關於 chinese herald ，我們在網路上蒐集到這些相關的討論、資訊與評價

*10% DISCOUNT TILL 11 FEB* Herald in the new year with Carlton Hotel Singapore Wah Lok Cantonese Restaurant’s luxurious set menus, featuring Steamed Live Soon Hock, Pan-fried Hokkaido Scallop, and Wah Lok’s signature Alaskan Crab Lo Hei.

Longevity Poon Choi is a popular takeaway dish that gets swept off the shelves quickly every year. Look forward to an elaborate set up of three layers of premium ingredients such as whole abalones, sea cucumber, scallops and dried oysters simmered in a superior stock.

Other takeaway highlights include the brand new Truffle Abalone Lo Hei, Buddha Jump Over the Wall and Roast Duck which are available from now to 26 February 2021.

Enjoy an early bird discount of 10% off Chinese New Year goodies and takeaway dishes from now to 11 February 2021. Online purchases are available at www.signatures.carltonhotel.sg or call 6311 8188 for dine-in reservations.

Check out our top picks for a perfect reunion feast to herald in the Year of the Ox.

Read more: https://www.misstamchiak.com/chinese-new-year-2021/

#Opinion by Kevin Carrico 凱大熊｜"The rise of the Chinese Communist Party, whose politics intersected with Marxist theology to herald China as the leader of an oppressed global proletariat seeking to transcend the current world order to create a new heaven on earth, starting a sectarian war with endless casualties."

Read more: https://bit.ly/2L8Q5cH
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#wenweivlog #SantaTellMe #wenweiyy #Christmas #Dance #Vocal #Vlogmas

Now that christmas is almost over ?❤️
This is the Behind the scenes Part 1 of Santa Tell Me Cover ! Part 2 will be out tomorrow ?This project was very rushed since i had this idea so suddenly , but I put my heart into this project , hope you guys like it !

FOLLOW ME
Instagram : @wenweiyy
Twitter : @wenweiyy
Youtube : @wenwei彣蔚
小红书 ：@wenweiyy

Camera : Sony ZV-1
Edited by : wen wei

THANK YOU TO THE AMAZING TEAM
Video Production @alexkong_moovelite @aaronkong.am
Choreography @lohpuiyee @alchemy.dance.studio
Studio & lighting @herryyyyy17 @herrystudio
Audio Engineering by : Ken Ho @majormusic.my
Vocal Producing by : Jocelyn @musicnationmy
Hair & Makeup @elainechan_mua
Nails @sugar.nailsart

Original Artist @arianagrande
Performed by @wenweiyy

SPECIAL THANKS TO,
Pui Yee for choreographing this dance for me ! Ken Ho & Jocelyn for helping with the recording. And lastly, all of you guys’ support ?
Thank you guys for watching ❤️


?ABOUT ME
Hi~ my name is Kon Wen Wei . Im a student living in Malaysia . I’m Chinese in case you’re wondering ahha , i can speak english, mandarin & bahasa melayu ! I'm 17 . I make videos about high school life, vlogs, music & challenges ! Thanks for watching :)

Music by Dylan Rockoff - Around You (O Christmas Tree) - https://thmatc.co/?l=B9726141
Music by ninjoi. - Holy Knight - https://thmatc.co/?l=DEB15A71
Music by ninjoi. - Hark the Herald Angels Sing - https://thmatc.co/?l=F1EFFDDA

Business Enquiries ?
wenwei@gushcloudtalent.com

明人畫出警圖
絹本　設色畫
縱：92.1公分　橫：2601.3公分

明人畫入蹕圖
絹本　設色畫
縱：92.1公分　橫：3003.6公分

這支盛大的皇家謁陵隊伍，由北京城得勝門出發，直至皇帝謁陵的目的地，離京城四十五公里外的天壽山，這裡是明朝歷代皇帝的陵寢區。
「出警圖」與「入蹕圖」雖是各自分開的二幅長卷，但是所繪的卻同是掃墓、巡視的過程，因而通常被合稱為「出警入蹕圖」。
畫家將皇室謁陵的整個時空歷程出發→抵達→返回，濃縮於二幅長卷之中。傳統觀賞「出警圖」是由右往左；「入蹕圖」則由左往右。「出警圖」繪皇帝騎馬，由陸路出京，「入蹕圖」畫皇帝坐船，走水路還宮。這兩幅圖卷不但是國立故宮博物院所收藏手卷畫作中最長的兩幅（「出警圖」的橫長有26公尺，「入蹕圖」更是超過30公尺），人物眾多，場面宏偉，更是歷代繪畫作品中少見的超級鉅作。
這二幅作品，均未署名作者姓名。但可以確定的是，得出動許多宮廷畫師的合力創作，才能完成這二幅佈局精采生動的鉅作。

Anonymous, Ming dynasty
Departure Herald Imperial Procession Leaving the Palace
Handscroll, ink and color on silk, 92.1 x 2601.3 cm

Anonymous, Ming dynasty
Return Clearing Imperial Procession Returning to the Palace
Handscroll, ink and color on silk, 92.1 x 3003.6 cm

In this handscroll is a great imperial procession making its way to pay respects at the imperial tombs. Departing from the Te-sheng ("Victory") Gate of the Peking city wall, the artists here depicted shops along the way and the appearance of ceremonial guards to the final destination of the imperial tombs, the final resting place for Ming dynasty emperors 45 kilometers from the capital at Mt. T'ien-shou.

"Departure Herald" is actually accompanied by another long handscroll painting entitled "Return Clearing". That work depicts the process of the tomb sweeping and inspection tour. Usually considered as a pair, they are collectively known as "Departure Herald and Return Clearing".

Encapsulated into both scrolls, the artists depicted the entire event over time and space from the departure, arrival at the destination, and return to the capital. The traditional means of viewing "Departure Herald" is from right to left, whereas "Return Clearing" is from left to right. "Departure Herald" represents the emperor riding a horse, taking land route from the capital, while in "Return Clearing", he is shown riding on a boat, taking a water route back to the palace.

These two scrolls are not only the two longest handscrolls in the collection of the National Palace Museum ("Departure Herald" measuring 26 meters and "Return Clearing" more than 30 meters in length), they represent a rare, enormous effort in terms of the number of figures and majesty of the scenery seen among surviving works of Chinese painting.

Neither of these two works were signed or sealed by the artists who painted them. However, judging from the style, content, and great effort, it most likely took a cooperative effort of many court artists in order to complete these two great masterpieces of imperial Chinese painting.

明人畫出警圖
絹本　設色畫
縱：92.1公分　橫：2601.3公分

明人畫入蹕圖
絹本　設色畫
縱：92.1公分　橫：3003.6公分

這支盛大的皇家謁陵隊伍，由北京城得勝門出發，直至皇帝謁陵的目的地，離京城四十五公里外的天壽山，這裡是明朝歷代皇帝的陵寢區。
「出警圖」與「入蹕圖」雖是各自分開的二幅長卷，但是所繪的卻同是掃墓、巡視的過程，因而通常被合稱為「出警入蹕圖」。
畫家將皇室謁陵的整個時空歷程出發→抵達→返回，濃縮於二幅長卷之中。傳統觀賞「出警圖」是由右往左；「入蹕圖」則由左往右。「出警圖」繪皇帝騎馬，由陸路出京，「入蹕圖」畫皇帝坐船，走水路還宮。這兩幅圖卷不但是國立故宮博物院所收藏手卷畫作中最長的兩幅（「出警圖」的橫長有26公尺，「入蹕圖」更是超過30公尺），人物眾多，場面宏偉，更是歷代繪畫作品中少見的超級鉅作。
這二幅作品，均未署名作者姓名。但可以確定的是，得出動許多宮廷畫師的合力創作，才能完成這二幅佈局精采生動的鉅作。

Anonymous, Ming dynasty
Departure Herald Imperial Procession Leaving the Palace
Handscroll, ink and color on silk, 92.1 x 2601.3 cm

Anonymous, Ming dynasty
Return Clearing Imperial Procession Returning to the Palace
Handscroll, ink and color on silk, 92.1 x 3003.6 cm

In this handscroll is a great imperial procession making its way to pay respects at the imperial tombs. Departing from the Te-sheng ("Victory") Gate of the Peking city wall, the artists here depicted shops along the way and the appearance of ceremonial guards to the final destination of the imperial tombs, the final resting place for Ming dynasty emperors 45 kilometers from the capital at Mt. T'ien-shou.

"Departure Herald" is actually accompanied by another long handscroll painting entitled "Return Clearing". That work depicts the process of the tomb sweeping and inspection tour. Usually considered as a pair, they are collectively known as "Departure Herald and Return Clearing".

Encapsulated into both scrolls, the artists depicted the entire event over time and space from the departure, arrival at the destination, and return to the capital. The traditional means of viewing "Departure Herald" is from right to left, whereas "Return Clearing" is from left to right. "Departure Herald" represents the emperor riding a horse, taking land route from the capital, while in "Return Clearing", he is shown riding on a boat, taking a water route back to the palace.

These two scrolls are not only the two longest handscrolls in the collection of the National Palace Museum ("Departure Herald" measuring 26 meters and "Return Clearing" more than 30 meters in length), they represent a rare, enormous effort in terms of the number of figures and majesty of the scenery seen among surviving works of Chinese painting.

Neither of these two works were signed or sealed by the artists who painted them. However, judging from the style, content, and great effort, it most likely took a cooperative effort of many court artists in order to complete these two great masterpieces of imperial Chinese painting.