HỌC LISTENING: ĐỪNG ĐỂ THỜI GIAN "CΗẾΤ"
Chúc mừng 8/3 các chị em ơi. Mình mong rằng không chỉ hôm nay mà những ngày khác phụ nữ chúng ta sẽ luôn hạnh phúc đong đầy, hãy tự tin là chính mình và theo đam mê của mình nhé ;) Chúc các bạn cũng lên band Listening bằng cách học qua app podcast dưới đây nhe, thú vị mà dễ học nè 😍
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Thay vì lướt web, nghe nhạc hay chơi game, hãy tận dụng thời gian rảnh rỗi nghe podcast xem sao.
Có một app này rất hay ho, tên là Castbox - cung cấp các podcast free trên cả IOS và Android.
Nếu bạn nào chưa biết, thì podcast được ghép từ iPod và broadcast – là cách thức để nghe các nội dung phát thanh trên trực tiếp máy tính/ điện thoại. Một lợi ích to lớn mà podcast mang lại là giúp các bạn học tiếng Anh.
Khi luyện nghe bằng podcast, các bạn nên kết hợp hai việc nghe: bao gồm nghe chủ động (listen) và nghe thụ động (hear). Khi hear, các bạn có thể nghe podcast trong lúc đang ngồi chờ, lúc trên xe buýt, lúc làm việc nhà hay đi gym,... Khi listen, hãy ngồi vào bàn học, thật tập trung nghe, outline các ý chính và có thể làm thêm các bài tập (nếu có) ở cuối mỗi bài podcast. (bạn có thể tham khảo podcast trên trang của British Council)
Quay lại với Castbox, thì app này feature vô vàn podcasts từ các radio, show, audiobook... với nhiều chủ đề thú vị, từ giải trí như phim ảnh, âm nhạc đến các chủ đề học thuật hơn, chắc chắn sẽ có cái phù hợp với sở thích của bạn :D
Ví dụ: Ellen on the go, TED Talk Daily, BBC Learning English Drama,... app cũng có các bài học về ngôn ngữ khác chứ không riêng gì tiếng Anh đâu nhé.
Một trong những cái hay của app này đấy là có thể download podcast và nghe offline. Podcast nào bạn nghe xong rồi, app nó cũng tự biết để xóa đi cho đỡ tốn bộ nhớ :D Ngoài ra, các bạn cũng có thể tìm kiếm podcast theo script. Quá tiện lợi, các bạn nhỉ? :D
Link website: https://castbox.fm
Nguồn: Hương Mysheo
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- 關於free drama script 在 李卓人 Lee Cheuk Yan Facebook 的最讚貼文
- 關於free drama script 在 20 Best Drama Script Examples to Download and Read for Free 的評價
- 關於free drama script 在 Freedrama.net - "Worrying About the Future" A Comedy by D.... 的評價
- 關於free drama script 在 1 Minute Monologues Free Popular Solo Stage Play Scripts 的評價
free drama script 在 เกมถูกบอกด้วย v.2 Facebook 的最讚貼文
[News] Black Myth: Wu Kong จะมีการใช้มุมกล้องแบบ One-Shot Camera ที่ได้แรงบันดาลใจจาก God of War ด้วย
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หลังจากที่ Black Myth: Wu Kong เกมแอ็คชัน RPG ในธีมไซอิ๋ว ได้ประกาศเปิดตัวและเปิดเผยวิดีโอตัวอย่างเกมเพลย์ 13 นาที มันก็ได้รับความสนใจอย่างล้นหลามจากชาวเกมในช่วงสัปดาห์ที่ผ่านมา
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และล่าสุด ดูเหมือนว่าตัวเกมจะมีการใช้เทคนิค One-shot Camera ซึ่งเป็นเทคนิคเดียวกันกับที่ใช้ในเกม God of War ด้วย ...
Continue Reading[News] Black Myth: Wu Kong. One-Shot Camera camera angle inspired by God of War.
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After Black Myth: Wu Kong, the RPG action game in Saew theme has announced its debut and revealed its 13-minute video gameplay. It has received tremendous attention from the gaming people over the past week.
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And recently, the game seems to be using One-shot Camera technique which is the same technique used in God of War.
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Mr Daniel Ahmad, a video game marketing analyst, has posted an interview with Game Science, the developer of Black Myth: Wu Kong which is the following topics.
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1. This game is originally called Project S. And if you follow the art department of this game on Art Station website or other sites, you will see posting photos, art works and teasers from the game for months. For the first time they've shown their full game to the public.
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2. Game Science studios aimed to release this video to show the world what they're doing and to unite new team members who would like to work on this project and create knowledge in the game industry.
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3. They are determined to create a single RPG adventure action game with a giant form game standard.
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4. The team has been doing a lot of research and development, but there is much more work to do, such as a full game script and more combat elements.
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5. Game Science has 13 crews to make this game in the first 1 years and now there are 30 people. That's why they need to hire more people to finish this project.
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6. Feng Ji, chairman of Game Science, said he would like to create the most honest video with the project to show the world and to pull new teamwork and he didn't expect to be praised as a new star. In the industry or something like that
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7. now the development team has gone back to work for more.
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8. They are so pleased to have overwhelming response not only from fans but from the game industry. With positive feedback from CD Projekt Red, Epic Games and Nvidia on China social media including comments from Cory Barlog. Directing God of War who admires this game looks awesome too.
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9. The company wants to make this game since it was first established in 2014 after previously made SIII-themed games like Asura which were MMORPG games before that. They developed the game under Tencent, but actually the teamwork. Dreaming of making RPG action games on a giant form game.
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10. Initially, they start. They only dream. Then go to 100 Heroes and Art of War: Red Tides to keep the team growing and stable to ensure the terms of marketing, cost and technology. Ready for them and finally start this project by the end of 2017
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11. They brought what they learned from Asura and aimed for this project to be more ambitious with a better story, with a better imaginary world of Saiii, and game design. based on the original and in many different shaped facets.
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12. Teamwork philosophy is whether it has been done before or new thing that no one has ever done. The important thing is to do it with good quality. And the most important thing is whether the players are impressed or satisfied or not. It's not that it's not. Is it a trendy trend?
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13. Teamwork is determined to learn new technologies to fulfill dreams and overlooking several limitations. And they say what is shown in the video is a real playful demo, not for convincing, but they say it takes time. I have developed for a long time.
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14. For example, they still have to figure out how to make face movements and emotions more accurate. Because this is what if you look closely, you will see that it's not done. Also, the interactions between character and environment itself. Looks a bit rough
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15. Chairman also says that they have a very difficult job waiting for. The gameplay that the protagonist has to hit 1,000 enemy soldiers in heaven showing at the end of video gameplay and many people may notice the frame. The rate is obviously down, including the end boss clash that has problems with the hair lines or the water isn't finished and more.
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16. Their ambition isn't over yet. They have plans to expand this game into a series. Want to put a full-size monster fight system. Increase execution, increase difficulty and more, including concepts. One-Shot Camera (using only one camera to convey the story where the camera will revolve around the main drama without a single cut or fade off in the fighting scene) from God of War which is a game. That he brought as inspiration to develop.
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17. for funding. They have done other games to fund development before and said no plan to sell Black Myth: Wu Kong soon. And some of the team found cats looking to work after video preview. 13 minutes but they all will be at Game Science to continue Wu Kong.
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18. Now they have plans to go back to this game and probably never show again until they have enough to show then no plans to get funded from anywhere else that will change their vision of the power game. Their sniffs are determined to develop this game.
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Source: https://www.pcgamesn.com/black-myth-wukong/gameplay-trailer
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📌📍《5月35日》「庚子版」 眾籌活動
集結力量 網上演出 六四前夕 全球直播
"May 35th" Gengzi Edition - Crowd Funding
Join Forces for Global Live Online Performance on the night before June 4th.
🔇🔇「以現在的社會狀況,我們的政治氣候,我擔心這個戲未必有機會再上演﹗」導演陳曙曦說。
🔊🔊"With the forecast of the political climate now, I am very worried that this play will not be any chance to put on stage again" said Chan Chu-hei, the director.
🚨🕯️我們希望集結公民力量,
令全球所有人都可以在「六四」免費網上觀賞《5月35日》,
讓這個故事遍地開花,
讓更多人了解真相、追求公義。
🚨🕯️We target to join the force of citizen
to let us share this Online LIVE theatre production
“May 35th”globally, make this story worldwide,
and let the truth speak for itself, justice be sought after.
‼️➡️眾籌支持方法 Way of Crowdfunding:
1) 請即登入網上平台:https://goget.fund/2Wz5kO9
(暫不能用PayPal 戶口,請用"Visa/ Master" 捐款
Please DO NOT use PayPal Account, but click the icon "Visa / Master")
2) 支票捐款- 抬頭寫「六四舞台」,郵寄到
九龍旺角彌敦道618號好望角大廈8字樓(六四舞台)
By Cheque - Please make the cheque payable to "Stage 64", and mail to 8/F, Good Hope Building, 618 Nathan Road, KLN. (Stage 64)
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2019年六月,是「六四」的三十周年,六四舞台邀請了著名編劇莊梅岩創作《5月35日》。首演5場及加開的6場門票均全部售罄,一致好評,更獲本屆舞台劇獎六大提名,包括最佳劇本!經歷了大半年的社會運動,面對過暴政與暴力,「六四」對香港人多了另一重意義,在謊言與假新聞氾濫的社會,《5月35日》為悼念亦為警世!
🧐🧐為了蒐集資料,編劇莊梅岩曾到訪內地訪問當年「難屬」,亦因此被神秘人「探訪」和「關注」,令她質疑香港的創作自由可能已經岌岌可危。
🤐🤐眼下的暴政和警暴,「廿三條立法」如箭在弦,六四舞台在香港再有生存的空間嗎?
🤬🤬當網絡上充斥假新聞,官方又不斷篡改歷史事件,究竟「六四屠城」和「反送中運動」在不久的將來會變成什麼樣的故事呢?
我們不知道答案,但只要有機會,我們仍然要演下去﹗因此當社會運動仍在激烈抗爭之際,六四舞台就馬上籌組了《5月35日》(庚子版)。
📆根據中國歷法,2020年是庚子年;翻開中國歷史,庚子年往往是浩劫之年。香港經歷多個月的社會運動,「六四」對步入庚子年的香港人有何意義?六四舞台今年誠邀著名導演陳曙曦,連同全新班底,重新創作《5月35日》 的「庚子版」。
😷😷鑑於疫情持續,政府下令關閉全港劇院,令原訂5月在香港藝術中心的舞台演出被迫取消,劇團為堅守信念,破天荒決定把這個震撼人心的六四故事以網上直播形式,於2020年六四前夕向全球人士同步免費播放(粵語演出,附中英文字幕),並於6月4日全日24小時在網上分享。其錄像版本亦將會製作成電影影片,把演出搬上大銀幕,讓更多人了解真相、追求公義。🖐️🖐️🖐️🖐️🖐️
June 2019 marked the 30th anniversary of the “June Fourth Incident”. Local art group Stage 64 joined hands with renowned playwright Candace Chong Mui-ngam to create May 35th. The first 5 premieres as well as the 6 additional shows were all sold out with great acclaims, followed by 6 nominations in the subsequent Hong Kong Drama Awards, including Best Script!
The social movement in the past 6 months has made Hong Kongers no strangers to tyranny and brutality, and has transcended the meaning of "June Fourth" within us. Especially when we are living in a world full of lies and fake news, the play "May 35th" is for mourning and also a warning!
🧐🧐Candance Chong Mui-ngam has visited the Mainland for screenplay research. There she met up with some interviewees, whose family members were June Fourth Massacre victims. It turned out some mysterious figures paid her a "visit" in return with "unexpected concern". She couldn't help but worrying: Is the creative freedom deprived even in Hong Kong?
🤐🤐Witnessing the escalating brutality against protestors, the eagerness of enacting Basic Law Article 23, how much longer can a play like "May 35th" be staged in Hong Kong?
🤬🤬Worse still are the tremendous fake news on the Internet and the tampering with history. Can you imagine how "June Fourth Incident" and "Anti-Extradition Bill Protest" will be interpreted in the near future?
We have no clue, but! As long as we have this opportunity to express, we will go on. Even when the protest across the city was still intense, Stage 64 started to plan for another "May 35th" , the Gengzi Edition.
📆In the Lunar calender, 2020 is called the year of the Gengzi. Historically speaking, the year of the Gengzi were always catastrophic. After months of social unrest, Stage 64 invited prominent director Chan Chu-hei, to re-create "May 35th" into Gengzi Edition with new cast and crew.
😷😷Then comes the Coronavirus pandemic and the compulsory closure of theatres by the Government. That left us no choice but to cancel the "May 35th" performance, which was originally scheduled to stage at Arts Centre in May. But what if we adhere to our beliefs? Here comes the bold decision-\-\to live stream this astonishing show, globally and for free on the night before June 4th, 2020 (Presented in Cantonese, with Chinese and English subtitles). The live version will then be shared online throughout the day on June 4th. What’s more? The performance will be filmed separately and released in cinemas. Let the truth speak for itself, justice be sought after. 🖐️🖐️🖐️🖐️✋
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
💰籌款目標💰
35萬,但50萬能讓我們做得更多
Crowding Funding Goal
HK$350,000, but we can go further if we get HK$500,000.
🆘製作一齣舞台劇的基本成本相當高,一般要靠數千張數百元的門票收入才能維持收支平衡。在疫情下失去劇院,沒有門票收入,加上題材敏感,《5月35日》要獲得商業贊助機會是「零」。因此,我們只能靠公民發揮力量,解囊相助,協助我們把舞台劇作全球網上直播及製成影片,把故事帶到更遠。
🆘A stage production costs a lot. Generally we need to sell several thousands of tickets to break-even. Considering the circumstances of coronavirus pandemic, we can no longer perform in theatres and therefore no income from box office. In addition, due to the sensitivity of the theme / topic, in spite of our best endeavours, it is impossible for May 35th (Gengzi Edition) to receive any commercial sponsorship. What we need now is everyone exert their power and generosity, elevating May 35th (Gengzi Edition) to online streaming platform and even to cinemas, bringing the story to the rest of the world.
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