Search
hills-select.com
配件用的好，看你的人不少🤩
自己看了心情好～
為你的零錢🪙用耳機🎧找個家
-
DESCENDANT TEAM DESIGN SS 胸口logo短袖
NT$4280
NEIGHBORHOOD NHCT . NBHD / TP-AIR PODS CASE
NT$1980
HUMAN MADE DUCK CIRCLE COIN CASE
NT$2980
NIKE DUNK LOW University Blue
NT$8800
*售價以官網為主
_______________________________
官網品牌🔍「DESCENDANT」
🎥Youtube搜尋：「STORY OF STREET街頭風雲」
FACEBOOK社團：Hills Buy And Sell 買取社
#DESCENDANT#百搭 #潮流 #街頭 #春夏 #時尚 #短袖
#穿搭 #潮 #女生穿搭 #男生穿搭 #耳機殼 #DUNK #球鞋 #錢包
Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share
The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris
Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.
According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.
According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.
When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.
Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.
This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article
Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.
During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”
Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.
"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."
The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.
At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.
The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.
Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.
The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened
From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.
剛好前一陣子在歐洲出張時受 田田圈文創工作群 Tien Tien Circle 之邀，幫這次當期「荷蘭設計100年」展覽的主視覺 Logo 設計，展覽的內容從風格派 (De Stijl) 到現代的社會設計 (Social Design)，橫跨一百年在荷蘭的設計變遷。
老實說我並不是很會使用色彩，但在這次 Logo 的設計上，我希望不只可以帶有荷蘭與風格派的元素之外，也能呈現「Transition」的概念，於是決定在顏色上做呈現，為了呼應風格派的視覺元素，我選擇了風格派代表人物 Piet Mondrian 常使用的藍、黃、紅加上灰白與黑，並且在不同顏色間做 Interpolation 來表現不同時期荷蘭設計的轉變。另外在字體的選擇上則是採用了 Trio Grotesk – 另一位風格派的巨匠 Piet Zwart 常使用的 Kaart Antieke 字體的數位化版本， 而其中荷蘭特有的「IJ」連字設計也是我想要在視覺上呈現的荷蘭風味。
田田圈一直都默默努力帶來很多很棒的展覽和講座，這次的荷蘭展將一直展到 2017年的二月19日，地點在松菸的台灣設計館概念區和金點區，而且還有許多有趣的講座，想要瞭解更多展覽內容與講座可以參考：https://goo.gl/8TnMmU
電撃プレイステーション編集部が贈る、最新PSタイトル実況番組「電撃PlayStation Live」！
第31回目放送の電撃パワープッシュ!!!!では『SEKIRO: SHADOWS DIE TWICE』の情報をお届け！
また、PS4発売5周年企画として電撃のスタッフが選ぶPS4マイベストを紹介していきます。
そして高槻かなこのなにかやります。では2019年3月7日に発売された『Beat Saber』や『テトリス エフェクト』をVRでプレイしていきます。
そして毎週おなじみ「週刊ディスガイアRPG」のコーナーも今回で5回目となります！
■タイムテーブル
19時30分～
オープニング
19時35分頃～
電撃パワープッシュ!!!!
『SEKIRO: SHADOWS DIE TWICE』
20時40分頃～
クリエイターが選ぶPS4マイベスト
20時50分頃～
週刊ディスガイアRPG Vol.5
21時00分頃～
高槻かなこのなにかやります。
『Beat Saber』
『テトリス エフェクト』
■放送開始時間
2019年3月7日19時30分開始
■出演 ※敬称略
高槻かなこ（声優）
電撃PSスタッフ
■『SEKIRO: SHADOWS DIE TWICE』
https://www.sekiro.jp/
■『魔界戦記ディスガイアRPG』
https://disgaea-app.com/
■『Beat Saber』
http://beatsaber.com/
■『テトリス エフェクト』
https://www.tetriseffect.game/ja/
■電撃屋公式サイトはこちら
https://dengekiya.com/shop/default.aspx
■チャンネル登録ボタンより登録をお願いします！
https://goo.gl/7nlGR0
(C)2019 FromSoftware, Inc. All rights reserved. ACTIVISION is a trademark of Activision Publishing Inc. All other trademarks and trade names are the properties of their respective owners.
(C)ForwardWorks Corporation.
(C)Nippon Ichi Software, Inc.
(C) 2018 Beat Games
Tetris (R) ＆ (C) 1985-2018 Tetris Holding. Tetris logos, Tetris theme song and Tetriminos are trademarks of Tetris Holding. The Tetris trade dress is owned by Tetris Holding. Licensed to The Tetris Company. Tetris Game Design by Alexey Pajitnov. Tetris Logo Design by Roger Dean. All Rights Reserved. Tetris Effect produced and published by Enhance, Inc. Developed by Resonair and Monstars Inc. All Rights Reserved. The “PS” Family logo and “PS4” are registered trademarks of Sony Interactive Entertainment Inc. Unreal, Unreal Engine and the circle-U logo are trademarks or registered trademarks of Epic Games, Inc. in the United States and elsewhere.
本田技研工業株式会社
..... Honda Motor Co . Ltd.) is a major machine industrial ..(.. manufacturer of HONDA MOTOR CO.,LTD. based on Japan. A motorcycle, a car, and a general-purpose product are chiefly manufactured from the brand of "Honda". A robot and a small airplane like ASIMO also are developing as a new field. Establishment person's Soichiro Honda is famous as the manager and the engineer, and the name of the company is 1 named from this Mr. family name. It was established in the ninth as an automaker in Japan. The headquarters has its own building of the 16th floor every 2 chome in the Tokyo Minato Ward Minami-Aoyama on the ground four floors in the underground. Alias..country..securities exchange..display..HONDA.
The logo is a design of HONDA of an alphabetic capital letter in red. It came to use the mark that was called, HONDA was "Communications name" as VI (visual identity) based on CI of HONDA (Corporate identity) as a name of the company mark by the scene that did not use the logo at the end of 2000. This is two to use in an alphabetic mark as HONDA is positive by the one assumed to be "Honda", and to demand the mark of "Honda" or "HONDA" the treatment of the name of the company from the news organization. There is a thing that is called "Honda" because neither French nor Spanish, etc. pronounce H.
HONDA Shari (Shaly) is a car name of the motorcycle that Honda Motor Co., Ltd. had manufactured before.
Outline
Shari aims at the moped that can enjoy it in all families, and debuts in 1972. The owner had popularity also in the young person layer that was called a yankee though were chiefly a lot of housewife layers. Suparcab and the monkey similar remodeling parts of same HONDA are abundant and there are ..doing.. still a lot of fans ..the production end... A high share of the middle-aged woman who faced work in the fields with dust and Shari was seen well in the peculiarity in Yamanashi Prefecture.
The main feature
* The height of stepping over when getting on and off is designed low with 4
0 centimeters.
* Engine that is appropriate for practical use of Cab system
* Automatic centrifugal clutch
* Two velocity rotary type changing the speed
* The back and forth circle handbrake
* Tire of nine centimeters in width
* Front cover
* Steering lock
* Helmet holder
* Reception desk basket (shopping putting)
* Side career (option)
Moreover, the first three velocity automatic car in HONDA was added in 1981.
本田技研工業株式会社
..... Honda Motor Co . Ltd.) is a major machine industrial ..(.. manufacturer of HONDA MOTOR CO.,LTD. based on Japan. A motorcycle, a car, and a general-purpose product are chiefly manufactured from the brand of "Honda". A robot and a small airplane like ASIMO also are developing as a new field. Establishment person's Soichiro Honda is famous as the manager and the engineer, and the name of the company is 1 named from this Mr. family name. It was established in the ninth as an automaker in Japan. The headquarters has its own building of the 16th floor every 2 chome in the Tokyo Minato Ward Minami-Aoyama on the ground four floors in the underground. Alias..country..securities exchange..display..HONDA.
The logo is a design of HONDA of an alphabetic capital letter in red. It came to use the mark that was called, HONDA was "Communications name" as VI (visual identity) based on CI of HONDA (Corporate identity) as a name of the company mark by the scene that did not use the logo at the end of 2000. This is two to use in an alphabetic mark as HONDA is positive by the one assumed to be "Honda", and to demand the mark of "Honda" or "HONDA" the treatment of the name of the company from the news organization. There is a thing that is called "Honda" because neither French nor Spanish, etc. pronounce H.
HONDA Shari (Shaly) is a car name of the motorcycle that Honda Motor Co., Ltd. had manufactured before.
Outline
Shari aims at the moped that can enjoy it in all families, and debuts in 1972. The owner had popularity also in the young person layer that was called a yankee though were chiefly a lot of housewife layers. Suparcab and the monkey similar remodeling parts of same HONDA are abundant and there are ..doing.. still a lot of fans ..the production end... A high share of the middle-aged woman who faced work in the fields with dust and Shari was seen well in the peculiarity in Yamanashi Prefecture.
The main feature
* The height of stepping over when getting on and off is designed low with 4
0 centimeters.
* Engine that is appropriate for practical use of Cab system
* Automatic centrifugal clutch
* Two velocity rotary type changing the speed
* The back and forth circle handbrake
* Tire of nine centimeters in width
* Front cover
* Steering lock
* Helmet holder
* Reception desk basket (shopping putting)
* Side career (option)
Moreover, the first three velocity automatic car in HONDA was added in 1981.
How to make circle logo with letter | Letters In Circle | Adobe Illustrator CC 2021the logo design process, logo design process,logo process ... ... <看更多>
circle logo design 在 76 Circular logo design ideas - Pinterest 的推薦與評價
Jan 8, 2018 - Explore pippintee's board "Circular logo design" on Pinterest. See more ideas about circular logo, circular logo design, logo design. ... <看更多>
相關內容