關於 蝴蝶鎖頭 ，我們在網路上蒐集到這些相關的討論、資訊與評價

✈️🛍🛒7/24 飾品場買起來💃🏻💃🏻💃🏻

✨✨✨「好好買飾品場開場！👒」

手刀價收單時間：7/26 24:00
最後手刀價匯款填單日：7/26
批市價收單時間：7/26

✅填單連結：https://store.fbbuy.com.tw/jollyjolly
▶️首購請先前往連接註冊FB授權，入單後才可以收到入單通知。

🛍🛒防疫Shopping Day🛒🛍
⚠️全館滿3000免運⚠️
🎉每場呼聲最高新品再折扣
🎉公開分享直播抽$500購物金
🎉手刀價：衣服類-100/飾品-50
🎉直播當下+1 每場訂單再折50
🎉訂單編號抽8000元福袋
⭐️重要：
⚠️7/20+7/21+7/24 飾品場（限此5場可併單）
⚠️ 請確實+對貨號唷～不接受棄單和更改訂單 ～更改之後失去+1資格
⚠️防疫期間重要須知
（即日起～)
1）衛生安全問題 疫情期間不接受棄單/退換貨&尺寸更換 下單前請確認好再購買

⭐️重要：
🎁+1好禮三重送🎁
🎁禮物1:
直播+1 & 公開分享直播抽--
抽500元購物金～～
🎁禮物2:
每場直播隨機抽--（歐膩選妃禮）
乖寶寶鎖定直播精選小禮物數名~
有好直播就要與好姊妹分享!!
揪好姊妹一起看，越多人看越多名額!!!
(須有+1訂單，禮物才會隨貨寄出唷，沒有+1等同失去資格唷~!!)
🎁禮物3:
連線直播全部結束後還有!!!加碼再抽--
謝謝用+1+1支持JollyJolly的天使寶寶價值8000元福袋一份

🉐🉐🉐得獎方式細節直播內說明🉐🉐🉐
重要❌「請確實閱讀置頂貼文內直播購買須知說明後再下單」❌...
(1) 直播連線售價說明：$甜甜價/$手刀價。
(2) 喊單格式正確電腦才會入單，一個顏色一個編號，不需另加顏色，
無法人工入單。
以下為正確格式
⭕️喊單格式一件：A01+1
⭕️喊單格式多件：A01+2
⭕️喊單格式多款：A01+1，A02+1，A03+1
⭕️喊單格式鞋子：A01230+1，A01245+1

🖤確認要購買再加+1，不要重複留言，重複留言須自行吸收。
加錯可當下馬上刪除留言，有問題可直播當下發問，或私訊LINE@。
🖤電腦入單後就不改單不取消
🖤直播商品非現貨，追加期為付款後的7-30天不等，
系統依照匯款順序出貨，越快完成付款並填寫訂單越快收到貨唷~
未在時間內完成匯款並填寫完系統中的匯款資料，訂單將自動取消，
逾時無法補單，也沒有手刀價(直播當下+1)優惠唷~~~
🔻🔺+1視同同意以上購買規則🔺🔻
🔻🔻🔻🔻+1商品如下🔻🔻🔻🔻

R01 滿滿泰迪熊蕾絲邊睡衣(米白)
R02 滿滿泰迪熊蕾絲邊睡褲(米白)
R03 鏡面/水鑽雙鉤環細鍊項鍊(金)
R04 鏡面/水鑽雙鉤環細鍊項鍊(玫瑰金)
R05 一字水鑽雙鉤釦環垂墜耳環(金)
R06 一字水鑽雙鉤釦環垂墜耳環(玫瑰金)
R07 雙層感水鑽/黑白線耳釦(玫瑰金)
R08 雙層感水鑽/黑白線耳釦(銀)
R09 雙層感水鑽/黑白線耳釦(包色)
R10 不規則雙線細鑽/長方鑽戒指(金)
R11 不規則雙線細鑽/長方鑽戒指(銀)
R12 夾式-小花貓眼鑽/星星鑽垂墜耳環(玫瑰金)
R13 水鑽雪花感串接圈型鑽垂墜耳環 (金)
R14 真兩條馬鞍包/水鑽D字珍珠項鍊(金)
R15 造型馬鞍包接D字耳環(金)
R16 三線鏤空小愛心/細水鑽耳釦(金)
R17 三線鏤空小愛心/細水鑽耳釦(銀)
R18 豬鼻子接水鑽雙圈垂墜耳環 (金)
R19 小C字鏤空圈型雙C耳環(玫瑰金)
R20 小C字鏤空圈型雙C耳環(銀)
R21 水鑽拼鏡面圈型釦古巴鍊項鍊(金)
R22 水鑽拼鏡面圈型釦古巴鍊項鍊(銀)
R23 水鑽拼鏡面圈型釦古巴鍊手鍊(金)
R24 水鑽拼鏡面圈型釦古巴鍊手鍊(銀)
R25 純銀925-雙線D牌英文字簡約戒指(銀)
R26 立體絨布熊熊戒指盒(咖)
R27 夾式-鏡面小愛心接水鑽熊熊耳環(金)
R28 兩顆大水鑽/立體愛心耳釦耳環-三入(金)
R29 兩顆大水鑽/立體愛心耳釦耳環-三入(銀)
R30 鏡面倒三角logo項鍊/口罩鍊(金)
R31 鏡面倒三角logo項鍊/口罩鍊(銀)
R32 滿版水鑽拼鎖鍊戒指-可調(金)
R33 滿版水鑽拼鎖鍊戒指-可調(銀)
R34 圈圈方框/珠珠十字架Y字項鍊 (金)
R35 長方橢圓配色Dream項鍊(金)
R36 長方橢圓配色Dream項鍊(銀)
R37 金鍊拼珍珠纏繞感蝴蝶結耳環(金)
R38 立體小熊軟糖水鑽釦綴飾(白)
R39 立體小熊軟糖水鑽釦綴飾(藍)
R40 立體小熊軟糖水鑽釦綴飾(紫)
R41 夾式-水鑽星星/月亮單珍珠耳環(銀)
R42 環繞星球造型細緻水鑽鎖骨鍊 (金)
R43 環繞星球造型細緻水鑽貼耳耳環(金)
R44 細緻長方/菱形水鑽耳釦(金)
R45 細緻長方/菱形水鑽耳釦(銀)
R46 鏡面小櫻桃造型貼耳耳環(金)
R47 真三條滿滿珍珠/長一字項鍊(金)
R48 排列立體小花造型貓眼鑽戒指(金)
R49 排列立體小花造型貓眼鑽戒指(銀)
R50 方框鏡面雙C漆色感貼耳耳環(金)
R51 方框透明雙側豬鼻子造型墨鏡(黑)
R52 方框透明雙側豬鼻子造型墨鏡(茶色)
R53 夾式-立體C牌英文字母垂墜耳環(金)
R54 夾式-水鑽H接雙線珍珠垂墜耳環(金)
R55 夾式-不對稱水鑽鎖頭/鑰匙耳環(金)
R56 真兩條扁豬鼻子/小花OT釦項鍊(金)
R57 水鑽鏤空小精靈/小珍珠貼耳耳環(金)
R58 單顆珍珠鑲水鑽月亮/星星貼耳耳環(金)
R59 鍊條感C字後珍珠耳環 (黑)
R60 鍊條感C字後珍珠耳環 (白)
R61 球球耳環/三層珍珠耳釦-單邊(金)
R62 球球耳環/三層珍珠耳釦-單邊(銀)
R63 長方鏤空倒三角logo鯊魚夾(黑)
R64 鏡腳金色雙B字方框墨鏡(黑)
R65 鏡腳金色雙B字方框墨鏡(白)
R66 側邊倒V字感細鏡框墨鏡 (黑)
R67 側邊倒V字感細鏡框墨鏡 (咖)
R68 環繞肥肥愛心口罩鍊/眼鏡鍊(金)
R69 環繞肥肥愛心口罩鍊/眼鏡鍊(銀)
R70 純銀925-垂墜Love細鍊項鍊(銀)
R71 愛心微笑/小熊頭貼耳耳環(咖)
R72 愛心微笑/小熊頭貼耳耳環(杏)
R74 霧金大C字細版手環-可調(銀)
R75 立體小雛菊珠珠手鍊(銀)
R76 夾式-璀璨星系/水鑽月亮垂墜耳環(銀)
R77 古銅雙C麻花感貼耳耳環()

✈️🛍🛒6/15+6/16韓國批市連線2.0🌹💃🏻💝

Day2-「飾品場好好買⭐️⭐️⭐️⭐️⭐️」

手刀價收單時間：6/18 24:00
最後手刀價匯款填單日：6/17
批市價收單時間：6/20

✅填單連結：https://store.fbbuy.com.tw/jollyjolly
▶️首購請先前往連接註冊FB授權，入單後才可以收到入單通知。

🛍🛒防疫Shopping Day🛒🛍

⚠️全館滿3000免運⚠️

🎉每場呼聲最高新品再折扣
🎉公開分享直播抽$500購物金
🎉手刀價：衣服類-100/飾品-50
🎉直播當下+1 每場訂單再折50
🎉訂單編號抽8000元福袋

⭐️重要：

⚠️6/15+6/16 （限此4場可併單）

⚠️ 請確實+對貨號唷～不接受棄單和更改訂單 ～更改之後失去+1資格

⚠️防疫期間重要須知
（即日起～時間再公告）

1）疫情期間暫時停止門市店取服務（請直接選擇宅配/7-11店到店方式）

2）衛生安全問題 疫情期間不接受棄單/退換貨&尺寸更換 下單前請確認好再購買

⭐️重要：

🎁+1好禮三重送🎁

🎁禮物1:
直播+1 & 公開分享直播抽--
抽500元購物金～～

🎁禮物2:
每場直播隨機抽--（歐膩選妃禮）
乖寶寶鎖定直播精選小禮物數名~
有好直播就要與好姊妹分享!!
揪好姊妹一起看，越多人看越多名額!!!
(須有+1訂單，禮物才會隨貨寄出唷，沒有+1等同失去資格唷~!!)

🎁禮物3:
連線直播全部結束後還有!!!加碼再抽--
謝謝用+1+1支持JollyJolly的天使寶寶價值8000元福袋一份

🉐🉐🉐得獎方式細節直播內說明🉐🉐🉐

重要❌「請確實閱讀置頂貼文內直播購買須知說明後再下單」❌...

(1) 直播連線售價說明：$甜甜價/$手刀價。

(2) 喊單格式正確電腦才會入單，一個顏色一個編號，不需另加顏色，
無法人工入單。

以下為正確格式
⭕️喊單格式一件：A01+1
⭕️喊單格式多件：A01+2
⭕️喊單格式多款：A01+1，A02+1，A03+1
⭕️喊單格式鞋子：A01230+1，A01245+1

🖤確認要購買再加+1，不要重複留言，重複留言須自行吸收。

加錯可當下馬上刪除留言，有問題可直播當下發問，或私訊LINE@。

🖤電腦入單後就不改單不取消

🖤直播商品非現貨，追加期為付款後的7-30天不等，

系統依照匯款順序出貨，越快完成付款並填寫訂單越快收到貨唷~

未在時間內完成匯款並填寫完系統中的匯款資料，訂單將自動取消，

逾時無法補單，也沒有手刀價(直播當下+1)優惠唷~~~

🔻🔺+1視同同意以上購買規則🔺🔻

🔻🔻🔻🔻+1商品如下🔻🔻🔻🔻

P01 鏡面立體V字細鍊項鍊(金)
P02 鏡面立體V字細鍊手鍊(金)
P03 不對稱香水/雙C字貼耳耳環(黑)
P04 [包套]鏡面立體V字項鍊+手鍊(金)
P05 鏡面/水鑽圓框F英文字耳釦-三入(金)
P06 鏡面/水鑽圓框F英文字耳釦-三入(銀)
A55 排列水滴狀長方鑽戒指(金)
A56 排列水滴狀長方鑽戒指(銀)
M52 水鑽旋轉釦造型細戒指(金)
M53 水鑽旋轉釦造型細戒指(銀)
P07 側邊排列三雙C緞帶細髮箍(黑)
P08 方框雙C鑲配色珠珠耳環(黑)
P09 方框雙C鑲配色珠珠耳環(白)
P10 側邊四色配色方框墨鏡(黑)
P11 閃耀感滿鑽三角垂墜耳環(金)
P12 方框雙C鑲配色珠珠耳環(包色)
P13 雙層式古巴鍊/麻繩感鎖骨鍊(金)
P14 雙層式古巴鍊/麻繩感鎖骨鍊(銀)
P15 璀璨五角鏤空星星耳環(金)
P16 夾式-長方鑽星星一字珍珠鍊條耳環(金)
P17 方框立體水鑽雙C耳環(金)
P18 方框立體水鑽雙C耳環(銀)
P19 雙層式古巴鍊/麻繩感鎖骨鍊(包色)
P20 不規則倒U字馬蹄項鍊(金)
P21 不規則倒U字馬蹄OT釦手鍊(金)
P22 不規則亮面倒U字馬蹄耳環(金)
P23 不規則亮面倒U字馬蹄耳環(銀)
P24 水鑽圓框串接月亮星星垂墜耳釦-單入(金)
P25 雙耳針珍珠月亮鑲單鑽耳環-四入(金)
P26 真兩條橢圓鍊一字垂墜Y字鍊(金)
P27 真兩條橢圓鍊一字垂墜Y字鍊(銀)
P28 復古波紋鏤空橢圓垂墜耳環(金)
P29 復古波紋鏤空橢圓垂墜耳環(銀)
P30 夾式-鏤空雙愛心水鑽滾邊耳環(金)
P31 夾式-三線圈型串接珍珠耳環(金)
P32 滿滿珍珠星星拼線型星星耳環(金)
P33 單顆珍珠接圓框水鑽英文字垂墜耳環(金)
P34 鏡面半圓幾何造型耳環(金)
P35 鏡面半圓幾何造型耳環(銀)
P36 閃耀感C字星星串接水鑽垂墜耳環(銀)
P37 坦克鍊拼鏡面橢圓豬鼻子鎖骨鍊(金)
P38 坦克鍊拼鏡面橢圓豬鼻子鎖骨鍊(銀)
P39 復古不規則亮面橢圓扁片耳環(金)
P40 復古不規則亮面橢圓扁片耳環(銀)
P41 雙C接金邊鎖鍊貼耳耳環(黑)
P42 雙C接金邊鎖鍊貼耳耳環(白)
P43 水鑽雙C垂墜英文緞帶蝴蝶結髮夾(黑)
P44 精品感手工滿版馬車細髮箍(黑)
P45 精品感手工滿版馬車細髮箍(咖)
P46 英文滾邊扭結棉麻髮箍(白)
P47 皮革蝴蝶結雙C鏤空鎖鍊鯊魚夾(霧金)
P48 鏡面大扁鍊鴨嘴夾(金)
P49 鏡面大扁鍊鴨嘴夾(銀)
P50 圓框滾邊水鑽雙C貼耳耳環(金)
P51 不對稱金銀三圈環OT釦項鍊(單色)
P52 前後珍珠半愛心框線耳環(金)
P53 橢圓鍊大小立體鎖頭愛心項鍊(金)
P54 鏡面/水鑽U字骨節感耳環耳釦(金)
P55 鏡面/水鑽U字骨節感耳環耳釦(銀)

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784