[English Club HEC] KỸ NĂNG BẠC TỶ (Series Tôi đã được 9.0 IELTS Writing như thế nào?)
Tác giả: thầy Vũ Hải Đăng IELTS Writing 9.0 - The IELTS A-Team (https://bit.ly/3gKOmXc)
Join group English Club HEC free để học hỏi các kinh nghiệm học Tiếng Anh và IELTS nhé cả nhà ;)
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Đây là kỹ năng giúp bạn giải đáp mọi thứ, tiến bộ nhanh chóng và không cần học thêm ở đâu hết. Khi có được kỹ năng này, bạn sẽ thấy rằng “Ồ, mọi thứ đều có sẵn, chẳng cần tốn một xu để đi học ở đâu hết.” Kỹ năng gì mà thần thánh đến vậy…
TRA TỪ ĐIỂN ANH ANH
Đọc đến đây, bạn có thể bĩu môi mà rằng “Xời, tưởng gì, cái đó cũ mèm, có gì mà phải nói.” Ok, bĩu môi xong, rồi đọc tiếp nha cưng. Thời nay từ điển xịn nhất thế giới như Cambridge, Oxford Learners, Lexico đều miễn phí trên mạng – thế mà tại sao tra mãi không ra, tra một từ thì ra cả đống từ, muốn nổ tung cái đầu. Những bí kíp dưới đây sẽ giúp bạn hóa giải những nỗi khổ này, sử dụng từ điển vèo vèo nhé.
#1 ĐÍCH ĐẾN LÀ…TIẾNG VIỆT
Khi mới tra từ điển Anh Anh, bạn sẽ thấy rất khó nhớ - tra một từ lại ra 10 từ, mà từ nào cũng chỉ hơi hiểu hiểu. Vì vậy, câu hỏi đầu tiên là làm sao để đánh tan sự mù mờ này.
Để đánh tan sự mờ ảo, bạn hãy nhớ điều sau: Bạn tra từ điển Anh Anh nhưng ĐÍCH ĐẾN LÀ TIẾNG VIỆT. Sau khi hiểu thật sự và thấu đáo, bạn hãy TỰ MÌNH gán nghĩa tiếng Việt cho từ vựng. Bạn có thể suy ra nghĩa tiếng Việt từ phần giải nghĩa và ví dụ.
TO A FAULT
Meaning: more than necessary
Keri is generous to a fault.
Từ giải nghĩa và ví dụ trên, bạn sẽ hiểu rằng “to a fault” là “quá mức cần thiết” và “Keri đã xông xênh và rộng rãi quá mức cần thiết.”
Lúc này, giải nghĩa tiếng Anh và ví dụ tiếng Anh đã giúp bạn hiểu thực sự ý nghĩa. Khi đó, thứ lưu lại trong đầu bạn sẽ là hình ảnh về một người nào đó quá tốt, quá thảo, quá rộng rãi hơn cần thiết – và bạn sẽ gắn nó với cụm “to a fault” là được, chứ không cần phải học thuộc phần giải nghĩa bằng tiếng Anh.
#2 SỬ DỤNG MỤC CONTENTS TRONG TỪ ĐIỂN CAMBRIDGE
Đây là từ điển yêu thích của mình, hoàn toàn miễn phí. Bạn có thể tìm bằng cách Google theo từ khóa Cambridge Dictionaries Online. Mục Contents nằm rất khuất nẻo ở góc trái bên dưới màn hình, nhưng với mình, đây lại là mục thần thánh bậc nhất của từ điển này. Nó giúp bạn tìm đúng nghĩa một cách nhanh chóng. Dưới đây là ví dụ:
The journey taxed him heavily.
Tax là đánh thuế. Vì vậy, bạn sẽ nhanh chóng hiểu câu trên thành Chuyến đi đã đánh thuế anh ấy rất nặng nề. Tuy nhiên, nội dung bài không hề nói đến chuyện thu thuế, chỉ có một mình anh ấy đi trên sa mạc, xung quanh chỉ có cát, làm gì có nhân viên thuế. Thật vô lý!
Mục Contents sẽ giúp bạn hóa giải điều này.
tax (MONEY)
tax (NEED EFFORT)
Bạn bấm vào nghĩa thứ hai (NEED EFFORT) thì sẽ phát hiện ra rằng Ồ, tax còn có nghĩa là khiến ai hao tổn tinh thần và sức lực nữa. Hay chưa, như vậy, câu trên sẽ được hiểu đúng như sau.
The journey taxed him heavily.
Chuyến đi đã tiêu tốn rất nhiều sức lực của anh ấy.
#3 KIỂM TRA LẠI NGHĨA TIẾNG VIỆT BẰNG GOOGLE
Khi tra từ điển Anh Anh, bạn sẽ cần chủ động liên hệ nghĩa của từ với tiếng Việt để từ vựng trở nên gần gũi và dễ nhớ hơn. Tuy nhiên, việc tự gán nghĩa tiếng Việt có thể…sai. Vì vậy, hãy luôn kiểm tra lại bằng cách Google từ đó kèm theo chữ “là gì” nhé.
“in the bag” là gì
The game is in the bag. => Chiến thắng đã nằm chắc trong tay ta.
“cataract” là gì
Cataract là bệnh đục thủy tinh thể.
“in the books” là gì
Capital punishment is in the books. => Án tử hình được ghi rõ trong luật.
“make sport” là gì
Other people made sport of him. => Người khác trêu chọc, bỡn cợt anh ấy.
#4 LUÔN DÙNG NHIỀU TỪ ĐIỂN KẾT HỢP
Cambridge là từ điển yêu thích của mình nhưng cũng có nhiều từ không có trong này. Khi đó, mình sẽ dùng rất nhiều từ điển khác bổ trợ, và gần như chưa bao giờ fail trong việc tìm nghĩa của từ. Cái gì cũng tìm được hết á.
Cambridge Dictionaries Online (mục Contents thần thánh)
Lexico (vô địch về số lượng ví dụ hay)
Oxford Learners (phần Verb forms quá hay)
Free dictionary (chưa bao giờ khiến mình thất vọng khi tìm từ lóng, bậy bạ)
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heavily meaning 在 ลงทุนแมน Facebook 的最佳解答
ทำไม มาตรการ QE ของสหรัฐ ไม่ทำให้เกิดเงินเฟ้อ ขั้นรุนแรง /โดย ลงทุนแมน
Quantitative Easing หรือที่เรียกสั้นๆ ว่า QE
คือเครื่องมือหนึ่ง ที่ธนาคารกลาง ใช้ในการกระตุ้นเศรษฐกิจ
โดยการอัดฉีดเงิน เพื่อเพิ่มสภาพคล่องให้ระบบเศรษฐกิจ ในภาวะเศรษฐกิจชะลอตัว
...Continue ReadingWhy U.S. QE measures don't cause severe inflation / by investman
Quantitative Easing aka QE
Is one tool that central banks use to stimulate the economy.
By pumping money to increase liquidity for the economic system in slowing economic progress.
But the result that many people worry about is.
Amount of money will rise in the economic system which will bring inflation.
And may be severe to severe inflation aka ′′ Hyperinflation
We have seen many countries do QE hard.
Will this lead to severe inflation in the future?
Investing man will try to analyse it.
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First, let's understand the meaning of Hyperinflation.
Hyperinflation is a condition where product prices rise quickly.
Makes the country's money value go down dramatically
Why the value of money goes down
As a result, lots and lots of money flowing into the economy.
Compared to the same amount of goods and services in the economic system.
Price increases product prices quickly
An example of past severe Hyperinflation incident.
Such as in Hungary and Venezuela
Hyperinflation in Hungary happened in 1946
During that time, Hungary was heavily damaged by WWI.
Especially various infrastructure systems.
The Hungarian Government has shortage of budgets in economic revival.
So I decided to print a lot of money to repair the city's home and stimulate the economy.
Making money in Hungary's system is increasing tremendously.
As much as the amount of money increases, the domestic products are still the same.
So it makes inflation rise quickly
Hungary average product prices increase to 2 times in 15 hours.
By the moment of Hyperinflation
Hungary inflation rate rises to 150,000 % within one day.
Venezuela part of year 2019
Venezuelan inflation rises to 10,000,000
The cause of this story is similar to the case of Hungary
Well there is excessive economic system injection
Both to stimulate a slowing economy from low petrol prices.
Including to use for government's populist policies
We'll see that all 2 events have one thing in common.
Well there is a huge economic system injection.
Which leads to hyperinflation
Back at present COVID crisis-19
Many countries have measures to stimulate the economy.
With lots of money pumping into the economic system
US Central Bank
Using unlimited amount of QE measures
From the original designated price of about 22 trillion baht per year.
Central Bank of Japan
It's another country that uses unlimited amount of QE measures.
From the original designated, about 24 trillion baht per year.
European Central Bank announces more projects
In acquisition of emergency assets worth over 27 trillion baht.
It will see that many countries are now pumping a lot of money into the system.
And in many countries, I used to do heavy QE before.
For example, the case of the USA.
There has been a lot of money pumping into the economic system in the past 10 years.
Since the 2008 US Real Estate Bubble crisis.
Interesting is that US inflation rates aren't adjusted to much higher like the cases of Hungary and Venezuela.
2010 US average inflation rate equates to 1.6 %
2019 US average inflation rate equates to 1.8 %
Japan is another country where xỳāng h̄nạk measures are taken.
But inflation is still at low near 0 % as well.
Why is the story like this?
This phenomenon is partly because
US and Japan central banks make QE through asset purchases.
Both bonds, shares, loan from commercial banks.
And commercial banks are responsible for re-releasing money into the economy.
But what happens is that commercial banks don't forward the money they get from central banks.
To the business and household sector as everyone thought at first.
The cause is because during economic recession or slowdown.
Household sector tends to save money rather than bring money to spend.
Due to insecure future economic
For example, in USA.
The deposit amount in the COVID-19 pre-birth system is around 416 trillion baht.
But when COVID-19 goes viral, deposits in the system increase to almost 500 trillion baht.
Within just a few months
Meanwhile, a bad economic situation.
Making selling business sector products and services difficult.
Making production and service still very much available.
Business sector may not require a loan to expand business.
Enough demand for products and services doesn't increase higher.
Well, things don't go much higher.
Even with lots of money in the system
Another point is.
Countries with large economies like USA and Japan
Own the world's main currency with high credibility.
Most people still believe and still demand to hold these currency.
In conclusion, if you ask for QE making of big countries today.
Will it lead to severe inflation in the future?
I have to say that this problem can be difficult for big countries like USA and Japan.
But the point is, this plague crisis doesn't know when it ends.
And countries inject money log in
For a country which is economically stable as a big country, it might be careful.
Because those countries may have severe inflation, different from this case..
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Help to update the situation in video article format.
Including podcasts to listen to on the go.
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References
-https://en.wikipedia.org/wiki/Hyperinflation
-https://nomadcapitalist.com/2014/04/20/top-5-worst-cases-hyperinflation-history/
-https://www.businessinsider.com/hungarys-hyperinflation-story-2014-4
-https://en.wikipedia.org/wiki/Hyperinflation_in_Venezuela
-https://www.thestreet.com/investing/federal-reserve-unveils-unlimited-qe-to-confront-coronavirus
-https://www.schroders.com/en/bm/asset-management/insights/economic-views/bank-of-japan-ramps-up-qe-again-amid-dismal-outlook/
-https://www.federalreserve.gov/monetarypolicy/bst_recenttrends.htm
-https://www.focus-economics.com/countries/japan/news/inflation/core-consumer-prices-hold-steady-in-june-in-annual-terms
- https://www.ecb.europa.eu/pub/projections/html/ecb.projections202006_eurosystemstaff~7628a8cf43.en.html#toc3
-https://www.economicshelp.org/blog/2900/inflation/inflation-and-quantitative-easing/
-https://fred.stlouisfed.org/series/DPSACBW027SBOGTranslated
heavily meaning 在 Lee388 Hi Fi 發燒專頁 Facebook 的精選貼文
Alumine Five of Stenheim
Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.
I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.
Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.
The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.
The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.
So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.
The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.
The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.
Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).
Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................
Price: $60,000 per pair.
Warranty: Five years parts and labor.
(Source: The Audio Beat)
heavily meaning 在 林子安 AnViolin Youtube 的最佳解答
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--
《A Whole New World & Game of Thrones》(電影「阿拉丁」主題曲-嶄新的世界 & 影集「權力遊戲」主題曲)小提琴大提琴版本 | Violin Cover by Lin Tzu An and Cello by Wu Yo Yo of A Whole New World, OST of “Aladdin,” and Main Title from the “Game of Thrones”
我跟大提琴手登凱又來一個合作。
配合上星期阿拉丁電影的上映和權力遊戲第8季大結局,這週是主題曲週。
為了完美勾起大家的童年回憶,而且據說權力遊戲第8季大結局讓劇迷們非常失望,我跟大提琴手登凱決定再度一起合作cover,這絕對不會讓大家失望!
阿拉丁劇情背後其實有很深的意涵,其中覺得最感動的地方就是阿拉丁和茉莉公主改變了看待對方的視角,跳脫外在角色既定印象,而看到對方真實的自我,希望大家可以不要被社會價值或標籤所禁錮,可以跳脫刻板印象,做真正的自己。
「不必為了改變而改變,真心的人愛你,是因為你就是你。」(阿拉丁,2019)
這讓我想到,當初決定到街頭演出時,就是希望可以打破大家對音樂系科班學生畢業之後的就業選擇,我希望透過音樂,可以傳遞溫暖力量給大家。所以我選擇當國家音樂廳的逃犯,走下音樂廳的舞台,站在街頭和大家互動,拉近和大家的距離,拉琴給大家聽,希望大家聽到我的琴聲音樂,可以感到開心幸福感動。
如果你獲得了神燈,你會向精靈許什麼樣的願望呢?
我呢,希望大家二刷三刷很多刷阿拉丁電影的時候,可以刷很多次我的cover!
大家沒有神燈可以許願的話,吹生日蠟燭也有3個願望,或是買健達出奇蛋也可以一次滿足3個願望(非業配,但歡迎廠商們找我贊助XD)
我雖然不是精靈,無法滿足大家所有的願望,但還是歡迎大家留言許願歌單。
這次拍攝cover遇到重重困難,凌晨開拍,但是才要拍就開始下大雨,
上週唯一一次的下雨就是我拍攝那天,所以上週來不及更新cover影片。
最後作為沒有遵守週更影片的賠罪,這句台詞送給大家,也是阿拉丁電影中的台詞:把笑容掛在臉上,自信披在身上,堅強放在心上,命運握在手上。
歡迎大家在沒有下雨的週末到信義區香堤大道,聽這些cover歌曲的live版!詳細演出相關資訊,我都會更新在我的Instagram 限時動態!
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Here comes my weekly updated cover.
This week is the week for soundtracks : A Whole New World, OST of “Aladdin,” and Main Title from the “Game of Thrones,” both of which were officially released last week.
To perfectly represent everyone's childhood memories, and it is said that fans were disappointed to the finale of the power game season 8, I decided to cooperate again with my cello partner Wu Yo Yo, which will definitely make everyone satisfied !
I’m touched by the meaning behind Aladdin when Aladdin and Jasmine changed their perspectives, broke the stereotypes established and finally saw each other’s true inner self. May each one of you free from the stereotypes of social standards, be true to yourself and respect other’s uniqueness. ”Never change for the sake of change; those who are true will always love you for who you are” (Aladdin 2019)
This reminds me of my decision of being a busker. Instead of playing at National Concert Hall and being the best violinist, the expected career path from the society toward those majoring in music, I chose to performing as a busker, passing the healing power of music, getting closer to everyone, and sharing my music and the touching moments with everyone.
What would you do if you get Aladdin’s lamp?
I just hope ya’ll enjoy my cover.
Though I am not Genie that can make your dream come true, the only thing I can do is playing the requested song for you.
There were soooo many unexpected obstacles about the filming of this cover. It was supposed to film in the early morning, but started to rain heavily.
Due to the super heavy rain, the cover was delayed.
As for making up for not keeping the promise of updating my cover on time, here is another line I love from Aladdin “wear your smile on the face, carry your confidence on the shoulder, keep courage in your heart, and hold destiny in your hand.”
Should you have any request regarding cover songs, just comment below and let me know.
Also please share the video and subscribe to my channel https://bit.ly/2EsTGMQ.
Don't forget to click the 🔔 bell to be notified when my videos come out!
Another week, another cover. Let's goooo, hope yall like this!
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和聲編排 Harmony Arrangement: 林子安 Lin Tzu An、吳登凱 Wu Yo Yo
小提琴 Violin: 林子安 Lin Tzu An
大提琴 Cello: 吳登凱 Wu Yo Yo
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu
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【Cover by AnViolin】每週上傳新的小提琴cover影片,
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
也記得按讚留言分享給你家人朋友看!
也記得開啟🔔訂閱通知,按讚留言分享給你家人朋友看喔!
如果你喜歡我的影片也歡迎贊助我,讓我有更多資源去提升畫面與音樂。
Paypal : https://www.paypal.me/Anviolin
For Sponsorship:https://www.paypal.me/Anviolin
還想看子安cover什麼歌?留言跟我說 !
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heavily meaning 在 Al Rocco Youtube 的最讚貼文
Available now for free download:
http://alrocco.com/busygang
http://soundcloud.com/busygang
Free WAV: http://busygang.bandcamp.com
Free MP3: http://datpiff.com/profile/alroccomusic/mixtapes
Ranked one of the top 20 albums that came out of China 2014
Official Release: http://i.xiami.com/busygang
1. The Game 游戏 - Koz, Blow Fever & Al Rocco (0:00)
2. Legends 传奇 - Koz, Blow Fever & Al Rocco (5:51)
3. Ganja Wang 干架王 - Al Rocco, Blow Fever & Koz (9:39)
4. Nobody Knows 没人知道 - Koz (14:20)
5. Going Hard 强硬 - Koz & Al Rocco (17:35)
6. Free CK - Blow Fever & Koz (20:20)
7. My Love Dont Go - Blow Fever, Al Rocco & Koz (23:23)
8. Balling 大富翁 - Koz & Blow Fever (27:40)
9. Turnt Up - Al Rocco, Koz, Blow Fever & JBo Escboar (31:33)
10. Touch Ya Body - Koz & Al Rocco (36:41)
11. Red Money RMB人民币 - Al Rocco (39:47)
12. USTDI 你还是不知道 - Al Rocco & Blow Fever (43:08)
13. Time Out - Yung Jae, WITTY & Al Rocco (45:35)
14. Turnt Up Trap Remix - Al Rocco, Koz & Blow Fever (49:07)
15. Red Money RMB人民币 Shanghai Remix - Al Rocco, Koz, Daddy Chang & Tang King (53:42)
16. Supa Dope 夸张 - Al Rocco, Forty-2 & Young Jack (58:11)
17. Speeding 超速 - Al Rocco, Khaki & Ray Rok (1:01:21)
18. Work Out Cash Out 赚钱与花钱 - Koz & Blow Fever (1:04:47)
19. Song Cry 妹妹找哥泪花流 (Live) - Blow Fever & 黄绮珊 (1:08:13)
Busy Gang originated from Shanghai, China in the Spring of 2013 after our first successful single “Turnt Up” by Al Rocco and the Busy Kidz (Koz & Blow Fever). Al Rocco was raised in the far east islands of Hong Kong, tailored in London and Los Angeles and has currently settled in Shanghai. Koz & Blow Fever were both born and raised in the city of Shanghai and we decided to join forces and evolved into the Busy Gang.
Together, we’re bringing flavors none has cooked or tasted before. Bilingually in English and Chinese, we are heavily rooted in the urban culture with styles varying from Hip-Hop, Rap, Trap, RnB and more.
We are more than just a crew who represents the music and the lifestyle, we are a family who strongly embraces our Chinese roots and through our vision, we keep busy and smart at our art to educate the world about the true meaning to what the Chinese and Asian culture is all about. (No kung fu movies or takeaway deliveries, just real life in China.)
With our first project the 800 mixtape releasing this October 18th 2014, we have already been touring around Asia since 2013 opening big acts such as; BBC DJ Benji B, #1BeatBoxer Killa Kela, Jurassic 5’s Chali2na.. The 800 is filled with heavy club singles to chill rnb tunes. Grab your free copy, connect with us on our socials and tell your friends to expect more great things to come in the near future. Peace & Bless.
Sound engineered by Ace-Life Studio and featuring 黄绮珊, Young Jack, Daddy Chang, Tang King, 42, the Ace-Life family; JBo Escobar, Khaki, Boris Redwall, Ray Rok and more.
距离BUSYGANG初次亮相已经过去很长时间,经过无数舞台的磨练让三位成员成就了相当高的HipHop音乐造诣,不管在电视、电台、杂志还是各大主流舞台和演唱会都能看到他们大放异彩,只要身临过现场必定被他们的热情所震撼。
华语音乐圈的大姐大 黄绮珊 对BUSYGANG赞许有加并邀请成员 BLOW 担任《离不开你》万人演唱会嘉宾与其合唱大热单曲《妹妹找哥泪花流》。中国著名编剧 宁财神 和前百代签约嘻哈组合黑棒成员 小狮子 这两位资深HIPHOPER与BUSYGANG私交甚好并始终力挺BG。美国家喻户晓的嘻哈大腕儿 2 Chainz 点名与组合成员 AL ROCCO 合作并将其作品收入自己经典MIXTAPE《Coast To Coast》中。美国殿堂级组合Wu-Tang Clan大将Ghostface Killa亲点 Koz 作为他中国巡演的开场嘉宾并与 Koz 合作演唱多首“武当派”的经典曲目……与他们交集的巨星不计其数,作为新时代的躁动青年BUSYGANG的名字你没有理由不知道!
2014年10月BUSYGANG带来全新力作混音专辑《800》,这张专辑带来华语嘻哈音乐之进化论,组合成员Blow Fever,Koz和ALROCCO将无限的创意化作无穷音乐生命,火力全开,满载十足街头正能量带来最好听的华语嘻哈音乐。
《800》有Trap味道、催泪情歌、热辣舞曲、街头赞歌……但无论任何这都是一张散发着诱人韵味的专辑,不管你喜欢不喜欢HIP-HOP,都不要错过BUSYGANG - 《800》。
Al Rocco
http://alrocco.com
Koz
http://weibo.com/koz712
Blow Fever
http://weibo.com/blowfever