VIET/ENGLISH
Cũng là câu chuyện của mẹ tôi gần đây nhất, hôm bà thèm phở quay lại quán ăn của khu người Việt, ở khu chợ người ta mở tôi hát MÙA THU CHO EM ( link https://youtu.be/pYnmZCJ9-5M) - bản song ngữ tôi thực hiện mới nhất ở Hà Nội, mẹ tôi vui mừng reo lên kiểu con tôi đấy! Con tôi đấy! Ai cũng nhìn mẹ cười. Hôm tôi về thăm, mẹ kể rồi hỏi "Ở Việt Nam con nổi tiếng bằng ca sĩ nào ở Mỹ?" Tôi cười chỉ nói rằng: "Mẹ hãy tự hào về con trai mẹ không phải chỉ vì con nổi tiếng, mà con đã làm được những điều mà người Việt khắp nơi trên thế giới yêu mến và ủng hộ con."
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Tôi có một thói quen, khi có thời gian rãnh là đọc hết tất cả những comment của những người yêu mến trên facebook và cả kênh youtueb của mình.
Rất nhiều nhiều lời chia sẻ mà khiến lòng tôi lặng đi hay rơi cả nước mắt, bên cạnh đó có cả những cmt góp ý rất chân thành với mong muốn tôi ngày càng thành công hơn. Dẫu không thể chia sẻ hết nhưng tôi vẫn luôn âm thầm cảm ơn những sự ủng hộ ấy dành cho mình.
Tôi bất ngờ nhất là trong suốt đầu năm qua tôi luôn có nhiều show diễn ở các Châu lục nhiều hơn cả ở VN, khi những sản phẩm nghệ thuật và hành trình âm nhạc của tôi bất đầu lan toả đến cộng đồng người Việt ở nước ngoài, và một bộ phận người nước ngoài ở Việt Nam, quốc tế. Khi lắng nghe những ca khúc Việt Song ngữ họ đã mời tối đến chia sẻ những tác phẩm đẹp của Việt Nam bằng tiếng Anh đó là điều tự hào, nhiều kênh truyền hình quốc tế cũng phỏng vấn khi họ kết nối được với tôi về ngôn ngữ. Đặc biết một phần lớn giới trẻ Việt Kiều hầu như họ sinh ra và tiếng Anh là ngôn ngữ chính, nên phụ huynh thường hay mở những ca khúc song ngữ của tôi cho họ nghe, thì họ tỏ ra vô cùng thích thú khi hiểu nghĩa của âm nhạc Việt.
Tỉ như tôi vô cùng xúc động khi một chị chủ team nail luôn mở những ca khúc song ngữ của tôi cho khách Việt và Mỹ nghe họ vô cùng hứng thú và yêu cầu nhiều hơn. Tôi thấy hành trình âm nhạc của tôi lan toả kiểu cộng đồng dần dần chúng quảng bá và kết nối một cách chân thành nhất, không truyền thông rầm rộ hay một kế hoạch Pr nào hoành tráng mà chính sự yêu thương và tình cảm của khán giả đã khiến những tác phẩm Không Còn Mùa Thu, Đêm Đông, Sầu Đông, Sài Gòn Đẹp Lắm, Hạ Trắng, Một Cõi Đi Về, Thương Ca tiếng Việt,... lan toả rộng lớn trong lòng người Việt ở khắp mọi nơi vượt qua rào cản ngôn ngữ.
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I have this habit when I have free time I usually go in and read all the comments of fans on facebook and youtube. Much of what I read makes me feel so good and I also sometimes tear up. Additionally I read a lot of honest feedback that I take seriously to become more successful. Although I can’t always reply to everyone because Im only 1 person, I want you all to know that I appreciate your support so much.
Im surprised to know that this year Ive had so many opportunities to perform all over the world. Its such a pleasure to know that my musical journey in Vietnam has caught the eye of Vietnamese overseas and likewise foreigners living and working in Vietnam. Because of my bilingual song covers, I’ve been invited to speak on international TV about these covers and about language in general. Most recently, I was so proud when the owner of a nail salon in the US told me she regularly puts my music videos on the TV for her guests to watch and everyone loves them and requests them when they come to get their nails done. Im so blessed to see my musical journey have such an honest and real impact on all of my listeners, no big publicity stunts, no major PR plan, no frills, just real love, real views and real support! Songs like Không Còn Mùa Thu, Đêm Đông, Sầu Đông, Sài Gòn Đẹp Lắm, Hạ Trắng, Một Cõi Đi Về, Thương Ca tiếng Việt... have made a real emotional impact and connection with my viewers all over the world and have helped break down language and cultural barriers.
And my most recent story is when my Mom went back to eat her second bowl of Phở at the restaurant I took her last time. In this area, a few people where listening to Autumns Love, (Mùa Thu Cho Em https://youtu.be/pYnmZCJ9-5M ) My Mom was so excited and said “THAT’S MY SON. So many people looked at her and smiled. My most recent trip home, My Mom asked “who are you comparably famous to in the US?” I just smiled and said “Just be proud that I’ve done things that have made Vietnamese people really respect and love me all over the world.”
同時也有16部Youtube影片,追蹤數超過202萬的網紅Marioverehrer,也在其Youtube影片中提到,► Learn the piano step by step: https://www.skoove.com/#a_aid=marioverehrer * ► Learn piano songs quick and easy: http://tinyurl.com/flowkey-mariovere...
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famous musical songs 在 人山人海 PMPS Music Facebook 的最佳解答
//A Cantopop star publicly supported Hong Kong protesters. So Beijing disappeared his music.
By AUGUST BROWN
The 2 million pro-democracy protesters who have flooded the streets of Hong Kong over the last few months have been tear-gassed, beaten by police and arrested arbitrarily. But many of the territory’s most famous cultural figures have yet to speak up for them. Several prominent musicians, actors and celebrities have even sided with the cops and the government in Beijing.
The protesters are demanding rights to fair elections and judicial reform in the semiautonomous territory. Yet action film star Jackie Chan, Hong Kong-born K-pop star Jackson Wang of the group GOT7 and Cantopop singers Alan Tam and Kenny Bee have supported the police crackdown, calling themselves “flag protectors.” Other Hong Kong cultural figures have stayed silent, fearing for their careers.
The few artists who have spoken out have seen their economic and performing prospects in mainland China annihilated overnight. Their songs have vanished from streaming services, their concert tours canceled. But a few musicians have recently traveled to America to support the protesters against long odds and reprisals from China.
“Pop musicians want to be quiet about controversy, and on this one they’re particularly quiet,” said Anthony Wong Yiu-ming, 57, the singer and cofounder of the pioneering Hong Kong pop group Tat Ming Pair.
Wong is a popular, progressive Cantopop artist — a Hong Kong Bryan Ferry or David Bowie, with lyrics sung in the territory’s distinct dialect. But he, along with such singer-actors as Denise Ho and Deanie Ip, have made democratic reforms the new cause of their careers, even at the expense of their musical futures in China. Wong’s on tour in the U.S. and will perform a solo show in L.A. on Tuesday.
“It’s rebelling against the establishment, and [most artists] just don’t want to,” Wong said. “Of course, I’m very disappointed, but I never expected different from some people. Freedom of speech and civil liberties in Hong Kong are not controversial. It’s basic human rights. But most artists and actors and singers, they don’t stand with Hong Kongers.”
Hong Kong protesters
Hundreds of people form a human chain at Victoria Peak in Hong Kong on Sept. 13.(Marcus Yam/Los Angeles Times)
The protests are an echo — and escalation — of the Occupy Central movement five years ago that turned into a broad pro-democracy effort known as the Umbrella Movement. Those protests, led by teenage activist Joshua Wong (no relation), rebelled against a new policy of Beijing pre-screening candidates for political office in Hong Kong to ensure party loyalty.
Protesters were unsuccessful in stopping those policies, but the movement galvanized a generation of activists.
These latest demonstrations were in response to a proposed policy of extraditing suspected criminals from Hong Kong to mainland China, which activists feared would undermine their territory’s legal independence and put its residents at risk. The protests now encompass a range of reforms — the withdrawal of the extradition bill, secured voting rights, police reform, amnesty for protesters and a public apology for how Beijing and police have portrayed the demonstrations.
Wong, already respected as an activist for LGBT causes in Hong Kong, is one of vanishingly few musicians to have put their futures on the line to push for those goals.
Wong’s group Tat Ming Pair was one of the most progressive Cantonese acts of the ’80s and ’90s (imagine a politically radical Chinese Depeche Mode). When Wong spoke out in favor of the Umbrella Movement at the time, he gained credibility as an activist but paid the price as an artist: His touring and recording career evaporated on the mainland.
The Chinese government often pressures popular services like Tencent (the country’s leading music-streaming service, with 800 million monthly users) to remove artists who criticize the government. Artists can find longstanding relationships with live promoters on ice and lucrative endorsement deals drying up.
“This government will do things to take revenge on you,” Wong said. “If you’re not obedient, you’ll be punished. Since the Umbrella Movement, I’ve been put on a blacklist in China. I anticipated that would happen, but what I did not expect was even local opportunities decreased as well. Most companies have some ties with mainland China, and they didn’t want to make their China partners unhappy, so they might as well stop working with us.”
Censorship is both overt and subtly preemptive, said Victoria Tin-bor Hui, a professor and Hong Kong native who teaches Chinese politics and history at the University of Notre Dame.
“Every time artists or stars say anything even remotely sympathetic to protesters or critical of the government, they get in trouble,” Hui said. “You can literally have your career ruined. Denise Ho, after she joined the Umbrella Movement, everything she had listed online or on shelves was taken off. Companies [including the cosmetics firm Lancôme] told her they would have nothing more to do with her, and she started doing everything on her own.”
So Wong and other artists like Ho have been pushing back where they can.
Wong’s recent single, “Is It a Crime,” questions Beijing crackdowns on all memorials of the Tiananmen Square massacre, especially in Hong Kong, where there was a robust culture of activism and memorials around that tragedy. The single, which feels akin to Pink Floyd’s expansive, ominous electronic rock, has been blacklisted on mainland streaming services and stores.
Wong plans to speak out to commemorate the anniversary of the Umbrella Movement on this tour as well.
“The government is very afraid of art and culture,” Wong said. “If people sing about liberty and freedom of speech, the government is afraid. When I sing about the anniversary of Tiananmen, is it a crime to remember what happened? To express views? I think the Chinese government wants to suppress this side of art and freedom.”
The fallout from his support of the protests has forced him to work with new, more underground promoters and venues. The change may have some silver linings, as bookers are placing his heavy synth-rock in more rebellious club settings than the Chinese casinos he’d often play stateside. (In L.A., he’s playing 1720, a downtown venue that more often hosts underground punk bands.)
“We lost the second biggest market in the world, but because of what we are fighting for, in a way, we gained some new fans. We met new promoters who are interested in promoting us in newer markets. It’s opened new options for people who don’t want to follow” the government’s hard-line approach, Wong said.
Hui agreed that while loyalty from pro-democracy protesters can’t make up for the lost income of the China market, artists should know that Hong Kongers will remember whose side they were on during this moment and turn out or push back accordingly.
“You make less money, but Hong Kong pro-democracy people say, ‘These are our own singers, we have to save them,’” Hui said. “They support their own artists and democracy as part of larger effort to blacklist companies that sell out Hong Kong.”
Ho testified before Congress last week to support Hong Kong’s protesters. “This is not a plea for so-called foreign interference. This is a plea for democracy,” Ho said in her speech. A new bill to ban U.S. exports of crowd-control technology to Hong Kong police has bipartisan support.
No Hong Kong artists are under any illusions that the fight to maintain democracy will be easy. Even the most outspoken protesters know the long odds against a Chinese government with infinite patience for stifling dissent. That’s why support from cultural figures and musicians can be even more meaningful now, Hui said.
“Artists, if they say anything, that cheers people on,” Hui said. “Psychologists say Hong Kong suffers from territory-wide depression. Even minor symbolic gestures from artists really lift people’s morale.”
Pro-democracy artists, like protesters, are more anxious than ever. They’ve never been more invested in these uprisings, but they also fear the worst from the mainland Chinese government. “If you asked me six months ago, I was not very hopeful,” Wong said. “But after what’s happened, even though the oppression is bigger, we are stronger and more determined than before.”
Anthony Wong Yiu-ming
Where: 1720, 1720 E. 16th St.
When: 7 p.m. Tuesday
Tickets: $55-$150
Info: 1720.la //
famous musical songs 在 王艷薇 Evangeline Facebook 的精選貼文
The first song I wrote when I came to Taiwan in 2013. The first version of this song has been written in Malaysia. I sang it to my teacher Skot for the first time I met him. He help me let this song more memorably.
I went to the competition on Starlight Avenue the famous Taiwan singing show in 2015 .when everyone was still watching, I got the teacher's permission to put it on YouTube. Become a lot of people find my song . This is really a great song. This is the best gift I have ever received when I came to Taiwan!
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Repost▶️
Evangeline @xxevangelinexx xevange is performing this Wednesday at Little Riverside @riversidelivehouse ! 11/28 at 8:30pm!
I think I first saw one of Evangeline’s YouTube Covers about 8 years ago. It was one of R.Chord’s songs, and he had shared it on Facebook. I immediately was drawn to her voice. Her airyness, her technique, her soul inside her voice... So I did the deep dive on her YouTube channel, and kept being blown away! I think Evangeline was around 17 or 18 at this time. I remember hearing her cover of Bruno Mars ‘Grenade’. And after that, I messaged her. I forget exactly what I said, but probably something like, ‘Wow! You have an amazing voice! If you’re ever in Taipei, I’d love to work with you!’. And then about 2 years later, she messaged me saying she was going to College in Taipei, and could meet! I’m pretty sure that the very first time we met, we ended up jamming and writing this song ‘Beautiful Sadness’’! And it was really fast! Sometimes songs take time to incubate, but this one came out instantly! And I was so excited about her voice, so I finished the arrangement the next day... And the next week she came over, and we recorded Beautiful Sadness. I’m pretty sure she just sang the whole song 3 times, and that was it! And that started our wild musical journey together!
Tomorrow I’ll tell the story about how Micheal Bay hand picked one of Me and Evangeline’s songs to be in Tranformers 4!
#好聽 #王艷薇 #evangelinewong #台北 #台灣 #夢想 #加油 #新歌 #正能量 #Taipei #Taiwan #音樂 #kkbox #indiemusic #recordlabels #originalmusic #myjam #songwriting #musicianslife #popmusic #indiepop #newartist #cpop #mus
famous musical songs 在 Marioverehrer Youtube 的最佳解答
► Learn the piano step by step: https://www.skoove.com/#a_aid=marioverehrer *
► Learn piano songs quick and easy: http://tinyurl.com/flowkey-marioverehrer1 *
► iTunes: https://apple.co/2HdMswA
► Spotify: https://spoti.fi/2JqvMVq
► Sheet Music: https://www.musicnotes.com/l/Marioverehrer
► Classical Sheet Music: https://gumroad.com/marioverehrer
► Support me on Patreon: http://www.patreon.com/Marioverehrer
► Facebook: http://www.facebook.com/Marioverehrer2
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* Affiliate Link
Enjoy the famous prelude composed by Frederic Chopin!
The MIDI was made by Bernd Krueger at the website: http://www.piano-midi.de/
♫ Sheet Music: https://gum.co/rsCWL
♫ More Chopin Music: ♫ iTunes: https://apple.co/30cCKD4 ♫ Spotify: https://spoti.fi/2HbC6NM
♫ Promote Your Music ♫
To submit your music on my channel:
➝ Write me a PM on Facebook: https://www.facebook.com/Marioverehrer2
➝ Always send a link or music file of your work.
➝ If I'm interested, I will message you back.
Composer(s): Frederic Chopin
Original Music © Frederic Chopin (1838)
famous musical songs 在 Marioverehrer Youtube 的最佳解答
► Learn the piano step by step: https://www.skoove.com/#a_aid=marioverehrer *
► Learn piano songs quick and easy: http://tinyurl.com/flowkey-marioverehrer1 *
► iTunes: https://apple.co/2HdMswA
► Spotify: https://spoti.fi/2JqvMVq
► Sheet Music: https://www.musicnotes.com/l/Marioverehrer
► Classical Sheet Music: https://gumroad.com/marioverehrer
► Support me on Patreon: http://www.patreon.com/Marioverehrer
► Facebook: http://www.facebook.com/Marioverehrer2
► Twitter: https://twitter.com/Marioverehrer
* Affiliate Link
Enjoy this famous song composed by Richard Wagner!
♫ Promote Your Music ♫
To submit your music on my channel:
➝ Write me a PM on Facebook: https://www.facebook.com/Marioverehrer2
➝ Always send a link or music file of your work.
➝ If I'm interested, I will message you back.
Composer(s): Richard Wagner
Original Music © Richard Wagner (1870)
famous musical songs 在 Marioverehrer Youtube 的最讚貼文
► Learn the piano step by step: https://www.skoove.com/#a_aid=marioverehrer *
► Learn piano songs quick and easy: http://tinyurl.com/flowkey-marioverehrer1 *
► iTunes: https://apple.co/2HdMswA
► Spotify: https://spoti.fi/2JqvMVq
► Sheet Music: https://www.musicnotes.com/l/Marioverehrer
► Classical Sheet Music: https://gumroad.com/marioverehrer
► Support me on Patreon: http://www.patreon.com/Marioverehrer
► Facebook: http://www.facebook.com/Marioverehrer2
► Twitter: https://twitter.com/Marioverehrer
* Affiliate Link
Enjoy the famous "Ballade pour Adeline"!
♫ Promote Your Music ♫
To submit your music on my channel:
➝ Write me a PM on Facebook: https://www.facebook.com/Marioverehrer2
➝ Always send a link or music file of your work.
➝ If I'm interested, I will message you back.
Composer(s): Paul de Senneville, Olivier Toussaint
Original Music © Paul de Senneville, Olivier Toussaint (1976)
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