Kyary Pamyu Pamyu - PONPONPON - 3 Levels - 022
https://youtu.be/ESf8iPA7J6U
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This is one of my favorite Japanese pop songs! Great way to work on your phrasing! I included a great BAD example for you!
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1) First, learn how to play basic chord changes!
2) 2nd, learn how to make a great voice leading chords!
3) 3rd, learn how to play singing melody!
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▼ AMaj7 G#-7 A/B C#-7
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Kanji TF Signature Stratocaster
Kanji Bass VI Proto (For looping)
Boss RC-3 Loop Station
Ibanez Cables
Boss DC-2
Boss DD-2
OC PBR (Reverb Pedal)
OC PBC (Compressor Pedal)
Fender Musicmaster Bass Amp
D'Addario NYXL 10-46
Pickboy TF signature 1.00 mm
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▼▼Join today "Tomo Fujita Guitar Wisdom"
http://tomovhxtv.vhx.tv
Just added easy theory lessons!
Join subscribers from 80 countries
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#ponponpon #kyarypamyupamyu #japanesepop #jpopidol #jpop #music #japan #theory #melody #phrasing #intervals #rest #groove #guitar #guitars #guitarcover #guitarlicks #instaguitars #instaguitarist #kanjiguitar #tomofujita #guitarwisdom #consistency #effort #hardwork #thankful #grateful
同時也有145部Youtube影片,追蹤數超過2,580的網紅masa - masa,也在其Youtube影片中提到,ご視聴ありがとうございます! English comment is after Japanese. 村下孝蔵さんの「90ページの日記帳」をカバーさせていただきました。 この曲は3rdアルバム「夢の跡」(1982年)に収録されています。 (リクエストありがとうございます♪😆) 今回は、ライブアルバ...
「japanese chord」的推薦目錄:
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- 關於japanese chord 在 Sonic Deadhorse Facebook 的最讚貼文
- 關於japanese chord 在 masa - masa Youtube 的最佳解答
- 關於japanese chord 在 masa - masa Youtube 的精選貼文
- 關於japanese chord 在 masa - masa Youtube 的最讚貼文
japanese chord 在 Tomo Fujita (Official Fan Page) Facebook 的精選貼文
Kyary Pamyu Pamyu - PONPONPON - 3 Levels - 022
https://youtu.be/ESf8iPA7J6U
This is one of my favorite Japanese pop songs! Great way to work on your phrasing! I included a great BAD example for you!
1) First, learn how to play basic chord changes!
2) 2nd, learn how to make a great voice leading chords!
3) 3rd, learn how to play singing melody!
▼ AMaj7 G#-7 A/B C#-7
Kanji TF Signature Stratocaster
Kanji Bass VI Proto (For looping)
Boss RC-3 Loop Station
Ibanez Cables
Boss DC-2
Boss DD-2
OC PBR (Reverb Pedal)
OC PBC (Compressor Pedal)
Fender Musicmaster Bass Amp
D'Addario NYXL 10-46
Pickboy TF signature 1.00 mm
▼▼Join today "Tomo Fujita Guitar Wisdom"
http://tomovhxtv.vhx.tv
Just added easy theory lessons!
Join subscribers from 80 countries
japanese chord 在 Sonic Deadhorse Facebook 的最讚貼文
【Non-Confined Space 非/密閉空間】首張專輯《Flow, Gesture, and Spaces》Bandcamp已經上架,附上英文版的介紹。
Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.
Taking its title from a philosophical textbook about free-jazz, Flow, Gesture, and Spaces is a revelatory introduction to the duo, mixing the utterly free improvisations of their live shows (exemplified with spontaneous straight-to-tape takes on two of the album’s ten tracks) with an approach to studio composition inspired by the philosophy of improvisation. Basic outlines – often borrowing chord movements from the likes of Coltrane and Wayne Shorter, or pulling beats from Cheng’s huge library – would be cut loose in studio sessions, later augmented by psychedelic post-production. Utilizing methodology from the eponymous book, Flow, Gesture, and Spaces is nonetheless based on “simple elements” as the duo put it, “rhythm, intervals, timbre, and energy.
As a pairing, Non-Confined Space seem to come from polar opposite ends of the spectrum, musically. Performing professionally since the age of 19, Minyen Hsieh first picked up the saxophone back in high school, going on to study with local jazz musicians, and eventually studying the instrument at Koninklijk Conservatorium in Brussels. He’s since made a vast array of music, from traditional swing to the loosened bop of his debut solo album Firry Path, and collaborations with pianist Shih-Yang Lee and legendary Japanese free-drummer Sabu Toyozumi. Non-Confined Space is Hsieh’s first deep foray into the art of electronic processing.
Ge-Chun Cheng’s primary solo project since 2007 has been Sonic Deadhorse. A sample-hungry outfit blending the “indulgence of the 70s, melancholy of the 80s, nihilism of the 90s, and isolation of the new century”, the project has produced a wide-range of sounds from post-Flying Lotus fusion beats to wild live performances of a club-influenced mix of post-rock, dubstep, and chiptune (documented on a 2016 live set for Boiler Room). Working as something of a one-man band has left autodidact Cheng well prepared to not only match the classically trained Hsieh, but to push his partner into wild new directions. “I can always get organic feedback and responses from Minyen,” explains Cheng. “It makes me want to put more elements and processing into the music, and to change style more often.”
Since first meeting at a jam session in Taipei City, Non-Confined Spaces have evolved into an improv outfit for the 21st century, as indebted to Aphex Twin and Squarepusher as they are to Archie Shepp and Sun Ra. The road to Flow, Gesture, and Spaces has seen the duo play for dance performances, visual exhibitions, and even live-painting. Their own live shows also include various interactive and audiovisual elements, consistently focusing in on those three core elements checked in the album’s title. Non-Confined Spaces is a project far from tied down, flirting with bass-heavy tropicalia on ‘Serotonin Cell’, psychedelic post-Madlib hip-hop on ‘Melodic Gesture’, and noisy electrified free jazz on ‘Entropy’. The latter is one of two live takes featuring drummer Weichung Lin and keyboardist YuYing Hsu – allies from the Taiwan scene – capturing the explosive spontaneity and uncannily wonky sounds of this unique duo reconstructing samples live on the spot. Flow, Gesture, and Spaces is a true journey into the heart of the unknown.
Tristan Bath
japanese chord 在 masa - masa Youtube 的最佳解答
ご視聴ありがとうございます!
English comment is after Japanese.
村下孝蔵さんの「90ページの日記帳」をカバーさせていただきました。
この曲は3rdアルバム「夢の跡」(1982年)に収録されています。
(リクエストありがとうございます♪😆)
今回は、ライブアルバム「GUITAR KOZO」に収録されているアコースティックバージョン風になるようアレンジしてみました🎸(アウトロだけリードを重ねています。)
※原曲はこちら!
アコースティックバージョン
https://youtu.be/nuU5HBT98n0?t=531
アルバムバージョン
https://youtu.be/T9QYOoKKiL8
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Thank you so much for watching!
I did a cover of Murashita Kozo's "90 Page No Nikkichou (Diary that has ninety pages)".
The original song is included in 3rd album "Yume No Ato" in 1982.
About this time cover, I chose the acoustic version that is included in the live album "GUITAR KOZO".
I tried to arrange it so that it can be expressed like this version.🎸(Only the ending, I overlapped the lead guitar.)
*Original is HERE!
Acoustic version
https://youtu.be/nuU5HBT98n0?t=531
Album version
https://youtu.be/T9QYOoKKiL8
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#村下孝蔵 #90ページの日記帳 #GUITAR_KOZO
#夢の跡
japanese chord 在 masa - masa Youtube 的精選貼文
ご視聴ありがとうございます!
English comment is after Japanese.
9/22にリリースされるポルノグラフィティの新曲「テーマソング」を
カバーさせていただきました。
岡野昭仁さんの歌声、めちゃめちゃ好きなんです♪
ポルノはカラオケでのボクの定番曲になっています😁
ドラムパートが無いのでビート感がイマイチ出ていませんが💦
頑張って耳コピカバーしてみました🎸
※原曲はこちら!
ポルノグラフィティ - テーマソング / THE FIRST TAKE
https://youtu.be/cGTF7Efa4kU
ポルノグラフィティ『テーマソング』document movie(Full ver.)
https://youtu.be/jin1Y7Suw9Y
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Thank you so much for watching!
I did a cover of Porno Graffitti new single "Theme Song" that will be released in 22th September, 2021.
I like Okano-san's voice very much.♪
I always sing their songs at the karaoke box.😁
This is not included the drums part, so it's not so much rhythm feeling.💦
But, I worked hard copying by ear.🎸
*Original is HERE!
https://youtu.be/cGTF7Efa4kU
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#ポルノグラフィティ #テーマソング
#Porno_Graffitti #Theme_Song
japanese chord 在 masa - masa Youtube 的最讚貼文
ご視聴ありがとうございます!
English comment is after Japanese.
コブクロの「露光」をカバーさせていただきました。
この曲は、2021.8.4にリリースされた10thアルバム「Star Made」に収録されています。
シンプルなアルペジオが心地良くも切ない、でも最後にはハッピーエンドな、至極のラブバラードです。
いつもながら、アルペジオパターンは完コピではありませんが...😅
※原曲はこちら!
コブクロ「露光」※音源のみ
https://youtu.be/IoFPh1I0c5A
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Thank you so much for watching!
I did a cover of Kobukuro "Rokou (Exposure)" .
This song is included in the 10th album "Star Made" that was released in August 4th, 2021.
The simple of an arpeggio is comfortable and painful, but finally has a happy ending. such it is extreme love ballade.
As always, my arpeggio is not complete copy, sorry...😅
*The original song is HERE!
- Kobukuro "Rokou" *Sound source only
https://youtu.be/IoFPh1I0c5A
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#コブクロ #露光
#Star_Made