關於 pieces of a dream ，我們在網路上蒐集到這些相關的討論、資訊與評價

🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹

2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.

Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.

The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.

“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).

In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).

In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).

In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.

Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.

The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”

The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.

📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/

#奧地利林茲電子藝術節
​#arselectronica21 #gardentaipeiformosa

Restoration for your Own Mistakes

Perhaps you are thinking, “Yes I know I can expect restoration when the devil attacks me or if I am persecuted. But I am suffering now because of my own mistake. Surely I cannot expect God to restore me? I will have to suffer and pay for my mistake.”

Well, the Gospel of Jesus Christ is called the good news because it is really undeserved favor. Even if you are suffering losses from your own mistakes, you can still expect to receive restoration that is better in quality and/or quantity than before.

I know it sounds too good to be true, but I am not just making that up. Look at Abraham’s story. He told his wife Sarah to lie to everyone in Gerar that she was only his sister.

He did this because Sarah had been renewed in her youth and was exceedingly beautiful. Abraham was afraid that if the people knew that she was his wife, they would kill him and take her for themselves.

After hearing that Sarah was only Abraham’s sister, the king of Gerar, Abimelech, took Sarah into his harem.

Reading this story, it is clear that Abraham is the one at fault. He lied that Sarah was only his sister, and his lies stemmed from cowardice and self-preservation, endangering Sarah’s chastity.

Yet, when God wanted to save Sarah from being violated, He threatened Abimelech and his family with death if he decided not to restore Sarah to Abraham.

“God said to him in the dream, “Yes, I know that in the integrity of your heart you have done this, and I also withheld you from sinning against me. Therefore I didn’t allow you to touch her. Now therefore, restore the man’s wife. For he is a prophet, and he will pray for you, and you will live. If you don’t restore her, know for sure that you will die, you, and all who are yours.”” (Genesis‬ ‭20:6-7‬ ‭WEB‬‬)

Shouldn’t it be Abraham who was threatened with death for his cowardice and lies? This is God’s Grace towards the righteous ones who are justified by faith. Even if you make a mistake, God is not punishing you for your sins—His heart is to restore you for the negative consequences of your wrong actions.

What does restore “the man’s wife” mean? Is it just to give Sarah back to Abraham? Let us examine what Abimelech did:

“Abimelech took sheep and cattle, male servants and female servants, and gave them to Abraham, and restored Sarah, his wife, to him. Abimelech said, “Behold, my land is before you. Dwell where it pleases you.” To Sarah he said, “Behold, I have given your brother a thousand pieces of silver. Behold, it is for you a covering of the eyes to all that are with you. In front of all you are vindicated.”” (Genesis‬ ‭20:14-16‬ ‭WEB‬‬)

Wow, instead of just giving Sarah back to Abraham, Abimelech gave sheep, cattle, servants, land and a thousand pieces of silver to Abraham. Even though Abraham was the originator of the problem, he was enriched through his mistake.

This is what God’s restoration looks like. You never just get the same thing back. It will always be better in quality and/or quantity when He restores you for your losses.

Even though Abraham made mistakes in his life, he had a great relationship with God, such that the Scriptures call him “a friend of God”. Whenever God appeared and spoke to him, he paid attention, delighting in the words and meditated on them.

An example of this would be God’s promise to him that he would have a son who was born of Sarah. Abraham never gave up on that promise, and eventually, he received the fulfillment of it.

“Blessed is the man who doesn’t walk in the counsel of the wicked, nor stand on the path of sinners, nor sit in the seat of scoffers; but his delight is in Yahweh’s law. On his law he meditates day and night. He will be like a tree planted by the streams of water, that produces its fruit in its season, whose leaf also does not wither. Whatever he does shall prosper.” (Psalms‬ ‭1:1-3‬ ‭WEB‬‬)

Although we are born-again and our spirits are righteous, holy and perfect like Jesus, we still live in this body of sinful flesh. Sometimes we get confused, thinking that the fleshly impulses and thoughts are our own. This causes us to make mistakes.

However, if you have a heart for God’s word like Abraham did, even the mistakes you unwittingly make will prosper. What you did may not be good, but God can still turn things around for your good because He is for you, not against you. Since you are righteous in Christ, you can expect to receive restoration for your losses, even if they were caused by your own mistakes!

Learn God’s plan to prosper you in all things through His restoration. If you have lost in any way, you can expect to gain much more/better back. This eBook, “All Things Made New”, may be the most comprehensive book about God’s restoration:
https://bit.ly/prosper-through-restoration

This post celebrates the amazing designers and brands that brought sparkle to “A Night at the Musicals” (with the City Chamber Orchestra of Hong Kong) last June 12th.

My friend & stylist @styledbybhisan let his creativity run wild, and I’m so glad he knows me so well.

We chose some of our favourite brands— and we love them not just for their stunning pieces, but because the people behind them are amazingly supportive and wonderful to work with.

So here’s my list of “Thank Yous.” The works of the designers are listed in the comments.

—-

@debeersofficial . Your jewellery has accompanied me through some very memorable moments in the past three years. You’ve been a talisman to me ❤️

@jimmychoo . When I have events that require me to look glam AND stand for long periods of time, I trust your shoes... For this concert, you helped me stand confidently for six hours— from dress run to curtain call!

@victorchanstudio . I was at your studio too many times this season— thanks for putting up with my antics. And thank you for making that flowing black cape for this “Phantom.” I cannot tell you how much I keep coming back to your beautiful black dress (among your other gorgeous work!)

@vivianlukatelier . I’m so glad you’ve returned to your craft. Your aesthetic is too elegant to be missed. I’m grateful we’ve become friends, and I can’t wait for our collabs on empowering young girls.

@susannasooatelier . Your style is unmistakeable. Thank you for taking the time to really share your ideas. The end result— the stunning blue dress— is a dream. I couldn’t think of a slinkier dress (and cape) for Act 2, and the fact that we got that done over lunch was really fun.

@stjohnknits . I’m so glad I got to know you this year. Even more than your elegant and glittering knits, I appreciate your support and friendship.

@gloomykwokmua . Thanks for running after me backstage with the highlighter even while my mind was on other things, lol. Sincerely, thank you.

Bhisan. Need I say more? It’s amazing collaborating with you, but it’s even better that we believe in similar things, and work towards those goals. On to the next project 😉

—
Photos courtesy of #CityChamberOrchestraofHongKong

カヌレの型は、ずっと欲しかったけどけっこうお高い。いつもこの動画で使ったクグロフ型を使ってカヌレを作って楽しんでいました。（ https://youtu.be/JqCU6YOvdCo ）
そんな時に知った100円ショップの情報。たった100円でカヌレの型が買えるなんて！夢みたい！とセリアのシリコーンモールド カヌレ型をずっと探していました。そして、この度、やっとやっと入手することができました！
ずいぶん長いこと探していたセリアのシリコーンモールド カヌレ型だったので、迷いなく4個を即買い。
しかしここで問題が発生。家に帰ってパッケージの裏を見てみたら、そこには衝撃の事実が！
なんと『耐熱温度以下であっても20分以内で使用してください』との説明書き。カヌレって1時間連続加熱がほぼ常識。これどうすりゃいいのよ！と考えて、苦肉の方法で焼成しています。焼き、腰折れ、色々と改善の余地ありなのですが、材料は16個分ぴったりの卵液量で、しかも卵黄1個で作れるように調整しました。焼き菓子と蝉の声のアンバランスもお楽しみください。
*レシピ*（3.5 ✕ H3.5センチのミニカヌレ16個/400ml分）
薄力粉：70g
Mサイズの卵の卵黄：1個分
グラニュー糖：115g
牛乳：250g
ラム酒：10g
バニラオイル：3振り
無塩バター（型に塗る用）：適量

１．薄力粉 70gをフルっておく。
２．ボウルに卵黄 1個分（Mサイズの卵の卵黄 20g）を溶く。
３．グラニュー糖 115gを入れ混ぜる。
４．60℃に温めた牛乳 250gを（3）に少し加え混ぜる。
５．（1）を加え混ぜる。混ぜすぎないこと。
６．（4）の残りの牛乳を加え混ぜる。
７．ラム酒 10gとバニラオイル 3振り加え混ぜる。
８．アミで濾す。
９．冷蔵庫で12〜24時間休ませる。

１０．卵液を冷蔵庫から出し、1時間ほどおき、常温にしておく。
１１．カヌレ型に無塩バターをちょっと多めに塗り、冷蔵庫に入れておく。
１２．オーブンは220℃にしっかり予熱しておく。
１３．（10）の常温にした卵液を静かに底から混ぜる。
１４．（11）の型に流し入れる。
１５．220℃に予熱したオーブンで20分焼く。
１６．一旦取り出し3分待つ。
１７．再び、220℃に予熱しておいたオーブンに入れ、170℃に変更し20分焼く。
１８．再び、一旦取り出し3分待つ。
１９．再び、170℃に予熱したオーブンで20分焼く。
２０．オーブンから取り出し、型のまま10分おく。
２１．網に取り出す。
２２．でけた。
オーブン温度を
220℃を230℃に　170℃を180℃に上げ、もっとカリカリに焼けるように再挑戦したいです。
改善の余地ありだけど、家族がおいしいと言ってくれたからよし。しかし、このカヌレ型かわいい。ゼリーやチョコレートにも使いたいわ。

#Seria #カヌレ型 #カヌレ #作り方

I've always wanted a canelé mold, but they are quite expensive. I always enjoyed making cannulae using the kouglof mold used in this video. ( https://youtu.be/JqCU6YOvdCo )
That's when I learned about a 100 yen shop information. How can you buy a canelé mold for only 100 yen? It's like a dream! I've been looking for the Seria Silicone Canele molds for a long time. And now I've finally, finally got one!
I've been looking for these molds for a long time, so I bought 4 of them right away without hesitation.

But here's the problem. When I got home and looked at the back of the package, I found a shocking fact! It said, "Please use within 20 minutes even if the temperature is below the heat resistant temperature." It's almost common knowledge that canelés should be heated continuously for an hour. I thought to myself, "What am I supposed to do?"
Thinking that, somehow I managed to bake it.
There is a lot of room for improvement in the baking process, but I have adjusted the ingredients so that I can make 16 canelés with exactly the right amount of egg liquid, and only one egg yolk.
Please enjoy the imbalance between the baked goods and the cicadas' voices.

* Recipe * (3.5 ✕ H3.5 cm mini canelés 16 pieces / 400 ml)
Cake flour: 70g
Egg yolk of M size egg: 1
Granulated sugar: 115g
Milk: 250g
Rum: 10g
Vanilla oil: 3 shakes
Unsalted butter (for applying to mold): Appropriate amount

1.Sift 70g of cake flour.
2.In a bowl, beat the yolk of one egg (20g of yolk from a medium egg).
3.Mix in 115g of granulated sugar.
4.Add a little from 250g of warmed milk (60℃) to (3) and mix.
5.Add (1) and mix. Do not mix too much.
6.Add the remaining milk from (4) and mix.
7.Add 10g of rum and 3 shakes of vanilla oil.
8.Strain through a mesh.
9.Let it rest in the refrigerator for 12 to 24 hours.

10.Remove the egg mixture from the refrigerator and allow it to come to room temperature for about an hour.
11.Grease a canelé mold with a little more unsalted butter and put it in the refrigerator.
12.Preheat the oven to 220℃.
13.Gently mix the egg liquid at room temperature in (10) from the bottom.
14.Pour the mixture into the mold of (11).
15.Bake in a preheated oven at 220℃ for 20 minutes.
16.Take it out and wait 3 minutes.
17.Place in the preheated oven again at 220℃, change the temperature to 170℃, and bake for 20 minutes.
18.Take it out again and wait for 3 minutes.
19.Bake again in a preheated oven at 170℃ for 20 minutes.
20.Remove from the oven and leave the mold for 10 minutes.
21.Take it out to the net.
22.It's done.

I'd like to try again to raise the oven temperature from 220°C to 230°C and from 170°C to 180°C, so that it bakes more crispy. There's room for improvement, but my family said it was delicious, so that's good. By the way, these cannelé molds are cute. I want to use them for jelly and chocolate.

むか〜し昔、川畑さんはASAYANの男子ボーカルオーディションの最終結果発表の時に、一緒にNYに行き、デビュー曲となった『PIECES OF A DREAM』のジャケ写をさせて頂き、手越さんとはテゴマス『猫中毒』のジャケ写でご一緒させて頂きました。

そんなお二方がYouTubeを通じてこうやってコラボしているのがとても素敵で、しかも聴けば聴くほどそれぞれの良さが歌声や画像から溢れ出てきていて、何度もみてハマってしまいました。
平井大さんの楽曲『Stand by me, Stand by you.』は以前から聞いていたけど、個人的にはこちらのコラボの方も、二人の真逆な声質のハーモニーに魅了されとても気に入っています。

【ご本家動画】
平井大 -『Stand by me, Stand by you.』を川畑要＆手越祐也が歌ってみた！コラボ！！
https://youtu.be/jEVZIg1LDac


で、好きになるとやってみたくなる性格なもんで、高校生の娘からは『手越さんはファンが多いし叩かれるからやめた方がいいよ』と忠告も受けましたが（笑）、密かに歌を練習して一人二役でやってみました。


【歌について】
手越さんの声は高めで明るい雰囲気の声かと単純に思っていたら、聴き込むほどに声の質感の多彩さに驚きました。透き通る声を出した後すぐにガナリを入れたりウィスパーボイスになったり、ほんと簡単にやられているように見えるけどテクニックが凄まじく、自分の声はぜんぜんそれが表現できずじまいで、高い部分を普通に歌うことで精一杯でした。

川畑さんはもともと歌うまなイメージで、R&B独特のビブラートを大量に盛り込んでくる感じで練習してみましたが、思ったより繊細に可愛く歌っている箇所などもあり、ただ声を張り上げて大きめのビブラートを作っていた自分時は大誤算でした。手越さんもそうですけど、簡単にやってるように見えてとても高度な技術を盛り込んで歌っていらして、歌手って凄いなあと感じました。


【外見の変装について】
手越さんは金髪の前髪のあるショートのウィッグを使い、できるだけ自分の顔が丸く短く見えるようにシャドウをアゴの下に塗ったりしました。目元は全体に彫りが深いようなダークなトーンにし、アイラインは一度下げて描いてからアイシャドウで上げ気味にしています。手越さんは特に口角が上がってらっしゃるので、焦げ茶のアイシャドウでかなり上げ気味に描きました。
衣装はとても個性的なフォルムのピンクのパーカーでしたが、今回はただ色が一緒のパーカーをユニクロで発見して購入。胸元の巨大安全ピンは浅草橋やオカダヤなど探し回ったのですが見つけることができずに付ける事ができませんでした。

川畑さんは、前回の美川憲一さんのコスで使ったウィッグを形を整えて使いました。とにかく川畑さんのお顔は細い印象でしたので頬からアゴにかけての両サイド、出来る限りのシェイディングをしました。さらに顔の中心にパーツが集まっている感じをハイライトで作ったり、アイシャドウも目が近い感じに見えるよう塗りました。
衣装は寝巻きで着ているユニクロのグレースウェットを着用。ゴールドのアクセも買ってつけましたが、かなり短かったようです。メガネは以前あいみょんの『裸の心』コスで使ったもので、レンズを油性マジックで黄色にうっすら塗りました。（大学生の息子にそっくりになってしまった）


撮影はグリーンバックで撮影し2人を合成。背景はフォトショップで作成しています。
カメラはiPhoneXインサイドカメラで撮り、自分の動きを見ながら撮影しました。
メイクでは補えない部分はSNOWの技術を使い、手越さんはアゴが小さくなるように設定しました。川畑さんはわりとそのままの状態です。2人とも美肌加工はしています。




今回のパロディは、特に手越さんのファンの方から怒られそうで内心ドキドキしておりますが、純粋なモノマネでも歌まねでもなく、時空（空間や時間）をマネするような作風なのですが、ご理解いただきみていただけるととても嬉しく思います。不快に感じられた方にはすみません。

エンターテイメントの動画として皆様に楽しんで頂けたらとても嬉しいです。


もしこの動画が気に入って頂けましたら、次作のモチベーションアップになりますので、高評価とチャンネル登録よろしくお願いします。（コメントも次回作の参考にさせて頂きますので、感想等ありましたらよろしくお願い致します）


手越祐也チャンネル
https://www.youtube.com/channel/UCSEoj94-efoQhREyRWRySKA

川畑要のYouTubeチャンネル KKTV
https://www.youtube.com/channel/UC--gkGfH8u33yIDDLrFNl6A




【お借りした音源】
歌っちゃ王 / 【カラオケ】Stand by me, Stand by you./平井大
https://youtu.be/jGXmGYq_5ZA


平井大さん公式
平井 大 / Stand by me, Stand by you.（Lyric Video）
https://youtu.be/kc3DBgA_2rw


しらすたさん解説動画
【歌い方】Stand by me, Stand by you. / 平井 大（難易度A）【歌が上手くなる歌唱分析シリーズ】
https://youtu.be/Xz8kQHewWRw



＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊
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#手越祐也 #川畑要 #平井大 #ケミストリー #chemistry　#両声類 #パロディ＃1人2役 #歌ってみた

サヨナラ SAY GOODBYE
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インスト/INST
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クレイユーキーズとして五作目の今作はシンガーソングライターのyuiを再び迎えた曲になる。yuiと7月にリリースした『道』はサマーソングだったが『サヨナラSAY GOODBYE』は、クレイが高校生時代に作った曲を元にKafu Satoを中心にSugi(WEAVER)、MafuMafu、小笠原拓海、Martin(OAU)のクレイユーキーズバンドで生まれ変わらせた至極のクリスマスソングになる。

また、配信ジャケットとMVイラストは引き続きbanishmentが担当。「世界から音が消えた日」は、YouTubeの再生回数が61万再生を超えている。好評だった前回作品に続き、今回もクレイユーキーズの優しいサウンドとbanishmentのイラストの化学反応が見られそうだ。

This is the fifth release of the KureiYuki's, and its lead singer is yui again.
"Michi" released in July with yui was a summer tune,
but "Sayonara Say Goodbye" is a Christmas song.
In addition, banishment will continue to be in charge of the illustrations.

Follow クレイユーキーズ/KureiYuki's
https://www.instagram.com/kimaguren_kurei/?hl=ja
https://twitter.com/KIMAKUREI
https://open.spotify.com/artist/3jL6qMsbG7tnDxHDDMhVBH
https://music.apple.com/jp/artist/%E3%82%AF%E3%83%AC%E3%82%A4%E3%83%A6%E3%83%BC%E3%82%AD%E3%83%BC%E3%82%BA/1511118406


作曲 Kafu Sato/クレイ勇輝
作詞 クレイ勇輝
編曲 クレイユーキーズ

Vocal：YUI/クレイ勇輝
Chorus：Kafu Sato/杉本雄治(WEAVER)/Martin Johnson(OAU)
Guitar：Kafu Sato
KeyBoard：杉本雄治(WEAVER)
Violin：Martin Johnson(OAU)
Drums：小笠原拓海
Bass：真船勝博
Programming：福島貴夫
Engineer：馬場毅
ArtWork：banishment(FLAT STUDIO)


「サヨナラSAY GOODBYE」
サヨナラSAY GOODBYE今でも変わらず
君をずっと探してる

季節は冬 傘を忘れて 小走りの帰り道
扉を開けて 明かり付けた 空っぽの部屋
雨の音 木霊する
テレビを付けて 暖房を入れた 濡れた頭にタオルを乗せて
冷蔵庫 缶ビール「今日もお疲れ様 よく頑張りました。」独り呟いた

君がいなくなってから 何度目かの冬が来る
ガチャって扉が開いて 全部冗談だよって帰ってくる
今でもたまにそんな事を考える
お風呂が溜まりましたを知らせるチャイム
何気ない冬の夜 あれ？気付くと雨の音が聞こえない
窓を開けると白い息 掌に雪

偶然駅で君を見かけた
別れを選んだのは私だった
なのに君の背中を目でそっと追いかけた
ズルいね私・・・

サヨナラSAY GOODBYEその言葉だけ
告げて愛は風の中
横断歩道の向こう側で
見送る君の背中泣いてたかな？
DONT WANNA SAY GOODBYE忘れない

LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE ME ONE MORE TIME

春 夏 秋 越えて 冬
四季を一緒に過ごした記憶
日々を刻む中でちりばめられた
愛を紡いだイジワルなパズル

そんな事をぼーっと考えながら
乗り込んだ電車の窓から見えた君の後ろ姿
そんな訳ないでしょって思いながら
頬を窓にくっつけて 君の背中追いかけた

運命とか信じてないけど
自分勝手な私だから
いつかまた会えたなら背をそっと見送った
バカだね私・・・

サヨナラSAY GOODBYEその言葉だけ
残して想いは夢の中
横断歩道の向こう側で
歩き出す君の背中追いかけた
DONT WANNA SAY GOODBYE忘れない

LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE ME ONE MORE TIME

LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE ME ONE MORE TIME

////////////

KureiYuki's with yui
「SAYONARA, SAY GOODBYE」
Song written by Kafu Sato/Yuki Kurei
Lyrics by Yuki Kurei
Arranged by KureiYuki's

SAYONARA, SAY GOODBYE
Days gone by but I'm still looking for you

The season is winter, forgot my umbrella, on the way home drenched in rain
I opened the door, put on the lights, an empty room, sound of rain echoing
I turned on the TV and heater, putting a towel on my wet head
Grabbed a beer from the fridge "Hey … Good job. You made it through another day"
I told myself

Several winters have gone by since you left
The door opens and you come back saying “it was all a joke…”
That kind of scene comes to my mind time to time
Chime that tells the bath-tub is ready, a casual winter night
I realize the sound of rain has stopped
I opened the window, white breath, snow on my palm

I saw you at the station the other day
It was me, who chose to leave
But I couldn’t stop gazing at you
I know... I’m so unfair

SAYONARA, SAY GOODBYE
I left these words by your side and our love faded into the wind
As we walked away, I turned around to see you on the other side of the crossroad,
DONT WANNA SAY GOODBYE I will never forget you

LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE ME ONE MORE TIME

Spring, summer, autumn then winter
Memories of building our love together
As I walk through the seasons
I find the pieces of puzzles that link our days

Thinking such things
Through the window of my train, I saw you on the other side
Telling myself no such thing is possible
I followed your shadow with my cheek against the window

I don't believe in destiny
But because I'm so damn selfish
If we meet again, maybe in a different life…love again
I know I’m full of shit

SAYONARA, SAY GOODBYE
I left these words by your side and it all became just a dream
As we walked away, I turned back to run after you on the other side of the crossroad,
DONT WANNA SAY GOODBYE I will never forget you

LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE ME ONE MORE TIME

LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE YOU ONCE AGAIN
LOVE ME ONE MORE TIME

#クレイユーキーズ
#kureiyukis