〈早安！mziboq su！〉MV 正式上線 🥳🥳🥳
曉安首支MV 〈早安！mziboq su！〉邀請到新銳導演胡瑞財執導，當胡瑞財導演第一次聽到這首歌的當下，觸動了他離鄉打拼的情懷。
在這一次的MV更極力邀請新生代演員裡表現亮眼的兩位女演員 陳妤、 吳子霏 Ellen Wu共同詮釋兩位感情很好的朋友，選擇了不同生活，仍溫柔陪伴彼此的故事，一齊為〈早安！mziboq su！〉感動加分。
— Music Credit —
作曲：馬曉安
作詞：馬曉安
製作人：高潮
編曲：高潮 / 保卜．巴督路
打擊樂：彭胡傑 @完美聲音錄音室
貝斯：高潮
電吉他：劉哲麟 (大偉）
木吉他：保卜．巴督路
爵士鼓：鄭凱同
合成器：捲毛
合聲：馬曉安
合聲編寫：何欣穗
母語翻譯：Yumin Lu'ux（陳振威）/ Hosi Losin 李玉香（曉安媽媽）
錄音師：劉詩偉
錄音室：浩世錄音室
混音師：劉詩偉
混音室：樹人咪房
發行：動靜音樂製作股份有限公司
出品人：吳信璋
監製：于京延
統籌：Mo Chen
製作：動靜音樂製作股份有限公司
母帶處理製作人：Mo Chen / 劉詩偉 / 高潮
母帶後期處理工程：John Davis @Metropolis
製作執行：周千又
企宣統籌：蔡玉青
企宣執行：周千又
藝人經紀：周千又
行政：張筱珮
標準字設計：彭沐嫆 @A.M. Studio
造型：賴怡伶
化妝：邱紀幃 @YML
髮型師：Van Chen @Cubexciaö!
平面側拍：Mo Chen
影像記錄：胡凱德
藝人保姆車：星動力小客車租賃有限公司
OP：動靜音樂製作股份有限公司
SP：Warner Chappell Music, Hong Kong Limited Taiwan Branch
本專輯獲「109年度原住民族影視音樂文化創意產業補助計畫」補助
— Video Credit —
影像製作 恭喜發財映画
特別演出 陳妤 / 吳子霏
導演＆編劇 胡瑞財
導演助理 林冠蕙 / 沈家安
導演組協力 劉芷妤
製片 李光哲
執行製片 蔡雅筑
製片助理 吳信毅 / 王柏翔
攝影指導 莊竣瑋
攝影大助 余書豪
攝影二助 鍾士偉 / 王嘉元
燈光師 許鈞筌
燈光大助 王彥傑
燈光助理 葛柏廷
美術指導 李思萱
美術助理 蕭涵中
造型師 黃琮閔
妝髮師 劉孟勳
九巴團隊 廖桑車隊
攝影器材 和寬攝影器材有限公司
燈光器材 視動影像製作有限公司
剪接師 蕭秉亞
剪接助理 曾鈺雅
調光師 李芷璇
特別感謝
屈尺派出所 / 福德商店 / 胡焰棠 / 萬美麗 / 林宸瑀
原住民溫馨照顧服務勞動合作社理事主席 郭美玉
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2020/12/30 馬曉安首張泰雅母語全創作專輯《早安！mziboq su！》
線上實體已全面上架！
►實體專輯購買
- 誠品網路書店：https://reurl.cc/bR1dGo
- 博客來：https://reurl.cc/Oqx6Ey
- 佳佳：https://reurl.cc/x0zWlZ
►全專輯數位上架：https://backl.ink/mziboqsu
.
《早安 馬曉安》個人演唱會 即刻開始
＃2021首發場：1/30 (六) 20:00＠樂悠悠之口
｜預售單人：450元
｜預售雙人：800元
｜現場票：500元
售票訊息：https://ciwaslosin.kktix.cc
＃年後開工場：2/27 (六) 21:00＠女巫店
｜現場票：500元 (此場次只開放現場購票)
https://youtu.be/NK99fA6dTbk
蔡孟璇翻譯 在 [資源] 第二十五屆梁實秋文學獎翻譯類評析- 看板Translation 的推薦與評價
活動網址(已截止)
九歌文學網 https://www.chiuko.com.tw/news.php?news=detail&newsID=484
理解原文是翻譯的基礎 －－第二十五屆梁實秋文學獎翻譯類譯詩組評析 ■彭鏡禧
https://reading.cdns.com.tw/20121101/read/zhfk/SB0010002012102413254499.htm
〈第二十五屆梁實秋文學獎翻譯類譯文組評析〉 譯者的星光舞臺 ■單德興 (上)
https://www.cdns.com.tw/20121107/read/zhfk/SB0010002012103009154999.htm
〈第二十五屆梁實秋文學獎翻譯類譯文組評析〉 譯者的星光舞臺 ■單德興 (下)
https://www.cdns.com.tw/20121108/read/zhfk/SB0010002012103009415399.htm
(評析位於中華日報，不能轉貼節錄，因此有興趣的自行連結閱讀)
＜第25屆梁實秋文學獎翻譯類譯詩原文＞
https://www.cdns.com.tw/20121102/read/zhfk/SB0010002012102415004599.htm
＜第25屆梁實秋文學獎翻譯類譯詩組首獎＞黃士茵
https://www.cdns.com.tw/20121102/read/zhfk/SB0010002012102415464599.htm
＜第25屆梁實秋文學獎翻譯類譯詩組評審獎＞曹藝馨
https://www.cdns.com.tw/20121103/read/zhfk/SB0010002012102819334299.htm
＜第25屆梁實秋文學獎翻譯類譯詩組評審獎＞莫家聰
https://www.cdns.com.tw/20121104/read/zhfk/SB0010002012102518411199.htm
＜第25屆梁實秋文學獎翻譯類譯詩組評審獎＞喬向原
https://www.cdns.com.tw/20121105/read/zhfk/SB0010002012102914374899.htm
＜第25屆梁實秋文學獎翻譯類譯詩組評審獎＞顏志翔
https://www.cdns.com.tw/20121106/read/zhfk/SB0010002012102914465699.htm
＜第25屆梁實秋文學獎翻譯類譯文組首獎＞黃金山
https://reading.cdns.com.tw/20121109/read/zhfk/SB0010002012103010410399.htm
＜第25屆梁實秋文學獎翻譯類譯文組評審獎＞蔡孟璇
https://reading.cdns.com.tw/20121110/read/zhfk/SB0010002012103121565199.htm
＜第25屆梁實秋文學獎翻譯類譯文組評審獎＞江正文
https://www.cdns.com.tw/20121111/read/zhfk/SB0010002012103121275599.htm
＜第25屆梁實秋文學獎翻譯類譯文組評審獎＞黃肖彥
https://www.cdns.com.tw/20121112/read/zhfk/SB0010002012110515545299.htm
＜第25屆梁實秋文學獎翻譯類譯文組評審獎＞吳瑞斌
https://reading.cdns.com.tw/20121113/read/zhfk/SB0010002012110515435499.htm
譯詩組原文
The 25th Liang Shih-Ch’iu Literary Award
─Translation Contest in Verse
Translate the following poems into Chinese:
“‘O WHERE ARE YOU GOING?’ SAID READER TO RIDER”
“O where are you going?” said reader to rider,
“That valley is fatal where furnaces burn,
Yonder’s the midden whose odours will madden,
That gap is the grave where the tall return.”
“O do you imagine,” said fearer to farer,
“That dusk will delay on your path to the pass,
Your diligent looking discover the lacking,
Your footsteps feel from granite to grass?”
“O what was that bird,” said horror to hearer,
“Did you see that shape in the twisted trees?
Behind you swiftly the figure comes softly,
The spot on your skin is a shocking disease,”
“Out of this house”─said rider to reader,
“Yours never will”─said farer to fearer
“They’re looking for you”─said hearer to horror,
As he left them there, as he left them there .
─W. H. Auden(1907-1973)
KISSES IN THE TRAIN
I saw the midlands
Revolve through her hair;
The fields of autumn
Stretching bare,
And sheep on the pasture
Tossed back in a scare.
And still as ever
The world went round,
My mouth on her pulsing
Neck was found,
And my breast to her beating
Breast was bound.
But my heart at the centre
Of all, in a swound
Was still as a pivot,
As all the ground
On its prowling orbit
Shifted round.
And still in my nostrils
The scent of her flesh,
And still my wet mouth
Sought her afresh:
And still one pulse
Through the world did thresh.
And the world all whirling
round in joy
Like the dance of a dervish
Did destroy
My sense─and my reason
Spun like a toy.
But firm at the centre
My heart was found;
My own to her perfect
Heart-beat bound,
Like a magnet’s keeper
Closing the round.
─D. H. Lawrence (1885-1930)
譯文組原文
The 25th Liang Shin-Ch’iu Literary Award
─Translation Contest in Prose
Translate the following passages into Chinese:
I. Mosquitoes
Mosquitoes have arrived with the warm nights, and our bedchamber is their
theater under the stars. I have been up and down all night, swinging at them
with a face towel dampened at one end to give it authority. This morning I
suffer from the lightheadedness that comes from no sleep─a sort of
drunkeness very good for writing because all sense of responsibility for what
the words say is gone. Yesterday evening my wife showed up with a few yards
of netting, and together we knelt and covered the fireplace with an illusion
veil. It looks like a bride. (One of our many theories is that mosquitoes
come down chimneys.) I bought a couple of adjustable screens at the hardware
store on Third Avenue and they are in place in the windows; but the window
sashes in this building are so old and irregular that any mosquito except one
suffering from elephantiasis has no difficulty walking into the room through
the space between sash and screen. I also bought a very old air-conditioning
machine for twenty-five dollars, a great bargain, and I like this machine. It
has almost no effect on the atmosphere of the room, merely chipping the edge
off the heat, and it makes a loud grinding noise reminiscent of the subway,
so that I can snap off the lights, close my eyes, holding the damp towel at
the ready, and imagine, with the first stab, that I am riding in the
underground and being pricked by pins wielded by angry girls.
─from “Will Strunk” by E. B. White (1899-1985)
II. Education in Ancient Cultures
Traditional Chinese education was, in some respects, very similar to that of
Athens in its best days. Athenian boys were made to learn Homer by heart from
beginning to end; Chinese boys were made to learn the Confucian classics with
similar thoroughness. Athenians were taught a kind of reverence for the gods
which consisted in outward observances and placed no barrier in the way of
tree intellectual speculation. Similarly, the Chinese were taught certain
rites connected with ancestor-worship, but were by no means obliged to have
the beliefs which the rites would seem to imply. And easy and elegant
skepticism was the attitude expected of an educated adult; anything might be
discussed, but it was a trifle vulgar to reach very positive conclusions.
Opinions should be such as could be discussed pleasantly at dinner, not such
as man would fight for. Carlyle calls Plato “a lordly Athenian gentleman,
very much at his ease in Zion.” This characteristic of being “at his ease
in Zion” is found also in Chinese sages, and is, as a rule, absent from the
sages produced by Christian civilizations, excerpt when, like Goethe, they
have deeply imbibed the spirit of Hellenism. The Athenians and the Chinese
alike wished to enjoy life, and had a conception of enjoyment which was
refined by an exquisite sense of beauty.
There were, however, great differences between the two civilizations, owing
to the fact that, broadly speaking, the Greeks were energetic and the Chinese
were lazy. The Greeks devoted their energies to art and science and mutual
extermination, in all of which they achieved unprecedented success. Politics
and patriotism afforded practical outlets for Greek energy: when a politician
was ousted, he led a band of exiles to attack his native city. When a Chinese
official was disgraced, he retired to the hills and wrote poems on the
pleasures of country life.
─from “The Aims of Education” by Bertrand Russell (1872-1970)
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