Happy new year 2020! I hope you all have a great start this new year.
�I have got myself some new toys to start off the year! I bought a set of LED lights so I can have a consistent light source in my room to shoot these videos. Previously I was only relying on two white screens on my monitor with maximum brightness. It worked great as a soft light source with a nice wrap and fall off. However, it wasn’t bright enough as I have to shoot at ISO 800 with wide aperture.
�I have also got myself a microphone boom so I can place the mic closer to myself. How do you like the audio? (YouTube video above) I like it very much, even with a Rode Video Micro the sound is pretty good. Ever since I got myself a Deity V-Mic D3, I have never used the Rode because the Micro has a narrower pick up pattern than the D3, rejecting a lot of background noise when I am filming outside.
Looking back at year 2019, I have only uploaded a total of 12 videos. That is a far cry from weekly upload. So this year, I have to step up my game and upload weekly consistently. I have plans to upload more per week, but weekly upload is my minimum goal.
For year 2020 I want to bring more value and inspiration to my audience as well. I have plans to have a sit down conversation with people that gave their daily job to pursue their dream. One of my friend did just that by resigning as a digital imaging artist at a commercial studio and started doing stock photography. Now after 3 years doing it full time, he has a sustainable income to support expenses and a family of four.
Another friend of mine also left his job at a commercial photography studio to have a cosy cafe in another state.
All they achieved is really doing what they love with financial freedom. Although photography/videography is what I love, I have yet to be truly free from financial constraints so I cannot share my story yet. Thus, I hope to inspire others by sharing other people’s stories.
All in all, a goal is set and we have a full year ahead. Discipline is utmost important here as I have to be consistent and persistent in uploading weekly contents.
I wish you all the best in achieving your creative goals as well!
同時也有5部Youtube影片,追蹤數超過17萬的網紅Lok Cheung,也在其Youtube影片中提到,Improved all-round, or you can say all 360 degrees! - Touch screen - "Steady Shot" action camera mode - 10m water proof - "InstaPano" one shot panoram...
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best led light for photography 在 Photo_Hunter Facebook 的最佳解答
Fabrice Fouillet,
Sony世界大賽2013年職業組建築類第一名,專訪,以及他的個人網站 Project : Corpus Christi
Fabrice Fouillet is a French professional photographer based in Paris. In 2013 he won the Professional Architecture category of the Sony World Photography Awards. After earning a degree in Sociology and Ethnology, he studied Photography at The Gobelins School. Since 2004, he has been collaborating with advertising agencies and magazines focusing on Still Life and Architecture.
His personal photographic research explores the notion of identity and the close relationship between humans and the environment. Recognised for his series on new places of worship and resemblance in the 2013 Sony World Photography Awards Open Architecture category, he has gained recognition internationally.
Hi Fabrice. Tell us more about yourself - When and why did you first approach photography?
I believe my passion for photography comes from my high school studies. With courses about European cinema and art-house movies I became more sensible and passionate about themes and images in a deeper and broader sense. Then, I approached photography with a small and old camera, making basic shoots of things all around me. From my house to garden, flowers, trees, and landscape, everything became my subject and I felt I was very serious about it. At the age of 20 it appeared to me a natural thing to try and make it professionally.
Have your previous studies in sociology and ethnology influenced your investigation of space?
The education you receive at a young age influences the rest of your life and I would say that my studies not only influenced the investigation of space, but the overall way I think about my projects. At beginning, I was focusing more on still life projects while now environment and social identity interest me more and more as in the ‘Colosses’ and ‘Eurasism’ series.
Do you have a photographic philosophy?
Be truthful to your own desires and emotions for each project you make. This is my photographic philosophy as finding your own artistic path is not such an easy thing. To me the best way is to remain faithful to your passions, be inspired but not too influenced. Precision, determination, rigor, and hard work are unavoidable in photography and they also form part of my philosophy.
With your winning series ‘Corpus Christi’, capturing new spaces of worship, architecture became a way to narrate humanity and its relationship with minimalism and aestheticism. Why did you choose this theme?
I have always found a graphic quality in religious imagery and particularly in catholic iconography. As an architecture devourer, this was the starting point for this project urging me to look for evidence, confront the classical with contemporary spaces of worship, and a way to take fascinating pictures. Somehow it called me out. I saw aesthetic mystery beyond the often cold, austere and classical representation with a firm anachronism between traditional iconography and modern architecture. In ‘Corpus Christi’ I wanted to highlight this rupture between classical imagery and modern religious architecture.
You won the 2013 #SWPA Professional Architecture category. Where did this take your photography?
Being a 2013 Sony World Photography Awards winner has been a great career step forward and it helped me to span my work, gaining a lot of visibility, interviews and press coverage in France and worldwide. Thanks to the awards, The New York Times Magazine & other media companies have contacted me for architecture commissions. It was a huge satisfaction and encouraged me continue with the art and subjects I am passionate about.
What would you suggest to young photographers aspiring to make create architectural photography?
To push the button can be easy and fast, but architectural photography - and photography in general, requires strong determination. Firstly, remember that between subjects and projects there’s half of the sea. So think carefully about what and how you want to proceed. Then, be precise and rigorous, chase the light and work the frame of course. Sometimes, wait for the good moment. Try again or come back if necessary. Push the limit and don't give up even if discouragement is knocking at the door.
Talking about your new project ‘World’s Tallest Statues’ you recently stated: “I was intrigued by the human need to build these immense shrines to power”. Could you tell us more about it and how you came across this subject?
Indeed, I have just mentioned the importance of determination and these gigantic statues are the perfect example. They symbolise the strong human desire of remembrance and commemoration directly related to the size of the monument. With this project I wanted to investigate the deepest meaning of both ‘symbol’ and ‘cult of personality’ as I have always been fascinated about how historical heroes, leaders or politicians were celebrated or idealised with monumental structures for the sake of collective remembrance.
Research led me to discover lots of monument or statues dedicated to Lenin, Stalin or Mao but despite their cultural and social meaningfulness they were not that big. As the documentation went on, I unexpectedly came across the picture of a huge white statue located in the middle of Dai Kannon, in Sendai, Japan. Sadly, the picture had no caption so I first thought it was unreal, but when I had the proof of its existence, I immediately felt that these huge statues were what I wanted to talk about.
best led light for photography 在 CM Leung Facebook 的最讚貼文
WPPA memeber of the months- One of the famous wedding photographer interview ( Nick Ghionis ) www.wppa.com.hk
Member of the Month – Nick Ghionis @ X Sight
( www.xsight.com.au )
MORE PHOTO AND INTERVIEW : www.wppa.com.hk
1. XSiGHT is one of the most famous leading brands in the photography industry and it already has its studios and galleries in Melbourne, Sydney, Brisbane, Darwin, California (USA) and also London (UK)… Can you please give us a brief concept about do these studios work closely together or independently while all can maintain such a high level of quality that is absolutely amazing in terms of both business and artistry sense.
Nick: From the beginning the idea behind XSiGHT was to create a BRAND that will represent the best image making in the world. The business model we have attract photographers who are at the top of their game and aspire to be a part of a select group of individuals that will not only compliment the brand but also cement XSiGHT’s position as leaders in the industry.
All our studios work independently of each other with the common goal of creating stunning images and offering excellent customer service.
We put in place a proven business model that all studios would adhere to, but the freedom to create and be artistic in your own right is what makes XSiGHT unique.
2. You are the owner of XSiGHT Melbourne and how you can keep a balance role as you are the boss and photographer at the same time, which seem to be quite difficult to run a successfully business like yours… Do you mind to let us know how many staffs do you have and what is the distribution of their work? Does the scope meet your expectation?
Nick: XSiGHT Melbourne and the XSiGHT brand is owned and run by my wife Sharifa and I. We have surrounded ourselves with a team that can only be described as the best in the business so the day to day running of our Melbourne studio occurs with ease.
Without a great team, it is impossible.
We have two portrait photographers and two wedding photographers, a studio manager (also a photographer), a customer relations officer, two in house digital artists as well as our Creative Director and Photographer Rocco Ancora. Each person has specific roles to help the business run smoothly but most important is client liaison.
All this is overseen by Sharifa Ghionis while I get on with working on the business.
3. For the past years, how you position XSiGHT Melbourne in the market? Did you have a clear target set from the beginning?
Nick: When it comes to marketing our business, we recognize it’s not a once off event, it has a beginning a middle but never an end. There is not one key that opens the door, rather there are many aspects to marketing to ensure that clients are drawn to you on a regular basis. We have consistent strategies in place to make sure this happens and always keep an eye on market trends so as to keep up with changes in client expectations.
4. How you come to the idea of XMENTOR? Any specific marketing plan of it?
Nick: The XMENTORS came about when Rocco Ancora joined the XSiGHT family as Creative Director. As speakers and educators, Rocco, Sharifa and I decided to create a brand where we can draw on each other’s strengths and include different aspects to the photography business from digital workflow to management and business. The brand XMENTORS is all encompassing, making our workshops unique, as we offer photographers content that transcends more than just taking pretty pictures.
5. From your point of view, is marketing plan very important in running an artistry business? Can you share with us your way to figure out your marketing plan as it is very common for artistes that most of them are idealistic and will shift to the “art” side more then forget about the money matter spontaneously… Any advise or suggestions to photographers who just entered the industry and thinking about to set up their own business; and also to those photographers who are already running their own company?
Nick: Many people have a romantic notion of what a photographer is. We consider ourselves artists and get annoyed when business gets in the way of our creativity. Unfortunately this is where many fail in business.
When it comes down to it, we are selling a product. Regardless of the product, a business plan needs to be put in place that takes into account all aspects of photography. You need to calculate ALL expenses: overheads, printing, retouching, production, your time etc in order to make informed decisions and grow your business and profit margin. You need to be a business person in photography rather than a photographer in business.
6, When was the 1st time you had your very first shot? In what circumstances? Was it an amazing one? Then immediate fell in love with “shooting”?
Nick: I first picked up a camera at the age of 21 whilst on holiday in Fiji. Unlike today’s digital world where you are able to see in an instant what you are photographing, I used the camera merely as a tool to document my holiday. It wasn’t until I developed the film that I realise that I might have a talent for this. I actually enjoyed the process of taking photos and instinctively was able to get consistent results without really knowing what I was doing. I thought to myself “..imagine if I actually knew what I was doing, rather than putting it on auto.” That’s when the journey began. I devoured every magazine and book I could get my hands on.
As my passion grew so did my expenses. I built three darkrooms and enjoyed printing my own B&W prints. Like many who enjoyed the fine art of printing, my hero was Ansel Adams. I remember going to an exhibition of his and marvelled at the tonal range and depth that he was able to get in his images.
I would work 3 to 4 jobs to make money and pay for my new addiction. It wasn’t long before I purchased a 5×4 Linhof Master Technica and my 500cm Hasselblad with lenses and backs.
7. Do you remember what was your first set of equipment as a professional photographer? How’s their performance? Good?
Nick: My first camera was a Pentax MG and I grew out of that quickly as I was unable to put it on Manual. I then bought myself an Olympus OM1 which I loved and still have to this day.
8.When and how you have started as a wedding photographer? And how’s this first shoot led you to the way you are now?
Nick: Every weekend for 2 years I assisted other photographers with no pay, just so I could learn, but was too scared to do a wedding on my own. It wasn’t until 1989 that a friend asked me to photograph her wedding. Naturally I declined and thought nothing of it until 2 weeks prior to her wedding when she asked me what plan I had for her big day?! It was too late for her to find another photographer so I found myself shooting my first wedding! At the end of the day, I went home and vomited from stress and exhaustion. I remember paying a premium to get the negatives earlier because I couldn’t handle the anxious wait. When I got the results back I was pleasantly surprised. They were beautiful and it gave me the confidence to do more weddings.
After freelancing for a couple of studios and offering B&W printing services to them, I continued to work from home while persuing other ventures and business opportunities. It wasn’t until I joined XSiGHT that I truly forged ahead with my career. Focusing all my energy into being the best I can be. While I continued to serve our clients and exceed their expectations, my only motivation was to grow the business and remain at the top of our game. However the face of our company for many years was my brother Jerry Ghionis, an amazing photographer, and in my opinion one of the best wedding photographers in the world. It was only until he left the company that I had to make a conscious decision to step into the spot light and stear the company into its next phase. Amongst many initiatives that were put in place, one of them was to participate into the world of awards. Something that initially I was reluctant to do, but felt was necessary to continue the momentum of being an award winning studio, something that Jerry was already doing for our Brand.
9. Which is your best shot? And why?
Nick: With thousands of images taken, when asked which one is your favourite, it is hard to choose. But one photograph that I have dear to my heart is “ The Prayer “ This photograph was taken in the Greek Island of Rhodes, one of my favourite destination weddings. It was taken at the wedding of George and Fiona, who after their wedding decided that it was time they too realised their dream of running a photography studio. They now run XSiGHT Darwin, a thriving business in the north of Australia. At the time this image won 1st Place in the Wedding category at WPPI, it was a proud moment for me, not just for the fact that it won 1st place, but it did so without the over photoshop images that was prevalent in competitions and to a degree still is.
10.Any advice or suggestion could be given to photographers, especially for those fresh photographers?
Nick: I consider myself a purist when it comes to photography I implore all photographers whether you are starting out now or seasoned photographers artistry begins in the camera.
11.What is your motto in your life?
Nick: Many people ask me, what is your mantra? What do you stand for? I think living your life with respect and integrity is what I aspire to do every day.
best led light for photography 在 Lok Cheung Youtube 的最佳解答
Improved all-round, or you can say all 360 degrees!
- Touch screen
- "Steady Shot" action camera mode
- 10m water proof
- "InstaPano" one shot panorama
- AmbiSonic support
Order Insta360 ONE X2 now: https://geni.us/gBk9tDF
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[ Main camera and accessories ] ?
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SLR Magic 82mm Fixed ND 1-5 Stops Filter Set
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[ Audio ] ?
Røde Wireless Go https://geni.us/WirelessGO
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Manfrotto Pocket Tripod https://geni.us/PocketTri
Gitzo Mountaineer Series 1, 4 Sections https://geni.us/Gitzo14
Manfrotto 500 Fluid Video Head https://geni.us/MVH500AH
[ Lighting ] ?
Lumiee Bicolor LED Light https://geni.us/Lumiee
[ Voice Over ] ?
Røde Complete Studio Kit (AI-1, NT1) https://geni.us/AI-1
[ Other ]
Loupedeck+ Editing Console https://geni.us/LoupeDeck
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best led light for photography 在 Tùng Phạm Youtube 的最讚貼文
Xem xong đi quẩy ngay một bộ nhé các ông eiii
À còn các bạn hỏi cái đèn xanh xanh sáng sáng thì nó đây nha
SOKANI X21 LED Video Light Pocket-Sized: https://www.amazon.com/dp/B07DFYWN4G/
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best led light for photography 在 chungdha Youtube 的最佳貼文
So you just bought your first light stand and notice you can't just directly mount your speedlite flash or led lights on to it. As some light do supply a light stand mount, but also many that doesn't and would need to buy your own mount for them. However there are so many you can choose from, so here are 3 light stand mount that I have tested and my opinions about them.
Light stands mounts:
Phottix Varos Pro - https://amzn.to/2GqAxy5
Manfrotto MLH1HS Tilthead - https://amzn.to/2LqsCQ9
Edited with Adobe Premiere Pro - http://goo.gl/k2EagF
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