關於 down the hill 中文 ，我們在網路上蒐集到這些相關的討論、資訊與評價

<曼蒂帶你看CNN>

這週美國很扯的Houston freeway shooting
開車上個班也出事
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標題
A shooter is on the run after killing 2 people on a Houston freeway during rush hour
一名嫌犯在尖峰時段在休斯頓高速公路上開槍殺死2人後，正在逃亡中
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內文：
(CNN)A gunman is on the run after killing two people on a Houston freeway as horrified motorists watched during evening rush hour, authorities said.
當局說，一名持槍歹徒在休斯頓高速公路上殺死了兩個人，其他駕駛們驚恐的目睹整個過程-
Two occupants from the vehicle that hit the other came out, and one had a weapon, police said. He started firing at the vehicle they'd just hit and pursued it as it rolled down the hill, firing rounds, police said.
警方說，兩輛相撞的其中一輛車的兩名乘客出來，其中一人攜帶武器。警方說，他開始射擊他們剛剛撞到的車子，在車子滾下山的時候嫌犯又開了好幾槍。
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"At one point, the vehicle came to a stop. He got in front of the vehicle and fired rounds into the front windshield of the vehicle," police assistant
, Dobbins said. "Road rage? An accident? Narcotics? We just don't know yet so I won't speculate," he added. "I will say there were narcotics found in this vehicle."
“後來車子終於停了下來，嫌犯走到車子前面朝著前擋風玻璃再度開了幾槍”警察助理多賓斯說“道路憤怒？一場意外？毒品？ 我們不知道確實的原因，所以我們不能推測。不過我們的確有在車子裡面找到一些毒品
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看完留言：
1 我中英都仔細看完了
2 我只看中文
3 我只看英文 不用看翻譯
+
4 我還加碼看了完整內文
5 我還加碼看了完整內文 和影片
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點進去看看原文和不到兩分鐘的報導：
https://edition.cnn.com/2019/08/09/us/houston-rush-hour-highway-shooting/index.html

我哥之前因為陪朋友去考街頭藝人證照看到一些評審對街頭藝人的態度發聲 而上了新聞。我覺得他很勇敢的去做了一件對的事。

希望政府不會時間過了就不關心這些事情。希望我們都可以更客觀的去看藝術，尊重不一樣藝術和藝術家。我覺得以下我哥說的非常好，想跟大家分享。

想知道之前的事可看新聞連結：
http://www.storm.mg/article/270611

親愛的大家：


我想感謝所有支持我、以及給予我鼓勵意見的每個人；同時也要感謝熱情關注此事、協助揭露街頭表演者們應試處境問題的許多媒體與記者們。我很抱歉這些日子我保持著沉默—僅有一個原因：我並不希望這件事情，在台北市文化局正式給予溝通管道之前就發展到無法控制的程度；我很抱歉遲至今日我才發表這篇文章，但我確實需要一些時間來沉澱彙整我心中的感受和想法，而我也需要時間及一些協助使這篇文章能夠以中文來呈現。

在我採取更進一步的行動之前，我其實未曾預料到這件事情在媒體與社交媒體上的感染力如此龐大；我受寵若驚的感動能夠聽見發自你們每個人內心的聲音，而我也著實感到抱歉，面對著如潮水般湧來的各種訊息，似乎超過我所能負荷。請原諒我未能夠逐ㄧ去回應每個人的訊息，但我真的想讓你們知道，你們每ㄧ個人都讓我感到不可思議、帶給我深深的感動及感謝。

我不認為自己是一個勇敢的人，我也自知自己並非街頭藝人的代表或者發言人。但我是一個藝術創作者，一個表演藝術家，一個教育者，而最重要的，我身為一個 "人"。我的家人、朋友及師長們，總是教導我應該為正確的事情挺身而出。

我明白事情有時候總是不像我們所期待的永遠是非分明。但發生在5月21日星期天的街頭藝人評審事件，是對藝術群體的一種「極不尊重」。不論反面評論者所提出的藉口、理由或是文化差異等緣由，這些應試的表演者們，很顯然是被視為次等公民，或者（經驗與技能不夠成熟？）的學生等級。而與此同時，同樣非常清晰的是，街頭藝人評審制度或許是立意良善，但其審查過程的執行層面，卻是嚴重缺失連連。

藝術並非一種特權的這件事情如今已完全被遺忘。台北市文化局本應提倡所有具有文化及藝術可能性的事情，但它並未做到這ㄧ點。很顯然的，一個「對表演者的基本尊重」並不存在 — 許多表演者都如此感覺，有些人則深感受傷。

就算是得到全世界所有理應被如此對待的原因及理由，他們仍然感受到自己的不被尊重；因為這就是事實。

再一次的我想強調我並不是認定台北市文化局與該評審是一個「壞人」，我想強調的只是這個評審街頭藝人表演的執行環節，究竟有多麼的不妥當與糟糕。

我試著回應一個反面評論者所提到的觀點：若街頭藝人證照是ㄧ場「考試」、考試就會有考試的規則。評審無需與應試者惺惺相惜，掉頭就走是因為模擬街頭現場環境以及時間到了。再一次的，在我描述現場狀況的前ㄧ篇文章中，大家或許還記憶猶新：許多表演者根本沒有完整的短至一分半鐘的時間可以好好表演，遑論是超過2-5分鐘的時間限制了。

而這樣的回應是否也指出了另一個值得我們去思考的問題： 為什麼我們會將它視為一種「考試」，而不是ㄧ個表演者的「試鏡」呢？

首先，這些表演者們並不是學生。事實上，許多人更可能是一個專業的音樂家、舞者、或者正從事著表演藝術的人。當然，我不否認也可能會有些正在學習中的族群。但，最重要的是，當他們「在屬於他們應得的演出時間與機會裡 (而且還是付費才有的），他們就是ㄧ個真正的表演者。」

他們不應該被看待成一個不成熟的學生或者次等的公民。而就算一個人擁有著學生的身分，這個身分也不應該影響或侷限他或她，作為一個藝術創作者的身分及所有可能性。「藝術家」並非是透過一個人的職業身分或者社會地位來定義的。

所謂「考試」的這個字眼指涉著ㄧ個學術教育機構，而我們都知道台北市文化局所應該扮演的角色與作用，並非一個學術性的教育機構，也並非是用來教育藝術創作者們該知道些什麼？該怎麼表現？藝術教育及審美的養成也從來不是在追求填鴨式教育裡的ㄧ個標準答案。將街頭藝人的徵選視為「考試」的視角，或許本身就有待商榷。

評審的場所是在一個公共場合，許多居民與遊客都會圍觀欣賞著表演，其中有些人或許不了解藝術；因而這些人也許會將在場的評審們，視做為某種藝術的衡量標準；試問，當這些人看到評審對待表演藝術家的行為與態度，當他們看到評審總是任意打斷演出，並且掉頭就走不帶ㄧ句回應時，人們日後還能懂得尊重街頭表演藝術家嗎？

沒錯，我們都知道這是一場「考試」，我們也很清楚這些手上拿著計分表的人們就是評審；因此，事實上評審們根本無需「模擬」街頭現場那些會隨時走掉的陌生人們。

這些評審以及相關單位的人員，理應提倡藝術，並且作為ㄧ種示範與典範，讓普羅大眾都能夠看到該如何去欣賞ㄧ場演出。一個表演者並不會因為他選擇在街頭表演，就因此比不上一個在大舞台演出的藝術家。我自己就曾在世界各地超過百個不同的絢麗舞台演出過，但我仍然汗顏自己可能也不比這些街頭藝術家們來的優秀。

我曾擔任過ㄧ些國際比賽的評審，我也曾舉辦過專業的試鏡；我從來沒有聽過關於尊敬一個人的這件簡單事情，會需要在時間充裕的前提下才能夠發生。

如果一點表情會洩漏出評審成績的好惡，其實也真的可以不用笑或是無需在表演結束時說一聲謝謝。而評審也真的「不需要」與考證照的街頭藝人感覺惺惺相惜，因為這些都不是我想討論的重點。

我在意的是，表演者所需要的，只不過就是一個對人與對一個演出者的「基本尊重」而已。這樣的尊重存在與否，如人飲水冷暖自知，在人與人的接觸中就能直接感受的到，著實無需仰賴規則或語言的贅述。

我作為一個藝術創作者和教育者，穿梭各地工作超過15年的職業生涯經驗，或許會因此被視為一個外國人，但我的身分就是一個台灣公民。身為一個39歲的成年人，我可以分辨何謂尊重，而表達尊重甚至不需要浪費到任何一秒鐘。如果一個人會需要至少五分鐘以上的充足時間才有可能表達出對另外一個個體的尊重的話，那他可能需要重新再思考一下，尊重對他而言意謂著什麼？


再度回應一位也曾擔任過街頭藝人評審的老師所提出來「中途要求更換曲目或要求表演者改唱另ㄧ種語言的歌」的理由，是因為評審們不會希望一個街頭藝人一整年下來只會唱同一種語言、甚至是只唱同ㄧ首歌。

我所思考的是當一個街頭藝人遵守規定，付費且努力準備去應試時，他ㄧ定會準備了符合完整時間長度的、同時也是自己最擅長、最喜歡或者是最期待能被看見的那些內容；表演一首歌曲或者ㄧ種風格並不代表他就只會唱那ㄧ首歌；而且就算是當做他只會唱ㄧ種語言、ㄧ首歌，如果他能把這首歌反覆演繹的淋漓盡致時, 又有什麼不好呢？

難道我們不曾注意到百老匯的音樂劇就是同樣的那幾部，而獅子王也已經在舞台上展演了20年了嗎？許多同樣內容重複的音樂劇票房始終歷久不衰，持續帶給觀眾們心靈的滿足。而人氣歌手愛黛兒從頭到尾也只會用英文唱歌，而且幾乎都是類似的曲風，我們可曾在乎過她有沒有能力去唱中文歌呢？

ㄧ部舞蹈作品光在荷蘭本土就能有至少五十場大大小小的演出機會。但在台灣，ㄧ部作品如果能有五個場次的演出，可能已經算是很長壽了。這樣的環境迫使藝術創作者們必須不斷快速的「生產新作」，而將舊有積累的作品與經驗拋在腦後。就所有對於藝術的挹注與投資（不僅僅是金錢）來說，這樣的情況對藝術的生產是ㄧ種過度消耗與浪費，也並未真正教育到民眾如何去看待藝術的價值。

而最終，這樣的評審過程與態度並不僅僅是對街頭表演藝術者的不尊重，同時也是對於藝術的不尊重。

台北市文化局星期ㄧ曾經聯絡過我，親切向我表示將與我進一步聯絡並討論這件事情；他們要求我先將評審的照片拿掉—我答應取下照片，但前提是他們必須確實誠意的允諾一個面對面的溝通。這幾天我也暫時迴避了一些報導媒體的詢問（還請大家見諒）只因我衷心希望能先與台北市文化局及該評審當面談一談。我ㄧ直等待，但我也持續的看到了相關機構或人員回應給媒體的諸多理由與藉口； 自從將照片從網路上取下之後，直到今日都沒有人再跟我連繫過。慢慢的我突然明白星期一的那通電話，或許純粹只是ㄧ個希望我能將照片取下的操作手法，而並非真的試圖去了解整個經過以及解決問題。我對這個本應提倡藝術與文化的機構感到無比失望。

我知道我並非一個公眾人物，而我也不能代表所有想要考取街頭藝人執照的表演者們；自從我的臉書網頁訊息爆炸之後，我就不斷的在思考這件事情，我反覆思考自己是否該繼續爭執此事，這似乎並非與我切身相關的事情，然而，身為一個藝術教育者，我卻又感受到深切的責任。

經過反覆的思考以及與朋友們的討論，我意識到不論我們的展演形式如何不同，我們同樣都是表演藝術群體中的一分子。台北市文化局最後很可能將持續充耳不聞，而這位被我所抱怨的評審也可能繼續做他這些年來ㄧ直在做的事—用他ㄧ貫的態度。除非他們願意傾聽與改變，否則我無法改變任何人。

我真心相信有些事情值得改善，也可以改善。我必須強調我並不是想要攻擊或羞辱任何人。我只希望能有機會去討論如何讓審查的過程變的更適當。我看到台灣有許多優秀的藝術家，但環境對藝術和藝術家的不尊重不但打擊同時也限制了他們的發展；更遺憾的是，這一切可能是在許多疏忽之中造就出來的環境。

許多評審過程如果能夠在尊重藝術的前提之下思考和進行，事情或許會截然不同。
只要有一點點可能去拋開面子的問題，或許也就有機會明嘹我們所期待的結果其實是一樣的。

事實上我之所以說了這麼冗長的話語，並非是要不尊敬所謂的評審或師長，而正是因為我對藝術的尊敬，使我更深切的關注身為一個教育者所代表的意義。今天我看到了街頭表演藝術家是如何被不當的對待，而很顯然的我也不會是唯一的目擊者。某個程度上我的聲音似乎被放大了，但我也知道我的聲音並不是唯一的一個，我是許許多多的聲音中的ㄧ份子。

William

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Dear All,

I would like to thank you for all the encouraging messages and supportive comments. I would also like to thank all the journalists and reporters who are passionate about this issue and are so willing to expose the problem that was faced by these street performers. I am sorry that I have been quiet but with a reason: I don’t want it to get much bigger than it already was until I talked to the Taipei Cultural Affair. I apologize that it took me a while, but I needed some time to gather my thoughts and help to translate my writing into Chinese.

Before I go on any further, I never expected my story would go viral on the media and the social media. I am humbled and touched to hear from many of you. All the messages I’ve received have been overwhelming. I am not able to reply to all of them, but I’d like you to know that I am honored, thankful, and touched by every single one of them.

I do not consider myself as a brave person, nor do I consider myself a representative for the street performers. BUT I am an artist, a performer, educator, and most of all I am a human being.I have always been taught to stand for what’s right by my family, friends and mentors.

I understand things are not as black and white as we all wish sometimes. However, what happened on Sunday 21st of May was a disgrace to the art community. Regardless of all the excuses that were given or cultural differences, it was very obvious these performers were treated like lower-class citizens; if not, students. It was also very clear that the intention might be well, but the execution of the busker’s exam was done horribly.

Somehow the idea that ART is NOT a privilege had been forgotten. Taipei Cultural Affair is supposed to be advocating for all things cultural and artistic but it was not conveyed that day. It was very clear the respect was not there. Many felt it and some got their feelings hurt. Even with all the excuses there are in the world, many experienced the disrespect. That was the truth. Again I have to emphasize that I believe Taipei Department of Cultural Affair and its adjudicators are good people, but the execution of the exam was poor.

It brings to the question…. why is it called an exam? Shouldn’t it be an audition?

These performers were not students when they took the exam. Some of them were actually professional musicians, dancers, or performers. Just because one is a student, it doesn’t make him or her less of an artist. Artists are not defined by their social status or occupation.

The term exam suggests an educational institution, but we know Taipei Department of Cultural Affair is not an educational institution. They do not decide what these artists need to know. These performers were not given any materials to study, thus the term exam is very misleading.

The exam took place in a public space. Many tourists and residents were there to enjoy the event. Many do not understand arts. So they may look up to these adjudicators as role models who are experienced in the arts. When they saw how this exam was being done, do you think they would have any respect for these performers afterwards? They saw these adjudicators interrupting the performers and left without saying a “thank you.” We all knew it was an exam, we all knew these people were adjudicators. They did not need to pretend to be street spectators who just walk away. They all carried their score boards in their hands.

Just because a performer performs on the street, it doesn’t make that performer any less of a performer than someone who is performing on big stages. I myself have performed over hundreds of stages around the world and I do not dare to think myself better than these performers.

I have judged a handful of international competitions. I have also held professional auditions. I have never heard an excuse that respect can’t be shown when time is limited. You do not need to smile to simply say “thank you.” Since when, a smile means “I favor you.” What a performer need is respect. Over the 15 year span of my professional career as an educator and artist, and 39 years of being a human being, I know what respect looks like. It doesn’t take more than a second to show it. If it takes longer than 5 minutes to show what respect is, I think you may need to rethink what respect means to you.

Another excuse that was presented was that they don’t want a street artist performs only one kind of songs or genre throughout the year. Don’t they know broadway musicals? Lion King has been performed over 20 years. They’ve been doing the same musical numbers for years to sold out audiences. Adele has been singing the same genre of music and always in English. Does it matter that she doesn’t sing in other genre or sing in Chinese?

One dance production in the Netherlands can be performed up to 50 performances within the Netherlands itself. In Taiwan, a dance work only performed 5 times the most. They are forced to constantly create new works and leave the old works behind. That is a waste of arts funding and it doesn’t educate the public on the value of the arts. These performers is old enough to decide what they want to show these judges with their limited time.

In the end it wasn’t just disrespectful to the performers, but also to the arts.

I was contacted by the Taipei Cultural Affair on Monday, the representative spoke nicely promising that they would discuss further with me. He asked me to take the adjudicator’s picture down, I agreed with the condition of meeting in person to further discuss what could be done better. I have refused to talk to reporters for the last few days. I have been waiting but I then heard the excuses given to the media. Since I’ve taken down the picture of the head adjudicator, they haven’t made any attempt to contact me. I came into a realization that when they made the call, it wasn’t to address the problem but simply to manipulate me to take down his picture. I’m disappointed at this institution that was supposed to promote the arts and culture.

I realized I am not a public figure, nor am I responsible for the well being of all artists who want to get a busker license. After my Facebook post went viral, I’ve been thinking so much about this issue. I kept going back and forth questioning whether I should keep fighting for this. It doesn’t feel like my fight, but at the same time I feel responsible as an art educator.

I truly believe this can be fixed. I need to emphasize, I am not attacking anyone. And I don’t want to shame anyone. I want to start a discussion how to make it better. Taipei has some of the best performers I’ve seen, yet the lack of respect for the arts and artists has suppressed their ability to excel. And ironically, it’s often done unintentionally.

If the exam is done based on respect for the arts itself, things might have come out differently. And just maybe if we all let go the “face” culture, we could possibly see further to realize that we are all wanting the same thing.

I saw mistreatments towards performers that day. It was very obvious I wasn’t the only one witnessing it. It was not that I don’t respect these adjudicators/teachers, but because I respect the arts and the meaning of a teacher that is why I had to speak up. Somehow my voice had been amplified this week. But my voice wasn’t and isn’t singular. I am simply a voice amongst many.

Sincerely,
William Lü

Taipei National University of the Arts 國立台北藝術大學
寶藏巖國際藝術村 Treasure Hill Artist Village
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
Department of Cultural Affairs, Taipei City Government

最近這件事鬧的沸沸揚揚 也上了新聞 在留言上發現自己考試的影片有被po上去 增加一些曝光率這樣 哈XD

但對於此事件 我就不公開多表態什麼了 只希望一切能以理性與和平的方式去解決 我們大家都是文明人 都要努力讓這個世界變得更美好

謝謝大家關注這個議題，我剛剛把評審的照片拿掉了，原因是我希望大家不要將這位評審當成壞人，而也我們把焦點專注在這個事件上，而不是人身上，我們才能真正長期的改善這個問題．因為我不會中文，所以我會和我的夥伴們一起再產出一篇更詳盡完整的中文文章，屆時也煩請大家一同關注，讓台灣的藝術環境更好，最好也謝謝幫我翻譯以下文章的朋友，我非常訝異這篇造成的影響力，感謝你們！

I CAUSED A SCENE TODAY IN THE PUBLIC

Today I got very angry and upset for the first time in public in front of a crowd.

What started out as a nice day, I thought it would only get better by attending the street performance artist's exam in Taipei. Everything seemed nice when I saw the performers were all prepared in their provided locations around the Sun Yat Sen Memorial Hall. But after I saw the head of the judge panel treated the street performers while performing, I couldn't keep my mouth shut.

Let me explained: each performer had to pay to register for the license exam. They were given 3 minutes to present their work(s) hoping they'd get a lisence so they can earn some sort of living from their passion. This one particular judge (pictured) leading the group seems impatiently listen and watch the street performers. It barely hit the one minute mark, he aggressively cut into the song of a singer and told the performer "many singers sing in different languages like English etc, sing in another language!"(I paraphrased with my bad Chinese translation). Then the singer started singing in Taiwanese language. But barely two sentences, he talked to another judge barely paying attention to the performer this head judge basically just left and gestured to the rest of the group to follow him.

The singer sang barely a minute and a half (they were promised 3 mins and they kept being interrupted by this judge). Bare in mind, this judge is earning a wage while these hopeful performers were paying him to be there. He basically did the same thing over and over again disregarding the artist's intent and hard work. Not a single word of appreciation. He just acted as he was a big boss looking down on these petty performers. He chatted as he wished and walked away without saying a "thank you" or a gesture of acknowledgement. A percussionist kept being interrupted asking him to do something different. Then he just left after the third time. The rest of the judges just followed.

So, i approached him politely asking for his name and his business card. I told him I wanted to talk to him one on one in the future. Degradingly he asked me who I was. I could see in his eyes that he saw a young man who looked like a student to him. But I was not and am not. I am a 40 year old dance artist, filmmaker and educator that have taught around the globe and in many prestigious colleges and festivals.

He didn't want to give me his business card. He seemed annoyed and surprised that someone spoke up. So I said I can give him my contact info but we needed to talk on how the exam went.

The way Taipei city exams the performers today was both disrespectful and insulting to the arts community in general. I didn't want to say this all out. But he left me with no choice.

I told him, for one, the way he treated the performers was disrespectful. As an educator I could not be quiet when I see something like that. Second, the process of the exam is not doing the art community any justice. If he cannot see the artists as a human being first, then what does it say about his view on the Arts. I could see him pissed off. But again he left me with no choice. He was very degrading towards these performers. As an artist myself and an art advocate I had to do something.

The organizer apologized to me said the process needed to go on. I told him I wasn't trying to stop them. I merely want to know how I could get in touch with them to discuss this. If you know me well enough, you should know my temperament. I am a happy go lucky person. I almost never get angry in the public. But it was genuinely insulting and degrading to every artists based on what I saw today.

This arrogant judge didn't care of my opinion. I could see it in his eyes. He was basically the superior in his world and his way was the right way. That's how he had always done it. All the young staffers there were afraid of him. Today he was disrespectful, rude, and arrogant. I really want to know why he does what he does.

After the incident, a few people came up and thanked me for speaking up. They felt the same way but they didn't have the courage to say it to this judge or the organization that issues these licenses. One organizer from the New Taipei City said even she felt bad seeing how the performers being treated.

I don't understand why people don't stand up for each other. The Taipei City has failed their community and even more so to their arts community.

For an organization that is supposed to advocate for the arts, culture and authenticity, they did miserably today. It is like giving an exam to a dog, a cat, a bird and a monkey then telling them that their exam is climbing a tree. It's absolutely ridiculous.

I left them my contact information. They said they will contact me. If they don't, this could be an interesting subject for my next film project. A documentary on how these hopeful, aspiring performers being treated.

I am mad and I am angry. I really hope they will change their shallow way of seeing Arts.

P.S. Share or repost in Chinese. They need to change. Thanks.

台北國際藝術村－寶藏巖 Taipei Artist Village－Treasure Hill
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts

《pop'n music 15 ADVENTURE》
凛として咲く花の如く / Rin to shite saku hana no gotoku / 宛如凜風中綻放的花 / Like a flower that blooms bravely
作詞 / Lyricist：あさき
作曲 / Composer：紅色リトマス（TOMOSUKE）
編曲 / Arranger：紅色リトマス（TOMOSUKE）
歌 / Singer：オカマチコ
翻譯：CH（CH Music Channel）
意譯：CH（CH Music Channel）
English Translation: from the wiki

背景 / Background - 灯篭 - カット:
https://www.pixiv.net/artworks/58137405

上傳你的字幕吧！/ Submit your subtitles here!
https://forms.gle/MSsAM2WHpT31UuUh8

版權聲明:
本頻道不握有任何音樂所有權，亦無任何營利，一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。

Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.

すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽（または画像）の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。

如果你喜歡我的影片，不妨按下喜歡和訂閱，你的支持就是我創作的最大原動力！
If you like my videos, please click like and subscribe! Thx :)

粉絲團隨時獲得最新訊息！
Check my Facebook page for more information!
https://www.facebook.com/chschannel/

中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=5270562

英文翻譯 / English Translation :
https://popnmusic.fandom.com/wiki/Rin_to_shite_saku_hana_no_gotoku

日文歌詞 / Japanese Lyrics :
春深く夢の輪郭を　ぼかして　行き過ぎて　舞い戻る　
花びらは仕草を追いかけ　薄明かりの下で　密やか

つまさきであやす月の兎は踊り
星の間を飛び回る　口笛吹き

飛沫　あがる　わたし　掛ける
追いかける星は　まわる　まわる　ちいさなつぼみ

さいて　さいて　月にお願い　おだやかな影に薄化粧
しらず　しらず　えいや！と投げた　つぼみは行方知れず　のまま

見下ろして小さくなった雲の間に
芽を出した線香花火　つぶらな夢

飛沫　あがる　火花　翔る
問いかけた星は　かわる　がわる　顔を変えた

さいて　さいて　くるりとまわる　舞姫の如く　たまゆらに
思い思いに動く影と　背中を合わせて　ああ　走る！

弧を描き　影は延びる　陽炎の先に
さいた　あった！　まあるい花が

さいた　さいた　星の欠片が　月の裏側で泣いていた
気付かぬうちに　隠れていた兎も　また弧　描く

さいて　さいて　月にお願い　おだやかな影に薄化粧
しらず　しらず　えいや！と投げた　つぼみは　行方知れず

さいて　さいた　風に揺られて　おだやかな坂は薄化粧
下駄鳴らして口笛合わせ　凛として　はんなりの　こころ

中文歌詞 / Chinese Lyrics :
春意正深，浸暈了夢的輪廓，花瓣紛飛、舞態極妍
薄曉微光下靜悄地，飄揚的繁華隨著動作飛繞於身

月兔墊著爪稍舞蹈
吹著口哨，在群星間來回穿梭

水濺花揚，我奔跑著
追逐的明星，正轉啊、轉動著，恰似幼嫩的花蕾

「綻放吧、綻放吧！」向月娘祈禱，並為靜宓的月影淡施薄妝
「不明白、不明白呀！」唉聲嘆氣，始終無從知曉，渺小花蕾的蹤跡

因俯瞰而微渺的從雲間隙
綻放恰似花蕾的線香煙火，燃著甜美的夢

激起水沫、揚起火花
於此叩問的繁星，一張接著一張，反覆變換面貌

「綻放吧、綻放吧！」反覆迴旋，猶如稍縱即逝的輕巧舞女般
想念著、想念著的那個身影，與記憶形影交織，就這樣走吧！

舒展身姿、描繪形影，在此驕陽之前——
凜然地綻放了一朵，好完滿的花啊

綻放吧、綻放吧，於月娘身後哭泣的、宙海繁星的殘片
卻沒有注意到，躲著的兔兒也再度描起新月的身姿

「綻放吧、綻放吧！」向月娘祈禱，並為靜宓的月影淡施薄妝
「不明白、不明白呀！」唉聲嘆氣，始終無從知曉，渺小花蕾的蹤跡

「綻放吧！綻放啦！」風兒搖曳，為沉靜的丘壑淡施薄妝
木屐鳴響、口哨伴歌，凜冽綻放的是，那顆明潔絢爛之心

英文歌詞 / English Lyrics :
The outline of spring's deep dream
That had blurred way too much returns to me
When the flower petals chased after my moves,
Quiet under the dim twilight

Balancing on tiptoe, moon rabbits dance,
Whistling and flying through the stars

In a splash of color,
I begin chasing
A star spinning round,
Spinning round, a small flower bud

"Bloom, bloom!" I begged of the moon,
"And dress the gentle shadows in your light makeup."
But I never knew, never knew, augh! I give up!
I still don't know where this little flower bud will end up.

Looking down through the shrinking clouds of smoke,
A sparkler suddenly blossomed to life
In a blinding dream.

In a splash of color,
Sparks begin
And the strange stars
One after another, changed their faces

Bloom, bloom! Twirl right around
Like a ballerina for a fleeting moment
But I think, I think something's moving in the shadows
From behind my back, ah, run away!

The arc of shadow drawn
On the moon extends beyond the heat haze
And, it bloomed already! Into a round flower,

It bloomed, it bloomed! Fragments of stars
Cried on the other side of the moon and unnoticed to me,
The hidden rabbits continued
To draw an arc

"Bloom, bloom!" I begged of the moon
"And dress the gentle shadows in your light makeup."
But I never knew, never knew, augh! I give up!
I don't know these little flower buds,

But they bloom, they bloomed!
Blowing in the wind, dressing the gentle hill in light makeup
Their footsteps ring, whistling to one another
From their dignified, quietly beautiful hearts.

哈囉大家好～五天的羅馬行真的超級值得，除了天氣太熱曬到頭昏腦脹脾氣暴躁之外，覺得不虛此行啊！如果有在羅馬停留3-4天大概就能把所有想看的都看完了！下面會把覺得非去不可的地方用*標示起來做個參考 之後會把詳細行程再放上來～

這次用中文因為我們兩個用中文還是比較舒服 雖然看的人不多 但不知道大家喜歡看中文還是英文的影片啊...

Here comes the Rome vlog! We've pretty much tackled every where we planned to go, and we've gone to A LOT OF PLACES. If you plan to stay in Rome for 3-4 days - this trip schedule might be ideal for you! Spots that we highly recommend to visit is marked * down below.

*Places mentioned:

Colosseo/Palatino/Foro Romano 羅馬競技場*
Roman Forum (Foro Romano) 羅馬廣場*
Palatine hill 帕拉提諾廣場*
Trajan's market 圖拉真集市
Basilica of San Clemente al Laterano 聖克里蒙教堂*
Basilica di San Pietro in Vincoli 聖伯多祿鎖鏈堂
Fontana Del Moro 摩爾人噴泉
Fontana dei quattro fiumi 四河噴泉
Fountain of Neptune 海神噴泉
Piazza Navona 巴洛克廣場拿佛納
Trevi Fountain 特雷維噴泉*
St. Peter's Basilica 聖彼得大教堂*
Vatican Museums and Sistine Chapel 凡蒂岡大教堂＆西斯汀大教堂*
Spanish Steps 西班牙階梯*
Basilica Santa Maria Maggio 聖母大殿*
Arco degli Acetari *羅馬小巷弄
Via Degli Orti d'Alibert *羅馬小巷弄2
Cinema dei Piccoli 皮克力電影院
Borghese Gallery and Museum 貝佳斯美術館*
Mouth of truth 真理之口

Bonci Pizzarium 梵蒂岡的pizza店 大～愛～
Gelateria Fassi 朋友大推 希特勒最愛的gelato (真的不錯吃)
Campo de' Fiori 古羅馬廣場附近的gelato
Gusto 羅馬早午餐
Bar pompi 據說是羅馬最好吃的提拉米蘇

如果喜歡的話別忘了給我一個like或是訂閱我的頻道～
謝謝你和我一起分享我的旅行和生活 :3

Please like this video if you enjoy it, also feel free to subscribe to my channel if you would like to! Thank you for sharing my travel and life together :)

Find me here!
Instagram: clumsycynthia
Snapchat: cynthiahuanggg

■English Title : Tomica thrilling Mountain Special Tomica Bundle Tomica system Tomy
■中文標題 : 多米小汽車驚心動魄探險玩具
■한국어 제목 : 토미카 스릴 마운틴 스페셜 토미카 동봉판 토미카 시스템 다카라 토미
■中文标题 : 多米小汽车惊心动魄探险玩具

■チャンネル登録はこちら / Channel subscript → https://goo.gl/in9442

■動画内容説明・概要
2016/7/15 新発売 新商品
トミカからワクワクドキドキの『スリリングマウンテン』登場!
自動で動く迫力のある上り、ドキドキいっぱいの下りのコースが特徴です。
ドリフトロードやベビヘビ坂、スリルブリッジなどワクワクドキドキの遊びがたくさんあります!
また、岩が下りてくる遊びなどトミカには今までなかったスリルいっぱいの遊びも入っています。
360度遊べる仕様もポイント。トミカシステムともつながります。
特典トミカ付き。

■Video Description / Overview
"Thrilling Mountain" appearance of the thrills and spills from Tomica!
Up with a powerful running on automatic, pounding full of down of course it is characterized.
Drift load and Bebihebi hill, there is a lot of play of thrills and spills, such as thrill bridge!
It also contains thrilling play to Tomica was not until now, such as play rock coming down.
360 degrees play also point specification. Also leads the Tomica system.
With benefits Tomica.

■↓↓↓↓↓↓↓↓次のおすすめ動画/Next Recommend Video/下一個推薦視訊/下一个推荐视频/다음의 추천 동영상↓↓↓↓↓↓↓↓■

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https://www.youtube.com/watch?v=HKYa0d8PotI&list=PLXiDlOQjp9BuF1-qE2UZ_hKcFr3JHFjvR

Hane&Mari'sWorld | 魔法使いプリキュア おもちゃ | Maho Girls PreCure TOYS | 魔法使光之美少女 玩具 | 마법사 프리큐어 장난감
https://www.youtube.com/watch?v=qLAl43jJ-Ak&list=PLXiDlOQjp9BuLW2KPIF_i6w2qmZ_sb4oL

Hane&Mari'sWolrd | マクドナルド マック ハッピーセット おもちゃ | McDonald Japan Happy Meal Toys | 麥當勞歡樂兒童套餐玩具
https://www.youtube.com/watch?v=iu7Urumkkyo&list=PLXiDlOQjp9BsErHhmhB8V-w_uo8pOWNoH

Hane&Mari'sWorld | ここたま おもちゃ | Kokotama Toys
https://www.youtube.com/watch?v=uKlrWWSRQqk&list=PLXiDlOQjp9BtCrjrdL3rQ7LV6EMuehJyG

Hane&Mari'sWorld | プリキュアオールスターズ | Precure All Stars | 光之美少女全明星
https://www.youtube.com/watch?v=2VCFbybyOXU&list=PLXiDlOQjp9BucWyiEqkk9LlBC4GhoZOCP

Hane&Mari'sWorld | トミカ おもちゃ | TOMICA TOMY CAR TOY | 日本多美小汽車玩具 | 日本多美小汽车玩具 | 일본 토미카 장난감
https://www.youtube.com/watch?v=Ktuz7jaqvHs&list=PLXiDlOQjp9BsUJ286UMY4fBGicl3u2bRx

Hane&Mari'sWorld | 食玩おもちゃ開封紹介動画 | Candy Toy Chocolat Eggs Review Videos | 日本食品玩具開箱介紹視訊 | 日本零食附赠玩具开箱视频
https://www.youtube.com/watch?v=qLAl43jJ-Ak&list=PLXiDlOQjp9BsE7XPT_X8rDqiLQ8dSG6GG

Hane&Mari'sWorld | ガチャガチャ ガシャポン ガチャポン カプセルトイ | Japan GASHAPON Capsule Toy | 빙글 빙글 가샤폰 가체 폰 캡슐 토이 | 日本扭蛋 轉蛋 玩具
https://www.youtube.com/watch?v=XHXRETDUEHo&list=PLXiDlOQjp9Bv38YUQqJ7FdQ1D01pSMXtv

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■撮影機材/Photographic Equipment → キャノン Canon EOS 80D + EF-S18-135mm F3.5-5.6 IS USM