(中文版👇🏻)Here it is, my next video about Chinese! How to use music to study Chinese🎼🎧! I have been using Chinese songs to study this language since the first day I picked it up. I think it’s a great way to improve not only your listening, but also your vocabulary! I explain in details, why listening to a language is so important, and how you can use it to your advantage!
Also, shoutout to my amazing friends at WTO姐妹會(八大電視官方粉絲專頁) I have made a little surprise for you in the video ❤️
If you enjoyed the video, please leave a LIKE and SUBSCRIBE
新的影片來了,這一集我有分享我如何透過音樂學習中文!這樣的學習方式也可在其他語言上用到!如何聽音樂、用歌詞學習新的詞彙!歡迎到我的YouTube 看看!
你們知不知道我之前有上過WTO 姐妹會?😙
(如果你喜歡我的影片的話,歡迎訂閱+分享)
LINK: https://www.youtube.com/watch?v=VIwWxSpPH00
#taiwanblogger #台灣部落客 #chineseblogger #chineseyoutuber #learnchinese #jezykchinski #chinesestudy #foreignerchinese #台北 #中文 #學習中文 #中文字 #漢字 #台灣 #taiwan #taiwan1 #chineselanguage #chinesecharacters #chinesewords #chineselearning
同時也有95部Youtube影片,追蹤數超過6萬的網紅Tristan H. 崔璀璨,也在其Youtube影片中提到,作為美國人體驗台灣的大學生活有太多差別想要講的,所以這支影片就特別專注校園方面的差別!台灣跟美國的校園有好有壞(真討厭人家佔走我的位子...)你覺得哪一個有明顯的比較好嗎? (這次想多吸引國外的朋友看就講英文,你喜不喜歡可以留言跟我說!) 0:45 食物的價錢 1:19 校園狗 1:59 校園不是...
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《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會,我下午二時開始演講,離上次在台灣大學公開演説。快半年了!分享會報名一小時預告已額滿,但TVBS電視台慷慨的支持。派出SNG車,屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營,參加劉孟捷(李斯特巡禮之年)鋼琴獨奏會。這是劉孟捷回台,最重要的一場音樂會,我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會,劉孟捷都未曾如此緊張。他此次回台,手術前為了沒有遺憾,共舉行三場音樂會:其中4/17與5/30皆是與國家交響樂團NSO合作:530那一場指揮是呂紹嘉。但他告訴我,某些曲目對他而言,是Piece of Cake :惟獨衞武營這一場,曲目由他自己決定,現場錄影,並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術,手術風險之外,他的免疫系統疾病,將使他的康復之路更長。
沒有人可以預知未來,為了圓他的夢,醫院每天都要求他早上、晚上量血壓,報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師,但也不敢大意。
畢竟這個人的生命那麼脆弱,他的心臟主動脈剝離,那是實質的「心碎」了:但他仍有詩,仍有音樂夢。在生命的交接處,在白日與黑夜的交义口,劉孟捷想為他的音樂生涯,留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前,他甚至以英文寫下了自己與音樂、疾病的半生回顧:如李斯特的巡禮,有仰望,有沉思,有失落,有幽微的疼痛。他以詩篇般的演奏模式,傾訴,詠嘆。他曾得到天賦,也走過死蔭的幽谷。命運是一層又一層的黑影逼近,老天爺隨時想帶走他。
而他已不再流淚,不再沉浸於悲愴告別:因為對他而言活著並不容易,他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間,正如哲人們所形容的
都是不實際存在的東西:那從不感到衰敗的太陽,也不會比我們了不起多少!
他如艾略特的詩句中所形容的:我們為什麼要如此貪心總在祈禱,想活上整整一個世紀?
蝴蝶雖僅活了一天,已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時,他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了,至少有一張CD,一段YouTube 影像:不論孟捷代表生命的那朵鮮花是否枯萎,他彈奏如天使的音聲不會飛離,它會停留在那夜,繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説:這樣當他走進手術室時,會少一點悲傷。
或許快樂的日子本來就不多,但讓這場「完全李斯特.完全劉孟捷」的獨奏會放出神聖的光彩吧!
我必將赴會,不會錯過!我知道此刻的獨奏會,很難複製,因為它綜合了太多的情感、愛念,釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字:This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中,包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩:這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的,詩本身就很優美,依此激發李斯特的浪漫主義創作靈感,成為琴藝上最困難演奏,但也特別細膩溫柔的琴詩。
這三首分別是:
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt(1811-1886): Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》(Tre sonetti del Petrarca),再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯:焦元溥(元溥也是友情贊助,特別準備音樂資料,周日南下,聆賞劉孟捷的樂曲,並且陪同他盯著錄音共三天)
〈第47〉
祝福每天、每月、每年,
所有片刻與鐘點、時間與季節,
在那美麗的原野,
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜,
與愛同在、受苦不停歇,
如弓箭刺穿令我淌血,
傷口永留感動在我心間。
祝福一切我發出的聲音,
當呼喚著我深愛的女郎,
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚,
歌頌她的芳名,萬古長新。
我心永屬於她,無人能闖。
〈第104〉
我找不到和平,也無意打仗,
我恐懼、我期望,燃燒又冰透。
我向天飛升,卻躺在地上,
我一無所有,卻又擁抱整個宇宙。
我身陷囹圄,監牢又開敞;
我不受囚禁,卻銬著鎖頭。
愛情不讓我死,也不讓我飛翔;
不要我活,也不准我逃離悲愁。
欲看卻無眼,啞口還在發言,
我甘心殞滅,卻仍高聲呼救,
我痛恨自己,但仍愛著他人。
憂傷滋潤我,淚水伴隨笑臉,
生命不足惜,死亡也不煩憂;
我淪落至此,都是妳啊,我的愛人!
〈第123〉
我在塵世見到仙子的美,
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜,
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚,
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息,
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富,
在淚水中形成甜美聲響,
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌,
雖然枝上樹葉並未飛舞,
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
study in taiwan youtube 在 未秧 Winter Facebook 的最佳解答
#開聲音今天晚上八點上線這次音樂也好聽
第一支Stay with you的影片出來了!用今天的影片會介紹一下我的想法跟理念,以後這一系列的影片會是在星期二20:00上傳,大家可以在需要的時候播放來參考。那不管是場景的選擇、音樂的曲風等等都會有各式各樣,請大家再給我一些時間!
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然後這支影片只有40分鐘,因為我不太確定我的相機可以錄製多久,他每錄30分鐘就會自己斷掉哈哈。
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以後會持續製作這樣的影片給大家,謝謝你們!
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Hello welcome. To my channel!
I’m winter, living in Taiwan.
Lots of people around the world stay in quarantine alone, so I try to make this kind of videos to accompany you.
Also these series of videos will include reading, working, eating, everything you can image, you can watch it when you are in the Starbucks or bedroom orsomewhere else.
I will upload this series of videos on Tuesday, and not over edit the videos to show our real life.
⠀⠀⠀⠀
⠀⠀⠀⠀
#studywithyou #staywithyou #taipei #taiwan #YouTube #youtuber #study #learning #writng #words #wordporn #文字 #寫字 #讀書 #台北 #台灣 #一起讀書 #Warm最溫暖系列
study in taiwan youtube 在 Tristan H. 崔璀璨 Youtube 的精選貼文
作為美國人體驗台灣的大學生活有太多差別想要講的,所以這支影片就特別專注校園方面的差別!台灣跟美國的校園有好有壞(真討厭人家佔走我的位子...)你覺得哪一個有明顯的比較好嗎?
(這次想多吸引國外的朋友看就講英文,你喜不喜歡可以留言跟我說!)
0:45 食物的價錢
1:19 校園狗
1:59 校園不是學生要用的嗎?
2:42 娛樂
2:54 運動
3:37 設施
4:55 課本
5:23 宿舍/公寓
6:24 空間
P.S.我破了5萬!謝謝你訂閱❤️
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⭐合作信箱聯繫➔tristan@capsuleinc.cc⭐
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每週三更新影片 New videos every Wednesday!
更多影片:
🔍️【TOPICS💡 一起坐下談】
https://www.youtube.com/playlist?list=PLca1AlwOy10qKDW41YTdovvEFUPGyOGwd
🔍️【VLOGS!✈️ 生活跟我玩】
https://www.youtube.com/playlist?list=PLca1AlwOy10ofPUY3Iu7VQRh_HJL_mQUE
🔍️【MUSIC ♫ 音樂館 ♬】
https://www.youtube.com/playlist?list=PLca1AlwOy10o-paLGvYApojmyLtusmPCw
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【崔璀璨 Tristan H.】
YouTube頻道➔ http://www.youtube.com/yakitorisutan
Facebook粉專➔ https://www.facebook.com/yakitorisutan
Instagram主頁➔ https://www.instagram.com/yakitorisutan/
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study in taiwan youtube 在 Tristan H. 崔璀璨 Youtube 的最讚貼文
我不知道我花了幾百個小時在唸中文,當時也是天天要考幾百個繁體字的!我最後不得不找到可以讓我很有效率地唸
我還很想要拍一支更詳細地講學外語的時候該怎麼寫筆記/該怎麼在家的時候複習!這方面的影片有興趣的話請幫我按讚或在下面留言告訴我:)
Have a beautiful day~~
P.S. 我知道無印良品是日本的,放心 😂
I don't know how many thousands of hours I spent studying Chinese... At the time we were tested hundreds of characters every day! In the end I had to find some way to study more efficiently.
I would really like to make a video explaining in detail what type of notes and study techniques help me while specifically studying foreign languages. If you'd be interested remember to leave a like on this video or leave a comment below:)
Have a beautiful day~~
#studytips #台大
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study in taiwan youtube 在 Namewee Youtube 的精選貼文
昨晚在台北跨年晚會演唱了一小段這首歌。好久沒唱了,在台上突然很有感觸。。。
I study here, I work here, I cry here and I laugh here with her. Now I am here to pursue my dream when I was abandoned by my motherland... This city is full of my memories. Thanks Taipei & Happy new year 2021!
【臺北之旅 Trip To Taipei】Youtube高清版 : https://youtu.be/uNCWPFHe78M
數位音樂下載 Online Music Download【臺北之旅 Trip To Taipei】:https://lnk.to/3I55P5eM
我搭車 從桃園機場到台北的路上一直都不敢抬頭
自從畢業了之後 那麼多年第一次回到第二個鄉愁
在這裡回憶太濃 那時候過的太窮
只有妳這個傻瓜 願意陪我吃泡麵啃菜頭
朋友都笑我 幹嘛躲在台灣延畢打工
做音樂難出頭 要做就不要在那邊哭窮
妳騎車載著我 到各大唱片公司投DEMO
承受的冷眼嘲笑 妳說是他們白癡加耳聾
只有妳會懂我 只有妳會陪著我
就算我的音樂別人永遠都聽不懂
我的作品 妳四處播送 驕傲地炫耀著妳的男友
雖然我知道 那些豬頭都只是假笑應酬
妳經常瞞著我說 公司的便當還剩很多
其實我都懂 妳不過想讓我吃飯能抬頭
陽明山上 那停車房三坪的閣樓
那是我們 狹小又貧困的嚴冬
在台北街頭 停停走走 不變的高樓
最熟悉的路口 殘留妳的笑妳的沉默
在台北街頭 行人匆匆 誰都帶不走
甜蜜苦澀都經過
那都是屬於妳我 曾經的擁有
成功的男人失敗的男人 背後都有個女人
連個生日蛋糕都買不起 那都是我的無能
我告訴自己 不能放棄 因為至少還有妳
要揚眉吐氣 別再讓妳爸爸媽媽弟弟瞧不起
搬到了台北車站旁邊的危樓 頂樓加蓋夏天都超熱
冬天鐵皮變冰格 客運開過都會有餘震
我錄音寫歌 妳躺著看海賊王就快樂
泡麵加滷蛋 猜拳洗碗今晚妳又輸了
再搬到紅燈區 那裏房租都比較便宜
因為隔壁有 輻射發電工廠竊水等危機
我們用DV 拍攝紀錄生活的點點滴滴
我寫的歌曲 妳是唯一能背熟歌詞的歌迷
贏了短片比賽 拿了獎金想帶妳去旅行
妳卻買了Keyboard軟體 要我繼續努力前進
當我被大馬警方通緝 妳阻擋著媒體
告訴我 這個難關一定會撐過去
在台北街頭 停停走走 不變的高樓
最熟悉的路口 殘留妳的笑妳的沉默
在台北街頭 行人匆匆 誰都帶不走
甜蜜苦澀都經過
那都是屬於妳我 曾經的擁有
過去再多的磨難苦頭 只有妳懂我
感謝妳陪著我一起走過 那些年的落魄
在台北街頭 停停走走 不變的高樓
最熟悉的路口 殘留妳的笑妳的沉默
在台北街頭 行人匆匆 誰都帶不走
甜蜜苦澀都經過
那都是屬於妳我 曾經的擁有
說好了不會食言 要一起直到永遠
許下了愛情誓約 怎樣都不會改變
在離開前的那一夜 我們都哭紅了雙眼
桃園機場留下的淚 卻成了永遠的道別
謝謝妳給我的一切 希望妳現在過得很好
You are my angel
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study in taiwan youtube 在 Study in Taiwan - 首頁| Facebook 的推薦與評價
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study in taiwan youtube 在 OCAC.R.O.C.(Taiwan) – Youtube 的推薦與評價
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study in taiwan youtube 在 Study in Taiwan 的推薦與評價
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