〖認真聽〗教授真心話 😏 | 在家工作(上課)根本就很好 | #用最chill的姿態來上課 | 遠距參與的魔幻時刻 | 在家上班的優缺點 | #遠距有限公司 | WFH的組織傳播爭論 // 李長潔 ft. 阿丹老師、小也老師 💻
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隨著確診人數的下降,疫喵施打的普及,情況發展狀況逐漸轉好,我們已經準備好回到正常美好的日常生活。可以在咖啡館享受午后時光,可以去台南來一場小旅行,可以與親朋好友共處狂歡。
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但,你有想要回去辦公室上班嗎?#遠距工作是不是好像也是一個不錯的選項?🤔
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今天的節目,與 臺灣通傳智庫 的podcast節目「台灣問事」聯播,和世新大學的黃采瑛教授、文化大學的徐也翔教授,一起討論「#遠距課程」、「#在家上班」的可能與不可能。透過Robert C. Pozen與Alexandra Samuel在《遠距有限公司》(Remote, Inc)一書,提供了四個遠距工作時應該注意的組織溝通策略給大家~
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📌 #今天的內容有
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▶ 史上最長暑假,終於開學了
▶ 遠距課程超好玩~
▶ 數位溝通的(不)可能性
▶ 遠距授課是一個「魔幻的時刻」
▶ 用最Chill的姿態來參與
▶ 在家工作的神奇時刻
▶ 紙本公文遞送應該要數位化了吧~
▶ WFH到底有沒有效率
▶ 在家上班的「組織傳播」爭論
▶ 遠距有限公司
▶ 在家工作根本就很好
▶ 工作時最重要的是「八卦」
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📣 #KKbox 聽這裡:https://podcast.kkbox.com/episode/OsPXXbf_70BynlpB4_
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📣 #Firtory 聽這裡:https://open.firstory.me/story/cktxytj3y7jx80939n4q7egeg?ref=android
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📣 #Spotify 聽這裡:https://open.spotify.com/episode/75pLp2muay5h0V9h4CwI5v?si=CpzanfvHQi6rT_zpo-N0pA&utm_source=copy-link&dl_branch=1
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📣 #Apple 聽這裡:https://reurl.cc/KrpKpp
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📲 #FB 完整論述:https://m.facebook.com/story.php?story_fbid=1862370957283854&id=208541192666847
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/// 完整論述 ///
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隨著確診人數的下降,疫喵施打的普及,情況發展狀況逐漸轉好,你是否也在期待日常生活能夠回到平常安定的狀態。可以在咖啡館享受午后時光,可以去台南來一場小旅行,可以與親朋好友共處狂歡。但,你有想要回去辦公室上班嗎?遠距工作是不是好像也是一個不錯的選項?
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▓ #全世界最大的在家上班實驗
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在人手一機的時代,傳播學者José van Dijck(2013)在《連結的文化》中寫到,從Web1.0到Web2.0,就是2001到2012年之間的巨大數位轉型,傳播機器運作下的虛擬交流協作,成為一種重要的社會文化形式。勞動的場景亦無法自外,從電子郵件、互聯網站到同步視訊,組織的內部與外部運作,一直以來其實都被傳播技術與機器介入著(García-Orosa, 2019)。只是當前情景更加促使我們去思考,組織與個人的工作關係裡,技術介入所產生的意想不到的可能與不可能。
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連TIME雜誌都指出:「這是世界上最大的在家上班實驗。」越來越多的工作者與組織因為益情的關係,嘗試了遠距工作的可能性。從組織溝通(organizational communication)的角度來看,隨著組織轉向遠距協作,組織溝通也變得越顯重要。
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各個組織必須依據實際情況的變化,提出相應的工作安排,也留意員工個人的健康。甚至我們可能會突然發現,原本依賴面對面溝通的諸多工作場景中,其實存在著諸多問題,像是敷衍了事的工作規劃、相處不良的人際關係。
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▓ #遠距工作時,組織溝通更重要!
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所謂組織溝通,是指一個組織群體中的語言互動過程,強調由人與關係所建構出來的世界,我們每日的生活都無法離開組織中的訊息產製、互動模式、意義建構、領導統御、文化形塑等多種行為(秦琍琍,2011)。也就是說,幾乎人類生活中的所有事務,都是依靠組織及其協商、合作、交流來達成且構造世界(李長潔,2012)。所以,當人們不能群聚在一起時,究竟會不會造成工作上的不便與劣勢?
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遠距工作對生產力的影響,其實早在80年代時,因電信技術的發展而被討論過,當時的結論是:在家工作根本很好啊,其有較低的物理需求、較高的自主性、可以明確地交出成果。當然,能夠成功在家工作的人,通常有高度的自我激勵與自律能力(Olson, 1983)。不過,還是有研究者認為,工作需要有一個足以提供完全溝通的實體場所,才能促成對話與消減誤解(Kraut et al., 2002)。
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正如我們所經歷的,許多遠距協作的傳播技術已經存在或快速開發中,電子郵件、電子布告欄(bulletin boards)、即時訊息(instant messaging)、共享文件、視訊會議、通報服務(awareness services)等,這些數位技術在很大的程度上,協助了組織成員進行對話溝通,也滿足工作效能(Olson et al., 1997)。
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但也有學者如Kang等人(2020)針對僅依賴於電子郵件的遠距工作進行研究,他們發現,建立在電子郵件「收發」特質上的溝通,使得組織變得支離破碎。需要仰賴更完善的組織訊息規劃,例如定義郵件的重要性層級,才能讓組織成員真正參與到工作的運作中。
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▓ #四個遠距工作時應該注意的溝通策略
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Donald Sull、Charles Sull、Josh Bersin(2020)在麻省理工大學商學院的管理期刊上建議進入WFH的組織與人們,如何更快速、無痛地進入這個新的工作時代。他們找了441位人力資源管理者進行調查,結果發現「參與度」、「生產力」、「連結感」,是當前疫情下遠距工作首要的問題。這些問題除了傳播交流、任務協作的硬體與軟體備整外,更好、更適合的組織溝通設計就是關鍵之處。
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Robert C. Pozen與Alexandra Samuel(2021)在《遠距有限公司》(Remote, Inc)一書中,提供了四個遠距工作時應該注意的組織溝通策略:
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1⃣ #訂好基本規則(ground rules):雖然從前面的討論來看,人們在可以自主控制工作目標時,達到不錯的工作效能。但定立基本的團隊規則,才會幫助組織成員知道自己應該怎麼行動。所以,我們應該確立一套關於工作時間、會議舉辦、電子郵件傳遞、資訊共享的明確指南。人們才不會迷失在居家日常與不斷檢查最新訊息的漫漫長日中。
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2⃣ #建立團隊會議(team meetings):每週的例常視訊會議,不但是為了傳遞最新的組織資訊,分享團隊工作成果,促進知識與經驗的交流。同樣重要的是,除了工作會議,我們應該擁有一段產生社會關係的友誼時光,像是虛擬的「茶水間閒聊」(water cooler),每天早上與同事一起喝一杯咖啡,讓組織成員在遙遠的距離中,仍然可以感受到同理心。此外,在視訊會議時打開鏡頭也是一個重要的溝通策略,其可以展現非語言溝通的暗示,表現許多無法言明的事情。
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3⃣ #善用一對一的交流(one on one):當我們身處在實體辦公室時,一對一的溝通無時無刻都可能會發生。但進入到遠距工作後,一對一溝通的機會便要主動規劃與創造,以確保每一個人都沒有「脫隊」。這種較密切的互動並非用來進行嚴密細微的工作檢查,其目的是在發現組織成員需要支持與幫助的地方,讓每個人都可以獲得足夠的關注。
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4⃣ #確實地評估表現(performance reviews):遠距工作的情況下,我們時常無法獲得足夠的工作反饋與激勵,有時候根本就被埋沒在螢幕背後。所以,清晰明確、容易上手的績效表現評估方式,可以讓組織成員彼此了解工作的成果,知道自己應該維持哪些優秀的做法,以及需要改進哪些盲點,或進一步地微調工作流程。這也是一個不錯的組織學習與個人成長的途徑。
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▓ #數位時代中的組織溝通素養
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遠距工作到底行不行的爭論,就這樣從80年代持續到現在,不管你接受與否,這已然是全世界的人都正在做(或已經做過)的事了。如何在居家上班、遠距工作的情境下,建立有效的組織溝通,尚有著巨大的挑戰。
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我們勢必須要花更多的時間制定工作計畫,穩定溝通的流程,協調各種事務,運用更豐富、更精確的口語表達與人際互動技巧,來創造與嘗試工作的新形態。無論我們是否可以真正地順利地進入「新的後疫情時代」,遠距工作的可能性,與對組織溝通素養的重視與培養,將是這場疫情中珍貴的學習與成果。
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🗂 #參考文獻
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1. Van Dijck, J. (2013). The Culture of Connectivity: A Critical History of Social Media. Oxford University Press.
2. García-Orosa, B. (2019). 25 years of research in online organizational communication. Review article. El profesional de la información (EPI), 28(5).
3. 秦琍琍(2011)。《重返實踐:組織傳播理論與研究》。台北:威仕曼。
4. 李長潔(2012)。組織傳播研究中的論述取徑:一個領域的探索。《傳播與管理研究》,11(2),3-38。
5. Margrethe H. Olson. 1983. Remote Office Work: Changing Work Patterns in Space and Time. Commun. ACM 26, 3 (March 1983), 182–187.
6. Kraut, R. E., Fussell, S. R., Brennan, S. E., & Siegel, J. (2002). Understanding effects of proximity on collaboration: Implications for technologies to support remote collaborative work. Distributed work, 137-162.
7. Olson, J. S., Olson, G. M., & Meader, D. (1997). Face-to-face group work compared to remote group work with and without video. In K. E. Finn, A. J. Sellen, & S. B. Wilbur (Eds.), Video-mediated communication (pp. 157–172). Lawrence Erlbaum Associates Publishers.
8. Kang, R., Zhu, H., & Konstan, J. (2020). Organizational Bulk Email Systems: Their Role and Performance in Remote Work. In microsoft.com.
9. Sull, D., Sull, C., & Bersin, J. (2020). Five ways leaders can support remote work. MIT Sloan Management Review, 61(4), 1-10.
10. Pozen, R. C., and Samuel A. (2021). Remote, Inc.. Harper Business.
同時也有103部Youtube影片,追蹤數超過7萬的網紅Janice Vidal衛蘭,也在其Youtube影片中提到,#Janice衛蘭 與 格林美獎提名音樂人 #LukasGraham 首次跨國合作 隔空對唱深情主打歌 #HappyForYou 曲/詞:Tom Barnes, Sam Wish, Sam DeRosa, Pete Kelleher, Morten “Rissi” Ristorp, Lukas ...
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performance space 在 Taipei Ethereum Meetup Facebook 的最佳解答
📜 [專欄新文章] Gas Efficient Card Drawing in Solidity
✍️ Ping Chen
📥 歡迎投稿: https://medium.com/taipei-ethereum-meetup #徵技術分享文 #使用心得 #教學文 #medium
Assign random numbers as the index of newly minted NFTs
Scenario
The fun of generative art NFT projects depends on randomness. The industry standard is “blind box”, where both the images’ serial number and the NFTs’ index are predetermined but will be shifted randomly when the selling period ends. (They call it “reveal”) This approach effectively solves the randomness issue. However, it also requires buyers to wait until the campaign terminates. What if buyers want to know the exact card right away? We’ll need a reliable onchain card drawing solution.
The creator of Astrogator🐊 isn’t a fan of blind boxes; instead, it thinks unpacking cards right after purchase is more interesting.
Spec
When initializing this NFT contract, the creator will determine the total supply of it. And there will be an iterable function that is randomly picking a number from the remaining pool. The number must be in range and must not collide with any existing ones.
Our top priority is accessibility/gas efficiency. Given that gas cost on Ethereum is damn high nowadays, we need an elegant algorithm to control gas expanse at an acceptable range.
Achieving robust randomness isn’t the primary goal here. We assume there’s no strong financial incentive to cheat, so the RNG isn’t specified. Implementers can bring their own source of randomness that they think is good enough.
Implementation
Overview
The implementation is pretty short and straightforward. Imagine there’s an array that contains all remaining(unsold) cards. When drawIndex() is called, it generates a (uniform) random seed to draw a card from the array, shortens the array, and returns the selected card.
Algorithm
Drawing X cards from a deck with the same X amount of cards is equal to shuffling the deck and dealing them sequentially. It’s not a surprise that our algorithm is similar to random shuffling, and the only difference is turning that classic algo into an interactive version.
A typical random shuffle looks like this: for an array with N elements, you randomly pick a number i in (0,N), swap array[0] and array[i], then choose another number i in (1,N), swap array[1] and array[i], and so on. Eventually, you’ll get a mathematically random array in O(N) time.
So, the concept of our random card dealing is the same. When a user mints a new card, the smart contract picks a number in the array as NFT index, then grabs a number from the tail to fill the vacancy, in order to keep the array continuous.
Tweak
Furthermore, as long as the space of the NFT index is known, we don’t need to declare/initialize an array(which is super gas-intensive). Instead, assume there’s such an array that the n-th element is n, we don’t actually initialize it (so it is an array only contains “0”) until the rule is broken.
For the convenience of explanation, let’s call that mapping cache. If cache[i] is empty, it should be interpreted as i instead of 0. On the other hand, when a number is chosen and used, we’ll need to fill it up with another unused number. An intuitive method is to pick a number from the end of the array, since the length of the array is going to decrease by 1.
By doing so, the gas cost in the worst-case scenario is bound to be constant.
Performance and limitation
Comparing with the normal ascending index NFT minting, our random NFT implementation requires two extra SSTORE and one extra SLOAD, which cost 12600 ~ 27600 (5000+20000+2600) excess gas per token minted.
Theoretically, any instantly generated onchain random number is vulnerable. We can restrict contract interaction to mitigate risk. The mitigation is far from perfect, but it is the tradeoff that we have to accept.
ping.eth
Gas Efficient Card Drawing in Solidity was originally published in Taipei Ethereum Meetup on Medium, where people are continuing the conversation by highlighting and responding to this story.
👏 歡迎轉載分享鼓掌
performance space 在 全聯建築技術機構 -許偉揚.瓦建設計 Facebook 的最佳貼文
921大地震 (集集大地震),在1999年9月21日 凌晨1點47分15.9秒發生在臺灣中部山區的逆斷層型地震,總共持續大約102秒。
這場地震造成2,415人罹難,29人失蹤,11,305人受傷,51,711棟房屋全倒,53,768棟房屋半倒。
今年的 #中秋節,恰逢 #921大地震22周年, 回首山河變色那一夜,我們更珍惜與家人團圓聚首的這一天 !
九二一紀念型式 / 2002遠東國際數位建築競圖獎
01-INTRODUTION
Therefore before the memorial form does not yet model,What does – our attempt that I ask first is memorial?
Then artificial corpus city of civilization that construct or purchase, how many thousand years since then, always tell to say with the story that the nature match. But at win the nature at the same time, but neglect the unknowable power of great universe.
Usually in the nature of breakage of at the same time, crisis is hatching. This legal case, primarily and just attempt by the innate character that the formation of the memorial hall study the affairs to celebrate why? How the memory of the affairs of disaster is through concrete of emersion of building space.
02-Site
The choice of the position of base also not is to in advance plan to like of, but is through the imagine of the concept of design and filter but find out to most have to symbolize the base of the meaning. In fact ,921 the first step of memorial hall of earthquakeses plan, and then hope the memorial place is an occurrence on aly purely of the earthquake break the layer to take, rather than the death and harm of earthquake is miserably heavy location. With one kind of more detached attitude, afresh come considering the relation of mankind and nature.
03-Concept
Whole celebrates the scope of amenity, from the dam of the deformation, along seismicly break the layer to take to extend to the big bridge that dilapidated. Artificial with not artificial coexistence is on the earth crust of this deformation. Install the project: dam is with the memorial entrance of amenity of big each conduct and actions of bridge, whole celebrate the space to have no any word of text and record of like diagram, and only come illustrating all facts with the glossary of space.
04-Space 斷&續
Break- parable deformation and despair Continuously- the parable continues and eternity Interesting is, the break and continuously is a logic to exist together. Thering is break then can describe the continuously, thering is continuously then can describe the break
performance space 在 Janice Vidal衛蘭 Youtube 的最佳解答
#Janice衛蘭 與 格林美獎提名音樂人 #LukasGraham
首次跨國合作 隔空對唱深情主打歌 #HappyForYou
曲/詞:Tom Barnes, Sam Wish, Sam DeRosa, Pete Kelleher, Morten “Rissi” Ristorp, Lukas Forchhammer, J. P. Clark, Joe Kirkland, David LaBrel & Ben Kohn
中文詞:林寶
監:TMS/Edward Chan
Janice:
曾經在燈下談情
留不住歡樂忘形
這一秒 天黑了
如果用哀悼神情
唯一換到是同情
可跟你 一起笑
可惜未就緒
得你安慰好過一個消費悶的酒
回想變心那天你都有苦笑著開口
如今你跟哪位慶祝我愕然地接受
Well I’m happy, I’m happy, I’m happy for you
幾次竟見到你一蹶不振鬧分手
方想到給我打聽不過知道沒以後
多得你慷慨使我不折不扣念了舊
Well I’m happy, I’m happy, I’m happy for you
Happy for you
Just want to be happy too
Lukas:
Love you, hate you, all the same
Either way it takes up space
I had you, I had you
Haunted by the ghost of us
Sorry now I’ve said too much
I had to, I had you
Can’t help but wonder
Are you ready are you ready are you ready now?
Do you forgive me am I something you can talk about?
I heard you’re moving on and now you’ve got it figured out
Well I’m happy I’m happy I’m happy for you
Are you really gonna tell me that you’re better now
Hey ain’t it funny how we swore we couldn’t live without
Each other now you got another got it figured out
Well I’m happy I’m happy I’m happy for you
Happy for you
Just wanna be happy too
Janice:
我義無反顧 你孤苦 我當一個後援
往日 回不去 現在樂趣交換
J + L:
Are you ready are you ready are you ready now?
Do you forgive me am I something you can talk about?
I heard you’re moving on and now you’ve got it figured out
I’m happy I’m happy I’m happy for you
Are you really gonna tell me that you’re better now
Hey ain’t it funny how we swore we couldn’t live without
Each other now you got another got it figured out
Well I’m happy I’m happy I’m happy for you
Happy for you
Just wanna be happy too
***
Connect with 衛蘭 Janice
Facebook: https://www.facebook.com/JaniceVidalO...
Instagram: http://instagram.com/janice_vidal
Connect with Lukas Graham
YouTube: https://www.youtube.com/c/LukasGraham
Instagram: https://www.instagram.com/lukasgraham
Facebook: https://www.facebook.com/LukasGraham
© 2021 Warner Music Hong Kong Ltd.
performance space 在 TACHAYA Youtube 的最佳解答
Forwork(ติดต่องาน) : 0944654246(คุณรับทรัพย์), 0816291564(คุณเฮง)
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ห้วงอวกาศ Deep In Space : https://youtu.be/GL0l4x7KO7g
#KengTachaya #KPAngel #ห้วงอวกาศ
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ขอสนับสนุนให้ทุกคนมีตัวตนอยู่บนโลกนี้อย่างเสรีภาพ ตราบที่ไม่เดือดร้อนใคร
แด่ทุกสิ่งมีชีวิต ที่มีความหวัง และรักในตัวเอง
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performance space 在 GKJUMPMAN Youtube 的最讚貼文
2021年3月に発売されるエアジョーダンとナイキを紹介していきます!
収集した情報を精査してまとめておりますが、
COVID-19の影響により発売日のズレや延期が生じております。
また、海外のサイトや過去の価格を参考にしておりますので、
価格に誤差があるかもしれません。
軽い気持ちで参考程度にご覧ください!
そして、みなさんが楽しんでいただければと思います。
Hey what's up everybody? It's GKJUMPMAN.
This video is about the Air Jordan & Nike releases in March, 2021.
*The estimated release dates are for Japan.
Hope you like this video, please enjoy!!!
●3月リリース予定
・3月1日:
Nike KD 13 (19,250円)
Nike Kyrie 7 (17,050円)
Nike PG 5 (14,300円)
Nike Zoom Freak 2 (14,300円)
Nike Air Force 1 Low Experimental (15,400円)
Nike Waffle Trainer 2 (12,100円)
・3月2日:
Carpet Company x Nike SB Dunk High (14,850円)
・3月4日:
Nike Dunk Low “City Market” (13,200円)
Supreme x Nike SB Dunk Low (???)
・3月5日:
Nike Dunk High “Orange Blaze” (13,200円)
・3月6日:
Air Jordan 1 Retro High OG “University Blue” (19,250円)
・3月7日:
Nike Cosmic Unity (18,150円)
・3月9日:
Nike Kyrie 7 (17.050円)
Nike Air Foamposite One “All-Star” (25,920円)
Nike Air Force 1 React (15,400円)
Nike Dunk High "All-Star" (13,200円)
Nike Blazer Mid ’77 (13,200円)
Nike Air Force 1 ’07 (15,400円)
・3月11日:
Nike LeBron 18 Low (19,250円)
Nike Space Hippie 01 (15,400円)
・3月12日:
Nike Cosmic Unity (18,150円)
Nike Air Force 1 Low “St. Patrick’s Day” (???)
Nike Air Max 90 “St. Patrick’s Day” (???)
・3月13日:
Air Jordan 1 Retro High OG “Patina” (19,250円)
・3月18日:
Nike LeBron 18 (22,000円)
・3月20日:
Air Jordan 3 Retro “Georgetown” (23,100円)
・3月27日:
Air Jordan 5 Retro (23,100円)
・3月その他:
DQM x Nike Air Max 90 “Bacon” ($140)
Nike SB Dunk Low “Gulf” ($100)
Clot x Air Max 1 “Kiss of Death” (???)
🏀チャンネル登録はこちらから🏀
https://www.youtube.com/channel/UCaxG7u2dOgKbif7SsqBbsHA?sub_confirmation=1
🏀仕事関係の御連絡はこちらから🏀
[email protected]
===============================================
Resouces:
Sneaker News: http://sneakernews.com/
Sneaker Bar Detroit: https://sneakerbardetroit.com/
Nike+ SNKRS: https://www.nike.com/jp/launch/
Sneaker Wars: http://sneakerwars.jp/
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楽曲提供:Production Music by http://www.epidemicsound.com
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ツイッター、インスタグラム、アメブロもやっていますので、フォローお願い致します!
Follow me on Twitter & Instagram!
・Twitter: https://twitter.com/gkjumpman
・Instagram: https://www.instagram.com/gkjumpman/
・Ameba Blog: http://ameblo.jp/gk-loves-sports/
#STAYSAFE #AirJordan #エアジョーダン #Nike #ナイキ
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