關於 i have a dream script ，我們在網路上蒐集到這些相關的討論、資訊與評價

We made it! Personality and film production awarded and rewarded, Bingo!
First New Year world standard award!
I am humbled & honoured to be awarded.
I would like to thanks the President of Brand Laureate Award Dr.KK Johan for giving me this prestigious Brand Laureate Brand Leadership award for my 20 years effort & contribution towards building film (& music) industry in Malaysia.
Such a wonderful New Year gift! Will continue this journey to pursue a better creative contents in the future!
I am so touch with this award.

With a blink eyes, I have involved in Malaysia films & music industry for almost 2 decades, from The Star photographer to Guitar Empire music shop owner ,to Hornbill Films producer.
From covering the Miss World 97 event in Seychelles to shooting music video in The Great Wall of China and Big Apple (New York) in 2016 to producing a full feature movie ‘Belaban Hidup- Infeksi Zombie’ in the remote jungle in Sarawak, I finally came across I can proudly call myself a ‘Creative Industry Icon’.
During my childhood time, I always dream to become a film maker. I went through many challenges in order to keep myself to become relevant in the industry.
Life is like a movie, you are the actor, you are the director, you are the script writer and you write your own destiny.

May this award inspire & motivate me to become more competitive & productive in the film industry.

Lastly I would like to thanks my family, friends and movie fans for giving me tremendous support through this year. See you in Hollywood!
Love you all & stay safe! #rayleeproducer #BrandLaureate #wishinggoodfriendgoodhealth
#belabanhidup #Raylee

【你找到二十一前的我嗎？】Me 21 Years Ago

第一天到片場時，我穿著我衣櫃裡最漂亮的連身裙，把頭髮set得特別好看。導演助理選了幾個臨演拍成一排。導演走上走下看了幾眼後，就選了我，然後我就被工作人員帶入化妝室。她們一邊為我補妝時，一邊很興奮的說，哇，你待會兒有一句台詞耶！很難得耶！你好幸運被選上！

那是我第一次參與電影演出，但我沒有什麼特別的感受。我還在上大學，心裡只想賺多點零用錢。拍的時候，三四個take就完成了，彷彿就是一場夢。

每個人的人生都會有意外收穫的時候。我們可以以這些收穫來勉勵自己，但最重要的是不要自滿於自己的「幸運」而懈怠。

看回以前的自己，說不定那已經奠定了我二十一年後會頻頻拍片，有自己「電視台」的因緣，而且這一次絕對不會只講一句台詞了。

一直都準備好的人，隨時都可以為自己製造機會。

影片：Media Asia Distribution

_____________________

Can you find me in the movie?

It was my first day on the set and I chose to wear the prettiest work dress in my wardrobe. I made special effort to style my spiky hair very well. The director’s assistant lined up a few extras. The director walked up and down scrutinising the few of us. He picked me and I was hastily pulled into the make-up room by the staff. The make-up artistes did my make-up and excitedly told me. Wah, you will get to speak a one line of script. How rare! You’re so lucky to be picked!

I had done advertorials. That was my first time taking part in a movie production but I had no special feeling about it. I was still a University student wanting to make some pocket money. Three or four takes later, it was all over, very much like a dream.

Every one of us have such unexpected lucky moments in life. We can use such moments to encourage ourselves but don’t get all obsessed about your luck that you slack in your efforts

Looking back at those times 20 years ago, I guess it laid the path that will lead to me having my own TV channel and making many videos. But this time round, it will not be just a one liner. 😁

The door of opportunity will always open for the well-prepared one.

【だからキミは負けるんだ】


今日は、仕事のノウハウみたいなではなくて、僕が今、一番熱を入れている映画『えんとつ町のプペル』のお話をしたいと思います。

僕は、もともと漫才師としてスタートして、漫才を書いていて、自分を育ててくれた師匠と呼べる人が「後藤ひろひと」という劇作家ですから、舞台の脚本も書いていて……
そこから絵本作家に転職して、絵を描いて、ストーリーを描いて、で、絵本の曲も作るんですね。
あの「♪ハロハロハロハロウィン」って曲を作った人です。

https://youtu.be/Rihe2JOyLQA

劇場の楽屋に小道具のギターがあるもんですから、空き時間に触っているうちに、ギターが弾けるようになりました。

ちなみに、次々回作の絵本『夢幻鉄道』のテーマソングもいいのが作れたので、YouTubeで検索してみてください。

https://youtu.be/PkoCXybjrrw

　
そんな感じで仕事をしているので、映画『えんとつ町のプペル』における僕の役割は、「原作・脚本・製作総指揮・宣伝・作詞作曲」という忙しいことになっています。



このことを受けて、時々、「ゴーストライターがいるんでしょ！」と時々言われるんです（笑）

これに関しては、「西野がこんなに素晴らしいものを作れるハズがない」という意味なので、褒め言葉でしかないのですが、残念ながら、僕、ゴーストライターなんていないんです。

　
分業している場合は、「分業しています」と公表しています。
その方がいいんですよ。
いろんなクリエイターさんに「西野の仕事に参加したい」と思ってもらった方が得なので、絶対に、その人の名前を出す。

出さない場合もありますが、それは出すべきではない場合です。

たとえば、三日前にYouTubeチャンネルにアップした『えんとつ町のプペル』の動画の備考欄には、歌詞の他に、「歌、作詞作曲、編曲、振付」のスタッフの名前しか入っていません。

照明さんや美術さんや衣装さんの名前は入っていないんですね。
あくまで、あそこは音楽に関する情報を載せる場所として位置付けているので。

関わったスタッフの名前を全員書いてしまったら、８０人ぐらいになっちゃう。

ああいった、いわば「CM」の場合は、基本、スタッフの名前は載せません。
テレビCMの最後に「ディレクター＝○○」と出ないのと同じです。



ただ、ストーリーを書いたり、音楽を作ったりする場合、僕には「ゴーストライター」と呼ばれる人はいません。

珍しいパターンだと思いますが、こと「ビジネス書」においても、僕はライターを雇っていません。
自分で書いた方が圧倒的に早くて、自分の仕事が減るからです。

パフォーマンスでも何でもなくて、５万部売れるビジネス書でよければ、５〜６時間で書けます。
すでに自分の中にある体験と考察を文字起こしするだけなので。



「キー！」となるかもしれませんが、「ゴーストライターだろ！」と言っちゃたり、思っちゃったりする人が、コンパしたり、ナンパしたり、家族旅行に行ったり、ワイドショーを観てタレントの不倫にとやかく言ったり、何も考えずにボケーっと受験勉強している間、僕は、一つでも踏み誤ると死んでしまう戦場でずっと戦ってきました。
かれこれ２０年ほど、平均労働時間は１９時間です。

でもって、この２０年というのは、「勝ちパターンを捨て続けた２０年」で、コツを掴んだ職は、どんどん捨てて、新しい領域に挑戦し続けた２０年です。

なもんで、能力と知識量に圧倒的な差が生まれるのは当たり前の話で、僕は「努力は報われる」ということを言っていきたいので、ここは隠したくありません。

反則技を使っているわけでも何でもなくて、「キミの１０００倍努力してるから、キミの１０００倍の結果を出しているんだよ」というだけの話だと思っています。

　
そして、この現実を受け入れず、「いやいや、ドーピング的な…何か特別な力が働いているに違いない」という思ってしまっているうちは、一生始まらないまま人生が終わっちゃうので、それが嫌なら受け入れてください。


「僕、こんな努力をしてますよ」と自分から言う奴、なかなかいないと思うのですが、いい機会なので言っておきます。

　
今日も映画『えんとつ町のプペル』のアフレコがあるわけですが、そこでは、声優さんから質問があったり、「ここは、こんな感じでお願いします」と指示を出さなきゃいけない。

なので、家で「指示を出す練習」をしていくんです。
自分も、実際にやれるようにしておく。


たとえば…


「えんとつ町は煙突だらけ。
そこかしこから煙が上がり、頭の上はモックモク、黒い煙でモックモク。
朝から晩までモックモク。
えんとつ町に住む人は黒い煙に閉じ込められて、青い空を知りやしない。輝く星を知りやしない。

見上げることを捨てた街で、一人の男が上を見た。
町を覆った黒い煙に、男が想いを馳せたのは、酒場で出会ったお喋りモグラが聞かせてくれた夢物語。

煙の向こうの世界の話。光り輝く世界の話。
ありやしないと思ったが、全くないとも言い切れない。
なぜなら誰も行っていない。答えは誰も持っていない。

それから男は日ごと夜ごと、煙の向こうの世界の話を、何度も何度も叫んだが、バカだバカだと囃されて、ホラ吹きものだと切り捨てられた。

男が一体、何をした。
男が誰を傷つけた？　
そこに理由はありゃしない。

見上げることを捨てた町では、『目立たぬように』の大合唱。
見上げることを捨てた町では、夢を語れば笑われて、行動すれば叩かれる。

黒い煙は町を飲み込み、一縷の光も許さない。
黒い煙は人を飲み込み、あらゆる勇気を認めない。
それでも男は声をあげ、震える膝をひた隠し、船に乗り込み海にでた。
暗くて怖い海にでた。
誰もいない海にでた」



これは主人公の少年の父親が、自作の紙芝居を披露するシーンのセリフなのですが、今、僕は何かを見ながら書いたわけではなくて、これぐらいは暗記してるんです。
指示を出す人間として、これぐらいは。

これって、「何回もやっているうちに覚えた」という類のものなので、才能とかセンスじゃないじゃないですか。

これがプロです。


もし良かったら、一度、僕の会社のインターン生にでもなって、僕の近くで、僕の仕事を見てみてください。

たぶん、絶望すると思います（笑）

先ほども申し上げましたが、「努力がモノを言う」というところを伝えていきたいので、今後も、この部分は包み隠さず、積極的に頑張ったアピールをしていきたいと思います。



そうそう。

映画公開は１２月２５日なのですが、１２月２５日の夜に、YouTubeの生配信をして、映画をご覧になられた方に向けて、「あそこのシーン、実は○○なんだよ」という話をしたいので、映画は初日に観に行ってください。

今のうちに、１２月２５日のスケジュールに印を入れておいてね。
それでは、映画『えんとつ町のプペル』のアフレコに行ってきます。


　
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
That's why you lose.


Today, it's not like work know-how, but I would like to talk about the movie ′′ a in the town ′′ that I'm in the middle of the day, and I'm going to have a good time.

I was originally a manzai teacher, writing a manzai, and a master who raised me is a playwright called ′′ goto hiroto...... so I also wrote the script of the stage......
I'm going to change my job to a picture book writer, draw a picture, draw a story, and make a picture book song too.
This is the one who made the song. Hallo Halloween ′′

https://youtu.be/Rihe2JOyLQA

There's a prop guitar in the theater dressing room, so I can play guitar while I'm touching the free time.

By the way, I was able to make a theme song for the picture book ′′ Phantom Railway ′′ which was made one after another, so please search for it on Youtube.

https://youtu.be/PkoCXybjrrw

　
I'm working like that, so my role in the movie ′′ a in the town ′′ is going to be busy called ′′ Original Script Production General command promotion lyrics,"



Sometimes it's said that sometimes," there's a ghost writer!" lol

As for this, it means ′′ Nishino can't make such a wonderful thing," so it's only a compliment, but unfortunately, I don't have a ghost writer.

　
If you are in the middle of labor, you are publishing ′′ division of labor,"
It's better to be.
It's better to have a lot of creators think ′′ I want to participate in nishino's work so I'll definitely name the person.

Sometimes you don't put it out, but it's if you shouldn't put it out.

For example, in the notes section of the video of ′′ a no-′′ that I uploaded to the youtube channel three days ago, besides the lyrics, there is only the name of the staff of ′′ songs, lyrics, arrangement, choreography ′′ I'm sorry.

There is no name of lighting, art, or costumes.
It's just that it's a place to put information on music.

If you write all the names of the staff involved, it will be about 80 people.

Oh well, so in case of ′′ cm I don't put the name of the basic, staff.
At the end of the tv commercial, ′′ it's the same as not going out with director.



It's just that if you write a story or make music, I don't have anyone called ′′ Ghost writer

I think it's a rare pattern, but even in the ′′ business book I don't hire a writer.
It's more overwhelming to write yourself, because my work is reduced.

If you don't have a performance or anything, you can write it in 5 TO 6 hours if you don't mind a business book that sells 5 million
I'm just going to make a character of my experience and thoughts already in my own.



It may be ′′ key!" but," it's a ghost writer, and people who think about it, are compound, flirting, family trip, and watch the shows. I've been fighting for a battlefield where I'm going to die when I'm talking about talent adultery, and I'm studying the exam without thinking about anything.
It's been about 20 years, average working time is 19 hours.

So, this 20 is," 20 years that I've been throwing away the winning pattern," and the job that grabbed the trick is more and more throwing away, and it's been 20 years since I've been trying to challenge the new area I'm sorry.

So, it's obvious that the overwhelming difference in the ability and knowledge is born, and I want to say that ′′ effort is rewarded so I don't want to hide it here.

I'm not using a foul trick, but I'm just saying that I'm trying twice as hard as you, so I'm going to have 1000 times the results of you," I'm sorry.

　
And I don't accept this reality," no no, it's doping... I think something special is working... my life is over without starting for a lifetime. So accept it if you don't like it.


I don't think there's a person who says ′′ I'm doing this kind of effort but I'm going to say it because it's a good opportunity.

　
There is also a recording of the movie ′′ a in the town ′′ today, but there is a question from the voice actor, and I have to give instructions that ′′ I'm going to have a good time here,"

So I'm going to do ′′ practice to instruct ′′ at home.
I will actually be able to do it.


For example...


′′ A town is full of chimney.
Smoke from there, moc mok on my head, black smoke and moc mok.
Moc. from morning to night.
People who live in a town are trapped in black smoke and don't know the blue sky. I don't know the shining stars.

In a city that abandoned looking up, one man looked up.
The Black smoke that covered the town, the man made his thoughts on the dream that the heyyy mole I met at the bar told me.

The story of the world across the smoke. The story of the shining world.
I thought it wouldn't be, but I can't say it at all.
Because no one has gone. No one has the answer.

Then the man shouted over and over again, day and night, the story of the world across the smoke, but he was told that he was stupid, and he was cut off as a hola.

What the hell did a man do?
Who did the man hurt?
There is no reason there.

In the town that abandoned looking up, a big choir of ′′ conspicuous,"
In a town that abandoned looking up, if you speak your dreams, you will be laughed, and if you act, you will be slapped.

Black smoke swallows the town and doesn't allow the light of all times.
Black smoke swallows people and doesn't acknowledge every courage.
And yet the man gave a voice, trembling his knees, and he got into the ship and went to the sea.
It was in a dark and scary sea.
I was in the sea with no one ′′



This is the line of the scene of the protagonist boy's father showing off his own kamishibai, but now I didn't write it while watching something, and I'm memorizing this much.
As a person who gives instructions, this is so much.

This is the kind of thing that ′′ I remembered while I've been doing it many times," so it's not talent or sense.

This is the professional.


If you'd like, once you'd like to be my company intern student, near me, take a look at my work.

I think I'm probably going to despair lol

I said it earlier, but I want to tell you that ′′ effort is saying things," and in the future, I would like to make an appeal that I have been actively working hard.



That's right.

The movie is on December 25th, but on the night of December 25th, I'm going to have a live broadcast on Youtube, and I'm going to have a good time with the movie," the scene over there, actually ○○ I want to talk about ′′ what is it so go see the movie on the first day.

While you're in the middle of the day, mark your schedule for December 25th.
Well, I'm going to go to the recording of the movie ′′ a in town ′′


　
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
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Dear TEAM KAMIWAZA

First of all, thank you for always supporting us.
We will do our best to keep making interesting videos even if the language changes.

[Video's last scene's script]
We will continue to challenge the difficult trickshot of various sports.

Depending on the difficulty level of the trickshot, there were some trickshot that did not succeed even if you challenged all day.

There were some tricks that didn't succeed even if I tried for 3 days.

At that time, I asked myself can I really do this trickshot.

What if I didn't succeed forever?

To be honest, I've almost given up.

I think there will be many such situations from now on.

We will continue to challenge our limits to reach 1 million subscribers.

Please continue to believe in us.

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KAMIWAZA is your destination for amazing and extraordinary sport tricks and amazing feats.
A big shout-out to DUDE PERFECT, who have been our inspiration and the reason why we started!
Our dream is to become at least as awesome as you, and we won't stop until we claim the throne of AWESOME!!!

The Los Angeles Lakers drove a stake into the heart of the Philadelphia 76ers and staked their claim as the NBA's next dynasty.

Led by Shaquille O'Neal, the Lakers won their second straight title with a 108-96 victory in Game Five of the NBA Finals, completing the greatest postseason run in league history.

"A dream come true," O'Neal said. "I always knew we could do it, especially after the first one last year. I just knew that if we did what we were supposed to do that we could get it done."

"Team Shaq" has gone back-to-back, claiming its 13th championship. The Lakers did it by going 15-1, with the lone loss coming in overtime against the 76ers in the opener of this series.

That ended a 19-game winning streak, but O'Neal quickly restored order, powering the Lakers to four straight wins as he claimed his second straight NBA Finals Most Valuable Player award.

"The first championship was just to get the monkey off my back," O'Neal said. "The ones that I get from now on will just be to stamp my name in history -- as far as for myself, as far as for whatever team I'm on."

"It was an unbelievable run for us in the playoffs," said Lakers coach Phil Jackson, who won his eighth championship, one shy of the legendary Red Auerbach. "Their concentration was incredible during this period."

O'Neal collected 29 points and 13 rebounds in the clincher. He manhandled Defensive Player of the Year Dikembe Mutombo, averaging 33 points, 15.8 rebounds and 3.4 blocks in the series.

"His defense is really, I think, one of the keys for us winning," Jackson said. "He was a presence inside, both offensively and defensively."

O'Neal's impact was undeniable. Not only was he an unstoppable post presence, his teammates made a record 36-of-75 3-pointers playing off him.

"I've never seen a player better in my life," 76ers coach Larry Brown said. "I mean that."

"I'm drunk," O'Neal said as he entered the interview room. "A lotta champagne."

It was a lot of O'Neal, but it wasn't all him. It only seemed that way. Philadelphia native Kobe Bryant, -- heavily booed in his hometown throughout the series -- silenced this city with something less than brotherly love.

Bryant had 26 points and 12 rebounds, shaking off a poor first half. He averaged 24.6 points and was outstanding in each of LA's four wins, perfectly complementing O'Neal -- which was not always the case during the season.

"It's a thing in the past," Bryant said. "We'll do our best to try to keep a team effort, keep a community. Hopefully, we won't have to go through what we went through this year, and I don't think we will."

The Lakers did not exactly bury the 76ers. Following the script of the entire series, they allowed a huge lead to dwindle in the fourth quarter before two 3-pointers by Derek Fisher served as dual daggers to the heart the Sixers displayed to the very end.

NBA MVP Allen Iverson scored 37 points despite suffering another injury, this one to his ribs. He averaged 35.6 points in his first Finals and allowed a basketball-crazed city to believe it could topple Tinseltown.

"Allen told me he thought he cracked some ribs," Brown said. "They X-rayed it, I don't know, they didn't find that. It's what that kid's about. He had a phenomenal year.

"And I think being in this environment on this stage, people really recognize what an unbelievable competitor he is and what a great player."

Iverson's competitive spirit got the best of him. He walked off the court as the buzzer sounded, refusing to shake hands. He also blew off the postgame media session when he saw he had to wait for Bryant.

But the "Little Guy" and a big heart were nowhere near enough for the Sixers, who struggled on offense and saw their dogged defense decimated by a dynasty.

"They got our attention during the course of this series," said Jackson.

Injury-infiltrated Philadelphia fought hard in every game, but playing uphill took its toll and the Sixers were pushed back by the 7-2, 330-pound O'Neal, a mountain of a man and the NBA's king of the hill.

"It may not seem like I'm happy on my face," O'Neal said in the interview room. "I'm also greedy and I'm not done."

"Shaq has got more in him," Jackson said. "I expect him to have more than two championships before he's finished with this game."

Rick Fox scored 20 points for the Lakers and Fisher added 18, all on 3-pointers. LA made 12-of-17 from the arc, devastating the double-teams the Sixers ran at O'Neal.

Philadelphia's Tyrone Hill had his best postseason game with 18 points and 13 rebounds. Mutombo added 13 and 11 before fouling out and Eric Snow had 13 and 12 assists.

"They came out and proved to the world that they were a defending champion," Mutombo said.

Bryant scored seven quick points early in the final period to give the Lakers a 92-74 lead. But the Sixers would not allow any early celebration, putting together another of their patented pushes.

Hill's jumper made it 93-84 with 5:24 to play but Fisher drilled a 3-pointer. Mutombo fouled out with 3:41 left, but Philadelphia kept coming as Hill's three-point play cut the deficit to 100-92 with 1:51 to go.

Snow's free throw got it a point closer, but Fisher made another from the arc to seal it with 51 seconds left. Brown pulled his weary warriors off the floor to a standing ovation that lasted until the final horn as tears welled in Iverson's eyes.

Right before tip-off, the video scoreboard showed a hilarious cartoon that depicted O'Neal as a building-crushing monster before Iverson emerged as "Underdog" to save the day.

That got the crowd going and Snow's return to the starting lineup sparked the Sixers to their first opening-quarter lead of the series, 27-24. Mutombo held O'Neal relatively in check, Snow ran the offense and Iverson scored 11 points.

Iverson also collected three fouls, going hard to the floor after a collision with Bryant with 42 seconds to go. He began the second quarter on the bench with an ice pack on his right side and spent the early part of the period trying to stretch it out while missing three straight shots.

Meanwhile, O'Neal and the Lakers found some rhythm. Robert Horry made his seventh straight 3-pointer to pull LA into a 29-29 tie and O'Neal scored eight points in less than three minutes, including a short jumper that gave the Lakers the lead for good at 36-34 with 7:57 remaining.

O'Neal dropped in an alley-oop pass from Fox and Bryant sank a 3-pointer to extend the lead to 49-40 with 3:43 left before Iverson found his stroke again. He scored six quick points to get the Sixers back in it.

The Lakers led 52-48 at halftime behind 17 points by O'Neal and six 3-pointers. Iverson scored 19 points.

Bryant, who shot 2-of-10 in the first half, got untracked as the Lakers widened the gap in a foul-filled third quarter. He scored eight points and set a tone by going to the basket and attacking the offensive boards.

O'Neal and Matt Geiger had a staredown and received technical fouls. Bryant heard the "Kobe (stinks)" chants once again, but a 3-pointer by Fisher silenced the crowd and gave LA a 78-66 advantage with 2:24 to play. The Lakers led 83-68 entering the final period.