuat sesuatu yang bermakna, maka perjalanan hidup korang akan luas tiada penghujungnya. Tapi sebelum nak mendapatkan semua ini, kenalah pandai bahasa penjajah!

“To stay around (if you dot want to go far), learn bahasa tempatan. To go futher, learn bahasa penjajah!” (Hamka Kereta Mayat)

Jadi Abang memang rajin baca Wikipedia. Sambil baca sambil buka kamus, (sekarang dah ada Google Translate lagi senang). Selepas itu abang beli akhbar The Star, komik English (sekarang banyak yang online) dan juga kitab karangan Maulana Yusof Mutakhab, hadis versi English. Baca, baca dan baca…

Dari dulu abang suka tengok movie. Selesai tengok movie, abang akan baca sinopsis atau plot cerita dalam bahasa Inggeris untuk tahu penggunaan ayat. Mana yang tak faham abang akan catat dan hafal pada waktu makan. Begitu juga dengan komik Dragonball dan GTO, walaupun dah khatam dalam bahasa Melayu, abang baca pula versi bahasa Inggeris di internet.

Bila berjalan abang akan bawa kamus, (sekarang cuma perlu download aplikasi ke dalam telefon) jika nampak tulisan yang diconteng di dinding tandas awam dalam bahasa Inggeris, abang akan buka kamus dan ketawa dalam slang English jika lawak itu bermutu tinggi.

Contoh lawak di dinding tandas;

‘A successful man is one who makes more money than his wife can spend. A successful woman is one who can find such a man.’ (Lana Turner)

Untuk lebih cepat pandai, abang pinjam dua buku dari perpustakaan awam iaitu versi Melayu dan Inggeris. Kedua-dua buku itu abang akan baca dan bandingkan. Antara buku yang abang buat begitu adalah How To Win Friends & Influence People tulisan Dale Carnegie, Rich Dad Poor Dad dan banyak buku popular lain.

Untuk dapat saham di dunia dan akhirat pula, abang baca buku islamik yang ada dua versi BM dan BI seperti buku tafsir dan hadis. Kedua-dua buku itu abang baca dan bandingkan. Ada juga waktunya isteri abang akan membaca taklim dalam BM dan ayah semak dalam BI.

Contoh hadis bahasa Inggeris yang dipetik dari A Selection of Hadith;

Nabi said: He is wise and shrew who takes account of himself and prepares for what is after death. And he is weak and incapable who follows his desires and yet pins high hopes on Allah’s Mercy. (Tirmidhi)

Kadang kadang abang kaji falsafah Inggeris:

“Before you were born, your parents weren't as boring as they are now. They got that way from paying your bills, cleaning your clothes and listening to you talk about how cool you thought you were. So before you save the rain forest from the parasites of your parent's generation, try delousing the closet in your own room.” (Bill Gates)

Ada masanya apabila menonton filem, abang akan fokus pada subtitiles dan gunakan dalam kehidupan seharian. Contoh petikan dialog daripada filem Bujang Lapuk (The Three Bachelor Warriors).

Aziz : Probably, that house that you mentioned, has anyone occupied it yet?

Sudin : Which house ?

Aziz : That house, the one that you kept talking about.

Sudin : Oh, that house. It's still vacant ... if we apply for it, we'll get it.

Aziz : How many rooms, Din ?

Sudin : I saw three rooms.

Aziz : That's good. Each of us can have a room to himself. Are they large ?

Sudin : Not very. But it's long, 7 feet ... about 3 feet long and 7 feet deep.

Aziz : Quite big, huh, there's even depth..that's A GRAVE !

Woha!

Bila dah naik sheikh, ada juga abang cuba menyanyi lagu Melayu dalam Bahasa English seperti lagu;

Sekadar Di Pinggiran - Just at the Edge
Menaruh Harapan - Pinning on Hope
Kau Kunci Cintaku Di Dalam Hatimu - You are the Key to My Love in Your Heart
Takdir Dan Waktu - Fate and Time
Pada Syurga Di Wajahmu - Your Heavenly Face
Teratai Layu Di Tasik Madu - Dying Lotus in the Honey Lake
Tanya Sama Itu Hud Hud - Ask the Woodpecker
Cinta Beralih Arah - Love Turns Away
Jerat Percintaan - Love Trap
Balqis - Queen of Sheba
Rela Ku Pujuk - I'm Willing to Entice
Gemilang - Glory
Terlalu Istimewa - Too Special
Awan Nano - Nano Cloud
Terukir Di Bintang - Etched In the Stars
Bahagiamu Deritaku - Your Happiness is My Pain

Kalau masih tak faham lagi, di sini abang copy paste satu lagu yang paling abang suka nyanyi dulu.

Aci-Aci, open the door,
Nana come back at one a.m,
Don't be afraid of the owl,
Nana bring Semambu of cane.

Nana Nana, come home rush,
Aci afraid to be all alone,
There's a ghost behind the house,
Shifty eyes and a striped nose long.

Aci aci, don't be afraid,
Nana have Oh! a stunt machete,
Ghost and demons will be afraid,
See the machete, surely they desperated!

If Nana, just say so,
Then my heart is calm so-so,
If come again, ghost and demons,
Aci will beat them with a brooms!

(Lirik tibai, mintak tolong cikgu Inggeris betulkan)

Lagu lain:. suci dalam.debu.

Alkisahnya Lagu suci dalam debu popular waktu abang tingkatan satu.

Naik bas pergi sekolah driver putar lagu ni.

Abang waktu tu ada minat sorang awek pandai English bernama Adibah nor(typo nama sebenar), jadi abang translate lagu Iklim versi English dan bagi kat dia.

Tapi cinta abang ditolak. Mungkin sebab kesalahan grammar abang yang telus sangat. Ha ha

Clean in dust!

(Sila Nyanyi ikut rentak asal)

You just like a clean water
In the glass with dust
Even the dirty.... you can see
Beautiful of clean is still protect

Love is not only at eye
Love coming from heart
Let be wrong.. from they eye
Let the different can see... between us.

I hope you... still can accept
Even looking so ugly
Because the real meaning of love
Only we feel it

One day will coming
The light will appear
The door will open
We step in together

That time we can see
The light is bright
The dust be a pearl
The ugly be honor

This is not dreaming
What I sharing
But very confident
Happening

Because of love
The sea will burn
Still I swimming
Confirm!

Woha!

Selain itu, untuk menambahkan kefahaman dalam English, abang juga berpantun dengan orang-orang tua.

Contoh pantun;

The Pandan Island is far from land,
The Daik Mountain has three peak,
Though the body has rot in the sand,
The good deeds are never forget.

(grammar silap sikit sebab nak bagi belakangnya sinomim, adohai)

Terkadang abang juga ada berteka-teki dalam bahasa Inggeris;

1. Which mountain has three peaks?
2. Which island is far from land?

Sesekali, apabila berdiri seorang diri depan cermin, abang akan menari macam Michael Jackson dan menyanyi lagi ini;

You better run,
You better do what you can,
Don't wanna see no blood,
Don't be a macho man,
You wanna be tough,
Better do what you can,
So beat it,
But you wanna be bad,
Just beat it.

Bini abang cukup menyampah tengok ayah tergedik-gedik sepahkan bilik tidur dengan tarian gimnastik. Woha!

Kadang-kadang abang akan berpatriotik dalam Bahasa Inggeris;

Rukun Negara
Kepercayaan kepada Tuhan - Belief of God
Kesetiaan kepada Raja dan Negara - Loyalty to King and Country
Keluhuran Perlembagaan - The Supremacy of the Constitution
Kedaulatan Undang-Undang - The Rule of Law
Kesopanan dan Kesusilaan - Courtesy and Morality

Bila jumpa member-member berpendidikan tinggi yang bergelar pensyarah, doktor atau professor, tanpa segan silu abang akan terus bercakap dalam bahasa Inggeris dengan mereka. Begitu juga jika berurusan dengan orang Cina dan India, abang akan speaking dengan mereka. Malahan dengan kucing yang curi-curi masuk rumah pun abang akan halau dalam bahasa Inggeris. Malah sesekali bila berasmaradana dengan bini, kami speaking juga. Woha!

Dan pengalaman yang paling bernilai dalam hidup ialah ketika para pendakwah dari luar negara datang berdakwah di kampung maka abang akan menjadi pengalih bahasa untuk orang kampung yang tak tahu berbahasa Inggeris. Begitu lebih kurang…

“Alhamdulillah, Allah puts the success of human’s life in this world and the hereafter only in the perfect religion. The Perfect religion is carrying out all of the commandments of Allah following the way of Rasulullah S.A.W. All of the companions of Rasullulah have had the perfect religion in their life, It was mainly because all of them had six noble qualities with them. If we want to have the perfect religion in our life, we should follow the footsteps of those successful people by making effort to obtain and bring the six qualities into our life. If we have these six noble qualities with us, we will also be able to practice the perfect religion in our life easily…”

Alkisahnya, Pada suatu hari, ketika rancak berborak dengan kawan-kawan dalam bahasa Inggeris yang berterabur tapi janji faham, maka terciptalah satu teori baru dalam hidup abang. Kawan-kawan abang bila belajar bahasa Inggeris mereka ada target atau measurement masing-masing dalam menentukan setakat mana pengetahuan mereka dalam bahasa ini telah tercapai.

Sesetengah mereka menganggap sudah pandai berbahasa Inggeris apabila boleh berborak dengan pelancong asing. Ada pula yang merasakan mereka sudah fasih berbahasa ini apabila boleh menyanyi lagu Inggeris dan pada masa sama faham maksud tersirat. Ada yang anggap mereka sudah pandai berbahasa Inggeris apabila boleh mengarang resume sehingga diterima kerja. Selain itu, ada yang menganggap mereka sudah fluent English apabila boleh membaca novel barat tanpa merujuk kamus dan lain-lain.

Tapi abang lain, abang ada target tersendiri dalam menentukan setakat mana pengetahuan ayah dalam Bahasa Inggeris tercapai iaitu…

(bersambung...)

Dipetik dari buku Hamka keretamayat
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Okey belanja sikit lagi...

Tapi abang lain, abang ada target tersendiri dalam menentukan setakat mana pengetahuan abang dalam Bahasa Inggeris tercapai iaitu…

Abang Mesti Bermimpi Dalam Bahasa Inggeris!

Maka untuk itu.., pada suatu hari yang lain

(Sekarang baru betul betul bersambung)

Woha!

(cerita penuh kisah ini ada dalam buku Hamka keretamayat-Ngeteh dikubur ayah)

Buku ada stok.

Semusim di Syurga- kisah penduduk kuala syurga dan masalah agama.

Kisah laki bini-cerita pasangan membantu cinta dalam masa tiga hari.

Kisah anak bini- kisah anak tanya soalan pelik tapi di jawab oleh ayah dengan bergaya.

NGETEH di kubur ayah-kisah surat dari kubur kepada masyarakat kebanyakkan.

Kerana dia anak syurga:-kisah 12 parent OKU berdamai dengan takdir.

No wasap untuk order abang mayat share dekat first komen.

Don't say abang not umbrella.. ella..ella.. umbrella.. ella.. ella..

Woha!

Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share

The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris

Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.

According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.

According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.

When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.

Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.

Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.

‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.

This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article

Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.

During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”

Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.

In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.

In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.

"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."

The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.

At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.

The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.

Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.

The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened

From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.

#湯湯的週末夜電影｜《滅絕》 之 有一種《Lucy》的超展開感

#科幻片 #劇情片 #血腥 #森林系主題 #給想看緊張刺激又不怕內容太展開的你

我之所以這麼愛看電影，是源自小時候的每個週末，我爸都會帶我去百視達（已消失）一起挑一片DVD租回家看。上個星期六跟我爸還有女友在家選片時，最後是《決勝女王》(Molly's Game)跟《滅絕》(Annihilation)在抉擇。卻因娜塔莉波曼的個人魅力決定先看《滅絕》。

導演：
2014年拍了我滿喜歡的《人造意識》(Ex Machina)，這是他的第二部作品

演員：
娜塔莉波曼（不用介紹吧）主演、奧斯卡·伊薩克（新《星際大戰》）配角

劇情：
講述外星不明物體降落地球後，周遭的生態圈開始變得怪怪的。主角在到處都是突變生物的叢林裡探險，設法找出這些奇怪現象的主因。

湯姆給分： 6/10
IMDB評分: 7.1/ 10

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電影的背景設定很棒且畫面拍得更棒，故事的推展也引人入勝，緊張感十足，影評人的高評價是肯定的。科幻片會有的不合理狀況都還可以接受，生物突變也是很有趣的題材，不過電影到後段進入一種超展開的劇情時，我就有點「真希望快點演完吧」的心情了。跟《Lucy》最後的超展開劇情感覺有點像，電影結束時只能說：「嗯...好吧。」

我可能比較不適合這種超展開系列，哈。

中文預告： https://youtu.be/3aGmgKapLDg

PS. 這是我看的第二部Netflix電影，另一部是威爾史密斯的《光靈》(Bright)，兩部都覺得普普。
PS2 其實這部只是Netflix擁有海外版權
PS3 名導史蒂芬史匹柏說「Netflix不應該得奧斯卡獎項」
PS4 晚上要去看史匹柏的《一級玩家》