關於 when did world music start ，我們在網路上蒐集到這些相關的討論、資訊與評價

Before release. Note 1:

When I released Really wanna know ya last November I thought I was preparing for a new chapter of my life. I felt happy, energetic, in love and my music said it all. Little did I know the past year was gonna be the hardest for me mentally. The world fell apart and I fell apart too. Some relationships broke, others got stronger, I started doubting myself, started feeling “sad” not being used to feeling sad (cause “I’m a positive person and positive people shouldn’t feel sad”) and I’ve paid the price of my own nature: rushing into things and decisions, jumping to conclusions and not allowing myself to feel down. I was at my lowest and I barely recognized myself... Here’s what people see about me most of times but what is in my next release deals with that part of me I’d never like to allow myself to be cause I don’t like it... Useless to say that writing music has played a key part in helping me and being my therapy those times and you know I am a sucker at pretending. So here’s the first of many notes of my truth.

(With attached all of my highest most stupid moments to keep everything very me and a little less dramatic cause life is very amazing❤️)

25 more sleeps till a new start.

#note1

(English is belowed)
最近翻照片翻到了2017年，我最愛的鼓手 Antonio Sánchez 帶著他的樂團 Migration 來台灣 河岸留言 演出，想起了之前我曾經翻譯過他的DVD "Master Series"的一段話，非常感動且給我很大的能量，但之前有被盜過帳號都不見了，於是決定再找出來聽打一次重新翻譯分享給大家。

也再次謝謝 河岸留言可以邀請這麼棒的樂團來台灣！！

如果不知道Antonio Sanchez是誰的，他是Pat Metheny band的鼓手，葛萊美獎得了好幾座，同時已經得了奧斯卡等N個獎項的電影 Birdman 「鳥人」，這部整部電影配樂只有鼓聲，所有鼓也都是他錄的。

-----------------------------------------
一些來自 Antonio Sanchez 對鼓手們的金玉良言 (出自他的 “Master Series” DVD )

最後一點我想要說的是，許多關於跟音樂以及音樂家共事的態度。

嗯，當我還在成長時，我總是夢想著可以在很棒、高聳、最大的場館，跟著大型樂團，以及最棒的音樂家們一起演出。 這夢想當然很棒，但你總是要從某些名不經傳的小地方當作你的起點。

突然之間，我意識到我正在小酒吧、小俱樂部、或是某家餐館、某個婚禮場演出 — 而且沒有人在專注聽你演奏，那時我覺得很沮喪而且覺得被冒犯了，舉例來說。我以前做很多婚禮場，而且在上面演奏「熱愛105度C的你」(註一) 上百次，演奏時心裡想「我在這邊銃三小？」、「快讓我離開這吧，殺了我吧，我可以演比這個帥一百倍以上的曲目！」於是，我在演奏時只想打卡下班，就沒有把我的專注放在音樂上面。

又或者某天，我在某間小酒吧演出，正在演奏搖擺樂，或者一些我真的很喜歡的音樂風格，但沒有人在注意聽我們演奏，大家都在看大銀幕上的棒球比賽。 我就想說「好吧，反正沒人在聽，我就把我昨天練功的招式都丟進去音樂吧。」而那時我只是胡亂的丟我練過的招式，並沒有在那個音樂裡面，我也沒有在聽其他音樂家演奏了什麼，不過也許其他音樂家有聽到我做的事情。

後來，當我幸運地得到了更多演出機會，而這些場合開始需要更高的難度，我了解到我的專心程度並不足以支撐這些高強度的場合。

舉例來說，當我在九零年代晚期開始跟Niels Pedersen一起做巡迴，那是個非常高強度的演奏，它是個三重奏，每次演出的晚上，我的腦袋好像快爆炸一樣，因為我並不習慣如此需要長時間專注程度的高難度演出，我才了解到我浪費了太多時間以前演奏的時候沒有把專注力放在音樂上。

我覺得，如果你有兩隻手、兩隻腳、而且可以演奏樂器，你已經夠幸運了。而我認為如果你現在正在某間酒吧、某個餐館、或是某個婚禮場作演出，而你可以把每一場演出當作好像是全世界最棒的演出、在最大、最美麗的場館，跟著最棒的音樂家一起演出，那我認為你正走在對的路上。因為你有把你的心放在音樂裡面，而且你給這些音樂跟音樂家他們所渴望的最棒的尊重，那麼我可以向你保證接下來會有很棒的事情降臨在你身上。

這就是我想說的，非常謝謝你們今晚的蒞臨，希望我們下次可以再見。

註一：原文是說演奏「La Mecarena」，９０年代的當紅歌曲。這邊為了年輕讀者，使用較貼近現在的105度C的你。

註二：Niels Pedersen 全名是 Niels-Henning Ørsted Pedersen (N.H.O.P.)，是從70-90年代活躍的傳奇的低音提琴手，演奏速度可以超級超級快又具備非常豐富的音樂性。

英文原文，因為是用聽打的，也許有少部分錯誤

Recently I found a picture that my favorite drummer
Antonio Sanchez and his band "Migration" touring in Taipei in 2017. And few years ago I've seen his DVD and felt so inspired from these words. I decided to translate it into Chinese to share with other Chinese drummers.

There's maybe little mistakes because English is not my mother language.

---------------------------------
Some wise words from my all-times favorite drummer Antonio Sanchez from his DVD - "Master Series".

And the last things I wanna said, hmm, has a lot to do with attitude to work with music and musicianships. Hmm, When I was growing up, I was always dreaming of playing in a nice, tall, the biggest stadium and the biggest band with the greatest musicians in this world. And that’s great except that we all have to start somewhere. And I, all of a sudden, I was playing in a little bar, or small pub, or some restaurant, or a wedding where nobody was paying an attention. And I really felt depressed and I felt violated. And for example, I’ve been played for a wedding gig, and I would be playing “La Marcaena” for a hundred times , and I would be like “What am I doing here ?”, “Get me out of here, shoot me, this is not for me, I’m so much better than this !”
And I was not putting my heart into it at all. When the next day, I would play in some small bar, I was playing maybe swing or something that I really like, but nobody was paying an attention. Everybody was looking at the screen, the baseball game. And I would be like “Well, nobody is paying an attention, then I just gonna playing practice whatever I was working on yesterday.” And I was NOT in the moment, I was not listening to what the other guys were playing. And maybe the other guys were listening to me.

So, when I luckily started getting better and better opportunities music-wise, and the situations start getting a little more the manling. I realized that I did not have the concentration I took for me to be able to deal with some of the situations. Uh, for example when I started to play with Niels Pedersen in the late 90s, it was a very tense gig , it was just a trio, and every night I would end would headache , because I was not used to have a lot of concentration and focusing that much, for that amount of time.
I realize that I’ve wasted a lot of time not being into the music not putting my heart into it. Because, I mean I really feel like if a, you have two arms, two legs, and you are able to play , you are lucky already. And I think if you are playing in some small restaurant, or wedding, or whatever. You treat that situation like the best gig in the world in the most beautiful opera house or the biggest stadium, and you treat you felt the musicians like the greatest musicians you could play with. I think you are on the right path. You put your heart into it, and you give the music and musicians the respect they deserved. Then I can assure you really good things are gonna happen to you. So that’s it for me, thank you so much for coming, hope see you next time.

💕「愛台灣，我的選擇」系列第13發：金鐘獎節目主持人阮安祖 Andrew Ryan保存台灣故事和記憶的聲音

「我在美國西北大學學華語，當時就深深愛上這個語言。1994年夏天我跟著『哈佛世界教學計劃』到了上海，當時上海才剛開了第一家麥當勞。大學畢業後，我想繼續進修華語，但我也想到台灣看看，所以我在1996年申請了傅爾布萊特獎學金來台灣教英文，並研究台灣的英語教學環境。

我第一年在台灣時遇到一對荷蘭夫妻，他們問我打算在台灣待多久，我說一年，他們聽了哈哈大笑說，等你遇到那些也說只待一年的人就知道了。一轉眼我已經在台灣20年了。我在1999年1月開始在中央廣播電台工作。我曾經到北京教鞏俐一年英文，但她後來沒有演出那個角色，那是在她演出《藝妓回憶錄》之前。鞏俐和史蒂芬·史匹柏會面時我剛好也在北京，她後來去了好萊塢，我也回到台灣繼續在中央廣播電台工作。

在北京待過、聽過北京的聲音之後，我回到台灣，重新感受並聆聽台灣的聲音，那個時候，我第一次從心底油然而生，一種在我去中國前沒有的感受，我覺得：「我到家了」。於是我開始思考廣播電台的獨特性，以及如何做一個最適合電台的節目。電台不是電視節目，不是一本書，也不是一首詩或是視覺藝術，而是聲音，這就是我製作「Sound Postcards聲音明信片」廣播節目的起源。

台灣有些聲音還是跟以前一樣，有些聲音則因為人事更迭而消失，但還是有一些古早時期流傳下來充滿台灣故事和記憶的聲音，這些傳統的聲音是我真正想要保存下來的。人們總是拿著手機拍照，但是紀錄台灣的聲音對我來說是一種看世界的獨特方式。

談到台灣的廣播電台，我覺得最有趣的就是地方電台，就像計程車上會聽到有人唱卡拉OK那種。有一次我在屏東訪問摘鳳梨的果農時，他們也開著廣播聽，聽他們最喜歡的原住民音樂。像這種地方電台，我以為現在已經沒有了，沒想到還持續存在。我剛到台灣時去上了華語課，有一堂課叫做新選廣播劇，基本上是以警廣的廣播劇來進行教學。16年後我也製播了一個廣播劇，並獲得廣播金鐘獎。」

⭐️阮安祖是中央廣播電台節目主持人兼製作人，曾獲得3座廣播金鐘獎和1座電視金鐘獎。他的廣播與電視節目以中英雙語進行。

⭐️欣賞安祖的《聲音明信片》(現為《貼緊台灣的洋耳朵》): https://en.rti.org.tw/radio/programView/id/710

💕Why I chose Taiwan #13 – Award-winning host Andrew Ryan’s journey to discover the voices and memories of Taiwan

"I studied Chinese in college at Northwestern and fell in love with the language. Then I went to Shanghai the summer of 1994 with the Harvard WorldTeach program. The first McDonald’s had just opened in Shanghai that summer. When I graduated from college, I wanted to continue learning Chinese but I was interested in coming to see what Taiwan was like.

I came to Taiwan in 1996 as a Fulbright Fellow teaching and doing research on Taiwan’s English teaching environment. The first year I was here, I met a Dutch and American couple and they asked me, 'How long are you gonna be here in Taiwan?' and I said, 'A year.' and they both laughed and said, 'Wait until you meet all the other people who said they would just be here a year.' And here I am 20 years later.

I started working at RTI in January 1999. I actually went to Beijing for a year to teach English to 鞏俐 Gong Li, the Chinese movie star. It was for a role that she did not end up doing, just before Memoirs of a Geisha. I was actually in Beijing when she met with [Steven] Spielberg. When she went to Hollywood, I came back to Taiwan to return to my job at RTI.

After having been in Beijing and hearing the sounds of Beijing, then coming back to Taiwan and hearing Taiwan with fresh ears, for the first time, I felt like I was sharing a collective sound experience, a feeling I hadn’t had before I went to China. And I felt like: 'This is home.' I started thinking a lot about radio and how to do a show that’s perfectly suited to radio: it couldn’t be a tv show; it couldn’t be a book; it couldn’t be a piece of poetry or a work of visual art. That was what inspired me to start doing Sound Postcards.

Some sounds have been consistent in Taiwan. Some have disappeared because life has changed. But there are still traditional sounds from an older way of life that contain stories and memories of people in Taiwan. Those are the ones that I really want to preserve. People walk around taking pictures of things with the cameras on their phones. But the process of recording the sounds of Taiwan is really a special way of looking at the world.

And when I think about radio, for me the most exciting radio in Taiwan is the local radio. Like taxi driver radio where you can hear somebody singing karaoke. I interviewed these pineapple pickers in Pingtung. They had the radio on and they were listening to the music they love, indigenous music. Such local radio, I would have thought would be gone by now, but it’s still there. When I first came to Taiwan and I was taking Chinese, one of the classes I took was called New Radio Plays. It’s essentially like lessons built on actual radio plays that were played on Police Broadcasting Service. 16 years later I actually wrote a radio play that won a Golden Bell Award."

⭐️ Andrew Ryan is a host and producer with Radio Taiwan International. He is the recipient of three broadcasting Golden Bell Awards and one Television Golden Bell Award. He broadcasts and hosts television shows in both English and in Mandarin.

⭐️ Check out Andrew's Sound Postcards/ Ear to the Ground here: https://en.rti.org.tw/radio/programView/id/710

Follow Shayla on IG @shaylaallan
Shayla's YouTube Channel: https://www.youtube.com/channel/UCvsbzpzHuh_4OT4D_GPzWMg
0:00 - Intro
1:33 - How Shayla Found Me
6:32 - How Many Views Kyle Thought the Documentary Would Have.
6:58 - Why Shayla Wanted to make a Documentary
10:10 - Shayla's Childhood
12:48 - Shayla's Asian Identity
14:04 - Shayla's Life in Vietnam
17:28 - Shayla's Move to Trinidad
18:53 - Fame
26:43 - The scary part of Fame
28:43 - Vlogging is Awkward
31:08 - How to Start a YouTube Channel
32:33 - The 5th Child
33:11 - Shayla's Life Now
34:55 - Shayla's Dad, Hung
37:26 - Why the Documentary Was so Great
38:30 - When Kyle Felt Old in Trinidad
43:39 - Did the Documentary Change Shayla's Life?
50:47 - What's the best moment in Shayla's Life?

SUBSCRIBE now for MORE Videos: https://goo.gl/tMnTmX
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About Me: I'm Kyle Le and these are the places I've been, the people I've met, the foods I've eaten, and the many things that I've seen...Originally from Southern California, I moved to Saigon, Vietnam after university and lived there for many years. Then, I traveled the world finding and documenting stories of Vietnamese people living outside of the homeland. Then I finished my master's at USC and now... well... you're going to have to follow and watch to find out!
----------------------------------------­-----------------------
Like: Facebook: http://www.fb.com/KyleLe.net
Follow: Instagram and Snapchat @KyleLeDotNet

Original Music by Antti Luode.
Filmed with a Panasonic G9, 12-60mm, 14-140mm 15mm
Audio from a Rode Micro / Rode Link
Dji Spark from http://www.easyshopdrone.com

qa#100K #SUBSCRIBERS #LOVEYOUGUYS
---
愛所有點進來看這部影片的你們! 10萬快樂!
Love all of you who came in to watch this video! Happy 100K!
---
Q&A timeline:
Personal:
0:27 Name名字
0:31 Nationality 國籍
0:32Age年齡
0:34 Birthday生日
0:36 Star sign星座
0:38 Brothers and sisters有兄弟姊妹嗎
0:39 Height and weight 身高體重
0:44 What’s your major科系
0:47 Favorite color? 最喜歡的顏色
0:49 Personality traits個性特質
1:00 Do you have boyfriend? Your Ideal type? 有男朋友嗎/理想型?
Fandom/Dance:
1:10 The first kpop boy / girl group you know認識的第一個kpop的男/女團
1:12 When did you start dancing? 什麼時候開始跳舞的？
1:14 Kpop song for the first public performance第一支公開表演的kpop歌曲
1:20 Favorite style of dance (girl crush/cute/sexy)?喜歡的舞蹈風格排名
1:26 Favorite kpop groups and biases? Ultimate bias? 本命
1:42 Favorite dancers in kpop world? kpop世界中最愛的舞者們
1:59 If you could be friends with a kpop idol, who would you choose and why?如果能跟一個愛豆交朋友會選誰?為什麼?
2:10 How do you have the courage to dance in public? 怎麼會有勇氣在公共場合表演?
2:20 How long it takes you to learn a choreography? Cover一首歌要練習多久?花多少時間?
2:32 Can you teach Ryujin's shoulder dance ? 可以教Ryujin的抖肩舞嗎？
2:43 學舞的流程/細節
2:44 do you have any tipps for someone who is too stiff in dancing? 肢體僵硬的人舞蹈如何進步?有訣竅嗎?
2:51 How do you choose outfits for your covers 怎麼搭配dance cover的服裝
3:01 Favorite dance cover that you’ve done so far? 目前最滿意的cover
3:07 The most dissatisfied dance cover you’ve done so far?
3:14 Hardest choreography you’ve ever learned? 學過最難的舞?
3:15 Can you recommend an easy kpop song for beginner? 推薦給舞蹈初學者的kpop歌曲
3:21 Have you thinking about auditioning? 想過參加練習生甄選嗎
Youtube:
3:33為什麼想經營YT? What motivates you to start YouTube?
3:41 Why film in English為什麼用英文拍片?
3:50 What camera do you use? 用什麼相機
3:51 What editor do you use? 用什麼剪輯軟體
3:54 Is there any income from dance cover video? 拍cover影片有收入嗎
4:18 What kind of comments make you happy the most? 什麼樣的留言會讓你最開心
4:29 What kind of comments will make you unhappy? 讓你不太開心的留言
4:45 3 Favorite dance cover Youtubers or dance groups 三個最喜歡的dance cover YouTuber/舞團
4:57 Did you receive hate/negative comments? And how to deal with them/the haters 收過惡意評論嗎?如何處理?
5:11 Did you go filming by yourself? 你都自己去拍攝嗎?
5:14 how you shoot your videos? 你拍攝的流程?
5:18 Did you encounter anything interesting while covering on the street? 在街上cover時有沒有遇到什麼有趣的事情!✨
Random:
5:41 Which part of your body are you most satisfied/dissatisfied with?最不滿意身體哪個部位
5:49 The biggest difficulty in life 你的人生最大難題是什麼
6:03 The hardest thing in the world 你覺得世界上最難的事
6:05 Recent favorite kpop song 最近最愛的kpop歌曲
6:06 What Korean drama are you watching recently 最近在看的韓劇
6:08 Favorite K-drama 最喜歡的韓劇
6:12 Favorite movies 最喜歡的電影
6:16 Favorite Anime 最喜歡的動漫
6:20 Favorite cartoon 最喜歡的卡通
---
可以讓我賺點零用錢的影片們
Videos that can help me earn some pocket money:
13K Q&A: https://www.youtube.com/watch?v=2-lHabc2NAw
Filming day vlog: https://www.youtube.com/watch?v=50PQmaVcGv4
Tips for learn dances: https://www.youtube.com/watch?v=hXk0J8RRmAQ
2X Speed series: https://www.youtube.com/watch?v=icxDW1wkzr0&list=PLd4X2FVyiispwKjsKI3IixFv7NtirGJLb
Vocal cover: https://www.youtube.com/watch?v=ghc3ZRmGIVM
---
Backgroung music: https://www.youtube.com/watch?v=ghE-JALCPB8

“Thanks to you, our tears have ended. Now, we can start to dream”- a student from our PoP school.

Four years ago, I decided to do things differently and humbly asked you all to join me on this mission.

5 schools later, here we are. All thanks to your kindness, 3469 student’s lives have been impacted.

I was blessed to go on a Pencils Of Promise field trip in Ghana to see our impact in person. It was everything I dreamed and more. It was absolutely surreal seeing our students and teachers. I will never forget the kind faces, beautiful smiles and grateful hugs.

When we build schools, we’re not just building a physical structure, we also build up a child's confidence, dreams and goals. We build up communities, potential and standard of life.

I hope we don’t stop here, if anything it inspires and compels us to keep building. There are plenty of underprivileged children who are deserving of quality education and water.

Big love to my Pencils Of Promise family for being super accommodating throughout the entire field trip.





If you want to help me build more schools, you can:


Support the Dream Lipstick. All profits generated will go straight to fund building a school in Guatemala. Not all superheroes wear capes. Some wear lipstick.
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Alternatively, you can be a rockstar and opt to donate instead. All contributions big or small is greatly appreciated.
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From the bottom of my heart, thank you. Us strangers spread out across the globe have somehow come together as one with the very same goal to make the world a brighter place.


Music:

'African Skies' composed by Stephen J. Anderson http://www.stephenjanderson.com/

‘The Lights Ahead’ by M J Lee https://mjleedot.com

Shot and edited by Trillway Productions
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