Jenna Cody :
Is Taiwan a real China?
No, and with the exception of a few intervening decades - here’s the part that’ll surprise you - it never has been.
This’ll blow your mind too: that it never has been doesn’t matter.
So let’s start with what doesn’t actually matter.
Until the 1600s, Taiwan was indigenous. Indigenous Taiwanese are not Chinese, they’re Austronesian. Then it was a Dutch colony (note: I do not say “it was Dutch”, I say it was a Dutch colony). Then it was taken over by Ming loyalists at the end of the Ming dynasty (the Ming loyalists were breakaways, not a part of the new Qing court. Any overlap in Ming rule and Ming loyalist conquest of Taiwan was so brief as to be inconsequential).
Only then, in the late 1600s, was it taken over by the Chinese (Qing). But here’s the thing, it was more like a colony of the Qing, treated as - to use Emma Teng’s wording in Taiwan’s Imagined Geography - a barrier or barricade keeping the ‘real’ Qing China safe. In fact, the Qing didn’t even want Taiwan at first, the emperor called it “a ball of mud beyond the pale of civilization”. Prior to that, and to a great extent at that time, there was no concept on the part of China that Taiwan was Chinese, even though Chinese immigrants began moving to Taiwan under Dutch colonial rule (mostly encouraged by the Dutch, to work as laborers). When the Spanish landed in the north of Taiwan, it was the Dutch, not the Chinese, who kicked them out.
Under Qing colonial rule - and yes, I am choosing my words carefully - China only controlled the Western half of Taiwan. They didn’t even have maps for the eastern half. That’s how uninterested in it they were. I can’t say that the Qing controlled “Taiwan”, they only had power over part of it.
Note that the Qing were Manchu, which at the time of their conquest had not been a part of China: China itself essentially became a Manchu imperial holding, and Taiwan did as well, once they were convinced it was not a “ball of mud” but actually worth taking. Taiwan was not treated the same way as the rest of “Qing China”, and was not administered as a province until (I believe) 1887. So that’s around 200 years of Taiwan being a colony of the Qing.
What happened in the late 19th century to change China’s mind? Japan. A Japanese ship was shipwrecked in eastern Taiwan in the 1870s, and the crew was killed by hostile indigenous people in what is known as the Mudan Incident. A Japanese emissary mission went to China to inquire about what could be done, only to be told that China had no control there and if they went to eastern Taiwan, they did so at their own peril. China had not intended to imply that Taiwan wasn’t theirs, but they did. Japan - and other foreign powers, as France also attempted an invasion - were showing an interest in Taiwan, so China decided to cement its claim, started mapping the entire island, and made it a province.
So, I suppose for a decade or so Taiwan was a part of China. A China that no longer exists.
It remained a province until 1895, when it was ceded to Japan after the (first) Sino-Japanese War. Before that could happen, Taiwan declared itself a Republic, although it was essentially a Qing puppet state (though the history here is interesting - correspondence at the time indicates that the leaders of this ‘Republic of Taiwan’ considered themselves Chinese, and the tiger flag hints at this as well. However, the constitution was a very republican document, not something you’d expect to see in Qing-era China.) That lasted for less than a year, when the Japanese took it by force.
This is important for two reasons - the first is that some interpretations of IR theory state that when a colonial holding is released, it should revert to the state it was in before it was taken as a colony. In this case, that would actually be The Republic of Taiwan, not Qing-era China. Secondly, it puts to rest all notions that there was no Taiwan autonomy movement prior to 1947.
In any case, it would be impossible to revert to its previous state, as the government that controlled it - the Qing empire - no longer exists. The current government of China - the PRC - has never controlled it.
After the Japanese colonial era, there is a whole web of treaties and agreements that do not satisfactorily settle the status of Taiwan. None of them actually do so - those which explicitly state that Taiwan is to be given to the Republic of China (such as the Cairo declaration) are non-binding. Those that are binding do not settle the status of Taiwan (neither the treaty of San Francisco nor the Treaty of Taipei definitively say that Taiwan is a part of China, or even which China it is - the Treaty of Taipei sets out what nationality the Taiwanese are to be considered, but that doesn’t determine territorial claims). Treaty-wise, the status of Taiwan is “undetermined”.
Under more modern interpretations, what a state needs to be a state is…lessee…a contiguous territory, a government, a military, a currency…maybe I’m forgetting something, but Taiwan has all of it. For all intents and purposes it is independent already.
In fact, in the time when all of these agreements were made, the Allied powers weren’t as sure as you might have learned about what to do with Taiwan. They weren’t a big fan of Chiang Kai-shek, didn’t want it to go Communist, and discussed an Allied trusteeship (which would have led to independence) or backing local autonomy movements (which did exist). That it became what it did - “the ROC” but not China - was an accident (as Hsiao-ting Lin lays out in Accidental State).
In fact, the KMT knew this, and at the time the foreign minister (George Yeh) stated something to the effect that they were aware they were ‘squatters’ in Taiwan.
Since then, it’s true that the ROC claims to be the rightful government of Taiwan, however, that hardly matters when considering the future of Taiwan simply because they have no choice. To divest themselves of all such claims (and, presumably, change their name) would be considered by the PRC to be a declaration of formal independence. So that they have not done so is not a sign that they wish to retain the claim, merely that they wish to avoid a war.
It’s also true that most Taiwanese are ethnically “Han” (alongside indigenous and Hakka, although Hakka are, according to many, technically Han…but I don’t think that’s relevant here). But biology is not destiny: what ethnicity someone is shouldn’t determine what government they must be ruled by.
Through all of this, the Taiwanese have evolved their own culture, identity and sense of history. They are diverse in a way unique to Taiwan, having been a part of Austronesian and later Hoklo trade routes through Southeast Asia for millenia. Now, one in five (I’ve heard one in four, actually) Taiwanese children has a foreign parent. The Taiwanese language (which is not Mandarin - that’s a KMT transplant language forced on Taiwanese) is gaining popularity as people discover their history. Visiting Taiwan and China, it is clear where the cultural differences are, not least in terms of civic engagement. This morning, a group of legislators were removed after a weekend-long pro-labor hunger strike in front of the presidential palace. They were not arrested and will not be. Right now, a group of pro-labor protesters is lying down on the tracks at Taipei Main Station to protest the new labor law amendments.
This would never be allowed in China, but Taiwanese take it as a fiercely-guarded basic right.
*
Now, as I said, none of this matters.
What matters is self-determination. If you believe in democracy, you believe that every state (and Taiwan does fit the definition of a state) that wants to be democratic - that already is democratic and wishes to remain that way - has the right to self-determination. In fact, every nation does. You cannot be pro-democracy and also believe that it is acceptable to deprive people of this right, especially if they already have it.
Taiwan is already a democracy. That means it has the right to determine its own future. Period.
Even under the ROC, Taiwan was not allowed to determine its future. The KMT just arrived from China and claimed it. The Taiwanese were never asked if they consented. What do we call it when a foreign government arrives in land they had not previously governed and declares itself the legitimate governing power of that land without the consent of the local people? We call that colonialism.
Under this definition, the ROC can also be said to be a colonial power in Taiwan. They forced Mandarin - previously not a language native to Taiwan - onto the people, taught Chinese history, geography and culture, and insisted that the Taiwanese learn they were Chinese - not Taiwanese (and certainly not Japanese). This was forced on them. It was not chosen. Some, for awhile, swallowed it. Many didn’t. The independence movement only grew, and truly blossomed after democratization - something the Taiwanese fought for and won, not something handed to them by the KMT.
So what matters is what the Taiwanese want, not what the ROC is forced to claim. I cannot stress this enough - if you do not believe Taiwan has the right to this, you do not believe in democracy.
And poll after poll shows it: Taiwanese identify more as Taiwanese than Chinese (those who identify as both primarily identify as Taiwanese, just as I identify as American and Armenian, but primarily as American. Armenian is merely my ethnicity). They overwhelmingly support not unifying with China. The vast majority who support the status quo support one that leads to eventual de jure independence, not unification. The status quo is not - and cannot be - an endgame (if only because China has declared so, but also because it is untenable). Less than 10% want unification. Only a small number (a very small minority) would countenance unification in the future…even if China were to democratize.
The issue isn’t the incompatibility of the systems - it’s that the Taiwanese fundamentally do not see themselves as Chinese.
A change in China’s system won’t change that. It’s not an ethnic nationalism - there is no ethnic argument for Taiwan (or any nation - didn’t we learn in the 20th century what ethnicity-based nation-building leads to? Nothing good). It’s not a jingoistic or xenophobic nationalism - Taiwanese know that to be dangerous. It’s a nationalism based on shared identity, culture, history and civics. The healthiest kind of nationalism there is. Taiwan exists because the Taiwanese identify with it. Period.
There are debates about how long the status quo should go on, and what we should risk to insist on formal recognition. However, the question of whether or not to be Taiwan, not China…
…well, that’s already settled.
The Taiwanese have spoken and they are not Chinese.
Whatever y’all think about that doesn’t matter. That’s what they want, and if you believe in self-determination you will respect it.
If you don’t, good luck with your authoritarian nonsense, but Taiwan wants nothing to do with it.
同時也有3部Youtube影片,追蹤數超過8,000的網紅eLynn 陳箴,也在其Youtube影片中提到,Listen to 'Words Kill': https://backl.ink/elynn_wordskill_ep?fbclid=IwAR0jIPBTK-cu7O05d0Sls8W0p0fCPTC1qFR2QVWQ0sqd3ddOdoUxjQ7iG7w eLynn 陳箴 - Words Ki...
later han 在 蘇匯宇 Su Hui-Yu Facebook 的最佳貼文
三頻道裝置《未來的衝擊》,本月參展法國馬賽Chroniques 數位藝術雙年展
Future Shock is participating in the Chroniques 2020 this month, in the program "WHAT DO WE WANT TO GROW ON THE RUINS?"
A paradox of present times, the extension of human life and the image of the end of the world coexist and oppose each other in our imaginations of possible futures. These are almost two societal choices that clash and trace a front line in our political and social horizons. After years of trying to modernize the Earth, we are now facing a social crisis that may be the most important in all our history: the image of a collapse due to the disappearance of our ecosystem. So, a question arises: how are we going to build the afterwards?
Far from new, the image of the end of the world has often inspired artists and aesthetic movements throughout history. At La Friche, the exhibition, designed as a fictional laboratory, presents artists who enlighten us on the current issues of change, on our history, our past choices which ultimately carry within them a need to reform of human reasoning. An international exhibition with Taiwan as guest of honor, it brings together a group of mostly European artists alongside Taiwanese artists, who grew up with the same utopias, notably that of progress supporting Nature. These myths are now fading and we must understand the changes necessary in our relationship with the Earth and with living things. Some reflect on or depict the ways in which we can use technosciences for environmental regulation, others show the possibilities for the evolution of humans and our bodies with the help of technology. How are we going to coexist between the living and non-living? How will we be able to live with and adapt to these changes?
A reflection on this collapse, the exhibition questions new possibilities of life in the interstice of the ruins. Now that the future is a lost paradise, what new future are we going to invent?
Within the framework of the cooperation project Future Divercities, co-financed by the Creative Europe program of the European Union.
Curator: Mathieu Vabre
Associate curator: Wu Dar-Kuen
Programming committee: Manon Desplechin, Marylou Bonnaire
Scenography: Emilie Fouilloux
Technical direction: Philippe Machemehl
This project is kindly supported by Taiwan Contemporary Culture Lab.
The production of Future Shock is sponsored by Kaohsiung Film Archive and National Culture and Arts Foundation.
Production team:
Producer: Huang Jing-Han and Kuo Yi-Hsuan
1st Assistant Director: Liu Yueh-Min
Cameratographer: Chen Kuan-Yu
Art director: Liao Yin-Chiao and Su Hui-Yu
Custome Designer: Huang Jing-Han
Music: Su Hui-Yu
Cast:
Craig Quintero
Liao Fu-Chi
Popcorn
Ethan Wang
Liu Yueh-Min
Jovi Lee
Hsing Feng
Liang Feng
Kaiti Shan
Yunuo Lin
Su Hui-Yu
#Chroniques
#Futureshock
#高雄拍
later han 在 Ha Anh Vu TV Facebook 的最佳貼文
Hôm qua là một ngày háo hức của gia đình mình bởi đây là năm đầu tiên Myla được đón Trung Thu ở trường học.
Mẹ đã chuẩn bị cho em áo dài hoa xinh tươi từ tháng trước. Xong mẹ lúng túng không biết sẽ mặc gì đây bởi mẹ phải không cầu kỳ để mẹ "tôn" lên hòn ngọc
của mẹ. Làm bà mẹ duy mỹ, cầu toàn mệt, mà vui lắm thay! 😝 Năm nay vui nhất là có bà Ngoại ở đây để cùng mẹ đưa Myla đi đón Trung Thu. Bà mặc váy hoa rất đẹp, xỏ đôi giày mẹ mới mua tặng bà, hai bà cháu hân hoan ríu rít mới vui làm sao.
Tiết trời Sài Gòn như chiều lòng mẹ con mình, giữ tạm cái nắng gắt, cơn mưa giông để mình vui chơi trong khuôn viên ngoài trời của trường.
Còn bao hình đẹp của cả nhà mời các cô chú bác bấm vào link báo bên dưới xem thêm nhé! ♥️🌹
♥️ Mum and Grandma took Myla to school to enjoy her Mid Autumn Festival.
It surely took a while for 3 women to get ready but once we are, the whole world brighten up! 😍
More pictures to come later today!
Photographer : Kieu Nam
Amanaki School of Vietnam
https://ngoisao.net/hau-truong/con-gai-ha-anh-don-trung-thu-o-truong-mam-non-4170458.html
https://saostar.vn/giai-tri/con-gai-ha-anh-nhu-quy-co-khi-dien-ao-dai-20201002104334096.html
https://vtc.vn/con-gai-sieu-mau-ha-anh-say-sua-choi-trung-thu-trong-bo-ao-dai-ar572584.html
https://ione.net/con-gai-lai-tay-cua-ha-anh-cute-het-nac-khi-dien-ao-dai-4170415.html
https://m.afamily.vn/sieu-mau-ha-anh-xuc-dong-khi-lan-dau-cung-con-gai-myla-don-trung-thu-o-truong-ai-cung-ngo-ngang-vi-co-be-dien-ao-dai-chung-chac-hon-han-20201002120900689.chn
https://vnexpress.net/sao-viet-quay-quan-ben-gia-dinh-ngay-trung-thu-4170499.html
https://phunuvietnam.vn/con-gai-2-tuoi-cua-sieu-mau-ha-anh-dien-ao-dai-nhu-quy-co-20201002141721655.htm
http://thegioivanhoa.info/con-gai-lai-tay-cua-sieu-mau-ha-anh-qua-dang-yeu-khi-mac-ao-dai-19494.html
https://vov.vn/van-hoa-giai-tri/con-gai-lai-tay-cua-sieu-mau-ha-anh-dang-yeu-khi-mac-ao-dai-782873.vov
later han 在 eLynn 陳箴 Youtube 的最讚貼文
Listen to 'Words Kill':
https://backl.ink/elynn_wordskill_ep?fbclid=IwAR0jIPBTK-cu7O05d0Sls8W0p0fCPTC1qFR2QVWQ0sqd3ddOdoUxjQ7iG7w
eLynn 陳箴 - Words Kill (字殺)
I thought I could live without a pill
Sooner or later I’ll conquer the hill
Living in a cold landfill
Buried by this curse that I feel
誰在秘密
公然地襲擊
靜靜欣賞我的潰堤
Coz words kill, words kill, words kill
Coz words kill, words kill, words kill
它傷了誰 害誰沈溺
Coz words kill, words kill, words kill
誰又該被擊斃
沒有什麼所謂逆襲
不過就是解開謎底
怕自焚而停下筆
怕被追擊 屏住呼吸
但已上了癮
國王的正義
尋覓下個嗜血話題
Coz words kill, words kill, words kill
Coz words kill, words kill, words kill
它傷了誰 害誰沈溺
Coz words kill, words kill, words kill
誰又該被蒙蔽
藏匿 哪些 訊息
誰又殘酷烙印 新的字跡
Coz words kill, words kill, words kill
它傷了誰 害誰沈溺
Coz words kill, words kill, words kill
Coz words kill, words kill, words kill
它傷了誰 害誰溺斃
Coz words kill, words kill, words kill
誰又該被擊斃
導演/BloodFlow 攝影師 Director|李可揚Michael Li
副導演 Assistant Director|Renée Chen & 砸摳TEN
燈光師 Gaffer|楊青翰Ching Han
妝髮師 Makeup & Hair|L.H.WU
幕後花絮 BTS|砸摳TEN
作曲 Composer|eLynn陳箴
作詞 Lyricist|eLynn陳箴
編曲 Arranger|Jacky Ng
製作人 Producer|Jacky Ng, eLynn陳箴
配唱製作人 Vocal Producer|海德
和聲 Backing Vocals|RingRing宋知恩
和聲編寫 Backing Vocal Arranger|RingRing宋知恩
混音師 Mixing Engineer|Jacky Ng
企劃統籌 Planning Director|陳瑞發Reva Chen
企劃執行 Project Planner|焦焦 MiaChiao
IG解謎遊戲設計 IG Puzzle Game Designer|一塊麥歐斯 MILESPIECE
EP封面設計、標準字體設計 EP Cover Designer|蘇柔方JouFang Su
IG解謎平面設計師 IG Puzzle Visual Designer|林軒安 ouoshiuan
企劃行政Planning Administrator|榕榕 Long Long
單曲封面/概念照攝影師 Single Cover Photographer|張嘉輝Zhang Ahuei
單曲封面/概念照妝髮 Makeup & Hair |L.H.WU
照片中的神秘女子 The Mysterious Woman|安柏 Amber. L
👽 更多eLynn陳箴的消息
Instagram: https://www.instagram.com/elynn_0906/
Facebook: https://www.facebook.com/eLynn0906
later han 在 itsbrandonho Youtube 的最佳解答
Growing up in a family of Christians with his father as an elder of the church, Ming Han knew everything he had to know about the Bible and church. But things didn't go according to plan. Being hurt by the church and an ugly break up later, he is found by God again. Today, along with Su Yen and baby Hailey, he shares how God is still faithful even when we are not.
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later han 在 themblan Youtube 的最佳解答
Coming off my playthrough of Contra: Hard Corps is the other great run-and-gun game on the Sega Megadrive/Genesis - Gunstar Heroes.
It is one of my favorite games on the system and I like to rebuy it whenever I can 😆. I am almost kidding; I have it on Steam and 3DS. I really like its bright color-palette, as well as its unique art-direction by Tetsuhiko Kikuchi (aka HAN). His style is unique. Nowadays, all anime seems to look alike, but his stuff looks very different from it. If you look at his characters in Guardian Heroes, Mischief Makers, and Radiant Silvergun, you can see the similarity to his work in Gunstar Heroes.
Like Contra: Hard Corps in Japanese, this game is very beatable and forgiving because you get unlimited Continues, at least on Easy: things I appreciate. The controls are a little weird sometimes. When you jump, you have very little horizontal movement, whether you are shooting or not. If you want any kind of significant horizontal movement while jumping, you have to press Jump again to do a dive. You can also get grabbed, and your options are not very clear. You can throw enemies afterwards, but other than mashing, I can not seem to figure out how I do it.
Other than that, this game is a treasure ( ͡° ͜ʖ ͡°). Back when it came out in 1993, I think I may have glanced over an article or an advertisement on this in a magazine, but I never ever considered playing it or buying it. Years later, people would regard this as one of the best games of its generation, but it was certainly not appreciated in its time, unfortunately.
Fortunately, I'm glad this game has gotten the respect it deserves over time, with multiple rereleases and ports. I played this game on a Mega Everdrive X7 (https://krikzz.com/store/home/33-mega-everdrive-v2.html) on a real Sega Genesis Model 1 console. I used an HD Retrovision Genesis/Megadrive cable (https://www.hdretrovision.com/genesis/) to output the video and audio to a Shinybow Component Video Distribution Amplifier (http://www.shinybowusa.com/shop/product_info.php?cPath=37_49&products_id=433). It split the signal into two: one went to my Toshiba 14" CRT TV (component video), and the other went to my OSSC (https://www.videogameperfection.com/products/open-source-converter/), which I used to upscale the image 4X to 1280x960p. I sent this signal to my Micomsoft XCapture-1 capture-card (https://solarisjapan.com/products/xcapture-1-usb-3-0-hd-capture-unit) so I could capture footage.
I did play the game on Easy and edited out my deaths for as smooth a viewing experience as possible. I have beaten this game before, so I didn't die as much as I used to. I think I am ready to play this game on a harder difficulty.
Thank you for watching, and have a great day.
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The song in my intro and outro was done by Hyper Potions, and it is called Time Trials. You can check out the full song here: https://youtu.be/mnfNWe-HHsI.