🎉🎉🎉#新媒體藝術家黃心健《 #輪迴》上集奪 #法國坎城影展最佳VR敘事大獎 ‼️
法國坎城影展市場展( Marché du Film - Festival de Cannes )於台灣時間2021年7月13日午夜於沉浸式虛擬場館MOR ( Museum of Other Reality)舉辦頒獎典禮並揭曉得獎名單,臺師大特聘教授、新媒體藝術家黃心健VR以最新力作《輪迴》上集(Samsara Ep.1)自16部精采的入圍作品中脫穎而出,一舉奪下本屆最佳VR敘事大獎( Best VR Story)殊榮。
《輪迴》上集是首部獲頒此重要獎項的台灣原生VR作品,台灣驚人的VR創作實力再度揚名國際!
黃心健在頒獎典禮上致詞:「首先,感謝坎城評審團的肯定與鼓勵,很榮幸能夠得到最佳VR敘事大獎。也感謝 國立臺灣師範大學 National Taiwan Normal University 、 文化內容策進院 Taiwan Creative Content Agency 與VR 體感劇院 VR FILM LAB 的全力支援,才能讓《輪迴》得以順利地製作完成。由衷感謝所有參與製作《輪迴》的幕前、幕後製作人員,一起讓來自於台灣精彩VR作品,再次讓世界看見。」
《輪迴》的劇情牽動著生態、科技、資源分配與戰爭等多元議題,是一段人類自核毀滅後逃離地球的故事。殘存的人類嘗試在無垠的星際中,尋找下一個可以賴以生存的新星球,並以人工方式進化成一種新的生命體。但許多年過去了,人們漸漸發現其實自己永遠到不了夢想中的全新星球,他們只不過是在另一個時代,以不同的生命形式,一遍遍地返回地球。黃心健藉此反思深刻反思生命哲理,並應用了所謂「具身認知」的抽象概念,以此讓觀眾轉換到不同的肉體中,進而以全新的視角來體驗《輪迴》上集片中的世界觀。
作為全球最受矚目的影展項目之一,法國坎城影展市場展為一向是全球影人不容錯過的影壇趨勢指標。而今年度為減緩疫情衝擊,Cannes XR 單元與 VR 線上內容平台 VeeR 攜手合作,特別在虛擬場館 MOR中打造大型的影展會場。活動展間的呈現方式非常活潑豐富,坎城團隊打破了現實世界中音訊、材料與硬體限制,以超現實的效果來為全世界的觀眾提供最為華麗的展場體驗,從觀影、走紅毯、入座到致詞,與會者皆透過VR頭顯連線參與頒獎典禮,黃心健尤其驚豔於主辦單位為他打造的專區。以創新的虛擬形式舉辦典禮,也正契合了VR作為影界新猷的開創性。
《輪迴》上集繼三月榮獲美國西南偏南影展( #SXSW)「虛擬劇場」項目最大獎殊榮「評審團獎」後,再度斬獲國際影展肯定,再次證明了台灣深厚的VR創作實力!完整版《輪迴》預計將於今年九月起展開全球影系列巡演,並將在今年10月回到台灣高雄,作為亞洲首映展出。欲一睹風采的台灣的影迷敬請期待!
🎉Taiwan's VR artist Hsin-Chien Huang Wins the Best VR Story Awards of Cannes XR‼️
The awards ceremony of Le Marché du Film will be held at midnight of July 13, 2021, at the Museum of Other Reality. The latest VR production by Distinguished Professor of NTNU, artist Hsin-Chien Huang, has been riding high among the other 16 nominated productions and bring home the prestigious "Best VR Story" award. " #Samsara Ep. 1" is the first native VR production from Taiwan to receive such honor and has once again put Taiwan on the map!
In the acceptance speech, Huang first mentioned that he would like to thank the jury for the recognition and encouragement. It was a great honor for him personally to win this award. He'd also like to thank the full support from NTNU, Taiwan Creative Content Agency and the VR FILM LAB of Kaohsiung Film Archive for making the production happen. Finally, he thanked all the crew members for showing the world how amazing the VR production from Taiwan.
The plot involves many different social issues, including ecology, technology, natural resource, and war. It's about a journey for humans after destroying the Earth with nukes. The survivors seek a new planet to carry on their lives in the limitless interstellar space, gradually evolve into a new life form artificially. Yet, after so many years, they have come to realize that they would never make it to the new planet that they have been dreaming of. They have been simply returning to the Earth in different life forms time after time. Huang uses the story to reflect on the philosophy of life and applies the concept of "embodied cognition" to teleport audiences to different bodies and experience the worldview of "Samsara" via a new perspective.
As one of the most famous film festivals globally, the Cannes Film Festival has always been a trial balloon for filmmakers around the globe. This year, to lower the impact of the pandemic, the Cannes XR has built a unique venue in the MOR (Museum of Ohter Reality) with VeeR VR , an online platform for virtual content, offering various exhibitions during the event. The team has broken down the barriers across materials, audio, and hardware, in reality, using surreal effects to provide the most magnificent viewing experience. From screening, walking on the red carpet, being seated to giving speeches, all the details are not left out through the VR headsets. Huang is especially impressed by the special area built for him by the host team. The ceremony is presented virtually innovatively, resonating with the groundbreaking feature in the VR film industry.
After winning the top award of the SXSW, "Jury Awards", "Samsara" has yet again captured the attention of another international film festival, testifying the profound and vibrant creativity of VR from Taiwan. The full version of "Samsara: will start its tour in September this year and come back to host its Asian premiere in Kaohsiung in October.
🔎新聞聯絡人: 陳仲賢
✉️E-Mail: chunghsien1992@gmail.com
▪️更多關於黃心健與《輪迴》消息請繼續
關注黃心健Facebook粉絲專頁:https://www.facebook.com/HuangXinJianHsinChienHuang
🔎News Contact: Chen Chung-Hsien
✉️E-Mail: chunghsien1992@gmail.com
▪️Follow Huang Hsin-Chien’s Facebook page for more information about him and his work: https://www.facebook.com/HuangXinJianHsinChienHuang
同時也有4部Youtube影片,追蹤數超過138萬的網紅Sean Buranahiran - ฌอน บูรณะหิรัญ,也在其Youtube影片中提到,3ปีหลังจากโดนคนบอกว่า "ฌอนพูดไม่รู้เรื่อง" ในพันทิป! ----------------------------------------------------------------------------------------------- ...
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award acceptance speech 在 Eric's English Lounge Facebook 的最佳貼文
[時事英文] And the winner is...
Chloé Zhao and ‘Nomadland’ Win at 2021 Oscars
趙婷獲奧斯卡最佳導演獎,《遊牧人生》獲最佳影片
Good news is always welcome 🎉🎉🎉
★★★★★★★★★★★★
“Nomadland” was named best picture and Chloé Zhao won best director at Sunday night’s sleepy and surreal 93rd Academy Awards, a stage show broadcast on television about films mostly distributed on the internet.
🎬 sleepy 寂靜的;冷清的 ; 倦睏的,打瞌睡的*
🎬 surreal 離奇的;超現實的;夢幻般的
洛杉磯——週日,在無甚亮點又相當魔幻的第93屆奧斯卡頒獎禮上,《遊牧人生》(Nomadland)獲得最佳影片獎,趙婷拿下最佳導演獎。包括在這場直播舞台秀裡的大部分影片都是在網上發行的。
*sleepy: https://bit.ly/3nlwipv
★★★★★★★★★★★★
In a major upset, Anthony Hopkins was honored as best actor for “The Father,” beating out the late Chadwick Boseman (“Ma Rainey’s Black Bottom”), who was the favorite going into the night. Frances McDormand was named best actress for “Nomadland.”
🎬 a major upset 爆冷門
🎬 the favorite 最被看好的
安東尼·霍普金斯(Anthony Hopkins)憑藉《困在時間裡的父親》(The Father)擊敗了已故的乍得維克·博斯曼([Chadwick Boseman],《藍調天后》[Ma Rainey’s Black Bottom])獲得最佳男主角,後者原本是當晚最被看好的人選。《遊牧人生》的弗朗西絲·麥克多曼德(Frances McDormand)獲得了最佳女主角。
★★★★★★★★★★★★
Daniel Kaluuya was recognized as best supporting actor for playing the Black Panther leader Fred Hampton in “Judas and the Black Messiah.” “Bro, we out here!” Kaluuya shouted in joy before changing gears and crediting Hampton (“what a man, what a man”) and ending with the cri de coeur, “When they played divide and conquer, we say unite and ascend.”
🎬 best supporting actor 最佳配角
🎬 shift/change gear(s) 改變方法 ; 換個方式 ; 改變調子
🎬 play divide and conquer 玩起各個擊破
🎬 unite and ascend 團結和進步 ; ascend 上升 ; 登上
丹尼爾·卡盧亞(Daniel Kaluuya)憑藉在《猶大與黑彌賽亞》(Judas and the Black Messiah)中扮演黑豹黨領袖弗雷德·漢普頓(Fred Hampton)拿下最佳男配角。「兄弟,我們來了!」卡盧亞興高采烈地叫道,隨後他換了語氣,稱讚了漢普頓(「多麼了不起的人啊,多麼了不起」),並以一段有力呼籲結束了發言:「當他們玩起各個擊破那一套,我們就要講團結和進步。」
★★★★★★★★★★★★
The supporting actress award went to Yuh-Jung Youn for playing a comically cantankerous grandmother in “Minari.” She was the first Korean performer to win an acting Oscar, and only the second Asian woman; the first was Miyoshi Umeki, a Japanese-born American actress who was recognized in 1958 for playing a bride who encounters racism in “Sayonara.”
🎬 cantankerous 愛爭吵且抱怨不休的
🎬 encounters racism 遭遇種族歧視
在《米納裡》(Minari)中飾演了一位滑稽而古怪的祖母的尹汝貞(Yuh-Jung Youn)拿下最佳女配角。她是首位獲得奧斯卡表演獎的韓國演員,也是第二位獲得此獎的亞裔女性;第一位是日裔美籍女演員梅木三吉,1958年,她憑藉在《櫻花戀》(Sayonara)中扮演遭遇種族歧視的新娘獲得此獎。
★★★★★★★★★★★★
Zhao won best director for “Nomadland,” a bittersweet meditation on grief and the damaged American dream. Zhao, who is Chinese, became only the second woman, and the first woman of color, to win the award. (Kathryn Bigelow was celebrated in 2010 for directing “The Hurt Locker.”)
🎬 bittersweet 苦中有樂的
🎬 woman of color 有色人種女性
趙婷憑藉《遊牧人生》拿下最佳導演獎,該片是對悲傷和破滅的美國夢的一次苦樂參半的沉思。作為華人的趙婷成為第二位獲得該獎的女性,也是第一位獲獎的有色人種女性。(2010年,執導《拆彈部隊》[The Hurt Locker]的凱瑟琳·畢格羅[Kathryn Bigelow]獲得此獎。)
★★★★★★★★★★★★
“I’ve been thinking a lot lately of how I keep going when things get hard,” she said in her acceptance speech, referring to a Chinese poem she used to read with her father that began with the phrase “People at birth are entirely good.”
🎬 acceptance speech 獲獎致辭/演講
「近來我常在思考,是什麼支撐我在困境中堅持下來,」她在獲獎致辭中說,她引用了與父親一起讀過的中國詩歌,其開頭就是「人之初,性本善」。
★★★★★★★★★★★★
文章來自《紐約時報》: https://nyti.ms/3xpCYaU
圖片出處: https://bit.ly/3gM8klQ
電影相關詞彙: https://bit.ly/3gIuRA6
award acceptance speech 在 黃心健 Hsin-Chien Huang Facebook 的最佳貼文
🎉🎉🎉“Samsara Ep1.” Puts Taiwan On the Map! New Media Artist Hsin-Chien Huang Wins the Top Awards of SXSW🏆🏆🏆🥳
The awards ceremony of the American international film festival, South by Southwest Film Festival (SXSW), will be held in the morning on March 20, 2021. The latest VR production created by artist Hsin-Chien Huang has taken the festival by storm and bring home the prestigious “Jury Awards” in the virtual cinema competition category. “Samsara Ep. 1” is the first VR production from Taiwan to receive such honor and has put the creativity of Taiwan on the map!
In the acceptance speech, Huang mentioned that he would like to thank the jury of SXSW for the recognition and encouragement. It was absolutely his honor to win this award. He’d also like to thank the full support from the Ministry of Culture of Taiwan 文化部, the Taiwan Creative Content Agency 文化內容策進院 Taiwan Creative Content Agency , and Kaohsiung Film Archive 高雄市電影館 VR 體感劇院 VR FILM LAB to make it possible to complete the work. Finally, he thanked all the crew members of the production for letting the world see how amazing the VR production from Taiwan.
The story background of “Samsara” is set as a timeline when humans completely destroyed the environment on earth and begin to go on a quest through space for hundreds of years. People try to immigrant to a new planet, so they redesign the DNA to adapt to a new environment and evolve into a new life form. However, after so many years, people gradually realize that it is never possible to find a new planet to settle. They merely keep returning to the original earth they have damaged in a different era, in a different life form, as an endless circle of reincarnation.
The plot involves many different social issues, including ecology, technology, natural resource, and war, and calls on viewers to reflect themselves with a profound philosophical perspective. Moreover, several concepts of embodied cognition are used in the story to make viewers transform into different animals, including Taiwan’s indigenous species, such as Taiwan Blue Magpie and Formosan Black Bear, to interact with the scenes. “Samsara Ep.1” also features the latest somatosensory technology, including the 4Dviews shooting techniques by the Industrial Technology Research Institute and Taiwan Creative Content Agency, with 48 4DV-EX-Z cameras and a digital shooting system composed of a high-sensitivity 4 million-pixel full-color CCD sensor. “Samsara Ep.1” is able to be taken from an omnidirectional view without blind spots and be shot without any blind spots to create the ultimate immersive experience.
The first SXSW was held in Austin, Texas in 1987. This long-standing international event is held around March every year ever since. The festival features various themes, such as films, music, VR/AR, art and games, etc. The SXSW is the world’s largest event for creative content. Many creators and brand owners in the fields will not miss out on the festival. Therefore, the festival has become a trial balloon, attracting hundreds of bands and film crews to participate, estimated over 400,000 people joining the event. This year, the festival has changed the event to an online form for the first time since the pandemic is raging as before. All screening events, industry matchmaking, seminars will be carried out via its own online platform, SXSW Online, without difficulty. It has made it possible for all the artists, creators, and professionals to break down the physical borders and participate in this magnificent annual event together.
There are nine productions in total nominated in the Virtual Cinema Competition category this year, with teams from the US, Canada, the UK, France, Germany, Poland, Australia, South Korea, and so on. This is the first time that “Samsara Ep.1” has competed in the international film festival and has achieved a great result with much international recognition. This is also the first time for Taiwanese production to receive an award from the SXSW competition. The full version of “Samsara” is expected to start the global tour in the second half of the year. Huang said that “Samsara” would return to Taiwan for its Asian premiere and ask the fans in Taiwan to stay tuned!
✔️SXSW website: https://www.sxsw.com/festivals/film-awards/
✔️SXSW YouTube: https://www.youtube.com/watch?v=T9G_7NZh_Oo&feature=emb_logo
#黃心健 #HsinChienHuang #輪迴 #Samsara #Virtualcinemacompetition
#Juryaward
#VR #台灣VR #TaiwanVR
#SXSWFilm #SXSW #2021SXSW #SXSWOnline
award acceptance speech 在 Sean Buranahiran - ฌอน บูรณะหิรัญ Youtube 的精選貼文
3ปีหลังจากโดนคนบอกว่า "ฌอนพูดไม่รู้เรื่อง" ในพันทิป!
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award acceptance speech 在 Jackz Youtube 的最佳貼文
Neil Patrick Harris, Anna Kendrick and Jack Black perform the opening number "Moving Pictures" at the 2015 #Oscars!
How do you make a great opening number for the Oscars? Get a bunch of Broadway talent to do it.
The production number, "Moving Pictures," sung by Tony-winning Academy Awards host Neil Patrick Harris and "Into the Woods" star Anna Kendrick, was written by Academy Award-winning "Frozen" songwriters Robert Lopez and Kristen Anderson-Lopez.
The visuals edited Harris into classic films from "The Wizard of Oz" to "Star Wars" to "Into the Woods."
The middle section of the song, as sung by Jack Black, aped Stephen Sondheim's "Witch's Rap" from Into the Woods, and he warned Harris that he would be “better off polishing your Tony." Kendrick drove him off by yelling “Beat it” and flinging her Cinderella shoe at him.
Lyrics:
[Neil Patrick Harris]
Wow, check out this place. Check out everything.
Check out the glamour, the glitter, people Tweeting on the Twitter
and no one's drunk and bitter yet 'cause no one has lost.
Look at the diamonds, the dresses, people going to excesses,
the stress is on and everybody's fingers are crossed.
I know the camera's on and we're behaving our best.
Yet, I secretly hope someone pulls a Kanye West.
But we are here tonight, with our Xanax and Dior,
thank you lists and publicists who fought the Oscar war.
Tonight we toast what we love most
and I am thrilled to be your host.
'Cause all of it is for moving pictures, shadows and light,
like a magic trick done in plain sight.
Why do we love them? Why do we care?
When they're just moving pictures that aren't really there
But then I think of Chaplin and Monroe
and Argo and Fargo or when Marty made his car go
back in time at the mall
And then there's Bardot and Brando and Billy Dee as Lando
or when Sharon went commando and unsettled us all.
I gasped when Indy goes back for his hat
or when I think of all the tension between Ben and Matt.
[pause] Oh, my stars
I love transformers that transform and perfect storms that storm.
small town girls who change the world by challenging the norm
Godfather 2, the movie Clue
all these films that inspired you to stand up and perform.
Moving pictures, take us over the rainbow
across the fields of our dreams.
In the heat of the night to defeat and to fight evil schemes.
To swim or to swing, to dance or to sing,
to flee down a flight in fright,
yes, moving pictures are coming to life tonight.
[Anna Kendrick joins]
Moving pictures.
[Kendrick]
Where is my shoe?
[Harris]
Is this your Jimmy Choo?
[Kendrick]
Why yes.
[Both]
Moving pictures
[Harris]
and how they can move you.
[Kendrick]
And also improve you.
[Harris]
The joy of pretending,
[Kendrick]
With such happy endings except for in Gone Girl when that lady slit your throat.
[Harris]
Spoiler alert.
[Both]
Moving pictures...
[Jack Black]
Stop!
This is what you sound like:
'Movies, movies wow they rock'
Listen kid, it's all a big crock.
Now it's market trends
and fickle friends
and Hollywood baloney.
Believe me Neil,
you're better off just polishing your Tony
This industry's in flux,
it's run by mucky-mucks,
pitching tents for tentpoles and chasing Chinese bucks.
Opening with lots of zeroes,
all we get is superheroes.
Superman, Spider Man, Batman,
Jedi man, sequel man, prequel man.
Formulaic scripts!
And after 50 Shade of Grey, they'll all have leather whips.
In a world where our breeds are becoming machines,
the only screens we're watching are the screens in our jeans
Screens in our jeans Screens in our jeans
The only screens we're watching...
[Harris]
JACK! I'm trying to...I'm kinda in the...Would you mind?
[Black]
But you know?
[Kendrick]
BEAT IT.
[Black]
Fine.
[Harris]
Yes, green-lit films can stall
[Kendrick]
Scripts can hit a wall
[Harris]
Stars may pass
[Kendrick]
Or fire your ass
[Harris]
And weekly grosses fall.
But when they hit, you must admit,
they sometimes change your view of it
in ways both big and small
[Kendrick]
Have a ball
Moving pictures, millions of pixels on screens.
They may not be real life,
but they'll show you what life really means.
More than any one image.
More than any one star.
Truly, moving pictures shape who we are
whether we're big brained and British
Or hiking and skittish
a legendary leader
a Birdman in a theater
a boy we watch until he's grown
a sniper in a combat zone
a wealthy philanthropic creep
Magic Meryl Effin' Streep
Lobby boys and bleeding drummers
All these awesome up and comers
Who will get a statue? Results are coming at you!
At the 87th Oscars moving picture show!
Acknowledgement:
http://mashable.com/2015/02/22/neil-patrick-harris-oscar-opening-lyrics/
http://playbill.com/news/article/read-the-lyrics-to-neil-patrick-harris-tongue-twisting-oscars-opening-number-by-frozen-songwriters-342356
Clip Courtesy A.M.P.A.S.© 2015
No Copyright Infringement Intended.
All rights belong to the Academy of Motion Picture Arts and Sciences (AMPAS).
award acceptance speech 在 Jackz Youtube 的最讚貼文
"To the people in Hong Kong protesting for democracy, the bridge was built on hope, welded with compassion, and elevated by love, for all human beings."
Common Talks About Hong Kong After Winning Best Original Song | Oscars 2015
奧斯卡,原來亦與香港雨傘運動拉上關係。
(http://hk.apple.nextmedia.com/enews/realtime/20150223/53463910)
電影《馬丁路德金-夢想之路》(Selma)的主題曲,由Common及John Legend創作的《Glory》,贏得本屆第87屆奧斯卡最佳電影歌曲。John Legend及Common在台上獻唱時,電影《星空奇遇記》(Star Trek)男星基斯派克(Chris Pine)及《馬丁路德金-夢想之路》男主角大衛奧伊羅(David Oyelowo)在台下已忍不住感動落淚。及後Common致謝辭時更提及香港的雨傘革命,民主是由亞拉巴馬州一直走到香港,他謂:「我曾經去番Selma呢條橋去唱呢首歌,呢首歌代自由、超越種族、性取向及性別,特別係代表自由。謹以此曲獻給香港嘅朋友。」
奧斯卡最佳歌曲得主 勉勵港人爭民主
(http://hk.apple.nextmedia.com/realtime/news/20150224/53466608)
夏慤道天橋人散卻不寂寞,電影《馬丁路德金:夢想之路》(Selma)於本屆奧斯卡憑《Glory》一曲摘下最佳原創歌曲獎,主唱者Common於致謝辭提到象徵美國有色人種爭取投票權的地標塞爾瑪(Selma),並以此連結世界各地民眾對公義的追求,包括香港追求民主的雨傘革命。佔中運動發起人戴耀廷希望該片可以鼓舞港人繼續堅持爭普選路。
《Glory》主唱者之一、饒舌歌手Common致辭時提到早前到塞爾瑪的埃德蒙佩特斯橋(Edmund Pettus)的經歷,「這條橋把夢想擁有更好明天的芝加哥南部小孩、為言論自由挺身的法國人、爭取民主的香港人連結起來。」
@蘋果日報
奧斯卡最佳原創歌曲 : Common, John Legend 送給香港人的話
http://youtu.be/VAQ4yF3eIic
@中環塔倫天奴
An #Oscars Music Moment from AT&T: John Legend and Common win the 2015 Oscar for Best Original song for “Glory” from the film Selma. See their powerful acceptance speech now.
One day, when the glory comes, it will be ours, it will be ours!
Listen to the award-winning song here: http://youtu.be/HEFRPLM0nEA
Selma Movie - Glory Lyric Video @Paramount Pictures
Clip Courtesy A.M.P.A.S.© 2015
No Copyright Infringement Intended.
All rights belong to the Academy of Motion Picture Arts and Sciences (AMPAS).
Help us caption & translate this video!
http://amara.org/v/W8n7/
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