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2020-07-20 16:44:02 有 3,033 人按讚

星音符剧团即将为您💥震撼上演——中国古代四大名著之首《红楼梦》话剧。
Symphony Theatre proudly presents the stage play “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 💥💥

❤古代长篇巨作《红楼梦》，即将在大马首度以话剧形式呈现，星音符剧团将根据史实与原著改编。为您演绎一场刻骨铭心、至真至爱、荡气回肠的爱情故事。

❤此次，星音符剧团力邀锺洁希演出话剧女主角——出淤泥而不染的林黛玉。男主角为全球万里挑一，犹如贾宝玉再现的——林霆坚。<别说爱错>的领衔主演——美籍导演浪漫王子李安田，与<音乐盒>话剧的领衔主演——魅力型男马杰飞也会重磅加盟！

💥必看8大重点💥
✨《红楼梦》在大马首度以话剧演出
✨《红楼梦》根据史实和原著改编
✨国际艺人锺洁希与多位资深演员同台演出
✨最新3D科技绝美LED背景视觉影像
✨特邀美国音乐人为《红楼梦》打造主题曲与插曲
✨逼真的音效与专业背景音乐配搭
✨精致的古风道具布置
✨精美雅致大气有诚意的古代服装

❤锺洁希曾演出《七步诗》、《月光》、《音乐盒》、《别说爱错》话剧等…精湛的演技受到媒体与观众的肯定，演出的话剧更是场场爆满，大受观众的欢迎与认可。李安田自小在美国和台湾两地成长，属于性格派演员，并且曾在美国受过名师指导拍摄及导演。马杰飞曾经演出《音乐盒》话剧与《别说爱错》话剧，他也是多部电影、短片和MV男主角，深受大众喜爱。马杰飞也是一名导演，他将要推出的力作是与李安田导演携手执导的一部话剧名为《没有泪的天空》。马杰飞、李安田、林霆坚都是在大学主修戏剧及音乐表演系。

❤ “四大名著” 之一《红楼梦》描绘了人生百态, 是一部能够体现中华民族文化与智慧的经典完美结合著作。《红楼梦》话剧根据史实与原著改编，以荣国府为背景，情节以贾宝玉和林黛玉之间的故事贯穿全剧。

❤ 值得一提的是，许多人提到红楼梦中的林黛玉，都会觉得她就是柔弱的化身。事实上，林黛玉是一个勇敢聪慧的女子，她比任何红楼梦中的女子更加敢于挑战世俗。很多人把林黛玉比喻为水芙蓉，只因这种植物有 “出淤泥而不染” 的赞誉。贾宝玉与林黛玉纯真又刻骨铭心的爱情，更是红楼最凄美动人的故事。至于林黛玉的眼泪，绝不能简单地理解为眼泪代表柔弱，就像王熙凤用银子来修炼自己在世俗中的能力一样，或许林黛玉她是用一生的眼泪来修炼爱情。

❤ 《红楼梦》话剧首次搬上大马舞台，带观众走进《红楼梦》的世界，体会《红楼梦》的深刻内涵，享受红楼作品的美学呈现，让观众深刻体验古典名著的艺术魅力。同时，透过根据史实与原著改编的《红楼梦》话剧，想带大家更深一层的认识出淤泥而不染的贾宝玉与林黛玉。❤🧡💛💚💙💜

❤《红楼梦》话剧24/07星音符剧场首演，星音符为您诚意打造《红楼梦》话剧，让您深刻体验古典名著的艺术魅力。敬请期待！

📅🗓️《红楼梦》话剧演出6场，演出日期如下🏹🏹🏹
[第一场] 24/07/2020（五）
[第二场] 25/07/2020（六）
[第三场] 26/07/2020（日）
[第四场] 31/07/2020（五）
[第五场] 01/08/2020（六）
[第六场] 02/08/2020（日）
【地点】星音符剧场
【时间】晚上8点钟⏳
【联络号码】012-642 0336（负责人梁小姐）
【中文对白，附有英文字幕】

想要购买话剧入门票🤩？请点击这里：
📲📲📲https://wa.link/1zlg05 (012-642 0336)
此活动由马来西亚自然医学公会（MNA）主办，为癌症病患筹募基金。以获取更多最新资讯，请守住洁希脸书！

Symphony Theatre proudly presents the stage play “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 💥💥

❤ “The Dream of Red Mansions”, an early, lengthy masterpiece, is about to be performed in Malaysia for the first time in drama form. With the play based on the original historical novel of the same name, Symphony Theatre is bound to portray for you an unforgettable, passionate, and heart-rending love story.

❤This time, Symphony Theatre invited Jessie Chung to take the stage as lead actress, portraying the pure and unadulterated Lin Daiyu. The lead actor, Terry Lim, was chosen out of a ton of applicants from around the world. Joining the ranks is lead actor of “Meant to Be”, the romantic, princelike American director Paul Lee and lead actor of “Music Box”, the charismatic heartthrob Jeffrey Beh!

💥 8 Reasons Why You Should Watch 💥
✨ This marks the first public performance of the stage play “The Dream of Red Mansions” in Malaysia
✨ “The Dream of Red Mansions” is based on the original historical novel
✨ International artist Jessie Chung takes the stage with many experienced actors
✨ Stage backdrops created through the latest 3D technology for stunning, lifelike environments
✨ American musician brought on board to compose the theme song and soundtrack
✨ Accompanied by realistic sound effects and professional background music
✨ Stage design incorporates exquisite ancient Chinese elements and props
✨Actors wear elegant, refined, majestic and authentic period costumes

❤Jessie Chung has performed in stage plays including “The Quatrain of Seven Steps”, “Moonlight”, “Music Box”, “Meant to Be” and more. Her superb acting skills caught the attention of the media and audience alike. She is known for her sold-out performances that are popular with and praised by theatregoers. Paul Lee, who was raised between the U.S. and Taiwan grew to be a character actor and has learned the craft of cinematography and directing under a few renowned in instructors in the U.S. Jeffrey Beh, who has starred in the stage plays “Music Box” and “Meant to Be”, has also starred in several films, short films and music videos that are well-received. Jeffrey Beh is also a director, and he will be directing alongside Paul Lee in an upcoming masterpiece of his, the stage play “Tearless Sky”. Jeffrey Beh, Paul Lee, and Terry Lim all majored in performing arts and music.

❤One of the Four Great Classical Novels, “The Dream of Red Mansions” depicts various aspects of life and is a comprehensive, literary work that embodies the culture and wisdom of the Chinese. “The Dream of Red Mansions” was adapted from true historical events and traces the bittersweet tragedy at the Rong Mansion between Jia Baoyu and Lin Daiyu.

❤It is worth mentioning that many people believe for Lin Daiyu of “The Dream of Red Mansions” to be the epitome of frailty. That couldn’t be further from the truth. Lin Daiyu was a brave and intelligent woman who dared—more than any woman in “The Dream of Red Mansions”—to challenge the worldliness around her. Many liken Lin Daiyu to a lotus, because the flower is known to grow out of the mud unsoiled. The pure and unforgettable love between Jia Baoyu and Lin Daiyu is the most poignant and moving story in “The Dream of Red Mansions”. As for Lin Daiyu’s tears, they should not be simply understood as symbols of weakness. Just as Wang Xifeng used money to perfect her materialistic ways, perhaps Lin Daiyu used a lifetime of tears to perfect her love.

❤ “The Dream of Red Mansions” is set to be staged in Malaysia for the first time, and will transport the audience into the world of the original novel so they can feel its profound literary treasures, enjoy its aesthetical presentation, and experience intensely the artistic charms of this classical masterpiece. Moreover, through the stage adaptation of the original historical novel—“The Dream of Red Mansions”—we hope that everyone will have a deeper understanding of Jia Baoyu and Lin Daiyu, who kept their purity even in a filthy world.

❤ “The Dream of Red Mansions” debuts on July 24 at Symphony Theatre. This stage play presented by Symphony Theatre will allow you to intensely experience the artistic charms of this classical masterpiece. Don’t miss it!

📅🗓️ Six shows have been scheduled; the performance dates are as follows: 🏹🏹🏹
First show: Friday, July 24, 2020
Second show: Saturday, July 25, 2020
Third show: Sunday, July 26, 2020
Fourth show: Friday, July 31, 2020
Fifth show: Saturday August 1, 2020
Sixth show: Sunday, August 2, 2020
Venue: Symphony Theatre
Showtime: 8 p.m. ⏳
Contact number: 012-642 0336 (Representative Ms. Leong)
Performed in Mandarin with English surtitles

Want to purchase tickets? 🤩 Visit the following link:
📲📲📲 https://wa.link/lck748 (012-642 0336)

The show is a fundraiser organized by the Malaysia Naturopathic Association (MNA) to help cancer patients in need. Stay tuned on Jessie’s Facebook for more updates and information!

Tags: woman in the romantic period

Jessie Chung锺潔希

About author

Jessie Chung is an international recording artist and actress based in Australia, currently under the management of Future Entertainment & Music Group. True to her multitalented status, she is also a doctor of medicine in oncology, naturopathic doctor (US), certified nutritional consultant (US), homeopathic doctor, certified iridologist, biotech researcher, accomplished entrepreneur, author, martial arts coach, and philanthropist from Malaysia. Besides holding a doctor of medicine degree (M.D.) in Clinical Chinese and Western Integrative Medicine—Oncology from Guangzhou University of TCM, China, she also possesses a Master of Business Administration from The University of South Australia and a Bachelor of Science in Acupuncture and Oriental Medicine from Oriental Medical Institute, Hawaii, USA. In recent years, she was the only naturopathic oncologist selected as one of the Hummingbird Cancer Centre leading members to head their natural therapy department. Her passion for music was evident at a young age as she racked up numerous singing competition awards. In junior high school, Jessie was the only youth representative in the entire district selected to sing at the National Day Celebration. She then proceeded to perform on many TV programmes in subsequent years. Her high school years in Canada was highlighted by her participation in an international talent contest held by TVB, and she successfully entered into the finals at the ripe age of sixteen. Besides singing, Jessie also has a gift for musical instruments, passing grade 8 organ at a young age with distinction, under the examination of Japanese auditors. After her studies, she devoted herself into the entertainment industry and charity; so far, she has released eight albums and starred in three feature films. In 2013, she took on lead actress in the Chinese film Faces and Malaysian film Unchanging Love. She also appeared in the 2014 film Kungfu Taboo. She is known for her ebullient and enigmatic concert performances in countries all around the world, including the United States, Canada, China, Taiwan, and Malaysia. With experience in dozens of concerts in five different languages, Jessie yielded huge responses from fans around the world during her 2015 Love Unity Concert, leaving barely any space in the arena. Building on her success from the previous year, she proceeded to perform in the Jessie Chung Exquisite Chinese Orchestra Concert in 2016, selling out all ten performances. Besides touring and performing in concerts, she has also starred in several stage plays, tackling lead roles in Malaysia, Singapore and Canada. Her recent stage production Moonlight was also well received by the visual arts community, and the organizer has brought Moonlight to numerous locations around the country. By now, she has released six Chinese albums and two English albums. Her single Love in You was selected as the theme song for the Korean TV series My Secret Garden in Taiwan, whereas her album of the same name topped Malaysia’s aiFM Top Hits Chart, staying at number 1 for many consecutive weeks. In China, her album Loving You charted among the top 10. Her recent album Tearless Sky rose to 4th place on the I Radio Top Hits Chart and 6th place on the Pop Radio Top Ten Music Chart just within two weeks of initial release in Taiwan. The album was well received by the public and has received appraisal from music journalists. She has appeared on numerous TV shows in Taiwan, and her album was strongly recommended by the TV hosts of the programmes, one of them being Kevin Tsai (Cai Kang Yong), in his legendary TV show Kangsi Coming. Exhibiting a strong presence on TV shows, Jessie has recently been invited to host TV shows in both China and Australia. Although she spends a great deal of time releasing albums and performing on stage, Jessie also enjoys a retreat from the hectic world once in a while to recharge and ponder upon her life. During these quiet times squeezed out of her schedule, she authored Stay Away from Cancer, Stay Away from Diseases, and the Jessie Diary series, informing the world with her medical experiences while also giving them a peek into her soul. She has authored more than ten literary and medical works to date, most of them in English and Chinese, with translations in Malay. As an accomplished martial arts practitioner, Jessie has successfully achieved the 5th Duan of Chinese Wushu Duanwei; she is also a certified Wushu coach, referee, and instructor. She has won a total of 12 gold medals and 5 silver medals in various international Wushu competitions. Jessie has been honoured with countless awards received from various ministers of Malaysia for her achievements, particularly two awards from the prime ministers of Malaysia. 钟洁希是一名在中港台及澳洲发展的国际歌手与演员，目前已签约澳洲未来娱乐与音乐集团，成为该公司的旗下艺人。多才多艺的她也是一名肿瘤专科医学博士、美国注册的自然医学医生、美国合格高级营养顾问、顺势疗法医师、虹膜师、生物科技研究人员、成功的企业家、作家、武术教练和慈善家。除了考获中西医结合临床医学博士学位，她也考获澳洲南澳大学工商管理硕士学位、美国夏威夷东方医药学院中医及针灸学士学位，成为了自然医学大师伯纳德医生(Dr Bernard Jensen)的得意门生。近来，她也是唯一一位被选入蜂鸟癌症治疗中心(The Hummingbird Cancer Centre)的自然医学肿瘤医生，并担任该治疗中心自然疗法医药部的主席。钟洁希从小就受到音乐的薰陶，多次在校际歌唱比赛中得奖。初中时，钟洁希被选为全省区域代表，参于大马国庆日演出，也是当时唯一的少年歌手。之后，她也陆续代表音乐学院上电视节目独唱。 16岁那年，她也在加拿大参加香港无线国际性新秀大赛，成功进入决赛。除了唱歌天赋，洁希也热衷于乐器演奏。高中时，洁希也在日本电子琴考级考试中以特优成绩考获第八级。博士毕业后，钟洁希全心投入演艺圈，至今已发行8张个人专辑及演出3部电影。在2013年，钟洁希接拍北京电影公司制作的《面孔》及马来西亚制作的电视电影《女侠》，担任女主角。 2014年也被邀请参与集合马新港三地演员同台打造的贺岁动作片《百武禁忌》。她在世界各地的演出深受大众喜爱，包括在美国、加拿大、中国、台湾和马来西亚，累积了许多舞台经验。 2015年举办的《钟洁希星星堆满天演唱会》，成功获得世界各地歌迷鼎力支持并专程前来捧场，挤爆了演唱会场地。洁希也常在演唱会中演唱“华巫英日粤”共5种语言的歌曲，大秀语言天份。接着，她也在2016年首创《倾城国色华乐演唱会》，巡回东西马共十场的演出，场场都爆满。除了演唱会，她也活跃于演艺界，曾经在新加坡、加拿大和马来西亚等地演出多部舞台剧，并且担任舞台剧主角。刚走红的《月光》舞台剧也反应热烈，网络上好评连连，10场演出皆爆满。迄今，她共发行了六张中文专辑和两张英文专辑。 2012年发行的《爱在转瞬间》被选为卫视中文台韩国电视剧《秘密花园》的主题曲，该张专辑也曾多次在马来西亚爱FM“我们的排行榜”中夺冠。 2006年发行的《爱你》也曾在中国的音乐排行榜排名第8。在台湾发行的华语专辑《没有泪的天空》仅仅发行两个星期就已在台湾I Radio“金曲榜”荣升第4名，也在台湾Pop Radio“10大全球华语歌曲排行榜”排名第6名。钟洁希的歌曲在国际广受欢迎，并获得各大音乐媒体的赞赏及台湾知名乐评人邱大立的肯定。此外，钟洁希也活跃于台湾的各项综艺电视节目，她的专辑也在全球性的知名综艺节目《康熙来了》中被蔡康永强力推荐。近日，钟洁希也频频受到中国及澳洲的电视台邀约参加电视节目。钟洁希不只投身在舞台和娱乐界，她也在百忙中抽空撰写医学著作《远离癌症》、《远离疾病》和文学著作《洁希日记》系列，除了分享她多年的医学心得和医术精华，她也在书中分享她的人生哲学。迄今，她已完成超过10本文学和医学著作，并已翻译成英文版本及马来文版本，发行至中国、台湾、新加坡、文莱、菲律宾等地。钟洁希热爱中华武术，并且考获中国武术协会颁发的中国武术段位制5段，及成为广东省体育局认可的合格武术教练员、裁判员及社会体育指导员。她参加过许多国际性武术比赛，并成功获得12面金牌及5面银牌，及香港国际武术节组委会提名列为“优秀教练”之一。此外，她也曾经获奖无数，并获得大马前首相敦马哈迪医生及大马现任首相纳吉的认可。2014年，钟洁希也被列入“中华名人录”并获得“卓越华人”的称号。2016年，钟洁希的名声传至马来西亚皇室，并受邀参加最高元首的华诞庆典。

Jessie Chung is a Malaysian musician, singer, songwriter, oncologist, actress, author, naturopath, a

woman in the romantic period 在 Chelsia Ng Facebook 的最讚貼文

By Chelsia Ng

2012-06-21 14:06:42 有 5 人按讚

Michael Aris proposed to Aung San Suu Kyi in Bhutan~ Enjoy reading the untold love story. Good weekend~ L
...........................
The Untold Love Story of Burma's Aung San Suu Kyi
Aung San Suu Kyi, whose story is told in a new film, went from devoted Oxford housewife to champion of Burmese democracy -- but not without great personal sacrifice.
By Rebecca Frayn

When I began to research a screenplay about Aung San Suu Kyi four years ago, I wasn’t expecting to uncover one of the great love stories of our time. Yet what emerged was a tale so romantic -- and yet so heartbreaking -- it sounded more like a pitch for a Hollywood weepie: an exquisitely beautiful but reserved girl from the East meets a handsome and passionate young man from the West.
For Michael Aris the story is a coup de foudre, and he eventually proposes to Suu amid the snow-capped mountains of Bhutan, where he has been employed as tutor to its royal family. For the next 16 years, she becomes his devoted wife and a mother-of-two, until quite by chance she gets caught up in politics on a short trip to Burma, and never comes home.
Tragically, after 10 years of campaigning to try to keep his wife safe, Michael dies of cancer without ever being allowed to say goodbye.
I also discovered that the reason no one was aware of this story was because Dr Michael Aris had gone to great lengths to keep Suu’s family out of the public eye. It is only because their sons are now adults -- and Michael is dead -- that their friends and family feel the time has come to speak openly, and with great pride, about the unsung role he played.
The daughter of a great Burmese hero, General Aung San, who was assassinated when she was only two, Suu was raised with a strong sense of her father’s unfinished legacy. In 1964 she was sent by her diplomat mother to study Politics, Philosophy and Economics at Oxford, where her guardian, Lord Gore-Booth, introduced her to Michael. He was studying history at Durham but had always had a passion for Bhutan – and in Suu he found the romantic embodiment of his great love for the East. But when she accepted his proposal, she struck a deal: if her country should ever need her, she would have to go. And Michael readily agreed.
For the next 16 years, Suu Kyi was to sublimate her extraordinary strength of character and become the perfect housewife. When their two sons, Alexander and Kim, were born she became a doting mother too, noted for her punctiliously well-organised children’s parties and exquisite cooking. Much to the despair of her more feminist friends, she even insisted on ironing her husband’s socks and cleaning the house herself.
Then one quiet evening in 1988, when her sons were 12 and 14, as she and Michael sat reading in Oxford, they were interrupted by a phone call to say Suu’s mother had had a stroke.
She at once flew to Rangoon for what she thought would be a matter of weeks, only to find a city in turmoil. A series of violent confrontations with the military had brought the country to a standstill, and when she moved into Rangoon Hospital to care for her mother, she found the wards crowded with injured and dying students. Since public meetings were forbidden, the hospital had become the centre-point of a leaderless revolution, and word that the great General’s daughter had arrived spread like wildfire.
When a delegation of academics asked Suu to head a movement for democracy, she tentatively agreed, thinking that once an election had been held she would be free to return to Oxford again. Only two months earlier she had been a devoted housewife; now she found herself spearheading a mass uprising against a barbaric regime.
In England, Michael could only anxiously monitor the news as Suu toured Burma, her popularity soaring, while the military harassed her every step and arrested and tortured many of her party members. He was haunted by the fear that she might be assassinated like her father. And when in 1989 she was placed under house arrest, his only comfort was that it at least might help keep her safe.
Michael now reciprocated all those years Suu had devoted to him with a remarkable selflessness of his own, embarking on a high-level campaign to establish her as an international icon that the military would never dare harm. But he was careful to keep his work inconspicuous, because once she emerged as the leader of a new democracy movement, the military seized upon the fact that she was married to a foreigner as a basis for a series of savage -- and often sexually crude -- slanders in the Burmese press.
For the next five years, as her boys were growing into young men, Suu was to remain under house arrest and kept in isolation. She sustained herself by learning how to meditate, reading widely on Buddhism and studying the writings of Mandela and Gandhi.
Michael was allowed only two visits during that period. Yet this was a very particular kind of imprisonment, since at any time Suu could have asked to be driven to the airport and flown back to her family.
But neither of them ever contemplated her doing such a thing. In fact, as a historian, even as Michael agonised and continued to pressurise politicians behind the scenes, he was aware she was part of history in the making. He kept on display the book she had been reading when she received the phone call summoning her to Burma. He decorated the walls with the certificates of the many prizes she had by now won, including the 1991 Nobel Peace Prize. And above his bed he hung a huge photograph of her.
Inevitably, during the long periods when no communication was possible, he would fear Suu might be dead, and it was only the odd report from passers-by who heard the sound of her piano-playing drifting from the house that brought him peace of mind. But when the south-east Asian humidity eventually destroyed the piano, even this fragile reassurance was lost to him.
Then, in 1995, Michael quite unexpectedly received a phone call from Suu. She was ringing from the British embassy, she said. She was free again! Michael and the boys were granted visas and flew to Burma.
When Suu saw Kim, her younger son, she was astonished to see he had grown into a young man. She admitted she might have passed him in the street. But Suu had become a fully politicised woman whose years of isolation had given her a hardened resolve, and she was determined to remain in her country, even if the cost was further separation from her family.
The journalist Fergal Keane, who has met Suu several times, describes her as having a core of steel.
It was the sheer resilience of her moral courage that filled me with awe as I wrote my screenplay for The Lady. The first question many women ask when they hear Suu’s story is how she could have left her children. Kim has said simply: “She did what she had to do.” Suu Kyi herself refuses to be drawn on the subject, though she has conceded that her darkest hours were when “I feared the boys might be needing me”.
That 1995 visit was the last time Michael and Suu were ever allowed to see one another. Three years later, he learnt he had terminal cancer. He called Suu to break the bad news and immediately applied for a visa so that he could say goodbye in person. When his application was rejected, he made over 30 more as his strength rapidly dwindled. A number of eminent figures -- among them the Pope and President Clinton -- wrote letters of appeal, but all in vain. Finally, a military official came to see Suu. Of course she could say goodbye, he said, but to do so she would have to return to Oxford.
The implicit choice that had haunted her throughout those 10 years of marital separation had now become an explicit ultimatum: your country or your family. She was distraught. If she left Burma, they both knew it would mean permanent exile -- that everything they had jointly fought for would have been for nothing. Suu would call Michael from the British embassy when she could, and he was adamant that she was not even to consider it.
When I met Michael’s twin brother, Anthony, he told me something he said he had never told anyone before. He said that once Suu realised she would never see Michael again, she put on a dress of his favourite colour, tied a rose in her hair, and went to the British embassy, where she recorded a farewell film for him in which she told him that his love for her had been her mainstay. The film was smuggled out, only to arrive two days after Michael died.
For many years, as Burma’s human rights record deteriorated, it seemed the Aris family’s great self-sacrifice might have been in vain. Yet in recent weeks the military have finally announced their desire for political change. And Suu’s 22-year vigil means she is uniquely positioned to facilitate such a transition -- if and when it comes -- exactly as Mandela did so successfully for South Africa.
As they always believed it would, Suu and Michael’s dream of democracy may yet become a reality.

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Picture, if you will, the woman poet of the romantic era, toiling away in obscurity, fearful of putting her name before the public—.

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women writers of this period, my own work included,8 has pro- ceeded, as the editors of Romantic Women Writers: Voices and.

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But Romantic-era women writers more often make statements about art and poetics covertly, in poems and in tales as well as in biographical ...

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Scottish playwright and poet Joanna Baillie (1762-1851) is a key figure in British Romantic-era literature. In recent years her writings her ...

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The Romantic period saw the first generations of professional women writers flourish in Great Britain. Literary history is only now giving them the ...

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#33. Romantic-era Drama and the Resurgence of British Feminism

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Romantic Women Poets: Genre and Gender focuses on the part played by women poets in the creation of the literary canon in the Romantic period in Britain.

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The relationship between London and the novel has been relatively neglected in critical discussions of fiction written and published in the Romantic period.

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... Wright sets out to recover the undead mother and, in doing so, interrogates why so many heroines of women's Gothic take flight during the Romantic period.

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British Women Writers of the Romantic Period. An Anthology of their Literary Criticism. Cover of the book. Editor: Mary A. Waters.

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Romantic period —the rise of the novel and the rise of the woman writer—makes the. Romantic novel acutely significant, a site ripe for feminist narratology.

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In the Romantic era, wealthy families still generated well-educated and well-known musicians. With the rise of the middle class, however, women's music ...

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... a new investigation of poetry by women in the Romantic period, challenging critics to set aside long-held assumptions and distortions.

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#88. JULIE SHAFFER

It is not too difficult to expand the canon of Romantic-era poetry; ... of contact noncanonical novels by women during this period have with Romanticism, ...

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If we wish to know more about what “A Vindication of the Rights of Woman,” “Byron,” or “Wordsworthian” might have meant to readers in the Romantic period, ...

#90. The Cambridge Companion to Women's Writing in ... - Booktopia

The Romantic period saw the first generations of professional women writers flourish in Great Britain. Literary history is only now giving them the ...

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As a Romantic-era fiction that satirizes the myth of enlightened Englishness and reveals the prevalence of white hostility, The Woman of ...

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Turning next to selected novels of the Scottish writer Mary Brunton and Jane Austen, the thesis examines the evolution of a distinctive version of "domestic ...

#94. The Nature of Women in Romantic Poetry - Brittany Coons ...

In Romantic poetry, there is much evidence that during the Romantic period powerful women were feared and thought to be dangerous.

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#96. Gender and Genre in the Works of German Romantic Women ...

The female Romantic authors discussed in this chapter—Dorothea ... Their contributions span all genres characteristic of the period: the novel, ...

#97. History's Great Romantics

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