Press Release: Phantom Fluffy will be on air for the first time on Sep. 27!
Phantom Fluffy, the latest animation created by Mingkun Liu, a Taiwanese originator
The 30-year-old ASAKU series is created by Mingkun Liu, a famous cross-field creator from Taiwan, who worked on the comics of Stone Age, the well-known online game, and who developed Mega Man, a game authorized by Capcom Co., Ltd. a Japanese video game developer and publisher. Meanwhile, Liu also teaches in the dept. of computer science and information management in HungKuang University, as an associate professor. Working with Axis 3D Technology, Inc., Liu created the magical and adorable animation of Phantom Fluffy. This animation is produced by Axis 3D Technology, Inc. and created by Liu himself. As for the music, Liu invited Vincent Chang, the game score master who also composed music for Sunshine ASAKU® in 2000, to re-interpret the classic score for the latest animation.
An animation extension of ASAKU® for children, Phantom Fluffy shares the same, complete worldview with ASAKU® and their stories are all connected. Based on the cultural resource accumulated over thirty years, Phantom Fluffy has its own story, just like ASAKU®. Even if one hasn’t watched ASAKU® before, rest assured this will not make a difference when he/ she watches Phantom Fluffy. Phantom Fluffy focuses on the daily life of Fluffy and his phantom friends. In ASAKU®, all characters from Phantom Fluffy are divine animals. Therefore, in Phantom Fluffy, these characters will be with Fluffy for everything he does, be it an argument or an adventure. These companies will become divine animals in the future. At the same time, they will accompany preschool kids to grow together.
The main character, Fluffy, from Phantom Fluffy, is created based on Liu’s self-portrait, the Fox Kid. In 1997, Liu published the book, Fox Stupid Soldier, which detailed Liu’s military life. In 2015, Liu worked with Sanlih E-Television Inc. for Formosa I SEE YOU , the kids’ show, in which Liu hosted the show as an adorable and goofy puppet. Together with his animation, Liu was very popular with kids. Phantom Fluffy is a special project, in honor of Liu’s dedication in this field over thirty years. In this animation for children, Fox Kid, Liu’s doppelganger, plays as the protagonist.
Sponsored by the Ministry of Culture, Phantom Fluffy has six episodes in total. Every episode lasts for three minutes. The 3D animation targets an audience of three-year-old, or older, kids. In the whole animation, there is no line spoken. The whole story is told via body language from Fluffy and his friends. Therefore, this animation can be viewed by children coming from different backgrounds and speaking different languages.
This animation is created without any line, voicing, or sound effect. In every episode, a tailor-made score is played. We try to connect all episodes through music, so the characters can perform with the music. We hope this allows children more room for imagination, so that every child will have their own Fluffy living in their mind.
This animation focuses on morality, friendship, and adventure. This is a magical animation full of fantasy and heartwarming.
The first episode of Phantom Fluffy will be available on ASAKU channel on YouTube at 18:00, on Sunday, September 27. We welcome you all to come join the adventure with Fluffy by watching this lovely piece of work with your family.
Link to the first episode of Phantom Fluffy.
https://youtu.be/ccPTuF53Hdc
The press release is provided by Axis 3D Technology, Inc.
Presented by Axis 3D Technology,Inc
©1989-2020 ASAKU® X Phantom Fluffy / MingKun Liu / Axis 3D / Ministry Of Culture
Produced by Alex Wu、Tom Lai / Executive Producer Sam Tsai
Original by MingKun Liu / Creation by MingKun Liu /Music by Vincent Chang
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同時也有12部Youtube影片,追蹤數超過483的網紅Boris Foong,也在其Youtube影片中提到,#BorisFoong #RamseyWestwood #StellarRadio Brought to you by Boris Foong & Ramsey Westwood. Connect with Stellar Radio ▶ https://www.facebook.com/Ste...
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technology sound effect 在 Lee388 Hi Fi 發燒專頁 Facebook 的最佳解答
GRANDIOSO K1X
"Two revolutions integrated. Two revolutions connecting people to music... The VRDS-ATLAS and Master Sound Discrete DAC - now come to fruition in an integrated player that carries the name… Grandioso ( Grandioso (music): Grand or noble)."
An unprecedented transport mechanism that invites you to the furthest reaches of sound.
VRDS (Vibration-Free Rigid Disc-Clamping System) is Esoteric's unique CD/Super Audio CD transport technology, which has been specially designed to clamp the disc to a same-diameter turntable in order to eliminate the disc's rotational vibration, as well as any extraneous vibration emanating from the mechanism itself. It also corrects any warpage of the disc, dramatically improving the accuracy of both the optical pickup and the disc pit layer's corresponding optical axis, while also minimizing servo current. This all adds up to dramatically reduced disc read error for exceptional audio quality.
The new VRDS-ATLAS platform boasts unprecedented mechanical perfection and superlative audio quality, with heavyweight construction that is fully 127% heavier than previous iterations (6.6kg for the mechanism alone, and 13.5kg including its base). This highest rigidity and weight in the history of VRDS mechanisms has the effect of greatly reducing any and all vibration that could adversely affect audio quality. The transport's larger new side panels and bridge are all formed of SS400 steel, and its turntable is made from duralumin, which is renowned for its excellent sound quality. Also, its spindle features a newly designed thrust bearing system, for a friction-free one-point spindle support system that ensures smooth, noiseless turntable rotation.
Esoteric's impressive VRDS-ATLAS is the quietest and most elegant transport in the history of VRDS. The key to achieving this was a resolute focus on mechanical grounding technology that more effectively reduces vibration.
Adopting a wide & low-profile design for the entire mechanism helped achieve a lower center-of-gravity, and relocating the turntable motor to below the turntable from its previous position above the bridge dramatically shortened the route for grounding vibration and reducing mechanical noise. Tray hollowing has also been minimized for increased rigidity, and special stoppers made from vibration-absorbing elastomer cancel out resonance when the tray is stored.
The Grandioso K1's mighty power supply was the key to its powerful and profound three-dimensional sound. With the introduction of its new X version, this power supply has been dramatically enhanced to add further depth to its exceptional audio tone. Its built-in D/A converter features independent power transformers for left and right channels, and the K1X includes a total of four independent toroidal power supply transformers. Furthermore, technologies cultivated in the development of the Grandioso P1X/D1X have also been adopted, including a new low-feedback DC power supply regulator featuring a discrete circuit configuration which contributes to its powerful open sound. The K1X also contains a total of 76 EDLC* supercapacitors (with a total capacity of 2,050,000µF or 2.05F). This greatly increased power supply capacity provides a tremendously improved sound quality for exceptional resolution in the lower frequency ranges.
*EDLC (Electric Double-Layer Capacitor):A special type of capacitor boasting an astoundingly high capacity compared to the electrolytic capacitors used in conventional audio equipment.
The VRDS-ATLAS transport mechanism is centrally located within the chassis, where it is fixed to a 5mm-thick steel bottom plate and supported by four proprietary pinpoint feet (patent no. 4075477 and 3778108). This effectively isolates the rotational mechanism from vibration. The internal structure of the chassis features a double deck design, with the audio boards on the upper level and power supply circuits and transformers on the lower level to minimize magnetic flux leakage and vibration, while also shortening the power supply wiring.
Semi-Floating Top Panel
The enclosure's top panel utilizes a screwless semi-floating structure that further contributes to an open and expansive sound.
Master Sound Discrete DAC
Bringing out all the dynamics and energy of the original master recordings.
Master Sound Discrete DAC Bringing out all the dynamics and energy of music.
Unattainable by integrated chips, our goal was to assemble carefully selected and tested discrete components into a complete circuit that could perfectly reproduce all the dynamics and energy of music. Our top engineering teams put their pride on the line to design and produce a quality of sound that can only be found in the Master Sound Discrete DAC discrete D/A converter.
The K1X's Master Sound Discrete DAC is the most revolutionary two-channel stereo DAC circuit in Esoteric's history, and is based on the original circuit developed for the Grandioso D1X monaural D/A converter.
As an extension of the D1X's design philosophy, a luxurious volume of materials have been invested in the construction of K1X's Master Sound Discrete DAC. For example, it features 32 separate elements for each channel. Key components such as a clock driver, logic circuit, and capacitors and resistors, are kept independent for each of these 32 elements to ensure the purest output without no loss of musical energy.
The K1X's independently developed Δ∑ modulator supports 64-bit/512Fs and the latest high-end digital formats, including of 22.5MHz DSD and 768kHz PCM signals. The FPGA's* dedicated digital processing algorithm was developed exclusively for the Master Sound Discrete DAC, and has been fully optimized for outstanding playback of both DSD and PCM digital audio data.
Advanced Quality Control
With a discrete DAC, where component tolerances are directly linked to arithmetic precision, highly advanced quality control is also required for the manufacture of electronic circuit boards. Esoteric's own in-house factory boasts some of the world's leading board mounting technologies, such as soldering performed in an oxygen-free furnace, which is located in a clean room featuring the same level of cleanliness found in a hospital operating room. Technologies cultivated in the production of electronic circuit boards for audio, medical, aerospace, and defense industries support the high production quality of the Master Sound Discrete DAC.
The ESOTERIC-HCLD output buffer amplifier boasts an amazingly high-speed slew rate (response speed) of 2,000V/µs. Current transmission and speed—the most important factors for an analog output circuit—have been pushed to the limits to reproduce the reality of music with a dynamic range that is truly breathtaking.
In addition to its XLR and RCA amplifier line connections, the K1X also features the ES-LINK Analog method of current transmission. Taking full advantage of the HCLD buffer circuit's powerful current supply makes the K1X less susceptible to the detrimental effects of impedance on the signal route. It also enables a more powerful signal transmission, fully driving connected compatible devices.
A high-accuracy clock circuit is the key to achieving superlative sound quality in digital audio playback. A top-quality clock circuit is truly the heart of any high-end digital player. The K1X now features the superb Grandioso Custom VCXO II clock originally developed for the Grandioso P1X/D1X. This clock was developed with carefully considered modifications made to the earlier model's internal circuitry and components to more vividly emphasize the K1X's ultimate audio quality while further boasting remarkably low phase noise and excellent center precision (±0.5ppm).
The K1X can also be connected to the Grandioso G1 Master Clock Generator for playback, with internal circuits synchronized to a 10MHz clock that features the same high precision as an atomic clock, enabling further pursuit of high sound quality.
D/A Converter Functions for External Input, D/D Conversion, MQA Support & USB Input
In addition to its coaxial and optical inputs, the K1X also features a USB type-B port that is compatible with both 22.5MHz DSD and 768kHz/32-bit PCM asynchronous signal transmission, thus enabling it to also be used as a stand-alone D/A converter. Functions are provided for upsampling a PCM digital signal to 2/4/8/16× (max. 768kHz) and converting PCM to DSD. The K1X is also compatible with MQA-CD decode playback and full MQA decoding for playback of various digital inputs including USB.*
*MQA certification is pending as of August, 2019, and support is scheduled to be added via a software update as soon as certification is complete.
(Source: Esoteric Japan)
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The First Wireless VR Games in Penang at M Mall Penang Time Squares - The Illusion Virtual Experience.
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TRACKLIST :
00:00:00 Stellar Radio Intro
00:02:22 Full Effect - Maxim Lany feat. Penny F. [Armada Electronic Elements]
00:03:53 Illusion - Shapov & Nerak [Armind]
LOOKING BACK:
00:08:27 All We Need - ALPHA 9 [Armind]
00:10:45 Rapture - Kryder x Natalie Shay [Black Hole Recordings]
00:14:18 Anytime - 2sher, Paul Ercossa, Sunflare [Phatclub]
00:17:04 Technology - Kato [Kato Music]
00:19:24 Jonson's Play - Armin van Buuren & Sander van Doorn [A State Of Trance]
00:24:06 King's Tech..! - Ahmed Helmy [Suanda Music]
00:27:06 Tokio Lights - KeyWork [Azima Records]
00:31:18 Andromeda (Denis Sender Remix) - NyTiGen & Trance Reserve [Neostatics Sounds]
SOUND OF TOMORROW:
00:34:00 Vision - Key Lean & Sean Ryan [Find Your Harmony]
00:37:54 All I Need - Milad E, Andy Kumanov [Interplay Records]
00:42:07 Exploration of Self - Eximinds [AVA Recordings]
00:45:03 Reality (Concrete Panther Remix) - Vertruda [Addictive Sounds]
00:47:31 Fallen Angel - 2sher & ion.B [Phatbull]
CLASSIC PICK:
00:51:24 Somewhere (Clear Blue) (Perry O'neil Remix) - Markus Schulz Pres. Elevation [Armada Electronic Elements]
00:54:50 Apocalypto - Eldream & Mark Wild [Suanda Base]
00:58:35 Hear Them Echo - Voolgarizm, J-Stranger feat. Caitlin Potter [Reaching Altitude]
00:59:51 Memoirs - Orjan Nilsen pres. DJ Governor [A State Of Trance]
01:03:23 Forever - Hypersia & Matt Hiller [Full On 140 Records]
01:05:51 Contagious - ReOrder & Jordan Tobias feat. Clara Yates [A State Of Trance]
01:07:05 Burning Souls - Double Motion & Ruslan Asсhaulov [Trancemission]
01:09:51 Virus - Fading Light [Electro Beat Records (Promind)]
01:12:58 Mysterious Feeling - Adam Taylor [Suanda True]
01:16:24 Karma - Lies & Sinwaulam [CDR]
01:18:56 No Other Alternative - MaRLo [Central Station Records]
01:21:40 Bangkit - Sinwaulam [CDR]
01:25:00 Leonie (Alan Morris Remix) – DJ T.H. [AVA White]
01:29:02 Stellar Radio Outro
technology sound effect 在 translation Youtube 的最讚貼文
#'94年にゲームフリークが開発、セガが発売した、MD用アクション作品。
ポケットモンスターが出る前に作られた作品であり、開発スタッフが同じである影響から、ポケモンとの繋がりが多い。
基本は横スクロールで進み、高速移動の"ライトニングダッシュ"によりエネルギーを貯蓄、スパークリング状態のときにAを押すと斜め上へ飛ぶボルテッカーが発動、発動中は仮面獣を縦横無尽に飛び回る。Bにはパルスラッシュなる近距離攻撃を装備。
高速で動き回るスピード感やカラフルでビビッドなMD特有の背景の色使いはまさにMDならではの世界と言える。
BGMは増田氏が作曲、StereotypeやMijk Van Djikがリミックス・アルバムや曲を出すほどエレクトロ全開で作られている。
効果音・作曲:増田順一氏
Manufacturer: 1994.07.22 SEGA / Game Freak
Computer: Mega Drive / Genesis
Sound: YM2612,SN76489
Sound Effect: Junichi Masuda
Composer: Junichi Masuda
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00:00 01.Electrace Man (TITLE)
00:21 02.Dump Succeeded (INFORMATION)
02:29 03.Neo Tokyo (STAGE 1-1, 1-3, 1-5, 3-3, 6-2, 6-5, 7-1)
04:35 04.Integrated City (STAGE 1-2)
07:22 05.Blank Structure (STAGE 1-4 BOSS)
09:40 06.Super Target (BONUS STAGE)
12:44 07.Stereo Protect (STAGE 2-1)
16:48 08.Cycle Partition (STAGE 2-2)
19:24 09.Real Overflow (STAGE 2-3)
22:07 10.CL Architecture (STAGE 2-4 BOSS)
24:51 11.Shutdown 2 (STAGE 3-1)
27:11 12.Kernel Pages (STAGE 3-2, 5-2, 5-4, 6-3)
30:56 13.Technology (STAGE 3-4)
33:54 14.Halt 16 Voice (STAGE 3-5 BOSS)
36:22 15.Brain Wash (STAGE 4-1)
42:21 16.Brain Voice (STAGE 4-2)
45:20 17.Piston Power (STAGE 4-3)
46:03 18.Rebooting (STAGE 4-4)
50:45 19.Boot Sequence (STAGE 4-5 BOSS)
53:08 20.Remounting (STAGE 5-1)
55:55 21.Voltage Algorithm ()
59:25 22.Metamorphoser (STAGE 5-3, 7-8)
01:02:09 23.Dead Dimension (STAGE 6-1)
01:05:00 24.End Traceback (STAGE 6-4)
01:11:25 25.Run Command (STAGE 6-6 BOSS)
01:13:36 26.Stop Program (STAGE 7-2)
01:16:05 27.Swap Area (STAGE 7-3)
01:18:33 28.Port 1 (STAGE 7-4)
01:20:45 29.Memory Static (STAGE 7-5)
01:22:51 30.Bad Trap (STAGE 7-6 BOSS)
01:25:35 31.File Systems (STAGE 7-7)
01:27:44 32.Accelerator (STAGE 7-9)
01:30:28 33.Shutdown (STAGE 7-10 BOSS)
01:32:53 34.Amabilis (STAFFROLL)
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technology sound effect 在 Jesse Black Liu Youtube 的最佳解答
BOSS GT-1000 CORE Guitar Effects Processor - get yours here ➥ https://amzn.to/3iIsQD9
Amazingly powerful and ultra-versatile, GT-1000CORE delivers the most complete guitar and bass processing experience available in a single stompbox. The full DSP muscle of the flagship GT-1000 lives inside this mini juggernaut, driving class-leading sound quality, advanced AIRD technology, 24 simultaneous effects blocks, and over 140 unique amp/effect types for unlimited creative expression. GT-1000CORE fits into any pedalboard setup and works equally well as a standalone processor for playing live and in the studio. And with flexible I/O and vast control support, it’s right at home as the core of any rig.
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technology sound effect 在 The Best 14 Free Sound Effect Packs for YouTube Videos ... 的推薦與評價
We will offer SFX resources that include technology sounds, glitches, scratches, ambient sounds, and more. Now prepare a separate folder on your computer to ... ... <看更多>