❤
In many ways, building a global sports media property from scratch is like building a global hotel chain from scratch. First, you have to build all of the buildings in each country. During the investment phase, the focus must be 100% on world-class construction of the best buildings for the long term. A startup global hotel chain would have to invest billions for years before they could start charging guests to stay at peak room rates with maximum capacity utilization. However, once all of these buildings are completed and operating at full service levels across the globe, the monetization opportunities are significant.
The major twist to this analogy is that global sports media properties take far longer to build than real estate projects do, but the rewards and opportunities are far greater. Once construction is complete for a global sports media property, the monetization opportunities at scale are limitless - media rights, apparel, games, gyms, energy drinks, manga, movies, TV shows, merchandise, eSports, brand licensing, and much more. In this era of technology, global sports media properties are essentially tech media businesses; they can achieve global scale with minimal marginal cost. And for a tech media business like ONE Championship, revenues can easily skyrocket 10x or more in a single year. This global scaleability is one of the reasons why some of the world's smartest investors like Sequoia Capital, Temasek, Greenoaks, and other blue chip institutions invested in excess of US$250 million into ONE Championship, and gave it a valuation in the billion dollar range. And it is only the beginning.
Luckily, I spent almost a decade on Wall Street as a global hedge fund manager, buying, selling, and shorting companies all over the world. As a result, I knew what a good business model was, and what a bad business model was even before I started ONE Championship. At scale, global sports media properties rank among the best business models on the planet; they are super asset-light, IP-heavy businesses with huge scaleability, huge margins, huge returns on invested capital, and huge cashflows. The biggest global sports media properties also have massive economic moats; they have significant sustainable competitive advantages because they are platform businesses with a complex ecosystem that is entrenched into the fabric of society, culture, and business. Of course, the catch is that they are incredibly hard to build and that they take a long time to create.
In 7 years, ONE Championship has become the world's fastest growing global sports media property in history in terms of reach, frequency, and engagement metrics across traditional and digital media; these 3 pillars are the most important key success factors for any media property. 3 years ago, ONE Championship had an average of only 700,000 viewers per event. Our latest event, ONE: Kingdom of Heroes, drew 25 million viewers. While I am full of gratitude and appreciation for this extraordinary growth, I also know that it is only the beginning of our journey. Our sacred mission is to unleash real-life superheroes who ignite the world with hope, strength, dreams, and inspiration. I count my blessings every day for this precious opportunity to live the life of my dreams. #gratitude #WeAreONE
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
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今晚分享這篇文章,以及來聽《百萬大飯店》中這首〈Tom Tom’s Dream〉,晚安了。
新活水雜誌|同志X藝術專題|【當一張鉛筆畫,撫平一整代的騷動靈魂——從《芬蘭湯姆》《丹麥女孩》談同志藝術政治關係】
https://www.fountain.org.tw/r/post/tom-of-finland
【一天分享一首歌之第651天】〈Tom Tom’s Dream〉/ OST《The Million Dollar Hotel》by The MDH Band
https://www.youtube.com/watch?v=Xq5DjR1dm2c
#一天分享一首歌
#TomofFinland
雖然忙得前不著村後不著店(咦),上個月還是抽出熱血,幫新活水雜誌寫了這篇文章,從畫家拉克索寧的傳記電影《芬蘭湯姆》聊到《丹麥女孩》,看慾望在藝術裡的實踐,及藝術對時代的呈現。今晚,即使慢了同志大遊行一週,還是跟大家分享一下這篇文章:🏳️🌈🌈🌈
「拉克索寧所處的芬蘭,在上一個世紀 50、60 年代仍然視同性戀為非法,亦即,兩個男生在大馬路上手牽手是要躲警察的,一群同志在自家屋裡、把窗簾拉上開趴,還會被警察破門而入,逐一逮捕入獄。這樣的環境,加上拉克索寧本人從軍的戰後創傷,成了一股豐沛暗流,流向他巨大的創作衝動。他的慾望不被社會接受,在家族裡也無從被認可,這一切的變形、轉化成他筆下那個,為了滿足自己而生的世界。
那當中最常出現的,是重型機車騎士,伐木工人,或是水手這樣的典型陽剛形象,此外還有警察、軍人等等象徵威權的制服角色,而電影若有似無地,將此對應到他在軍旅生涯中,曾受到一位也是男同志的長官照顧,於是權力與支配慾望等,被運用在性幻想中作為一種『素材』的可能,也被呈現在故事裡。若是再考慮宣傳中所言,這是芬蘭湯姆的基金會官方授權拍攝的傳記電影,那麼他筆下這一塊藝術特質和生命經驗的對應,似乎就成了『藝術史認可』的解讀了。
既然性的本質跟權力很有關,跟身份的想像與主動/被動的支配有關,那麼經歷者,或者說性美學的創作者對於世界的詮釋,對個體和社會的互動理解與想像,自然會被反映其中。而這就為時代留下了印記。」
—【當一張鉛筆畫,撫平一整代的騷動靈魂——從《芬蘭湯姆》《丹麥女孩》談同志藝術政治關係】—
https://www.fountain.org.tw/r/post/tom-of-finland
新活水雜誌|同志X藝術專題
the million dollar hotel 在 時光之硯 Facebook 的最佳解答
今晚講座的神奇時刻之一:我才在演講內容中自己跑題,說了一番U2與《百萬大飯店》對我的青春衝擊,會後Q&A的時候就有聽眾拿出身上的mp3 player,裡面赫然有《百萬大飯店》的原聲帶!
於是眾人就這麼、聽著透過麥克風播放的片尾曲,掉入另一個時空中。
今晚就來分享這首歌。這是〈The Ground Beneath Her Feet〉,連結一個世界,它只存在夢中。晚安囉。
【一天分享一首歌之第598天】〈The Ground Beneath Her Feet〉/ OST《The Million Dollar Hotel》by U2
https://www.youtube.com/watch?v=CK_pwxDbJPk
#一天分享一首歌