「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
同時也有25部Youtube影片,追蹤數超過0的網紅Marc TV,也在其Youtube影片中提到,#鞠婧祎#花戎#鞠婧禕#郭俊辰 古裝劇《花戎》由鞠婧禕 郭俊辰領銜主演。 講述了魏枝(鞠婧禕 飾)本是下界魏國修仙世家的普通女子,卻在下界人去往仙界經受鑒定鑒相時,意外發現魏枝乃是天地始成以來第一隻鳳凰,也就是鑒鏡傳說中的獨鳳之轉世。 鳳凰一出,各界動盪,而魏枝卻全然不知,不僅被家人厭惡算計,...
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野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鐘情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢「巨神連線」,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒…總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鸞堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山…)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開郎基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘糟屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截…等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄…兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼…等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石…小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭…等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮…等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤…等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍…等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據「十八泥犁經」記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
魔乃轉世 在 Facebook 的最佳貼文
#正統瓊柯寺
#綠度母甘露丸
#增福消障事業順利求子得子求財得財
#加持力大感應強烈
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🙏甘露法藥功德
(1)治療諸種疾病,斷盡煩惱,預防惡疾染身。
(2)因有諸佛之加持力,帶在身上可抵抗魔崇侵犯。
(3)寶瓶、佛像,舍利塔用甘露裝藏,不須再開光。
(4)禪修期間,喝甘露水,即使禁食幾日,亦安然無恙。
(5)念經,持咒有加倍之功德。
(6)以甘露作煙供福物,虛空中之眾生、天龍八部全部獲得解脫之因。
(7)將甘露泡在海洋、大湖中,海底生物、魚類、龍族得以出離三惡道。
(8)甘露修法,相等於三年閉關功德。
🏵慈悲的觀音化身:綠度母的功德及介紹
慈悲的觀音化身:度母
解決感情婚姻的問題,
幫你從疾病中康復,帶給你財富,
凡有所求、皆得如願
度母,全稱為聖救度母,為觀世音菩薩的化身(即南海觀世音菩薩的另一法相),為密教觀音部的佛母,又稱為聖多羅菩薩、綠度母、救度母以及聖救度佛母等等。共有二十一尊,稱為二十一度母,皆為觀世音菩薩的化身;綠度母即二十一尊度母之主尊。
一、在無量劫前,一名叫「般若月」的女子。她因常常供養諸佛及僧眾,所以被僧眾授記來世可以轉為男身。但般若月卻發誓以女身修持,以女身成佛,且以女身化現來利益眾生,故此,最終成佛後仍以度母女相度化眾生。
二、 佛經中另有一則度母化現的因緣。在觀音救度眾生無量劫後,見到受苦眾生之數量仍有增無減,悲心催動,流下了悲淚。這些眼淚逐漸形成了一個淚海,在淚海中長 有一朵蓮花,蓮花中央坐著度母,度母說:「大士不必灰心!度生之事業,便由我來協助大士吧!」所以,度母的本源不但是般若月,亦是觀音之悲淚化出。
修持度母本尊的利益無量無邊。比如增福、消障,事業順利,求子得子,求財得財等(詳見《救度佛母二十一種禮讚經 》),以加持力大、感應迅速著稱。
度母是集諸佛菩薩事 業、功德的本尊,加持力異常的大及迅速,在西藏及尼泊爾地區,累世以來有許多的大修行者均修習度母法;當我們事業不順遂,感情不如意,家庭多波折,身體微 恙,心情無法平靜,夜晚失眠,只要虔心相信,心無惡念、雜念,持綠度母心咒可了脫諸障礙煩惱,吉祥如意悉滿願。
◎度母心咒:
嗡 答列 都答列 都列 梭哈
1.咒語的意思是『我禮敬救度者,一切勝者之母』。
2.度母咒『答列 都答列 都列』的意思是:『不論在悅意或不悅意的環境裡,我恆常以身語意向您,諸佛一切事行的化身頂禮。』
3.一切的道次第——小乘、大乘、波羅蜜多乘和金剛乘,從開始到成佛都包含在『答列 都答列 都列』裡。
1.『答列』是從輪迴中解脫的意思。意指度母將引導有情從輪迴、從真正的痛苦或困難中解脫。藉著歸依度母和修持度母法門來依止度母,諸如持咒或是祈請,度母會以『答列』解脫你,遠離所有這些真正的苦
2.『都答列』的意義:第二個字『都答列』意指將你從八種恐懼中解脫。這八種恐懼與來自地、水、火、風的外在危險有關,也來自像是竊賊和危險的動物有關。然而,主要的危險來自無明、執著、嗔心、驕慢、妒嫉、吝嗇、疑心和邪見。心中這八種煩惱就是主要的危險。
3.藉著歸依度母和修持度母法門,你可以從這八種煩惱的內在危險中解脫。你也可以用這個方法從外在的危險(恐懼)中解脫,因為外在的危險或恐懼皆來自內在的煩惱。
4.第二個字『都答列』意指將帶領你從八種恐懼中解脫,免除真正的苦因:業和引起一切痛苦的煩惱。藉著歸依度母和修持度母法門,你可以從真正的苦因中解脫,這就是『都答列』的意思。
5.『都列』的意義:第三個字『都列』使你從疾病中解脫。在四聖諦裡,『都列』表示滅諦,是究竟的法。從疾病中解脫的角度來看,我們真正的疾病是對我的本性之無明,和無明引起的一切煩惱。這就是我們真正的沉痾。
6.這些煩惱的疾病止息了,一切真正的痛苦以及它們所產生的困難也會停止。藉由從疾病中解脫,『都列』實際上讓我們從真正的苦因——煩惱——中解脫,也從真正的痛苦中解脫。
7.整句度母咒:『嗡 答列 都答列 都列 梭哈』意思是『我禮敬救度者,一切勝者之母』。
8.歸依度母和修持度母法,諸如持度母咒、修持包含於此咒的道,可以成就佛的四身果位。四身就是止息或解脫二障的境界。
9.度母是一切勝者或諸佛之母,能引導你和其他的有情免於墮入輪迴苦海,帶領你到無上正覺的境地,並具足五智四身。
10.藉著歸依度母和修習度母法門,會在自心中得到度母的加持。藉由在你心中建立三士道來淨化你身語意一切的不淨,並且成就度母清淨的金剛聖身語意,你的身語意轉化為度母的聖身語意。
◎修持度母法門的利益
1.很多印度瑜伽士依止度母。他們藉由歸依度母而成道,引導無數的弟子在道上成就世間和究竟的安樂。例如偉大的班智達阿底峽尊者依止度母,成就整個菩提道次第。
2.為了幫助有情成功地成就暫時和究竟的安樂,諸佛所有的懿行都彰顯在此女性形相的救度者——度母身上。
3.修行中有很多內在的障礙會阻礙心的發展,這些內在的障礙會衍生出外在的障礙。因此,為了佛法修行的成功,為了實證菩提道次第,你必須依止一位特別的本尊或佛,諸如度母。
4.修持度母,可速得成就菩提的究竟安樂。你會得到更多樂因功德,而且能阻止來生痛苦的轉世,得到諸佛授記且證得菩提。
5.度母能夠解決人生很多的困難:她能讓你免於早逝,幫助你從疾病中康復,帶給你事業成功,幫助你找到工作,並帶給你財富。透過修持度母法門,你能獲得今生想要的一切安樂。
6.對度母作讚誦,以敬信心早晚誦『《救度佛母二十一種禮讚經 》』,可離六道之苦,解脫一生中所有災難及病痛。能去除修道的障礙及煩惱毒、亦特別可去除世間中毒、怨敵、墮地獄等等之苦,壽命、財產、眷屬、功德無量無邊,於究竟上可迅速成佛。
7.或者在日夜任何時間憶念度母,唱誦贊偈並持真言,能保護你免於恐懼和危險,並實現你所有的願望。
8.當你碰到特別嚴重的困難,諸如危及性命的疾病,如果你依止度母,通常會克服困難或從疾病中康復。藉由祈請度母和持度母咒,難以生育的夫婦也能依所願而生育。
9.修持綠度母法或持誦綠度母咒,在世俗諦上能除去災難恐懼,積集善業功德,獲得平安吉祥。在勝義諦上能消除煩惱根本,究竟成佛,其功德無量無邊,不可思議。
10.白度母是綠度母的化身,修持白度母法,除了能獲得綠度母一般的功德之外,對於去除命難、增長壽命更有特別的加持。
11.修持度母法門,能斷生死輪迴,消除一切魔障、業障、病苦等,並能消災、增福、延壽、廣開智慧,凡有所求,無不如願成就。
12. 當今之世,修此法之成效最為迅速,加持力大勝過一切法,乃滿願及除障最深奧的法門,能阻止惡咒、自殺、瘋癲、爭鬥、惡兆、甍魘、疾病、傳染病及牲畜之病等 一切損傷,破除年、月、日、時之不祥,可離六道之苦,解脫一生中所有災難及病痛,能去除修道的障礙及煩惱毒、亦特別可去除世間中毒、怨敵、墮地獄等等之 苦,壽命、財產、眷屬、功德無量無邊,於究竟上可迅速成佛。
綠度母普傳儀軌:
(一)皈依發菩提心
諸佛正法聖賢僧。直至菩提我皈依
願我所修諸功德。為利眾生願成佛
(二)度母讚
五智冠非天。坐下現妙蓮
眾苦悉能救。度母我頂禮
(三)誦綠度母咒
嗡 達列 度 達列 度 列梭哈(盡力唸誦)
如有八供修法傳承者,需在祈請誦咒後,做八供回向如此修法更加圓滿,若無亦可
(四)迴向
願我所修諸功德。速證度母妙果位。一切眾生盡無餘。悉皆成就此佛地。
魔乃轉世 在 Marc TV Youtube 的最佳貼文
#鞠婧祎#花戎#鞠婧禕#郭俊辰
古裝劇《花戎》由鞠婧禕 郭俊辰領銜主演。
講述了魏枝(鞠婧禕 飾)本是下界魏國修仙世家的普通女子,卻在下界人去往仙界經受鑒定鑒相時,意外發現魏枝乃是天地始成以來第一隻鳳凰,也就是鑒鏡傳說中的獨鳳之轉世。
鳳凰一出,各界動盪,而魏枝卻全然不知,不僅被家人厭惡算計,還被心愛之人當衆悔婚。不甘心的她於是大膽跪求上界仙使炎越(郭俊辰 飾)收留,炎越乃是天君帝子太陽神,尊貴凜然,一生最大的劫數便是情劫。
若是無法順利渡過情劫,將禍及蒼生,因此炎越用法力封閉自身記憶,並化身仙使下凡曆劫,奈何命運捉弄,卻與鳳凰之轉世魏枝相遇。
原本冷漠無情的炎越,卻偏偏屢次對魏枝伸出援手,並收她爲徒。在炎越的悉心教導下,魏枝逐漸對炎越情根深種,最後卻發現自己不過是炎越用來曆情劫的工具。
一個是魔,一個是仙,一個愛若有似無,一個愛銘心刻骨,在仙魔兩界的紛爭廝殺中,注定了兩人只能是彼此的生死仇敵。
魔乃轉世 在 夢幻光o Youtube 的最讚貼文
使用宣告來無效陷阱 真是浪漫~
宣告使用到的片段: 4:06 6:16
昨日與阿慶對決的實況片段:
https://youtu.be/TDOIADG-i6g
順帶一說 左邊的怪獸 是他的兄弟"THE DARK RULER"
視心情 選以下技能使用:
1.電子式奧義
優勢:
較不怕"球體"在墓地 因而無法使用"維納斯"的效果
較為不怕卡手和生命值不足的情況
缺點:
EX的正反面效果 純運氣 如果擲到 正面 那麼"天邪鬼"
也就難用到了 所以更推用"反轉" 或是不放陷阱多放1張
"量產"或"控制器"/"狡猾"!
2.光之結界
優勢:
因場地效果 可以決定"EX"的正反面效果 使得"天邪鬼"和"反轉" 更有機會發揮! 外加場地的正面效果讓
"EX"破壞對手怪時 能外加補血!
缺點:
怕"球體"在墓地 而又沒抽到"量產"來回收和生命不足 這兩點 導致無法使用"維納斯"的效果.
3.等值交換 / 重新開始 / 命運抽牌
優勢:換手牌/任意抽牌
缺點:如使用電子式奧義的技能的缺點一樣.
核心介紹:
1.EX的正面效果 戰破對手怪並將其送墓時 可回收我方墓地1張牌!
反面效果 此卡被怪獸效果/魔法/陷阱所指定時 此卡攻擊-1000 使該發動無效並破壞!
2.轉換將場上的球體或紫光送墓 從牌組特召維納斯!
3.維納斯的效果 特召球體來當EX的祭品和馬骨抽牌!
4.紫光的效果 對手發動陷阱卡時 可將手牌的此卡和
1隻天使族怪送墓並發動! 使該發動無效並破壞!
組法有很多種!歡迎留言交流討論~! 也可私訊我FB!
如有想要我拍的牌組~ 也歡迎留言讓我知道唷!
牌組資訊 由左到右:
EX (齋王新手牌組 / 與他決鬥隨機掉落
維納斯 (第2迷你盒
宣告 (杏子活動 / 齋王活動
球體 (第2迷你盒
量產 (第15盒
轉換 (階級決鬥R票
馬骨 (第1盒
控制器 (與海馬決鬥隨機掉落 / 階級決鬥SR票
狡猾陷坑 (第11迷你盒
反轉世界 (與丸藤翔決鬥隨機掉落
天邪鬼 (利西德升級獎勵 / 階級決鬥SR票
牌組連結 / Deck list link:
https://duellinks.konami.net/att/00596eaee79b4c5907a279264be85773e2902ed547
FB粉專:
https://www.facebook.com/%E5%A4%A2%E5%B9%BB%E5%85%89o-758777787573618/
BGM:【東方ボーカル】 「紅魔 ~ Un-demystified Fantasy」 【凋叶棕】 【Subbed】
BGM2:【東方ボーカル】 「Never Ending Story」 【EastNewSound】
階級實戰系列
(大部分是主流 有強度/穩定 至少可以上傳說 乃至到王階的牌組介紹)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1WCvaIjvgo7dlQ2-sFNxBIn
娛樂系列
(讓對手傻眼!多半是可以瞬間秒殺 或很娛樂 好玩的牌組介紹)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1UDmqLC2jVWfaNO5ThxjYAT
應用系列
(強度與穩定 不及階級實戰系列 娛樂程度也不及娛樂系列 多半是介紹特殊冷門或應觀眾要求想看的牌組)
(不過有些強度勝過階級實戰)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1XNBI1ndot8JWMY71VZkQuv
教學系列
(從新手入門的卡組組法概念/與卡包抉擇 乃至到成為高端 上王的許多技巧教學)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1WQPW_DpgPhNK7zxnBodLFo
實況操作系列
(夢幻光本人實際開打的影片操作)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1VHrbldr8YzmDQNw15pVRWr
上王牌組系列
(每月上王的牌組 都是階級實戰系列中有的~)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1VZj9JrWHnQb1Zi8Qs3vRuu
夢幻光 三系列 BGM精華濃縮特輯系列 (每一部都花我數十天時間才完成)
(平時玩遊戲/讀書聽音樂的首選)
https://www.youtube.com/playlist?list=PLOZL0jQwbR1UClsAQrMyJapCKqsklTAFc
小光的B站(bilibili)網址:
https://space.bilibili.com/389492882?from=search&seid=14663347694783262147
贊助小光o
https://www.youtube.com/channel/UCP7cAD9spVq_8uAi3YEFasw/join
#秘儀之力 #アルカナフォース #Arcana Force
魔乃轉世 在 啫神雲中龍 Youtube 的最佳貼文
主角陳靖仇隨師傅陳輔至伏魔山尋找崑崙鏡時,不慎放出上古魔獸「饕餮」,陳輔將自己與其一同冰封於洞中,命陳靖仇到雷夏澤尋找公山師伯前來搭救。在經過月河村時,遇到了為救弟弟而自願當作祭品的白髮女孩於小雪,陳靖仇出於正義,救下小雪,但月河村民被憤怒的鮫精全部殺死(但是鮫精被陳靖仇二人擊殺)。村中殘餘的老少一齊趕走二人,靖仇便與小雪一同展開旅程。陳靖仇找到公山師伯,卻得知其已被宇文拓打成重傷,於是陳靖仇決定尋找上古神器神農鼎煉藥,醫治師伯。
兩人行經黑山鎮,救下了被妖魔官兵擊倒的拓拔玉兒,但玉兒卻認爲兩人與隋軍乃是一夥。此時張烈出現,款待兩人以示報答。原來神農鼎原是鮮卑族聖物,現卻已被宇文拓搶走。拓拔玉兒偷聽到張烈蒐集回的情報,得知神農鼎在龍舟上,決定冒險搶回神農鼎。眾人潛入龍舟上,並得知神農鼎其實是贋品。後來玉兒行刺隋煬帝未果,被陳靖仇救下跳海逃生。靖仇、小雪與玉兒一同進入山寨奪鼎,不料卻被變身成宇文拓的獨孤寧珂帶走。三人為了調查鼎的下落而到了泰山,此時宇文拓的部隊在山頂發動「萬靈血陣」,將一座有六萬人口的城市完全摧毀。後來三人在河邊的小船上遇見獨孤寧珂,並拿回了神農鼎。
陳靖仇煉好了藥,公山師伯卻已病故,於是三人聽從師伯的建議前往海上求仙。海上航行時,被受驚的鯨魚神獸「巨海」吞入,誤闖了「氐人族」領地。在氐人族女王的求助下,三人幫忙除去了不斷吞食氐人族的黑龍王,但拓跋玉兒卻中了黑龍王的計謀,取下崆峒印,破壞了氐人族青春不老的結界。玉兒在極度愧疚下揮刀毀容,以致生命垂危,於是氐人女王帶三人前往仙山島。在仙山島山路中,拓跋玉兒突然發高燒,即使服用了神農鼎煉化的藥也未見起色,小雪為救夥伴毅然割臂獻肉終於令玉兒退燒。好不容易在對弈亭找到仙人,仙人卻不予理會。陳靖仇和小雪苦苦肯求,仙人終被三人的友誼所感動。隔日仙人命陳靖仇與小雪去取血露蟠桃,不料在取得血露蟠桃時,刑天突然出現,兩人不敵,刑天說必斬下一人手臂。兩人爭著砍自己手臂,此時御劍老仙人出現,原來這只是一個給摘桃者設下的考驗。終於,並由古月仙人醫好了玉兒,一行人來到伏魔山,救出了陳輔。
三人與陳輔離開仙界,途中遵照白鹿精指示來到長沙,再度遇到獨孤寧珂,並毅然決定支援三人阻止宇文拓。經過一連串爭奪後,因爲宇文拓挾持了陳輔為人質,陳靖仇只好而交出了自己擁有的所有神器。後來宇文拓獨自去敦煌拿伏羲琴而將鼎、印、石三樣神器放到皇家寶庫,眾人終於在與寧珂郡主裡應外合下將神器全部盜出。於此同時小雪也因連日的劇烈頭疼而病倒。某日,小雪竟盜走神器投奔宇文拓而去。面臨了小雪的背叛,拓跋玉兒在寧珂郡主的幫助下,潛入太師府,向小雪詢問實情。原來小雪其實是女媧石轉世,而身為崑崙鏡轉世的宇文拓所作的一切都是為了修補「神州九天結界」。不料離去時,寧珂殺害了玉兒,並引來陳靖仇,將玉兒之死嫁禍給小雪。
陳靖仇帶著玉兒的屍體來到仙界,不料仙人外出,玉兒還是死去。陳靖仇心灰意冷,決定放棄。靖仇離開大興後遇見李世民,並與張烈重逢,並在他們的協助下再度對抗宇文拓。陳靖仇來到通天塔頂,打敗了宇文拓,還將其右臂砍下,寧珂趁機發動偷襲,西方魔界終於降臨,原來寧珂郡主是撒旦手下的女魔將,是一切陰謀背後的真正主導人。眾人到仙山島尋求幫助,眾人奪回琴、鼎、印,並在古月仙人幫助下列出失卻之陣,以宇文拓的崑崙鏡力量回到魔界降臨被劃破之前。之後一行人透過代替虛空之陣的巴別之路前往天上界,並順利到達赤貫核心修補「神州九天結界」。失卻之陣即將再次啓動時,寧珂再次出現,卻被眾人打倒。寧珂臨終前,說出了自己附身寧珂郡主的真相,最後在古月仙人幫助下,將靈魂封入伏羲琴中淨化。此時,誤以為陳靖仇背叛,並在獨孤寧珂唆使之下魔化的陳輔企圖破壞赤貫星,陳靖仇只好忍痛將之除去。
赤貫星成功封印,眾人回到人間,已是十年之後……
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