《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
/
詳細資訊|https://reurl.cc/bXy09v
________________________________________________
A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
_____________________________
《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
「recall, precision」的推薦目錄:
- 關於recall, precision 在 林郁晉- Yu Jun LIN Facebook 的最讚貼文
- 關於recall, precision 在 台灣物聯網實驗室 IOT Labs Facebook 的最讚貼文
- 關於recall, precision 在 Head x Lover Facebook 的最讚貼文
- 關於recall, precision 在 Precision、Recall、F1、ROC-AUC 與PR-AUC | 辛西亞的技能樹 的評價
- 關於recall, precision 在 Precision, Recall, F1 score, True Positive - YouTube 的評價
- 關於recall, precision 在 Accuracy, Recall, Precision and F1 score with sklearn. · GitHub 的評價
- 關於recall, precision 在 Precision and recall not changing while training BERT 的評價
- 關於recall, precision 在 Average of precision and recall - Cross Validated 的評價
recall, precision 在 台灣物聯網實驗室 IOT Labs Facebook 的最讚貼文
藉由ICT實現術後照護 讓醫護人員工作負荷驟降
2016/11/28-DIGITIMES企劃
經由雲端、行動化、大數據、物聯網所驅動的智慧醫療風潮,已開始蔓延到愈來愈多醫療院所,甚至有醫院斥鉅資建造智慧醫院,不管在就醫導覽、自動協助報到系統,乃至對溫度、二氧化碳的即時監控,皆予人耳目一新之感。
但台大醫院醫務秘書兼資訊室主任賴飛羆認為,智慧醫療的精髓仍應環繞在診斷過程,因此需要援引大數據、電子病歷(EMR),輔以患者當下的生命徵兆,才足以精準判斷病灶;除此之外,行動載具、雲端等技術日益精進,則可望顯著降低醫護人員的作業負擔,甚至取代昂貴的紅外線、影像等儀器設備,對於提升診斷效率與品質多所助益。
台大醫院基於從事遠距醫療的經驗,推估1位個管師必須照護多達200位病患,才會符合成本效益,堪稱是不可能的任務,故有必要採取自動化措施,例如由電腦程式自動判讀心電圖有無問題,以便於依據疾病的嚴重程度進行排序,便於個管師能將有限的時間與精力投注在刀口上;在此前提下,台大醫院突發奇想,意欲探討是否有自動化的機制與工具,幫助術後患者有能力照顧自己,遂啟動了相關研發計畫。
至於前述計畫的做法是,讓術後返家休養的患者,可以利用智慧型行動裝置對著患部拍照,接著回傳台大醫院,再由院方的自動化系統做影像分析、萃取特徵值,初步劃定手術傷口的邊緣範圍,判別哪些部位屬於皮膚,哪些部位屬於傷口,再進一步檢視傷口有無發炎、長膿或壞死等不良現象,如果有,則立即通知病患進行回診。
賴飛羆指出,綜觀前述過程,有幾個機制相當重要。首先是邊緣偵測機制,台大醫院運用兩套主要工具,其一是Canny Edge Detection,藉此找出擴充點(Extension Point),另一則是用以還原整個邊緣的演算法;其次是膚色區域偵測(Skin Region Detection)機制,其間利用電腦技術進行HSV膚色範圍的演算。
再者則是創傷區隔(Wound Segamentation)的優化機制,期初擷取效果還不夠完整,爾後藉由電腦輔助不斷調整Threshold,逐漸能清楚判別哪些是傷口、哪些是皺紋,現今甚至可做到排除刺青。
當然也有人提出疑問,即使透過電腦科技搭配相關演算法,可以做到捕捉出大致輪廓,但確實的比例正確與否,也是一大問題。為此台大醫院進行了Precision-Recall量測,推導出的敏感度高達95.5%,至於陽性預測值(Positive Predictive Value)則為79.7%,皆落在頗為正確合理的水準。
賴飛羆透露,為了推動此項計畫,台大醫院也運用機器學習的支持向量機(Support Vector Machine;SVM)技術,先算出特徵,再灌輸大量數據施以訓練,才讓系統愈來愈聰明,得以精準判別皮膚上的哪些徵狀,究竟是紅斑、腫脹、化膿抑或壞死,最終據此判讀該患者是否出現創傷感染現象,而這項判讀係採取分級模式,級別由高而低依序為強烈、懷疑、可能、沒有等四級,屬於最高級別者,幾乎可判定已遭受感染無誤。
綜上所述,運用智慧科技,將可有效術後傷口及相關的營養照護,並持續監控患者諸如體重、引流量等特徵表現,必要時也可促成病患與醫護人員立即對話,堪稱遠距醫療領域的一大進步。
附圖:台大醫院醫務秘書兼資訊室主任賴飛羆教授。
資料來源: http://www.digitimes.com.tw/tw/iot/shwnws.asp…
recall, precision 在 Head x Lover Facebook 的最讚貼文
關於等一下啊,你知道的。(笑
下面的英文是羅蘭巴特說的。
關於時間,雖然下面還有一段很長的句子,
其實他是出自於他對攝影的理論寫了一本書
叫做明室—攝影札記。
原文如下:
“For me the noise of Time is not sad: I love bells, clocks, watches — and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.”
― Roland Barthes,
Camera Lucida:
Reflections on Photography
recall, precision 在 Precision, Recall, F1 score, True Positive - YouTube 的推薦與評價
![影片讀取中](/images/youtube.png)
Precision, Recall, F1 score, True Positive|Deep Learning Tutorial 19 (Tensorflow2.0, Keras & Python). 130,134 views130K views. ... <看更多>
recall, precision 在 Accuracy, Recall, Precision and F1 score with sklearn. · GitHub 的推薦與評價
# 2) Accuracy measures how many classifications your algorithm got correct out of every classification it made. # 3) Recall measures the percentage of the ... ... <看更多>
recall, precision 在 Precision、Recall、F1、ROC-AUC 與PR-AUC | 辛西亞的技能樹 的推薦與評價
常見的量化指標有Accuracy、Precision、Recall 與F1-Measure。有時也會使用ROC-AUC 與PR-AUC 還評估在相同資料集下的表現結果。 ... <看更多>
相關內容