[好文] 20 種很棒的 Raspberry Pi 應用(附簡易中文翻譯)
原文連結: https://www.makeuseof.com/tag/different-uses-raspberry-pi/
Raspberry Pi 是一種價格低廉的「開發板」(根據配備與規格的不同,一片 NT$1000~NT$3000 左右)。它可以安裝 Linux,用來當成文書機。也可以用它暴露出來的「通用輸出入針腳(GPIO, General-Purpose Input/Output)」,寫程式來做各種自動控制專案。對於想入門「嵌入式程式設計」領域的朋友,是一個很好的起點。
國外網友整理了 20 種 Raspberry Pi 很棒的應用,如果您也不曉得 Raspberry Pi 可以拿來做什麼用,不妨來看看吧!
為了不太看英文的朋友,我特別簡單翻譯了一下。原文每項都有詳細的圖片或影片介紹,以及超連結教大家怎麼「做到」,很推薦大家去看看喔!
1. 作為「桌機」(Desktop PC)
裝了 Linux 後,便可以當成簡單的文書機。
2. 作為「無線列印伺服器」(Wireless Print Server)
對於某些沒有內建 Wi-Fi 的印表機,可以當這些老式印表機的無線網路接收器。
3. 作為「AirPrint 伺服器」
這是蘋果電腦所使用的「無線列表機連線協定」。如果您不想自己買一個,也可以嘗試自己做一個喔!
4. 作為「媒體播放器」(Media Center)
Raspberry Pi 安裝 Linux 後,就可以做為媒體串流伺服器,將您存在電腦上的影片,投射到家中具有 HDMI 接口的大電視上。可高達 1080p 高解析度喔!
5. 作為「遊戲模擬器」(Retro Gaming Machine)
可在 Raspberry Pi 上安裝各種遊戲模擬器(紅白機、PS...),並下載各種懷舊遊戲的 ROM 檔案,裝上手把,就可以回味您的青春了。
6. 作為「Minecraft 遊戲伺服器」(Minecraft Game Server)
「Minecraft」台灣暱稱為「麥塊」,是一款可以「挖寶、探險、建築」的遊戲。也有些專家很推薦讓小朋友玩,培養 3D 空間的感覺。我兒子也蠻愛玩的... XD 如果你不想花錢去加入官方的「麥塊伺服器」,不妨自己架設一個囉!
7. 機器人控制(Robot Control)
如果想做機器人,那 Raspberry Pi + 另一塊開發板「Arduino」,應該是你的首選。把 Raspberry Pi 當成「大腦」,執行智慧判斷。把 Arduino 當成「神經系統」,負責控制四肢。您的機器人就會活靈活現的了!
8. 製作「定格動畫」(Stop Motion Camera)
Raspberry Pi 也搭配一個小型的攝影機。如果您想製作「定格動畫」(移動一下拍一張,然後連續播放。如:粘土人動畫),這邊有寫好的程式碼,以及教你怎麼組裝喔!拼一拼就有一台「定格動畫專用攝影機」了!不必花大錢買!
9. 縮時攝影機(Time Lapse Camera)
雖然您的 iPhone 也能拍縮時攝影...但您要拍的縮時攝影若是在戶外,且時間長達好幾個月(如:觀察花卉開花過程),您會把 iPhone 丟在野外幾個月嗎?不會吧?這時便宜強大的 Raspberry Pi + 行動電源就可以派上用場了!有簡便程式碼,並且教你怎麼安裝喔!
10. FM 收音機(FM Radio Station)
Raspberry Pi 也能架設 FM 接收台喔!你可以把它當成一部收音機,接上喇叭,就是一台簡易的 FM 收音機了。
11. Web 伺服器
Raspberry Pi 也可以安裝 Web 伺服器,讓你在家裡就能架設網站,不必去跟外面買空間、繳月費。
12. Twitter 機器人
這邊指的是會自動轉推特定關鍵字的軟體。有些推特經營者,會習慣去搜索包含自家品牌相關的新聞,然後轉推到自己的帳號。有了 Twitter 機器人,這件事就可以請它代勞了!给他關鍵字,就可以幫你自動轉推,維護自家品牌的熱度喔!
13. 自製監視器(Motion Capture Security System)
由於 Raspberry Pi 有 USB 接口,安裝 Linux 後根本就是一台桌機,所以當然可以用 Web Cam 做出監視器,還能用手機連回來看看監視器看到什麼喔!
14. 數位相框(Digital Photo Frame)
Raspberry Pi 板子很小,安裝 Linux 後,再把它連上一個螢幕,就是一台「數位相框」了。想在自家客廳循環播放你的珍貴回憶嗎?試試看這個專案吧!
15. 星空攝影(Photograph the Night Sky)
天文愛好者可以利用 Raspberry Pi 可程式化、又能連接攝影機、外接螢幕的特色,製作夜空拍攝道具。這樣一來,就不用苦苦守候天文現象囉!
16. 網路流量監視器(Network Monitoring Tool)
Raspberry Pi 既然是一台 Linux 小電腦,當然可以安裝 Linux 相關的軟體,來監視特定網站的流量。對於那些想知道自家流量如何的人,非常方便!
17. 智慧型電視(Smart TV)
您家有 HDMI 的電視,但無法上網收看網路內容嗎?Raspberry Pi 自帶 HDMI 與 Wi-Fi,將它安裝成一台網路電視,再讓它把內容透過 HDMI 輸出到你家電視機,馬上把你家的電視機從「智障型」升級成「智慧型」電視!看 YouTube 什麼的,輕鬆自在喔!
18. 網路硬碟(NAS Box)
Raspberry Pi 安裝 Linux 與特定軟體,再於 USB 接口加掛一顆 4TB 的硬碟,馬上就能讓你出門也能存取家中的檔案。Raspberry Pi 相當省電,可以全天不關機。連上家中的 ADSL,就成了全天候的網路硬碟了!讓你從此嫌棄 Dropbox 不夠用!
19. 智慧型家庭中控器(Home Automation)
想在抵達家裡之前,就用手機打開冷暖氣機、按下煮飯的按鈕、或啟動咖啡壺嗎?早就有人幫你把程式碼寫好了喔!添購一些「網路受控」的電器開關,再讓它們與 Raspberry Pi 相連,你就可以用手機操控 Raspberry Pi,讓它幫你下指令,控制家中電器開關了喔!
20. 自製「AirPlay 接收器」
這是 Apple 的一種網路連線協定。支援 AirPlay 的設備,可以透過該協定,互相交換資料。如果你家中 Apple 設備眾多,又不想花錢買一台 AirPlay 接收器,可以想辦法自己做一個喔!
希望這樣的簡單翻譯,大家會喜歡!如果對「自動控制」有興趣的朋友,不妨去買一塊 Raspberry Pi 開發板,自己回來試試看這些專案喔!
祝福大家有個愉快的星期一!歡迎按讚、轉貼、留言討論!
同時也有1部Youtube影片,追蹤數超過3萬的網紅Cakes with Faces,也在其Youtube影片中提到,All the Best Stuff is from Japan - funny purikura episode! - Purikura with the Prime Minister - would this make you more interested in politics and t...
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強中之強!
-
攝影之聲19
#照片 #雕塑
#photo #sculpture
在這期《攝影之聲》中,日本設計師田中義久與雕刻家飯田竜太所組成的雙人創作組合「Nerhol」,將照片層層堆疊雕琢刻鏤,改造平面攝影為多元視點的立體圖像,顛覆照片設下的時空制約;荷蘭藝術家Anouk Kruithof擷取81個美國機關組織的Instagram帳號所發布的官方照片,締構一系列複合媒材影像雕塑,在型態轉化之中探索當代圖像訊息的變異組建;韓國藝術家權五祥拍下大量的實物細節,將照片拼貼雕砌成各種人形塑像與物件結構,超越平面—立體形態之間的思索界線。
本期的Artist’s Showcase單元,我們特寫1992年出生的數位媒材原生世代——影像藝術家小林健太,藉由他自由裂解增生的數位塗抹(digital smudge)軌跡,在介入、破壞與影像噪音化的各種實驗中,將傳統攝影的物質與機械性建制重新格式化,跌進影像生成狀態的混元世界,突顯了視覺技術的思維後像。或許激浪派(Fluxus)的意識將再透過他的作品重返攝影的話題,並反映著這個世代的視線主張。
◑ GRAB YOUR COPY NOW!! ◑
Voices of Photography
Issue 19 : #照片 #雕塑 #photo #sculpture
在這期《攝影之聲》中,日本設計師田中義久與雕刻家飯田竜太所組成的雙人創作組合「Nerhol」,將照片層層堆疊雕琢刻鏤,改造平面攝影為多元視點的立體圖像,顛覆照片設下的時空制約;荷蘭藝術家Anouk Kruithof擷取81個美國機關組織的Instagram帳號所發布的官方照片,締構一系列複合媒材影像雕塑,在型態轉化之中探索當代圖像訊息的變異組建;韓國藝術家權五祥拍下大量的實物細節,將照片拼貼雕砌成各種人形塑像與物件結構,超越平面—立體形態之間的思索界線。
本期的Artist’s Showcase單元,我們特寫1992年出生的數位媒材原生世代——影像藝術家小林健太,藉由他自由裂解增生的數位塗抹(digital smudge)軌跡,在介入、破壞與影像噪音化的各種實驗中,將傳統攝影的物質與機械性建制重新格式化,跌進影像生成狀態的混元世界,突顯了視覺技術的思維後像。或許激浪派(Fluxus)的意識將再透過他的作品重返攝影的話題,並反映著這個世代的視線主張。
專欄單元中,張世倫對類比底片粒子與數位像素的影像物質性進行思辨,闡述影像的不完美特性對攝影本質的啟示;顧錚評析中國藝術家蔡東東近期發表的攝影裝置系列——《泉》,在達達主義興起並影響至今的一百周年之際,檢視當代現成物藝術的實踐語彙;此外,從這期開始,我們更邀請香港攝影學者黎健強執筆一個新的連載專欄——「影像香港」,他以近年親身參與籌劃的攝影展覽歷程做為序論,並將陸續疏理香港的攝影史脈與當代影像地景,做為我們串連東亞攝影發展的另一切點。
在英國近期「脫歐」抉擇的歷史之年,也是愛爾蘭「脫英」武裝革命——1916年「復活節起義」——的一百周年,這場獨立行動雖告失敗,卻因最終催生了愛爾蘭共和國而成為歷史關鍵,今年在倫敦與都柏林皆有相關的紀念活動。梁秋虹在英、愛現場深度剖析這些歷史影像檔案的視覺展演,解讀革命符號與受難者影像中,攝影政治學幽微操作的記憶與神話。
「Q」單元專訪德國資深出版人Gerhard Steidl,他於1972年創立的「Steidl」以出版印工精緻的作品集聞名,並成為國際藝術出版界的指標之一,Steidl在訪談中與我們分享他的工作經驗,以及對紙本印刷工藝的觀察見解。本期附帶的別冊《SHOUT》則特別揭載中國藝術家孫彥初的《虛構集》系列,他自古玩市場蒐集中國上世紀七O至八O年代的素人生活照,以塗鴉拼貼重構造相,在影像的虛實映照之間轉動拉扯。
編輯台報告埋著頭寫著寫著,《攝影之聲》正式來到第五個周年,而我們仍在深入影像銀河悠悠無邊的光年裡緩緩推進。謝謝親愛的讀者、參與《攝影之聲》的藝術家、所有撰稿人和工作伙伴。這是一段長途旅行,我們將繼續往下一站前進。
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In this volume of VOP, we see how “Nerhol” the creative duo made up of Japanese designer Yoshihisa Tanaka and sculptor Ryuta Iida put together layers of photographs with sculpturing and engraving, changing 2D photography to 3D images with multiple points of view, challenging the time-space limits of photographs. Also, we will also learn about how Dutch artist Anouk Kruithof selected official photographs from the Instagram accounts of 81 American organizations to create a series of photo-sculptures using multiple media, through which she explores the changes and construction processes of contemporary image information. In addition, we will see how Korean artist Osang Gwon with his vast number of photographs of objects taken in detail, combines these images into sculptures of various characters and structures, crossing the visual and thought boundaries of 2D and 3D.
We present a special in this issue’s Artist Showcase on Kenta Cobayashi, a visual artist of the digital media age born in 1992. Through his creative journey using free expression with the digital smudge in Photoshop, he re-formalizes the materiality and mechanism of traditional photography, immersing himself in a state of flux when images were born and highlights the technicalities behind visual creations. His work seems to have an affinity with Fluxus bringing this art movement back into the photographic conversation through his various experiments of intervention, destruction and noise in images. The work also reflects the trend of viewing in this time and age.
In this issue’s columns, Shih-Lun Chang touches on the issue of materiality between the grains of film photography and the resolution of digital photography, illustrating the inspiration that can be brought to the nature of photography by the imperfection of images; Zheng Gu critiques Fountain, the recent photography installation work by Chinese artist Dongdong Cai, which examines the practical language of ready-made art in the centennial anniversary of Dadaism’s emergence and influence. In addition, starting from this issue, we invite renowned Hong Kong photography academic Dr. Edwin K. Lai to pen a new column “Image Hong Kong”. He begins with sharing his journey of curating and participating in photography exhibitions in recent years, and will subsequently go on to bring us through the historical lineage of Hong Kong’s photography and its contemporary landscape, providing us with a new link point with East Asian photography.
This year where we witness “Brexit” also coincides with the 100-year anniversary of the “Easter Rising” of 1916 associated with Ireland’s military revolution in a bid to perform a “Brexit”. Although this bid for independence met with failure, it continued to hold key meaning in history for its eventual result in birthing the Republic of Ireland. This year, commemorative activities were held in both London and Dublin. Chiu-Hung Liang brings us in-depth reports of the visual displays of historical archival images from the two locations, interpreting the revolutionary iconography involved and the intricate influences exerted by photography politics on the images of victims, their memories and legacies.
The “Q” segment features an interview with long-time publisher Gerhard Steidl who founded the publishing house “Steidl” in 1972, well-known for its high quality publications which marks it out as a landmark of the international artistic publication circle. Steidl shares his work experiences as well as observations and opinions about the craft of the print with us in this interview. Also, in this issue’s supplement SHOUT, we present a special excerpt of Chinese artist Yanchu Sun’s Ficciones, where he presents a series of photographs of the everyday life of ordinary people from antique markets in China between the 70s’ and 80s’, employing the means of drawing and collage to recreate images, playing on the relations between the real and the fictional.
With this editorial we write, VOP enters its fifth anniversary. As we continue our slow but sure journey forward in the universe of photography, we want to thank our dear readers, artists, writers and contributors as well as others who have worked with VOP, onward we move!
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Voices of Photography 攝影之聲
www.vopmagazine.com
photo to 3d print 在 VOP Facebook 的最佳貼文
◑ 新刊上架 !! ◑
Voices of Photography
Issue 19 : #照片 #雕塑 #photo #sculpture
▍購買雜誌 Order | http://goo.gl/Xecs3q
▍訂閱雜誌 Subscribe | http://goo.gl/ZE9gd0
在這期《攝影之聲》中,日本設計師田中義久與雕刻家飯田竜太所組成的雙人創作組合「Nerhol」,將照片層層堆疊雕琢刻鏤,改造平面攝影為多元視點的立體圖像,顛覆照片設下的時空制約;荷蘭藝術家Anouk Kruithof擷取81個美國機關組織的Instagram帳號所發布的官方照片,締構一系列複合媒材影像雕塑,在型態轉化之中探索當代圖像訊息的變異組建;韓國藝術家權五祥拍下大量的實物細節,將照片拼貼雕砌成各種人形塑像與物件結構,超越平面—立體形態之間的思索界線。
本期的Artist’s Showcase單元,我們特寫1992年出生的數位媒材原生世代——影像藝術家小林健太,藉由他自由裂解增生的數位塗抹(digital smudge)軌跡,在介入、破壞與影像噪音化的各種實驗中,將傳統攝影的物質與機械性建制重新格式化,跌進影像生成狀態的混元世界,突顯了視覺技術的思維後像。或許激浪派(Fluxus)的意識將再透過他的作品重返攝影的話題,並反映著這個世代的視線主張。
專欄單元中,張世倫對類比底片粒子與數位像素的影像物質性進行思辨,闡述影像的不完美特性對攝影本質的啟示;顧錚評析中國藝術家蔡東東近期發表的攝影裝置系列——《泉》,在達達主義興起並影響至今的一百周年之際,檢視當代現成物藝術的實踐語彙;此外,從這期開始,我們更邀請香港攝影學者黎健強執筆一個新的連載專欄——「影像香港」,他以近年親身參與籌劃的攝影展覽歷程做為序論,並將陸續疏理香港的攝影史脈與當代影像地景,做為我們串連東亞攝影發展的另一切點。
在英國近期「脫歐」抉擇的歷史之年,也是愛爾蘭「脫英」武裝革命——1916年「復活節起義」——的一百周年,這場獨立行動雖告失敗,卻因最終催生了愛爾蘭共和國而成為歷史關鍵,今年在倫敦與都柏林皆有相關的紀念活動。梁秋虹在英、愛現場深度剖析這些歷史影像檔案的視覺展演,解讀革命符號與受難者影像中,攝影政治學幽微操作的記憶與神話。
「Q」單元專訪德國資深出版人Gerhard Steidl,他於1972年創立的「Steidl」以出版印工精緻的作品集聞名,並成為國際藝術出版界的指標之一,Steidl在訪談中與我們分享他的工作經驗,以及對紙本印刷工藝的觀察見解。本期附帶的別冊《SHOUT》則特別揭載中國藝術家孫彥初的《虛構集》系列,他自古玩市場蒐集中國上世紀七O至八O年代的素人生活照,以塗鴉拼貼重構造相,在影像的虛實映照之間轉動拉扯。
編輯台報告埋著頭寫著寫著,《攝影之聲》正式來到第五個周年,而我們仍在深入影像銀河悠悠無邊的光年裡緩緩推進。謝謝親愛的讀者、參與《攝影之聲》的藝術家、所有撰稿人和工作伙伴。這是一段長途旅行,我們將繼續往下一站前進。
In this volume of VOP, we see how “Nerhol” the creative duo made up of Japanese designer Yoshihisa Tanaka and sculptor Ryuta Iida put together layers of photographs with sculpturing and engraving, changing 2D photography to 3D images with multiple points of view, challenging the time-space limits of photographs. Also, we will also learn about how Dutch artist Anouk Kruithof selected official photographs from the Instagram accounts of 81 American organizations to create a series of photo-sculptures using multiple media, through which she explores the changes and construction processes of contemporary image information. In addition, we will see how Korean artist Osang Gwon with his vast number of photographs of objects taken in detail, combines these images into sculptures of various characters and structures, crossing the visual and thought boundaries of 2D and 3D.
We present a special in this issue’s Artist Showcase on Kenta Cobayashi, a visual artist of the digital media age born in 1992. Through his creative journey using free expression with the digital smudge in Photoshop, he re-formalizes the materiality and mechanism of traditional photography, immersing himself in a state of flux when images were born and highlights the technicalities behind visual creations. His work seems to have an affinity with Fluxus bringing this art movement back into the photographic conversation through his various experiments of intervention, destruction and noise in images. The work also reflects the trend of viewing in this time and age.
In this issue’s columns, Shih-Lun Chang touches on the issue of materiality between the grains of film photography and the resolution of digital photography, illustrating the inspiration that can be brought to the nature of photography by the imperfection of images; Zheng Gu critiques Fountain, the recent photography installation work by Chinese artist Dongdong Cai, which examines the practical language of ready-made art in the centennial anniversary of Dadaism’s emergence and influence. In addition, starting from this issue, we invite renowned Hong Kong photography academic Dr. Edwin K. Lai to pen a new column “Image Hong Kong”. He begins with sharing his journey of curating and participating in photography exhibitions in recent years, and will subsequently go on to bring us through the historical lineage of Hong Kong’s photography and its contemporary landscape, providing us with a new link point with East Asian photography.
This year where we witness “Brexit” also coincides with the 100-year anniversary of the “Easter Rising” of 1916 associated with Ireland’s military revolution in a bid to perform a “Brexit”. Although this bid for independence met with failure, it continued to hold key meaning in history for its eventual result in birthing the Republic of Ireland. This year, commemorative activities were held in both London and Dublin. Chiu-Hung Liang brings us in-depth reports of the visual displays of historical archival images from the two locations, interpreting the revolutionary iconography involved and the intricate influences exerted by photography politics on the images of victims, their memories and legacies.
The “Q” segment features an interview with long-time publisher Gerhard Steidl who founded the publishing house “Steidl” in 1972, well-known for its high quality publications which marks it out as a landmark of the international artistic publication circle. Steidl shares his work experiences as well as observations and opinions about the craft of the print with us in this interview. Also, in this issue’s supplement SHOUT, we present a special excerpt of Chinese artist Yanchu Sun’s Ficciones, where he presents a series of photographs of the everyday life of ordinary people from antique markets in China between the 70s’ and 80s’, employing the means of drawing and collage to recreate images, playing on the relations between the real and the fictional.
With this editorial we write, VOP enters its fifth anniversary. As we continue our slow but sure journey forward in the universe of photography, we want to thank our dear readers, artists, writers and contributors as well as others who have worked with VOP, onward we move!
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Voices of Photography 攝影之聲
www.vopmagazine.com
photo to 3d print 在 Cakes with Faces Youtube 的最讚貼文
All the Best Stuff is from Japan - funny purikura episode!
- Purikura with the Prime Minister - would this make you more interested in politics and the election? It's happening in Tokyo!
- Purikura with sumo wrestlers
- 3D printed photo booths - in Akihabara you can have a figure made of yourself!
SUBSCRIBE to watch my series about Japan, and catch our videos from Tokyo later this year!
TOKYO T-SHIRT and lots more designs inspired by Japan and kawaii style on http://www.cakeswithfaces.co.uk We ship worldiwide!
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Thank you to Kommissar for the awesome chiptune music: https://soundcloud.com/kommisar
Sound effects from www.freesound.org and http://taira-komori.jpn.org/freesounden.html
photo to 3d print 在 Extruding a 3D model from a 2D Image - GitHub Pages 的推薦與評價
The 3D model can then be manipulated in Cura and prepared for 3D printing in the same way as standard 3D models. Image. Cura import settings. 3D print. Page 3 ... ... <看更多>
photo to 3d print 在 Phrozen 3D Printer - Home | Facebook 的推薦與評價
2 Likes1 comment. Dominique Perrin, profile picture. Dominique Perrin. Hello how we can place the air purifier ? Phrozen 3D Printer, profile picture ... ... <看更多>
photo to 3d print 在 Turn a Single Photo into a 3D Model & 3D Print - Pinterest 的推薦與評價
May 10, 2017 - Convert your image, picture, and photo to 3D! Learn to create a 3D model or 3D print from a single photo. ... <看更多>