【Winter is coming!放假放到鬧劇荒?
浩爾私心推薦5大影集片單】
還在煩惱連假怎麼陪家人過嗎?
訂閱CATCHPLAY+「雙享無限看」
🎬 https://bit.ly/2I4L2sk
一人訂閱,全家享受!
今天就來推薦5部經典影集
連假時一起來好好追劇!
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1️⃣ 用九柑仔店 Yong-jiu Grocery Store
A real estate manager returns from Taipei and takes over his grandpa's local grocery shop, where old memories emerge and new connections flourish.
一位建設公司經理從台北返鄉,接手經營祖父在地的雜貨店,勾起了往事回憶,新關係也逐漸萌芽。
這部是最近的話題劇,入圍七項金鐘獎並榮獲最佳導演。從充滿懷舊感與驚喜的劇情,到優美的鄉村風景和配樂,又是一部值得推薦外國朋友觀賞的優質台劇。
2️⃣ 俗女養成記 The Making of an Ordinary Woman
A woman in her forties, raised in a Chinese Herbal store in Taiwan. Now she must navigate the worlds of love, marriage and human relationships.
一位中藥店的女兒,即將邁入四十,必須勇渡愛情、婚姻、以及人際的風浪。
本劇的一大看頭,是欣賞劇場實力派影后謝盈萱的精彩演技。其次,如果將字幕切換成英文,就能學到許多台灣傳統生活面向的英語表達方式!
3️⃣ 我們與惡的距離 The World Between Us
"The World Between Us" follows the aftermath of a mass shooting where the fates of all parties involved - the killer, the victims, the victims' families, the media and the defense teams are intertwined.
本劇追蹤一起隨機殺人案的後續,如何交織著所有人的命運,包括加害者、被害者、被害者家屬、媒體和辯護律師。
《我們與惡》非常精彩,真實呈現出社會和媒體之間的關係,賈靜雯的精湛演技也特別吸睛。有趣的是這部劇用大數據找出當年的時事熱點,很真實地反映出社會大眾所關心的議題。
4️⃣ 繼承之戰 Succession
The Logan family is known for controlling the biggest media and entertainment company in the world. However, their world changes when their father steps down from the company.
羅根家族掌控著全球最大的媒體娛樂公司,然而,當掌門的父親決定退任時,一場家族性的權利鬥爭即將開始。
這部戲是值得訂閱Catchplay+的主因之一,峰迴路轉的劇情走向配上犀利的幽默感,可說是 #Dramedy(Drama戲劇+Comedy喜劇)的優秀示範。
5️⃣ 權力遊戲 Game of Thrones
Nine noble families fight for control over the lands of Westeros, while an ancient enemy returns after being dormant for millennia.
九大貴族爭奪著維斯特洛大陸的統治霸權,而沈睡千年的古老死敵也即將回歸。
《權力遊戲》是HBO的招牌大戲,不僅得獎無數,IMDb的評分也非常高。改編自文本豐富又具文學美感的小說系列,認識的譯者朋友甚至為了翻譯這部劇而把小說全部看完!
這部的翻譯也是一大學問,例如劇中常提起的台詞「Winter is coming.」翻成「凜冬將至」就超級帥氣!若直譯成「冬天要來了~」就完全沒有美感啊🤣
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另外還有今年艾美獎的大贏家
《#守護者》Watchmen
#妮可基嫚 和 #梅莉史翠普
同台飆戲的《#美麗心計》Big Little Lies
以及《#歌喉讚》女主角主演的
另類愛情浪漫劇《愛情,很有關係》Love Life
所有 #HBO 獨家知名美劇
還有國內外經典電影和影集
都在Catchplay+,推薦給大家!
🎬 https://bit.ly/2I4L2sk
你正在追哪部影集呢?
跟我說說吧!
#用九柑仔店 #俗女養成記
#權力遊戲 #繼承之戰 #我們與惡的距離
mass imdb 在 喜劇演員 Facebook 的精選貼文
Join the crew https://www.facebook.com/groups/2366734596727746/?ref=share
The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris
Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.
According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.
According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.
When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.
Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.
This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article
Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.
During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”
Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.
"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."
The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.
At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.
The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.
Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.
The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened
From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.
mass imdb 在 一頁華爾滋 Let Me Sing You A Waltz Facebook 的精選貼文
【黑勢力】Black Mass 是最近也滿期待的新電影✨
由最近被封為地雷但不知道為何Dior香水廣告依然帥氣逼人的 強尼·戴普主演,被稱為他極有可能的翻身之作。
也是由真實故事改編,敘述男波士頓史上最惡名昭彰的黑幫老大,曾經是FBI的線民,善於搜集情報總是無往不利,但踢到鐵板因此銷聲匿跡11年,最後依舊難逃法網的故事。
除了強尼戴普以外,這部電影的卡司也是眾星雲集,要澄清絕對不是因為私心而選用了【模仿遊戲】的 班奈狄克·康柏拜區 這張海報,還有【大亨小傳】喬爾·埃哲頓、【X戰警:第一戰】Kevin Bacon、【格雷的五十道陰影】達珂塔·強生攜手演出。
目前 IMDb 評價高達8.9,Rotten Tomatoes評價也有86%,台灣將在今年10月23號上映,令人非常期待。
mass imdb 在 Mass - Home | Facebook 的推薦與評價
Mass. 345 likes · 63 talking about this. Starring Reed Birney, Ann Dowd, Jason Isaacs, and Martha Plimpton. Now playing in theaters. ... <看更多>