Q1: What is success mean to you?
I'm not sure what defines success, for me, success or failure is just a “phenomenon” that keeps changing. “Everything with form is unreal; if all forms are seen as unreal, the Tathagata will be perceived.” There is no rule to achieve success, we don’t know whether or not we can succeed before we start exploring.
Q2: How did you get into film and media? Can you tell me about your childhood?
As a child, I was obsessed with children's literature and illustrations, it was the reason I decided to study Design in HK PolyU. My first scriptwriting class in School of Creative Media, was a turning point. Dr. Tam Ka Ming’s teachings guided me towards the film industry. All I know is that I couldn’t help but follow my desire to use a camera to tell stories. It’s what led me drifting down this life-long career path. At the age of 23, I filmed my first movie, “High Noon". It portrays the dilemma of teens becoming adults and stepping into society.
Q3: How do you approach story or scene as a director, and what do you want to achieve on set?
The motifs of my movies are youth, growth, desire, bright and dark sides of human nature.
I think making movie is a journey of “Discovery”, “Recovery” and “Being”. Youth and teen growth is not only the topic for my debut, it is the topic of life that I concern.
Q4: Why you also started a talent agency? You also produce, why you choose to do so many things?
When I started my company Dumb Youth, my 1st intention was to protect those artists. Then I realize that a part of my role in life is to embrace my life with my "companions". I believe that the people and things around us coexists in the same space for a reason. I live by the Kahlil Gibran quote: “And all work is empty save when there is love”.
Q5: What inspires you about the film world and in HK Film Industry?
Love and Death, Lust and Desire, Humanity and Spirituality, lightness, heaviness and thickness.
For Hong Kong Film industry, I think the creativity and imagination always inspire me the most, and most importantly, people here have the ability to find humor amongst adversity.
Thanks Prestige HK 🙏🏼🤍
Makeup & Hair for Heiward
Thanks Makeup - @tammyau_makeup 🤍
Hair - @jayyeung.theedge 🤍
#Repost @prestigehk
On the #prestige40under40 list this year, Heiward Mak is a talented film director, producer, scriptwriter and artist manager. She recounts her incredible journey in the film industry via the link in bio.
Video - @whats.in.the.bozz
Editing - @novisuals
Photo - @studio.incline
Makeup/Makeup Assistant
@jenny.tziong & Venus Ngan
Hair - @domanictao
@prestigehk 🥂 #prestigehk40under40 #prestigehk #40under40 #bmwhongkong #breguethk #rareskinfuel #amihongkong
同時也有33部Youtube影片,追蹤數超過105萬的網紅玖壹壹,也在其Youtube影片中提到,#祝我生日快樂~ 一路走來就像 #癡人說夢 一樣,別人說我們不行,我就越努力 一定行 ♫ 數位平台全面正式上架 → https://911.lnk.to/EmptyDreams ————————————— 歌手 Performer:#玖壹壹 Nine one one 作詞 Lyricist:陳皓宇...
「empty space」的推薦目錄:
- 關於empty space 在 Facebook 的最佳解答
- 關於empty space 在 Taipei Ethereum Meetup Facebook 的最讚貼文
- 關於empty space 在 眼鏡特賣會 Facebook 的最佳解答
- 關於empty space 在 玖壹壹 Youtube 的最佳解答
- 關於empty space 在 translation Youtube 的精選貼文
- 關於empty space 在 The Hope Youtube 的精選貼文
- 關於empty space 在 crazymusic26 - James Arthur Empty Space JA3... | Facebook 的評價
- 關於empty space 在 iOS 15: Remove empty space before cells in UITableView 的評價
empty space 在 Taipei Ethereum Meetup Facebook 的最讚貼文
📜 [專欄新文章] Gas Efficient Card Drawing in Solidity
✍️ Ping Chen
📥 歡迎投稿: https://medium.com/taipei-ethereum-meetup #徵技術分享文 #使用心得 #教學文 #medium
Assign random numbers as the index of newly minted NFTs
Scenario
The fun of generative art NFT projects depends on randomness. The industry standard is “blind box”, where both the images’ serial number and the NFTs’ index are predetermined but will be shifted randomly when the selling period ends. (They call it “reveal”) This approach effectively solves the randomness issue. However, it also requires buyers to wait until the campaign terminates. What if buyers want to know the exact card right away? We’ll need a reliable onchain card drawing solution.
The creator of Astrogator🐊 isn’t a fan of blind boxes; instead, it thinks unpacking cards right after purchase is more interesting.
Spec
When initializing this NFT contract, the creator will determine the total supply of it. And there will be an iterable function that is randomly picking a number from the remaining pool. The number must be in range and must not collide with any existing ones.
Our top priority is accessibility/gas efficiency. Given that gas cost on Ethereum is damn high nowadays, we need an elegant algorithm to control gas expanse at an acceptable range.
Achieving robust randomness isn’t the primary goal here. We assume there’s no strong financial incentive to cheat, so the RNG isn’t specified. Implementers can bring their own source of randomness that they think is good enough.
Implementation
Overview
The implementation is pretty short and straightforward. Imagine there’s an array that contains all remaining(unsold) cards. When drawIndex() is called, it generates a (uniform) random seed to draw a card from the array, shortens the array, and returns the selected card.
Algorithm
Drawing X cards from a deck with the same X amount of cards is equal to shuffling the deck and dealing them sequentially. It’s not a surprise that our algorithm is similar to random shuffling, and the only difference is turning that classic algo into an interactive version.
A typical random shuffle looks like this: for an array with N elements, you randomly pick a number i in (0,N), swap array[0] and array[i], then choose another number i in (1,N), swap array[1] and array[i], and so on. Eventually, you’ll get a mathematically random array in O(N) time.
So, the concept of our random card dealing is the same. When a user mints a new card, the smart contract picks a number in the array as NFT index, then grabs a number from the tail to fill the vacancy, in order to keep the array continuous.
Tweak
Furthermore, as long as the space of the NFT index is known, we don’t need to declare/initialize an array(which is super gas-intensive). Instead, assume there’s such an array that the n-th element is n, we don’t actually initialize it (so it is an array only contains “0”) until the rule is broken.
For the convenience of explanation, let’s call that mapping cache. If cache[i] is empty, it should be interpreted as i instead of 0. On the other hand, when a number is chosen and used, we’ll need to fill it up with another unused number. An intuitive method is to pick a number from the end of the array, since the length of the array is going to decrease by 1.
By doing so, the gas cost in the worst-case scenario is bound to be constant.
Performance and limitation
Comparing with the normal ascending index NFT minting, our random NFT implementation requires two extra SSTORE and one extra SLOAD, which cost 12600 ~ 27600 (5000+20000+2600) excess gas per token minted.
Theoretically, any instantly generated onchain random number is vulnerable. We can restrict contract interaction to mitigate risk. The mitigation is far from perfect, but it is the tradeoff that we have to accept.
ping.eth
Gas Efficient Card Drawing in Solidity was originally published in Taipei Ethereum Meetup on Medium, where people are continuing the conversation by highlighting and responding to this story.
👏 歡迎轉載分享鼓掌
empty space 在 眼鏡特賣會 Facebook 的最佳解答
感謝文回憶錄!
因為有外國人所以以下文章中英對照文
想當初從無到有。從有再到無。
想當初從不信任。再到很信任。
再從非常的信任。再到不信任。
紅塵來也來去也去。一場空。
嚐盡一切酸甜苦辣。空笑夢。
人生圓夢淚灑滿地。事難成。
揮揮衣裳彿朽而去。回頭難。
I want to be from scratch. From there to no.
I want to never trust. It’s very trustful.
From the very trust. No more trust.
The red dust is coming and going too. An empty space.
I tasted all the bitterness and bitterness. Empty smile.
Life is full of dreams and tears. It’s hard to do.
I waved my clothes and died. It is difficult to turn back.
empty space 在 玖壹壹 Youtube 的最佳解答
#祝我生日快樂~
一路走來就像 #癡人說夢 一樣,別人說我們不行,我就越努力 一定行
♫ 數位平台全面正式上架 → https://911.lnk.to/EmptyDreams
—————————————
歌手 Performer:#玖壹壹 Nine one one
作詞 Lyricist:陳皓宇、廖建至、洪瑜鴻
作曲 Composer:陳皓宇、廖建至、洪瑜鴻
製作人 Producer:潘信維 Lil Pan(跳蛋工廠EGGO Music Production)
執行製作 Production Assistant:CYH(跳蛋工廠EGGO Music Production)
編曲 Arrangement:潘信維 Lil Pan(跳蛋工廠EGGO Music Production)
/錢誠(跳蛋工廠EGGO Music Production)
合聲 Backing Vocalist:洪瑜鴻/廖建至/潘信維(跳蛋工廠EGGO Music Production)
電貝斯 Electric Bass:sionC(跳蛋工廠有限公司 EGGO Music Production)
電吉他 Electric Guitar:Chris Wu 巫孟儒 (跳蛋工廠有限公司 EGGO Music Production)/黃綻默
弦樂編寫 Strings Arrangement:Connie Mae /Jay Dub/LilPan
錄音工程師 Recording Engineer:陳振發 Jansen Chen
錄音室 Recording Studio:白金錄音室Platinum Studio
混音工程師 Mixing Engineer:Double@Nerdyboy Production
混音工作室:No Standard Studio
母帶後期製作人 Mastering Engineer:Double @Nerdyboy Production
母帶製作工作室 Mastering Studio: Nerdyboy Space Capsule
宣傳統籌 Publicity Director:鄭芳任 Arzen Cheng
藝人經紀 Artist Agency:彭上容 ViLa Peng
藝人助理 Assistant to Artist:吳哲儀 Che Yi Wu
—————————————
你可以叫我傻子
也可以說我不懂事
生活在這樣的城市裡
不做夢根本沒有機會
媽說有夢的人最美
透露沒膽量的自卑
我若失敗也沒人能怪罪
我的人生像一首歌
但卻未能走到副歌
經歷分分合合形形色色
卻被我錯過了
每個夜晚都在買醉
到現在還是學不會
不知道我該如何面對
我像癡人說夢
說得如此輕鬆
那些潮起潮落 誰能懂
怪我別再做夢
到後來一場空
也許我的心中 只有我
我不去過問你有什麼樣的經歷
這個計畫對我們來說都是無與倫比
如果能下場雨來淨化我的心靈
我就能確定我絕對不是被傲慢蒙蔽
我的身心沒有那麼容易被摧毀
兄弟我告訴你我們得習慣 Bad Day
在所有光鮮亮麗之前都得頹廢
我勸你做好準備成為體系的魁儡
你最好筆記 我的激勵 所有邏輯 都有真諦
旁人笑你 當作警惕 適當叛逆 創作話題
當初一時風靡 一時奢迷 卻逼急了自己
雨過天晴什麼都沒了你能力只剩下了 花言巧語
我不確定這是不是一條死的胡同
但不會坐以待斃冷冷的看或坐著不動
那就等著豐收 看我登鶴雀樓 望向盡頭
總有一天讓他們知道我並不是在癡人說夢
我像癡人說夢
說得如此輕鬆
那些潮起潮落 誰能懂
怪我別再做夢
到後來一場空
也許我的心中 只有我
我像癡人說夢
說得如此輕鬆
那些潮起潮落 誰能懂
怪我別再做夢
到後來一場空
也許我的心中 只有我
—————————————
影像製作公司 Production Company:轉轉影像事業有限公司 SHIFT STUDIO .CO
監製 Executive Producer:邱亮 Liang Chiou
專案管理 Project Manager::邱亮 Liang Chiou、蕭家宜 Iris Hsiao
導演 Director:薩禾豐 Leo Sa
執行導演 Executive Director:陳昱廷 Eddie Stone
副導演 Assistant Director:張智軒 Edison Chang
導演助理 Assistant to Director:自動鮪魚 Autotuna
製片 Producer:鄭宇璿 Poliz
執行製片 Line Producer:簡子崴 Willis Chien
製片助理 Production Assistant:全心潔Xin Jie
場務 Set Coordinator:張武雄 Wu Hsiung Chang
美術指導 Art Director:吳宜玫 51 Wu
美術執行 Executive Art:黃瀞嫻 Ching Hsien Huang
美術助理 Assisant to Art Director:方品融Pin Jung Fang
美術廠務 Art Production Assistant:陳涵哲 Han Zhe Chen
攝影指導 Director of Photography:薩禾豐 Leo Sa
攝影二機 B Cam:陳昱廷 Eddie Stone
攝影大助 1st C.A.:自動鮪魚 Autotuna
燈光師 Gaffer:楊軒毓 Ayang
燈光助理 Best Boy:莊逸晨 Ethan、陳育民 Chen Yu Ming、江冠陞 JIANG ,GUAN-SHENG
剪接 Editor : 薩禾豐 Leo Sa
調色 Colorist : 自動鮪魚 Autotuna
後期 Post-production:薩禾豐 Leo Sa
剪接助理 Assistant Editor:張智軒 Edison Chang
平面攝影 Still Photographer:劉冠汶 Guanwen Liu
服裝造型 Stylist:陳甯亞 Mia
造型助理 Stylist Assistant:徐長威 Chang Wei Xu
髮型師 Hairstylist:温怡真 Wen Yi Chen
彩妝師 Makeup:陳甯亞 Mia
群眾演員 Extra:小羅家族模特兒演藝經紀公司
特別感謝 Special Thanks:九巴Eason車隊、林文仁司機、轉轉Becky
empty space 在 translation Youtube 的精選貼文
#'93年にサンソフト、東海エンジニアリングが開発、サンソフトが発売した、SFC用シミュレーションRPG作であり、シリーズの第一作目。
企画では主人公がメカであったが結局ファンタジーに落ち着いた。また、森達男氏はセガのG-LOCのシステムにかなり影響を受け製作に取り組んだ。
基本はターン制STRのシステムを持ちながら、HEXフィールドマップ上を戦闘・移動し進む。しかしパーティの4人のキャラは完全にバラバラに行動可能な為、例え1人が別の場所に居ようがターン終了等も可能。
戦闘演出のテンポもよく、戦闘アニメも邪魔にならない。
「中学生の頃から自分のゲームを作りたいという夢を叶えた」と言うプロデューサー及びプログラマーの渥美博明氏は、"1"だけが本当のアルバートと述べる程、続編以降に関わった際に心身共に疲弊したそうだ。
EDについても素直にハッピーエンドなんて認めん、という気持ちで作ったらしい。
BGMはへべれけ(FC/'91年)や、バットマン(FC/'89年)等の小高氏が作曲を行った。
ドライバ作成:塚本浩氏
作曲:小高直樹氏
Manufacture: 1993.03.05 Sun Soft / Tokai Engineering
Hardware: spc700
computer: super famicom / snes
music driver programmer: Hiroshi Tsukamoto
composer: Naoki Kodaka
---------------------------------------------------------------------------------------------------------------------------------------------------------
00:00 01.Memories of the Past (過去の記憶)
02:07 02.The Other Side of Reminiscence (追憶の彼方)
03:16 03.Beyond the Empty Space (虚空の彼方へ)
03:39 04.An Offering to the Holy King Gort (神聖王ゴートに捧ぐ)
05:52 05.Gathering of Comrades (同志集いて)
06:04 06.Hometown Tibelis (チベリス我が故郷)
09:17 07.On Holy Ground (勇者のゆく道)
10:34 08.Fine Goods (買い物上手)
11:37 09.The Road Walked by Heroes (勇者のゆく道)
14:13 10.Brimming Strength (みなぎる力)
14:21 11.Roar of the Beast (魔獣の咆哮)
15:42 12.Fire Raid (襲撃の炎)
17:02 13.At the Base of Gort's Flag (ゴートの旗のもとに)
18:42 14.Goodnight, Sophia (おやすみソフィア)
19:21 15.Take a Rest (お疲れさま)
19:24 16.Clouds Riding the Wind (風に乗る雲)
21:19 17.We're Cheerful Workers! (おれたちゃ陽気な労働者!)
23:26 18.In a Strange New World (異郷の地にて)
25:13 19.Lovers' Dirge (恋人たちの追悼歌)
27:34 20.Proof of Mania (マニアの証明)
27:47 21.Sleeping World (眠れる大地)
29:22 22.Stir of Sorcery (魔導の胎動)
30:28 23.To a New World (新たな大地へ)
30:53 24.Mysterious Garden (不思議の園)
31:30 25.World of Twilight
34:54 26.Lovely Faeries (麗しき妖精たちよ)
36:30 27.Lost in the Darkness (暗闇の迷走)
38:34 28.A Faint Glimmer (ささやかな光)
38:43 29.Temple of the Demon God (魔王の神殿)
40:05 30.Messenger at the Lunatic Banquet (狂宴の使者)
41:05 31.Until My Life Comes to an End (この命尽きるまで)
43:09 32.Song of Reposing Souls_ Warrior's Headstone (鎮魂歌:戦士の墓標)
43:37 33.Anthem of a New Hero (新たな英雄の賛歌)
46:05 34.Someday, Once More Will He... (いつかまた…)
46:16 35.Sunsoft (サンソフトロゴ)
---------------------------------------------------------------------------------------------------------------------------------------------------------
empty space 在 The Hope Youtube 的精選貼文
【Come Again 求充滿我】
作曲/作詞 Composers & Lyricists : Brandon Lake, Chandler Moore, Dante Bowe, Steven Furtick
翻譯 Translation : The Hope
歌詞 Lyrics:
I’ll wait for You to come 我願等候 祢的到來
I’ll wait for You to come 我願等候 祢的到來
Cause when I’m with You Lord 主 當祢同在降臨
It always leaves me wanting more 我就更多渴慕祢
Here’s our praise You can dwell within 願這讚美成為祢的居所
Come again 求充滿我
Come again 求充滿我
Let the glory in 讓祢榮耀降臨
I'm open, I'm open 我心完全向祢敞開
Come again 求充滿我
Let the glory in 讓祢榮耀降臨
I'm open, I'm open 我心完全向祢敞開
It’s not a building You wanna fill 祢所想要的 不是停留在何處
It’s my heart 而是充滿我心
This empty space 祢所想要的
Is what You wanted all along 是我倒空自己
©2021 Music by Elevation Worship Publishing, Chandler Moore Designee, Bethel Music
Publishing / Maverick City Publishing Worldwide, Bethel Worship Publishing / Maverick City
CCLI : 7171579
#ComeAgain #ElevationWorship #MaverickCity #TheHopeWorship
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【The Hope】
The Hope 是一個對神、對人、以及生命充滿熱忱的教會。我們的存在是為了要接觸人群, 帶領他們與耶穌有更深的關係。
【與我們保持聯繫】
●The Hope Website: http://thehope.co/
●The Hope Facebook: https://www.facebook.com/insideTheHope
●The Hope Instagram: https://www.instagram.com/thehope.co/
empty space 在 crazymusic26 - James Arthur Empty Space JA3... | Facebook 的推薦與評價
James Arthur Empty Space JA3 ✏️這首歌是一首非常感人的情歌,描述失去自己的愛人後才發現只有他可以填補自己的空缺。... ... <看更多>