2021-3-7 Rock DJ Playlist
1-1 Back In The Day: Teenage Fanclub (Endless Arcade/ 2021)
1-2 Lanyards: The Hold Steady (Open Door Policy / 2021)
1-3 Citizen: Sir Sly (The Rise & Fall of Loverboy / 2021)
1-4 Soft Universe: Aurora (Music For The Fellow Witches Out There / 2021)
1-5 This Is Not a Love Song: Delilah Montagu (This is Not A Love Song(EP) / 2021)
1-6 Young on the Mountain: Lia Ices (Family Album / 2021)
1-7 Juniper: Katy Kirby (Cool Dry Place / 2021)
1-8 那些用愛也無法解決的事情: 無菌室 Germ-Free Room (單曲 / 2020)
1-9 單程旅行: So-So Heroes 瘦瘦英雄(單程旅行(EP) / 2020)
1-10 Hesitating Nation: Clap Your Hands Say Yeah (New Fragility / 2021)
1-11 You Don’t Own Me: Pale Waves (Who Am I? / 2021)
1-12 後現代獨白 Post-monologue: YELLOW (浮世擊 / 2020)
2-1 Oslo: Cloud Nothings (The Shadow I Remember / 2021)
2-2 舉步維艱卻美麗的夢: 康士坦的變化球 (更迭 / 2020)
2-3 皇后: 甜蜜夢境 (甜蜜夢境 Sweet Sleep / 2020)
2-4 Wake Up: Carousel Casualties (Static Electricity Dreams of Longevity / 2021)
2-5 貓: 安妮朵拉anniedora (如果青春沒有終點 / 2020)
2-6 Send a Note Out: Deacon Blue (Riding on the Tide of Love / 2021)
2-7 Quarterback: Wallows (Remote / 2021)
2-8 Stay With Me: The Fur. (Serene Reminder / 2020)
2-9 Background Sad: Icon For Hire (Amorphous / 2021)
2-10 Alcoholic: Starsailor (Love Is Here / 2001)
2-11 Plug In Baby: Muse (Origin of Symmetry / 2001)
2-12 Going Inside: John Frusciante (Going Inside(EP) / 2001)
同時也有10部Youtube影片,追蹤數超過24萬的網紅LA's Little Castle,也在其Youtube影片中提到,► SUBSCRIBE CHANNEL: http://bit.ly/LAsLittleCastle ❍ E hèm sau nhiều video make up và thử nhiều đồ lắm ùi nên Lan Anh mới chọn lọc ra được các t...
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music note icon 在 聶永真 Aaron Nieh Facebook 的最佳解答
炎亞綸〈 摩登原始人〉
限定版開箱+平面視覺企劃論述
#文長慎入 #有點硬
今年八月中的時候我們收到企劃統籌信延的臉書訊息:
「永真,你們還有想接唱片(設計)嗎?」
(⋯⋯)(猶豫中)
「看好不好玩酷不酷、會不會跟手上的案子衝到吧」
過幾天我們約了一個時間在工作室聽了正製作中的音樂、消化了歌詞、聊了一下炎亞綸跟新作品的人設還原(有點刺激?),我們在八月下旬提出了在專輯平面視覺上的概念論述及想像(以下文長,大概佔一頁半A4 😌):
________________________________________
#平面視覺企劃論述
(時間:August 29, 2020)
● 摩登原始人—— 任何可能的辯證的再定義
1.
時間的相對關係:摩登 ↔ 原始、Digital ↔ Analogue、Cyber ↔ Telecom、Alexa ↔ Human assistant
2.
我們永遠活在正在過期的前一秒。相對於未來,此刻的這一秒已是原始。
3.
我們的存在,對當下此刻是個冒犯。
4.
全球化下的宏觀大敘事(meta-narrative),對每一個當下的個體也都是個冒犯。
5.
在社交與濫情集體中猴的時代,強調個體的差異,就是對主流社群的不敬。
6.
摩登原始人就是那一個不敬,一個off-beat的挑釁者。
7.
more about the juxaposition of various mentalities or philosophies, not physical comparisons.
● 視覺想像
基於音樂有點 nu-disco、house、edm、electronic、chill trap 的基底,視覺適合以下的體質表現:
1.
「當代」與「過去或未來」的互異符號並置時,就是一種黑色幽默
2.
用「類比」模擬「數位/異度」時代的樣貌或行為模式(預測未來)
3.
用「數位/異度」模擬類比時代的樣貌或行為模式(復古)
4.
局部金屬/異材質的植入(入侵),於畫面中產生的對比
5.
(視覺上) 不說主流的故事,但意圖是讓自己此刻的行為品味、選擇品味,成為繼起之主流。
● 相關電影繆思(僅羅列較貼近此專輯概念之作品):
- Under the skin(肌膚之侵)
- 愛 x 死 x 機器人
- 黑鏡
________________________________________
#視覺執行暨實體專輯設計(依實際操作細節及落板節奏為準)
(時間:September 3, 2020)
● Facade
從外至內、從專輯封面底裡到詞本封面底裡,除了封面僅有一個單色有點可愛療癒——或帶點邪氣的 ICON 以及封底角落的條碼,其他部分則是冷到有點不帶情感的白色基調、白得有點銳利,閱聽人甚至一度以為整張專輯除了封面外是不是沒有印刷,都是白的。
Note:專輯名、曲目、發行資料等必要資訊另做在貼紙上,或以無色效果處理於封底(打凹凸、燙印透明箔或局部透明霧P)。
● Content of the body
1.
打開盒內白色本子,整本紙面光亮。翻開後裡面再見到一次 ICON符號,與封面不同的是它帶有點變形,或 ICON 表面被render上另一個有點衝突的異材質。
2.
再翻了一頁空白後,接著連續十幾頁左右對比滿版的圖像。對照這張唱片披著白色無塵外衣的冷靜,這些連貫圖像在眼前突然變得兇:
◽️ 左頁未來感異度空間 —— 右頁郊野裡虎視眈眈飢餓覓食的狼
◽️ 左頁屠宰場或傳統市場內的倒吊著的生肉切剖 —— 右頁淡粉紅甜美滿版
◽️ 左頁銀黑色金屬液體流動 —— 右頁安靜無垠的海(黑白)
◽️ 左頁滿版動物皮囊 —— 右頁滿版人類皮囊,其上一條透明瀏覽器拉Bar
◽️ 左頁瀑布傾瀉 —— 右頁「直式排列」陌生鍵盤介面Slit-scan效果
◽️ 左頁Rifle步槍豎放 —— 右頁打字游標停在一條臉書的空白留言框
◽️ 左頁CCTV —— 右頁森林大火
( 以上不按順序,最多僅選 4 組來用。限定版與常規版分配不同的照片組合,可能全彩或全黑白,TBD)
3.
隔一空白跨頁
◽️ 續接歌詞,所有詞、曲等文字僅出現在頁面下半部,燙虹彩透明箔(無色)處理。整體頁面乍看起來仍大片白。
◽️ 續接兩白色跨頁,其中一頁為Credit,燙箔(無色)處理
◽️ 左頁留白,右頁炎亞綸攝影一張
◽️ 再一次出現符號以另一形式收尾,結束。
________________________________________
自前期論述文字到實體專輯設計我們一路過關,開案同時 Do Something 王宗欣也應信延之邀加入成為新媒體與動態統籌擔當;專輯裡的歌手肖像則邀請攝影師 Kris Kang 以超高成本ILFORD HP5 PLUS全黑白底片拍攝,藉原始的膠片微細顆粒質感、豐富層次對比於當代的數位攝影;更同步敲到神人張以得檔期,為〈摩登原始人〉前導視覺3D虛擬頭像設計操刀。
接下來幾個月企劃、歌手跟我們各自幾次的見面會議、素材準備、溝通、與工作日等⋯⋯就這樣一路地走到了年底。
在客戶、歌手、企劃、團隊創作者們共識一致的狀態下,#讓這張專輯設計自前期論述至實體產出保持了九成五以上的精準達成率,工單邊設計邊往更極端的呈現方式微調,並在煒揚印刷小林的協力下,以看似無聲卻滿滿困難技術的繁複加工與印刷,在歷經多次試樣後,最終完成了這一張概念與實踐連貫、無法以單面向數位表現取代的實體專輯。
________________________________________
炎亞綸 摩登原始人 Metropolis presented by Aaron Yan
Published By / 台灣索尼音樂娛樂股份有限公司 Sony Music Entertainment Taiwan Ltd.
Production / 晴空鳥國際有限公司 Rise & Shine Co. ,Ltd
Producer-Director / SandeeChan.陳珊妮
Music & Lyrics Director / 炎亞綸 Aaron Yan
Marketing Planner Director / 陳信延 Yuen Chen
Planning Execution / 王柏軒 Hsuan Wang
Album Art Director & Design / 聶永真 Aaron Nieh、陳聖智 Even Chen (永真急制Workshop)
3D Artist (Visual for single) / 張以得 Mark Chang
Photography for Portrait / Kris Kang
New Media Art Director / 王宗欣 Cowper Wang
Stylist / Norah Hsu徐于筑
Makeup / Ara Wu 吳羿蓉 ( so easy studio)
Hair Stylist / Ethan Yao 姚介堃 (flux collection)
Print House / 煒揚印刷企業有限公司 Wei-Yang Printing Enterprise Co., Ltd.
music note icon 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳貼文
Farewell. Ida – Ida Haendel 192?-2020
So Ida has left us – a legend has departed. What a violinist! What a woman! Magnificent, unique, incorrigible – she was a law unto herself.
First, the playing: a film about her was aptly entitled: ‘I AM the Violin.’ And she was! The violin was her life; she mastered it, devoted so much of her existence to it, cared so much about it. Every performance was an event, which she took absolutely seriously, giving each concert her all. She spoke through her violin, proved herself through it, lived within the music she made. She was a marvel, an icon; each note she played was the result of total conviction – and as a consequence was totally convincing. She had been groomed from the beginning to be a star – and a star she was.
But she was also an adorable person. I had heard of her, of course, from my childhood onwards – hadn’t everybody? But I didn’t meet her until - I think - 2000, when I attended a memorable recital she gave at the Wigmore Hall (apparently her debut there!), concluding with a magisterial performance of Enescu’s 3rd sonata. I’d heard, to my delight, that she’d heard me somewhere, and had liked it, so I dared to go backstage afterwards. Having enthused about her playing, I rather uncertainly told her that I was Steven. She looked at me disbelievingly. ‘You’re NOT’ she announced, in her wonderful deep voice. I assured her that I certainly had been last time I looked in the mirror. She accepted this, and proposed that we play the Brahms Double together. It was such an honour; but alas, I just couldn’t do the dates she suggested.
I came across her shortly thereafter, however, at the Verbier Festival. I’d seen that she was giving masterclasses there, so when I saw her, I asked how they were going. She looked at me severely. ‘Steven,’ she boomed, wagging her finger. ‘I don’t teach.’ I was puzzled; she was, after all, advertised as the teacher of the violin class. ‘So you like teaching?’ I said, provoking her. The finger wagged again. ‘Steven,’ she repeated with equal seriousness, ‘I don’t teach.’ ‘So how’s the teaching going?’ I asked. Her finger was on its way in my direction, and she’d started to say my name in the same tone of voice – when suddenly her face broke into a big smile. ‘Oh – so you’re a tease,’ she said. After that, we got on famously. My other main memory of that Verbier encounter was of her examining something – I couldn’t see what - in the hotel lobby, and then calling me over. It turned out that the object in her hands was an album of recent photos of her. ‘Look, Steven,’ she commanded urgently. ‘Don’t I look gorgeous?’
Later, we took her to dinner near her flat in London. Tottering through the streets in her high heels, she suddenly came to a stop in front of a (closed) clothes shop, where either a pair of gold shoes or a gold dress (I can’t remember which) had caught her eye. It was impossible to budge her, late though we were for the restaurant. ‘Wouldn’t I look wonderful in that?’ she asked us challengingly. We agreed that she would. ‘I’m coming back here tomorrow morning,’ she assured us. She spoke that night about her appearance. ‘You think I dress like this just to go out?’ she asked. ‘No! Catch me at breakfast – I’ll look just the same.’ Her pride in her appearance was never-changing. Perhaps in someone else it could have been too much – but with Ida, it was wonderful, admirable; life-affirming, in fact, like her pride in her playing.
It is funny that already I’ve seen two obituaries giving her age five years apart. She’d certainly have preferred the younger estimate… It was impossible to get the truth out of her. I remember asking another glorious violinist-character, Lorand Fenyves, whether he knew Ida. ‘Oh yes, of course!’ he replied. ‘I knew her when I was 16 and she was 15.’ He paused. ‘And now I’m 80 and’ his eyes twinkled, ‘she’s 55!’
Although we never got to play the Brahms Double together, we did perform the Beethoven Triple concerto with Martha Argerich and the Rotterdam Philharmonic under the then little-known Yannick Nezet-Seguin in (I think) 2006. Now THAT was an experience – to put it rather mildly… Playing with those two way-larger-than-life ladies was something not to be forgotten; the two adored each other, and it was great fun to witness their interaction. Ida had only played the piece once before, as I remember; but she played it with utter conviction. And Martha was – well, Martha. And Yannick kept the whole thing together, somehow. So – it was special…
It was supposed to happen again, in Miami (where Ida lived); but alas, it didn’t. Still, I kept in touch with Ida and on one memorable occasion got to interview her at the Wigmore Hall (there’s a recording of that occasion on Youtube). She also came down to Prussia Cove once for three days, her visit culminating in a breathtaking account of the Bach Chaconne (she sported an almost equally breathtaking dress to match!) at the Hall for Cornwall. We also played and taught/didn’t teach together in 2010 at the Summit Music Festival, just outside New York. That was another unforgettable experience. At the concert that concluded the festival, Ida played virtuoso pieces with the orchestra that would have been impressive in someone thirty years younger – even younger – than she was. But equally Ida-ish was the post-concert experience. For some reason, it got very late, and it was well after midnight when we were taken in search of food. Not surprisingly, there were few options in the countryside at that time of night; but eventually we found a 24-hour diner. We went in and occupied a table. Looking around at the bikers and other rather unpredictable-looking types, I was a tad nervous; not Ida. I fortified myself with a margarita; she had tea. At one point, the conversation turned to Schumann, and his 2nd violin sonata (which at that time I didn’t know very well). I asked a question about it. ‘You want to hear how it goes?’ Ida demanded to know. She strode over to her violin-case, pulled out the violin, and to the astonishment (and then, luckily the delight) of the assembled company, began to play it. A photo taken at the time (below) shows me a little less than comfortable – and her absolutely in her element.
Oh, Ida. By the last time I spoke to her – too long ago, but not that long ago – I’d heard that she’d become very forgetful, so wasn’t quite sure whether to call her or not. But I dialled anyway, and the phone was answered. ‘Hello, Ida?” ‘Who is it?’ ‘It’s Steven – Steven Isserlis.” Silence – then the phone went dead. Oh dear. I tried again. This time I was able to hold her attention long enough to remind her who I was. We started to talk, and as the conversation progressed, she evidently remembered more and more about our friendship. It was true that she repeated herself a lot; but still – she was very much Ida, the same wonderful voice, the same love of life.
And now she’s gone. Farewell, Ida the legend; we humanoids will miss you – but thank you, thank you for giving us so much. Everything, in fact.
music note icon 在 LA's Little Castle Youtube 的最佳解答
► SUBSCRIBE CHANNEL: http://bit.ly/LAsLittleCastle
❍ E hèm sau nhiều video make up và thử nhiều đồ lắm ùi nên Lan Anh mới chọn lọc ra được các tình yêu đây nà.
Đa số mua trên Shopee Mall hoặc Lazada Mall nha, còn không cứ ra Guardian sẽ có đủ, Innisfree thì mua tại store thui nhanh gọn lẹ.
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Các sản phẩm order nước ngoài thì Lan Anh đã làm video rùi nè
⇢ https://youtu.be/QTM3p4pvv08
Các son giá bình dân hãy lục lại các video swatch khác nha!
Son hôm nay Lan Anh đánh hỏng có bình dân :)) là cây YSL Vinyl 419 nha!
note : video này tui quay lâu lắm rồi từ hồi chưa cắt tóc nên ai hỏi tóc dài nhanh thì ko có đâu à nghen !
❍ TOOLS
⇢ Camera : Panasonic G85
⇢ Edit : Final Cut Pro X
⇢ Music : Epicdemic Sound
My Castle’s Address:
► Business Contact: [email protected] / manager@littlecastle.vn
► https://www.facebook.com/laslittlecastle/
► Instagram: https://www.instagram.com/la.littlecastle
► Blog: https://pnlanh.wordpress.com/
---------------------
© Bản quyền thuộc về LA's Little Castle
© Copyright by LA's Little Castle ☞ Do not Reup
![post-title](https://i.ytimg.com/vi/3gxClInuE4g/hqdefault.jpg)
music note icon 在 Vật Vờ Studio Youtube 的最佳解答
Tham khảo khuyến mại Galaxy Note 9: https://cellphones.com.vn/samsung-galaxy-note-9-chinh-hang.html?utm_source=pr&utm_medium=vatvo&utm_campaign=/samsung-galaxy-note-9-chinh-hang.html-16
Sau bộ đôi S9 và S9 Plus thì Galaxy Note 9 cuối cùng đã nhận bản update Android 9 với nhiều sự thay đổi về giao diện cũng như tính năng. Chúng ta vẫn sẽ được trải nghiệm One UI sẽ có trên Galaxy S10 cũng như sự thay đổi trong giao diện. Bộ icon sẽ được thay đổi hoàn toàn cũng như cho trải nghiệm mượt mà hơn so với phiên bạn cũ. Ngoài ra còn rất nhiều tính năng thú vị, mời các bạn đón xem video này.
#Vatvostudio #Note9 #Android9
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✳️ Đánh giá/tư vấn các smartphone phân khúc 7⃣️ triệu: https://goo.gl/YZAI0g
✴️ Đánh giá/tư vấn các smartphone phân khúc 9⃣️ triệu:
https://goo.gl/Q0X5OB
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music note icon 在 Vật Vờ Studio Youtube 的最佳貼文
Tham khảo giá bán Mi 8 Lite tại: https://cellphones.com.vn/xiaomi-mi-8-lite-64-gb-chinh-hang.html?utm_source=pr&utm_medium=vatvo&utm_campaign=/xiaomi-mi-8-lite-64-gb-chinh-hang.html-2
+ Redmi Note 6 Pro: https://cellphones.com.vn/xiaomi-redmi-note-6-pro-32gb-chinh-hang.html?utm_source=pr&utm_medium=vatvo&utm_campaign=/xiaomi-redmi-note-6-pro-32gb-chinh-hang.html-3
Link tải app hình nền động:
+ Live Waterpaper: https://play.google.com/store/apps/details?id=com.live.waterpaper
+ Rolling Icon: https://play.google.com/store/apps/details?id=com.mandg.funny.rollingicon
+ Girl Butt: https://play.google.com/store/apps/details?id=live.wallpaper.girl.butt.rump
+ 3D Hologram: https://play.google.com/store/apps/details?id=com.vinwap.hologram
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❇️ Xem các video game, ứng dụng hay cho smartphone: https://goo.gl/GuI25l
✴️ Đánh giá/tư vấn các phân khúc dưới 3⃣️ triệu:https://goo.gl/EF0QKF
✳️ Đánh giá/tư vấn các phân khúc 4⃣️ triệu: https://goo.gl/FVrKJ7
✳️ Đánh giá/tư vấn các phân khúc 5⃣️ triệu: https://goo.gl/YlrYkh
✳️ Đánh giá/tư vấn các smartphone phân khúc 7⃣️ triệu: https://goo.gl/YZAI0g
✴️ Đánh giá/tư vấn các smartphone phân khúc 9⃣️ triệu:
https://goo.gl/Q0X5OB
© Bản quyền thuộc về Vật Vờ Studio
© Copyright by Vật Vờ Studio. Please do not Reup
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music note icon 在 Musical icons for Facebook and Twitter (Notes Emoji) - Listn.to 的推薦與評價
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