【一切的失敗和不足,都是最美好的安排】
All Failures & Lacks Are The Best Things to Happen to Us
三個月前,收到來自台灣客人的這封電郵時,開心和心酸交織著在心裡。
開心,因為這是一年前通過Zoom視訊的客人。他居然在我們看八字的一週年,特地寫了封感謝函給我,真有心!
心酸,因為他寫在電郵裡的低落心情,我完完全全明白。
他的經歷,是我的曾經。我當初也是很難,很久才能走出來。
有一回,我為一位芳華正茂的女子批八字時,她很用心的寫下我說的話。
論寫筆記的完整,她是我客人當中的佼佼者。
寫到一半,我注意到她的右手開始微微顫抖。我以為是空調的風太大了,冷到她,便問她要不要披巾。
她說,是她的焦慮症發作。
「我沒在兇你,也沒對你嚴厲,你為何突然焦慮?」
「我.....打從今年疫情打亂了我的計畫,我就一直很焦慮。我覺得我很沒用,同學們都前進了,只有我現在什麼都不是,亂糟糟的。我就一直很緊張,萬一我一直都是這樣,怎麼辦?」
說著,她眼眶一紅,眼淚像斷了線的珍珠鏈似的灑下來。
我的媽呀!是我的樣子長得很催淚,還是我的聲音聽起來很虐心?怎麼客人,不分男女老少,東南西北,看到我好像都很容易哭?
我抓起一張紙巾遞給她。
「所以,我不是來了嗎?你來找我,就是要問個明路,而你很幸運那麼快就看到我啦!你看你的筆記寫得多工整,多齊全。我很多客人都不如你啊!我今天的工作,就是來給你答案的。我沒有把握,也不會接你這份差事。我接了,就代表還可以補救。你照著我的指示去做,一定柳暗花明又一村。」
又另一回,一位四十多歲的媽媽請我看兒子的八字。
我在批著八字時,這位媽媽點頭認同,然後就聲淚俱下。
我轉頭看著她沈默不語的先生。我說錯了什麼嗎?太太哭成淚人,你怎麼連紙巾也不拿給她啊?
「我是個沒有用的母親,很不稱職的母親。我沒有辦法教好孩子。我很愛他,可是很多時候我都不知道要怎麼做,我就會對他發脾氣,說狠話,過後我又後悔。我忍下來,可是後來還是會一樣!」
我沒打斷她,等她的哭聲逐漸小聲後,我柔柔的說:「我來啦!我坐在你前面了。你已經看到我,就是有辦法了。你知道你自己不行,會去找辦法,就代表你願意去學習做個好媽媽啊!」
我把紙巾遞給她,再說:「不要哭了,要不然,別人看了以為是我不要借你錢,才把你弄得那麼傷心。」
曾幾何時,我們都會以外在所擁有的,來定義自己的人生是否值得自己喜歡。
從原生家庭、樣貌、健康、身型、智力、天賦等,到後來的學歷、友情、事業、財富、婚姻、子女......
哪一樣沒有,而偏偏是我們最想要的,我們就會認定自己失敗的一塌糊塗。
我認為這就是普通教育最大的問題所在。父母老師都是這樣把我們「分門別類」的。值不值得父母疼愛或向親朋戚友炫耀,也離不開那幾點。
久而久之,我們也只會以「成功」來定義自己是否有價值,甚至來衡量自己是否有活下去的勇氣。
我比較喜歡佛法的定義。我們每個人都是一尊佛,六道眾生皆有佛性,只因一時的迷,因此墮落在苦輪不停的輪迴。
可正因為我們有佛性,我們都有無窮無盡的可能。每個人的內在有著很強大的力量,等著我們遇到明師後,去發掘、探索和了解。
而這天生俱來的力量,就是你改命立命的資本。
如果人生順風順水,我們永遠不會想要出離,誤把人間當極樂,所以一定要有苦,我們才會意識到,為什麼我們會在這鬼地方?要怎麼樣才可以離開這鬼地方去到極樂?
反過來,我們都應該感恩自己遇到的挫折,因為從這些苦中,我們才能生出智慧。
沒有一個八字是完美的。一切的失敗和不足,都是最美好的安排,如此你才會有出離心,返本歸源。
_______________________
3 months ago, when I received this email from my Taiwan client, there was this feeling of bittersweetness.
I was happy because this was the client I did a Zoom consultation last June. He sent me this email on the one-year anniversary date of our Zoom call, to express his gratitude. How sweet!
On the other hand, I could relate to the emotional turmoil he felt at that point in his life.
His experience was my past. It also took me a very long time to walk out from my gloominess.
Once, I analysed the Bazi of a very young lady. She was meticulously jotting down notes as I spoke.
Her detailed note-taking skills easily took the top place among my clients.
Halfway through, I noticed her right hand was trembling slightly. I thought it was due to the cold draft from the air conditioning, so I asked if she needed a shawl.
She replied that it was her anxiety disorder acting up.
“I was not fierce or strict with you. What caused your sudden anxiety?”
“I…ever since the pandemic disrupted my plans, I have been in this state of anxiety. I kept feeling useless. All my classmates are progressing expect me. I have nothing to show for and my life is in a mess. I am very anxious. What if I continue to be like this? What am I going to do?”
As she spoke, her eyes turned red and tears started rolling down like a broken strand of pearl necklace scattering onto the ground.
Oh dear! I am beginning to wonder if I have a tear-jerker face or a heart-tormenting voice. Why do my clients, regardless of gender and age, North South or East West, seem to cry easily when they see me?
I grabbed a piece of tissue and handed it to her.
“Ain’t I here already? You came to me for a roadmap and you are very lucky to see me so soon. Look at how precise and neat your notes are! Many of my clients aren’t even on par with you. My job today is to give you answers. If I didn’t have the confidence, I would not have taken up your request. Now that I did, that means there is still hope. If you follow my instructions, you will see things looking up very soon.”
On another occasion, a mother in her forties came to me for her son’s Bazi consultation.
As I was analysing, the mother nodded her head in agreement. The next thing I know, she started weeping loudly.
I turned to look at her husband, who had been silent all along. Did I say something wrong? And hello, your wife was crying. Why weren’t you gentleman enough to give her a tissue paper?
“I am a useless mother. I am incompetent. I do not know how to teach my son well. I love my son very much. But many times, I do not know what to do and thus I flare up at him and speak harshly. I always regret afterwards. I tried enduring but it still ends badly!”
I did not interrupt her and waited for her cries to soften, before speaking gently, “I’m here! I’m already sitting in front of you. You are looking at me now and that means help is here. You know that you are incompetent, so you went looking for solutions. That means you are willing to learn how to be a better mother!”
I handed a piece of tissue and said, “Don’t cry anymore, otherwise, other patrons will think that it’s because I refuse to lend you money.”
Since young, we have been using external possessions to define whether our lives are worth liking.
The family we are born into, our looks, health, body shape, intellect, talents, and then we move on to compare our academics, friendships, career, wealth, marriage and children.
If we are lacking in the area we covet most, we grade our lives as a failure.
I think this is the biggest problem in societal education. Our parents and teachers categorized us that way. Whether we as children are worthy of their love and bragging, depends on the few points above too.
Thus over time, we can only use the term “success” to determine whether we are of value, for some people, whether they should live on to take their next breath.
I very much prefer the definition in Buddhism. We are all Buddhas. Each and every sentient being in the six realms has a Buddha nature in them. But they got lost momentarily and fell into the endless wheel of reincarnation.
Yet, because of our Buddha nature, we have an unlimited source of potential. Every one of us has a very powerful strength inside us. It is just waiting for us to meet an accomplished teacher, so that we have the tools to explore and understand it:
And this strength that we are born with is the capital for us to transform and establish our own destiny.
If life is smooth-sailing, we would never want to leave and would mistake this mortal realm for Pureland. Thus, we all need sufferings, to realise that we should break out of this hell of a place. There has to be a better world somewhere. So how we get there?
We should, in fact, be grateful for all the setbacks and failures we have. Because it is from these sufferings, our wisdom arise:
No single Bazi is perfect. Every failure and lack we experience is the best arrangement for us, so that the heart of renunciation will arise in us and we will return to where we came from.
同時也有7部Youtube影片,追蹤數超過15萬的網紅pennyccw,也在其Youtube影片中提到,Dikembe Mutombo looked as if he'd been playing with the Philadelphia 76ers for years instead of hours. Mutombo had 17 points, 13 rebounds and five bl...
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Ever since I first arrived at King Edward’s School, one of the things I always did other than find opportunities for writing, art and languages was get involved with anything to do with drama, be it Drama Club, competitions…you name it! Eventually, I found the biggest outlet for my interest in theatre - the school’s Junior Production.
For two years in a row, I was part of the Junior Production, a joint project between the King Edward's boys’ and King Edward’s girls’ school to put on a theatre production. A lot of people have compared it to West End London, but nestled right in Birmingham! The shows are always big scale, big on quality, and a great way to explore all the aspects of drama.
In my first year at KES, I acted in 'Around The World In 80 Days', a play about a man who is given a bet to travel across the globe in just 80 days. I played the Parsee, an elephant owner who helps the man complete part of the journey on the back of an elephant. Oh boy, I can still remember the amount of work it took for me to master the Indian accent…but I got there in the end! I also took part in a Bollywood dance routine - one of the roles that I am most famous for. On top of that, I played the extra role of a dancing octopus too! Yes, you read that right, I gladly took on the role of an eight-legged groovy sea creature!
The second year brought the play 'An Awfully Big Adventure', inspired by the story of Peter Pan. I was a grumpy old Park Keeper…who magically turned into a pirate on the trips to Neverland! This time around, not only did I have to practise a Northern pirate accent (an amalgamation of Scottish and Irish), but I also grew my hair out to sport a pirate look. Apart from chasing after Peter Pan, we also got the chance to show off our 'beautiful singing voices' with a few sea shanties. It seems there’s an ocean theme running through all of the productions, huh?
Unfortunately, with all the obstacles and restrictions that Covid-19 has brought, it was not possible to organise a Junior Production this year. This was a huge disappointment to everyone, since we were looking forward to this year’s production. My year group was especially saddened since this would have been our last year to experience the Junior Production - next year, we’d have to take part in the Senior Production, which has a much more serious and professional atmosphere.
But we weren’t going to let the coronavirus get in the way of things, and we were determined to have a production in some form! So instead, this year, we’re putting on individual plays for each year group. That way, we can enjoy the experience of a Junior Production, but still be safe in our own bubbles! The play we’re doing is called 'The Secret Diary of Adrian Mole, Aged 13 and 3/4". Yep, very long title. But it’s a really interesting and funny play, and people in our age group can relate to it as well.
I’m playing Nigel, the best friend of Adrian Mole, the main character. We’re still in the early stages of rehearsal, but so far it’s turning out great. Yet again, we’ll have to put it on hold since we’re in isolation for two weeks now. But hopefully, everything will be back in action next month. Stay tuned to see what the finished product is like!
Melancholy mode on,
Mukhtar O. Mukhlis
#theomarmukhtar
p/s: Have you ever taken part in a play or theatre production? 🤔
i did this all for you look what i turned into 在 林作 Facebook 的最佳貼文
Black Panther 導演悼念 Chadwick Bosemen 極度真摯的一封信。極度令人感動。What a great man. Calm, assured, always studying. Just like me.
Before sharing my thoughts on the passing of the great Chadwick Boseman, I first offer my condolences to his family who meant so very much to him. To his wife, Simone, especially.
I inherited Marvel and the Russo Brothers' casting choice of T'Challa. It is something that I will forever be grateful for. The first time I saw Chad's performance as T'Challa, it was in an unfinished cut of Captain America: Civil War. I was deciding whether or not directing Black Panther was the right choice for me. I'll never forget, sitting in an editorial suite on the Disney Lot and watching his scenes. His first with Scarlett Johansson as Black Widow, then, with the South African cinema titan, John Kani as T'Challa's father, King T'Chaka. It was at that moment I knew I wanted to make this movie. After Scarlett's character leaves them, Chad and John began conversing in a language I had never heard before. It sounded familiar, full of the same clicks and smacks that young black children would make in the States. The same clicks that we would often be chided for being disrespectful or improper. But, it had a musicality to it that felt ancient, powerful, and African.
In my meeting after watching the film, I asked Nate Moore, one of the producers of the film, about the language. "Did you guys make it up?" Nate replied, "That's Xhosa, John Kani's native language. He and Chad decided to do the scene like that on set, and we rolled with it." I thought to myself, "He just learned lines in another language, that day?" I couldn't conceive how difficult that must have been, and even though I hadn't met Chad, I was already in awe of his capacity as actor.
I learned later that there was much conversation over how T'Challa would sound in the film. The decision to have Xhosa be the official language of Wakanda was solidified by Chad, a native of South Carolina, because he was able to learn his lines in Xhosa, there on the spot. He also advocated for his character to speak with an African accent, so that he could present T'Challa to audiences as an African king, whose dialect had not been conquered by the West.
I finally met Chad in person in early 2016, once I signed onto the film. He snuck past journalists that were congregated for a press junket I was doing for "Creed," and met with me in the green room. We talked about our lives, my time playing football in college, and his time at Howard studying to be a director, about our collective vision for T'Challa and Wakanda. We spoke about the irony of how his former Howard classmate Ta-Nehisi Coates was writing T'Challa's current arc with Marvel Comics. And how Chad knew Howard student Prince Jones, who's murder by a police officer inspired Coates' memoir Between The World and Me.
I noticed then that Chad was an anomaly. He was calm. Assured. Constantly studying. But also kind, comforting, had the warmest laugh in the world, and eyes that seen much beyond his years, but could still sparkle like a child seeing something for the first time.
That was the first of many conversations. He was a special person. We would often speak about heritage and what it means to be African. When preparing for the film, he would ponder every decision, every choice, not just for how it would reflect on himself, but how those choices could reverberate. "They not ready for this, what we are doing…" "This is Star Wars, this is Lord of the Rings, but for us… and bigger!" He would say this to me while we were struggling to finish a dramatic scene, stretching into double overtime. Or while he was covered in body paint, doing his own stunts. Or crashing into frigid water, and foam landing pads. I would nod and smile, but I didn't believe him. I had no idea if the film would work. I wasn't sure I knew what I was doing. But I look back and realize that Chad knew something we all didn't. He was playing the long game. All while putting in the work. And work he did.
He would come to auditions for supporting roles, which is not common for lead actors in big budget movies. He was there for several M'Baku auditions. In Winston Duke's, he turned a chemistry read into a wrestling match. Winston broke his bracelet. In Letitia Wright's audition for Shuri, she pierced his royal poise with her signature humour, and would bring about a smile to T'Challa's face that was 100% Chad.
While filming the movie, we would meet at the office or at my rental home in Atlanta, to discuss lines and different ways to add depth to each scene. We talked costumes, military practices. He said to me "Wakandans have to dance during the coronations. If they just stand there with spears, what separates them from Romans?" In early drafts of the script. Eric Killmonger's character would ask T'Challa to be buried in Wakanda. Chad challenged that and asked, "What if Killmonger asked to be buried somewhere else?"
Chad deeply valued his privacy, and I wasn't privy to the details of his illness. After his family released their statement, I realised that he was living with his illness the entire time I knew him. Because he was a caretaker, a leader, and a man of faith, dignity and pride, he shielded his collaborators from his suffering. He lived a beautiful life. And he made great art. Day after day, year after year. That was who he was. He was an epic firework display. I will tell stories about being there for some of the brilliant sparks 'till the end of my days. What an incredible mark he's left for us.
I haven't grieved a loss this acute before. I spent the last year preparing, imagining and writing words for him to say, that we weren't destined to see. It leaves me broken knowing that I won't be able to watch another close-up of him in the monitor again or walk up to him and ask for another take.
It hurts more to know that we can't have another conversation, or Facetime, or text message exchange. He would send vegetarian recipes and eating regimens for my family and me to follow during the pandemic. He would check in on me and my loved ones, even as he dealt with the scourge of cancer.
In African cultures, we often refer to loved ones that have passed on as ancestors. Sometimes you are genetically related. Sometimes you are not. I had the privilege of directing scenes of Chad's character, T'Challa, communicating with the ancestors of Wakanda. We were in Atlanta, in an abandoned warehouse, with bluescreens, and massive movie lights, but Chad's performance made it feel real. I think it was because from the time that I met him, the ancestors spoke through him.
It's no secret to me now how he was able to skilfully portray some of our most notable ones. I had no doubt that he would live on and continue to bless us with more. But it is with a heavy heart and a sense of deep gratitude to have ever been in his presence, that I have to reckon with the fact that Chad is an ancestor now. And I know that he will watch over us, until we meet again.
i did this all for you look what i turned into 在 pennyccw Youtube 的最讚貼文
Dikembe Mutombo looked as if he'd been playing with the Philadelphia 76ers for years instead of hours.
Mutombo had 17 points, 13 rebounds and five blocked shots in his debut with Philadelphia as the 76ers beat the Detroit Pistons 99-78 Friday night.
"He changed the whole game with his defense and rebounding," said Philadelphia's Allen Iverson, who had 43 points and 10 rebounds.
Mutombo was traded along with Roshown McLeod from Atlanta to Philadelphia on Thursday for Theo Ratliff, Nazr Mohammed and Pepe Sanchez in the most-significant deal of the NBA season.
After the game, Mutombo looked relieved to be sitting in a folding chair with ice packs surrounding both knees.
He flew from Atlanta to Philadelphia late Thursday night, had a physical at 7 a.m., then arrived in Detroit at about 5 p.m. Friday.
"I need some sleep," Mutombo said. "But really, I'm so excited to be with this group of guys. They're all about winning and we have a great coach."
Philadelphia coach Larry Brown was glad that Mutombo was able to provide a lot of the same things as Ratliff.
"He rebounded and defended like he has his whole career," Brown said. "I thought he was terrific ... I think it's pretty remarkable what he was able to do under those circumstances."
Philadelphia has the best record in the NBA at 42-14. The Sixers extended their winning streak to six games.
Detroit's Jerry Stackhouse scored 22 points. Chucky Atkins had 12 points and Dana Barros added 10. The Pistons made just 37.1 percent of their shots.
Mutombo's status for the game was much more in doubt than the outcome.
The Sixers jumped out to a 16-4 lead and cruised to the win. Philadelphia led by nine points after one quarter, 12 at halftime and 17 after three quarters.
Philadelphia did not know whether Mutombo would be cleared to play until an hour before the game.
Minutes after Philadelphia Brown was informed that Mutombo was able to play, Mutombo walked into Philadelphia's locker room.
When Brown told Mutombo that he could play, the nine-year veteran asked "What do you want me to do?"
Brown left the decision whether or not to play up to Mutombo. He nodded his head to indicate that he wanted to play, and then turned to look for a uniform and basketball shoes to replace his brown suit and dress shoes.
On defense, Mutombo, the three-time defensive player of the year, hung around the lane to block and alter shots.
He ignited Philadelphia's fastbreak with 10 defensive rebounds and crisp outlet passes. There were times that Iverson was so far down the court that Mutombo didn't make it to halfcourt.
On offense, he set space-creating screens with his 7-foot-2, 265-pound frame. When Mutombo got the ball, his sky hooks and deliberate low-post moves gave the Sixers an option on the interior.
Mutombo started and played 36 minutes. He made 7-of-12 shots and 3-of-4 free throws.
"There is not much difference between the Sixers with Theo Ratliff and with Mutombo," said Detroit's Ben Wallace, who had 17 rebounds. "They both clog the middle and block a lot of shots. Theo is a little more athletic and Mutombo is a little bigger."
The game also marked the debut of Detroit's Corliss Williamson, who scored six points and grabbed four rebounds.
Williamson was traded by Toronto along with Kornell David, Tyrone Corbin and a conditional first-round pick to Detroit for Jerome Williams and Eric Montross. Detroit released Corbin and put David on the injured list.
"It was unfair to play him, but once Ben (Wallace) got those two quick fouls, I didn't have much choice," Detroit's George Irvine said. "It's been a whirlwind for him, but he'll be fine. He did a nice job out there."
![post-title](https://i.ytimg.com/vi/EVz2j_74YNA/hqdefault.jpg)
i did this all for you look what i turned into 在 Claudia Koh Youtube 的最佳解答
我看到一個奇蹟般的夢幻畫面。遺忘已久的愛,Tonight令我尋回了。
從沒想過我可以真的那麼愛一個人。
我拿起我的筆,寫下了 “I never thought I can love someone so much” 的第一句詞。
Y.Siu係編曲大神!! 我同佢講一聲夢幻感覺 佢編咗成個orchestra出黎? 你好癲呀 多謝你同我一齊癲呀❤
呀肥,多謝你 拍得越來越靚 我知你放咗好多心機去plan+拍+剪片 辛苦你?
原來三個臭皮匠 勝過一個Claudia?大家繼續努力加油!
AGA 江海迦【Tonight】Cover
Cover:Claudia 東晴 @claudia.koh
編曲:Y.Siu @y.siuiuiuiu
Mixing:Claudia
English Lyrics:Claudia
導演/剪片:呀肥 @ronaldxkahei
Like. Share. Subscribe.
IG: @claudia.koh
FB: Claudia Koh 許東晴
歌詞 Lyrics:
記住這刻細節與感覺 直到一百歲
在腦海中你面容以及眼神 握不碎
你抱我那反應溶入我的脊髓
到消失知覺隨你在漲退
I will always love you till I die
停留細緻的配樂裡
和弦震盪記憶於生命裡
場地 時辰 顏色跟氣溫
夠我記低最重要是誰
有你有了所需
Tonight Tonight
這一晚活得短而無限暖
愛你 愛你多麼渺小志願
Tonight Tonight
忘記一生每幕片段
這一晚每一分鐘也直達永遠
Remember when the stars came out we lied down for the first time
Little did we know this turned out to be something divine
What we’ve been through, hide and seek
You and I still believe
That all our troubles only add into our memories
Summer, reminds the day I first met you
Winter air breeze through
We held our hands together under the starlight
In life
Ups and downs, spinning around
Don’t matter coz they fade away when I
Look into your eyes
Tonight Tonight
I want the world to know how good you are
My heart
Still moves whenever I look at your face
I pray
That our love will never change
Coz’ I never thought I can love someone so much this way
![post-title](https://i.ytimg.com/vi/eyu3mfsAA8o/hqdefault.jpg)
i did this all for you look what i turned into 在 Ray Mak Youtube 的最讚貼文
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? Twitter ▸ http://twitter.com/makhonkit
In Collaboration with Tronsmart :
1.http://www.lazada.com.my/tronsmart-official-store/
2.http://www.11street.my/store/tronsmart
3.http://www.lelong.com.my/merchant/tronsmart.htm
4.https://shopee.com.my/tronsmart.my
Singer: Jay Chou 周杰倫 , Gary Yang 楊瑞代
Album: Waiting For You 等你下課
Title: 等你下課 (Deng Ni Xia Ke)
English Title: Waiting For You
你住的 巷子裡 我租了一間公寓
nǐ zhù de xiàngzi lǐ wǒ zūle yī jiàn gōngyù
I rented an apartment in your alley
為了想與你不期而遇
wèile xiǎng yǔ nǐ bù qī ér yù
In order to meet you unexpectedly
高中三年 我為什麼 為什麼不好好讀書
gāo zhòng sān nián wǒ wèishéme wèishéme bù hǎo hǎo dúshū
Why I did not study well in high school for three years?
沒考上跟你一樣的大學
méi kǎo shàng gēn nǐ yīyàng de dàxué
(that make me) can't go to the same college with you
我找了份工作 離你宿舍很近
wǒ zhǎole fèn gōngzuò lí nǐ sùshè hěn jìn
I got a job, it's close to your dorm
當我開始學會做蛋餅 才發現你 不吃早餐
dāng wǒ kāishǐ xuéhuì zuò dàn bǐng cái fāxiàn nǐ bù chī zǎocān
When I started to learn how to make waffles, I realized you didn't eat breakfast
喔 你又擦肩而過
ō nǐ yòu cā jiān érguò
Oh you pass
你耳機聽什麼 能不能告訴我
nǐ ěrjī tīng shénme néng bùnéng gàosù wǒ
Can you tell me what did you hear from your headphones?
躺在你學校的操場看星空
tǎng zài nǐ xuéxiào de cāochǎng kàn xīngkōng
Lying on your school playground watching the stars
教室裡的燈還亮著你沒走
jiàoshì lǐ de dēng hái liàngzhe nǐ méi zǒu
There's a light in the classroom, you still didn't leave
記得 我寫給你的情書
jìdé wǒ xiě gěi nǐ de qíngshū
Remember the love letter I wrote to you
都什麼年代了
dōu shénme niándàile
What decade is it?
到現在我還在寫著
dào xiànzài wǒ hái zài xiězhe
And now I'm still writing it
總有一天總有一年會發現
zǒng yǒuyītiān zǒng yǒuyī nián huì fāxiàn
One day (you) will realize
有人默默的陪在你的身邊
yǒurén mòmò de péi zài nǐ de shēnbiān
that someone silently accompanied you by your side
也許 我不該在你的世界
yěxǔ wǒ bù gāi zài nǐ de shìjiè
Maybe I should not be in your world
當你收到情書
dāng nǐ shōu dào qíngshū
When you receive a love letter
也代表我已經走遠
yě dàibiǎo wǒ yǐjīng zǒu yuǎn
It means I have gone far
學校旁 的廣場 我在這等鐘聲響
xuéxiào páng de guǎngchǎng wǒ zài zhè děng zhōng shēngxiǎng
The square beside the school, I'm waiting for the bells to ring
等你下課一起走好嗎
děng nǐ xiàkè yīqǐ zǒu hǎo ma
Let's wait until you're finished and go together, okay?
彈著琴 唱你愛的歌 暗戀一點都不痛苦 (一點都不痛苦)
dànzhuó qín chàng nǐ ài de gē ànliàn yīdiǎn dōu bù tòngkǔ (yīdiǎn dōu bù tòngkǔ)
Playing the piano and singing your favorite song, a secret love is not painful at all (is not painful at all)
痛苦的是你 根本沒看我
tòngkǔ de shì nǐ gēnběn méi kàn wǒ
The pain is that you didn't even look at me
我唱這麼走心 卻走不進你心裡(這麼走心 進你心裡)
wǒ chàng zhème zǒu xīn què zǒu bù jìn nǐ xīnlǐ (zhème zǒu xīn jìn nǐ xīnlǐ)
I sang this song sincerely but still, I can not walk into your heart (it takes how much sincerely to get into your heart )
在人來人往 找尋著你 守護著你 不求結局
zài rén lái rén wǎng zhǎoxúnzhe nǐ shǒuhùzhe nǐ bù qiú jiéjú
People coming and going looking for you (but I will) protect you forever
喔 你又擦肩而過(喔 而過)
ō nǐ yòu cā jiān érguò (ō érguò)
Oh, you pass by (pass by)
我唱告白氣球 終於你回了頭
wǒ chàng gàobái qìqiú zhōngyú nǐ huíle tóu
I sing a confession balloon, finally, you turned back
躺在你學校的操場看星空
tǎng zài nǐ xuéxiào de cāochǎng kàn xīngkōng
Lying on your school playground watching the stars
教室裡的燈還亮著你沒走
jiàoshì lǐ de dēng hái liàngzhe nǐ méi zǒu
There's a light in the classroom, you still didn't leave
記得 我寫給你的情書
jìdé wǒ xiě gěi nǐ de qíngshū
Remember the love letter I wrote to you
都什麼年代了
dōu shénme niándàile
What decade is it?
到現在我還在寫著
dào xiànzài wǒ hái zài xiězhe
And now I'm still writing it
總有一天總有一年會發現
zǒng yǒuyītiān zǒng yǒuyī nián huì fāxiàn
One day (you) will realize
有人默默的陪在你的身邊
yǒurén mòmò de péi zài nǐ de shēnbiān
that someone silently accompanied you by your side
也許 我不該在你的世界
yěxǔ wǒ bù gāi zài nǐ de shìjiè
Maybe I should not be in your world
當你收到情書
dāng nǐ shōu dào qíngshū
When you receive a love letter
也代表我已經走遠
yě dàibiǎo wǒ yǐjīng zǒu yuǎn
It means I have gone far
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