【進擊的台美日 ─ 3 邊印太安全對話 💬】
「過了 2020 這一年,
印太及台海情勢的挑戰為何?契機又是什麼?」
🇹🇼台灣 遠景基金會
🇺🇸美國 #2049計畫研究所 (The Project 2049 Institute)
🇯🇵日本 #日本國際問題研究所 (JIIA)
以上 3 個印太區域堅實夥伴國家的智庫
聯手舉辦了「台美日三邊印太安全對話」研討會
一起探討 J 個大哉問!
「我們不是捍衛民主,
就是屈服於威權主義的威脅。」
蔡英文 Tsai Ing-wen 總統親臨開幕式致詞指出
今年因 #武漢肺炎 #香港民主運動 #美國大選
影響台灣未來在區域地緣政治的發展
其中 3 位香港民運青年被捕入獄
就是嚴正的警訊‼️
但總統也提到
2020 也是溫暖、堅韌、力量和友誼的一年 ❤️
儘管疫情當頭
台灣伸雙臂歡迎舊雨新知
並與 #美國 #日本 #捷克 等理念相近盟邦
建立並強化彼此互惠互利的夥伴關係 👊🏻
美國歐巴馬總統時期的國務院亞太助卿、現任「亞洲集團」主席 #坎博 (Kurt Campbell) 和聯邦參議院外委會民主黨首席議員 #孟南德茲 (Robert Menendez,D-NJ) 兩人
則分別透過視訊及預錄影片表示👇🏻
美國的目標是信守對台灣的承諾
包括 #台灣民主 及亞洲的安全
也強調美國的 #印太戰略
必須植基於與 #理念相近國家 的合作
包括 #台灣 與 #日本 🤨
參與這次對話的
還包括 #澳洲 #印度 等前資深官員及專家學者
相信大家對於印太安全
心有靈犀...
#信任產業供應鏈
#台美日民主連線
This year’s Taiwan-US-Japan Trilateral Indo-Pacific Security Dialogue was held on the theme of “Challenges and Opportunities in the Indo-Pacific Region and the Taiwan Strait in 2020 & Beyond”. President Tsai Ing-wen stated in her opening address that critical events in 2020, including the #COVID19 pandemic, the democracy protests in #HongKong and the #US election, will significantly influence how we deal with geopolitics in our region in future. She added that the jailing of three democracy activists in Hong Kong is a warning that if we don’t defend #democracy, we give into the authoritarian threat.
Chair and CEO of The Asia Group and former US Assistant Secretary of State for East Asian and Pacific Affairs, Dr. Kurt M. Campbell, gave a keynote speech via video link, stating that consistency in US policy in the #AsiaPacific region is key. He went on to state the importance of frameworks like the Quadrilateral Security Dialogue going forward under the new administration. He added that he hopes dialogue across the Taiwan Strait can resume, but that the ball is in Beijing’s court and that the US will keep its promises to Taiwan.
US Senator Bob Menendez stated in his prerecorded remarks that a free and open #IndoPacific region is important, and that the US Indo-Pacific Strategy should be rooted in cooperation with #LikeMindedCountries, including #Taiwan and #Japan. He also reaffirmed cross-party support for Taiwan in terms of security and international participation.
#TaiwanCanHelp its #LikeMinded partners to face traditional and non-traditional threats through platforms like the Global Cooperation and Training Framework (#GCTF).
#RealFriends #RealProgress
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
「critical geopolitics」的推薦目錄:
- 關於critical geopolitics 在 外交部 Ministry of Foreign Affairs, ROC(Taiwan) Facebook 的最佳貼文
- 關於critical geopolitics 在 VOP Facebook 的最佳貼文
- 關於critical geopolitics 在 VOP Facebook 的最讚貼文
- 關於critical geopolitics 在 コバにゃんチャンネル Youtube 的最讚貼文
- 關於critical geopolitics 在 大象中醫 Youtube 的最佳解答
- 關於critical geopolitics 在 大象中醫 Youtube 的最佳解答
critical geopolitics 在 VOP Facebook 的最佳貼文
新刊出版 New issue out now!🤘🔥🔥🔥
Voices of Photography 攝影之聲
Issue 28 : #沖繩專題
The #Okinawa Issue
「亞洲當代攝影文化現場系列」是我們聚焦亞洲各地影像文化與創作實踐的系列計畫,嘗試透過亞際跨域連結與在地論述視野,拓展我們對於攝影在亞洲的實踐歷程、視覺經驗、文化及其論域的認識座標,並藉此作為影像歷史與認識論的持續省思。
「沖繩專題」是此系列的第二輯,特別邀請影像研究者暨策展人町田惠美與許芳慈共同擔任客座主編。本期採雙向閱讀編輯,集結文論與訪談,穿越沖繩糾結的被殖民史與帝國陰霾,在霸權的支配和抵抗的鬥爭之間,批判地觀看沖繩的影像,以及作為影像的沖繩。
幾世紀前,位於太平洋上的琉球列島尚未成為「沖繩」,而是存在著一個封建君主制的國度——琉球王國,後經日本薩摩藩的島津氏入侵與大日本帝國擴張,廢琉設藩遭到併吞殖民,於1879年以「沖繩縣」編入日本國家體系之內。在二戰的尾聲、1945年激烈的沖繩島戰役後,美國的佔領統治期長達二十七年,沖繩從此劃進冷戰年代的軍事戰略島鏈。即使至1972年美國將沖繩「返還」日本,在「日美同盟」的交換條件下,僅為日本本土面積千分之六的沖繩,卻佈建了整體駐日美軍逾七成的軍事設施與基地。對某部分的沖繩來說,「戰後」彷彿被無限延長,使這個亞熱帶之島,彌漫著由地緣政治與新帝國主義擊燃而仍未散去的煙硝。
本專題介紹國吉和夫、石川真生、比嘉豐光與石川龍一等沖繩的影像實踐者,追索他們的生命經驗與攝影的多重構成,以及其間複雜的政治性問題意識;同時透過評論者仲里效、岡本由希子、仲宗根香織與井上間從文的專文,將影像之於沖繩、之於歷史,由慣常對於「如何再現」的注意力,置放於「如何建構」的維度。從而提示了影像不僅僅是從殖民的情境中派生,同時也反饋到殖民的情境裡,需要加以細緻地解析。
在專題的製作期間,由全球疫情激化的國際角力波濤洶湧。與沖繩同列第一島鏈的台灣等地讀者,閱讀本專題,或許會因類似的歷史背景與政治局勢處境而更能與沖繩共感。而在沖繩所帶來的種種啟示中,我們也將意識到對於當下的世界正在發生的反抗——無論是以國家主義修辭掩飾的極權主義和種族主義,或是以經濟復甦為號召的資本主義巨靈回魂,除非我們投入更多行動與關注,否則任何國家的「強國夢」,都會是人類史上的惡夢一場。
▍關於本期 About | https://bit.ly/vop-28
The “A Study of Contemporary Photography in Asia” series is a serial project that focuses on imagery culture and creative practice in various regions of Asia. Through this connection and a view that pans across Asia, we are trying to expand our understanding of the process of practice, visual experience, culture and the identifying coordinates of photography in Asia, and using such knowledge as a continuous reflection of imagery history and epistemology.
Second in the series is the Okinawa issue that features Machida Megumi and Hsu Fang-Tze, both imagery researchers and curators, as our guest editors. This issue adopts a dual reading and editing process; a combination of essays and interviews brings readers through the complicated colonial history and the burden of empiricism on the island, taking a critical view of Okinawa’s imagery, and Okinawa as an imagined object while it struggled against hegemony.
Several centuries ago, there existed no “Okinawa”, but the Ryukyu Kingdom, a feudal kingdom in the Ryukyu Islands in the Pacific Ocean. After the invasion by the forces of the feudal domain of Satsuma, and subsequently by the Empire of Japan, the Ryukyu Islands were annexed and colonized, and in 1879, established as the Okinawa Prefecture. At the end of the Second World War in 1945, the U.S. forces occupied and ruled Okinawa for 27 years, sealing its fate in the strategic chain of islands in the Cold War era. Even when the U.S. forces “returned” Okinawa to Japan in 1972, the island, which only constitutes 0.6% of Japan’s total land area, houses more than 70% of the U.S.'s military facilities and bases stationed in the whole country under the US-Japan Security Alliance. To some parts of Okinawa, it almost feels like that the “post-war” era never ended, surrounding this subtropical island with a plume of smoke that rose from the collision between geopolitics and new imperialism.
In this series, we take a look at the layered composition of the life experiences and photography by Okinawan imagery practitioners Kuniyoshi Kazuo, Ishikawa Mao, Higa Toyomitsu and Ishikawa Ryuichi, as well as the complicated political consciousness that is birthed from this interaction. We also move our focus from the question of “how to represent” to “how to construct” the background of Okinawa and its history through the essays by Nakazato Isao, Okamoto Yukiko, Nakasone Kaori and Inoue Mayumo. Through such a redirection of focus, we see the need for a careful analysis as it shows us that imagery is not only generated from colonization, but also feeds back into the issue.
While putting this issue together, the world is being ravaged by the COVID-19 pandemic, intensifying power rivalries. We imagine that our readers in Taiwan and other areas, which belong in the first island chain alongside Okinawa, would feel even more relevance to the island (Okinawa), given our similar histories and political situations. As we feel inspired by Okinawa in many ways, we also become aware of the struggles that are happening around the world, whether it is one against totalitarianism and racism under the mask of nationalistic rhetoric, or the return of capitalism in the name of economic recovery. Until we put into action our words and resist, any dream of a “nation of great power” is but a nightmare for the history of humankind.
___
Voices of Photography 攝影之聲
www.vopmagazine.com
critical geopolitics 在 VOP Facebook 的最讚貼文
VOP首度亞洲跨境編輯合作,第①輯:韓國!
● 新刊發行 New Release
Voices of Photography 攝影之聲
Issue 23 : #韓國專題
South Korea Issue
「#亞洲當代攝影文化現場系列」是由《攝影之聲》發起,以亞洲現地視角出發、近觀當代攝影文化與藝術實踐的專題系列,期望逐步拓展我們對影像文化的論域及認識範圍。在這個系列計畫中,我們擴大亞際連結,邀請位於亞洲不同地區的影像文化工作者、創作者參與《攝影之聲》的編輯陣容,嘗試從跨域文化觀察以及在地現場論述的視野與多重對照,繪製亞洲當代攝影發展的形廓概貌。
本期是此系列推出的首波專題,我們從東北亞的韓半島出發,邀請韓國「Seoul Lunar Photo」攝影節創辦人暨策展人、韓國國立現代美術館研究企劃出版組組長宋修庭擔任本次專題的客座主編,聚焦討論近十年來韓國攝影的發展歷程,同時特寫介紹十位韓國當代攝影創作者,從他們的作品中折射出韓國攝影的當前路徑;宋修庭也特別為此專題在首爾主持了一場不同世代的交流對談,邀集韓國影像教育與文化工作者、攝影藝術家具本昌、姜洪求以及影像創作者、藝文空間經營者洪辰煊,細細檢視韓國當代攝影藝術與文化的脈動起伏。此外,韓國策展人李庭旼、《VOSTOK》攝影刊物主編朴智洙,則針對韓國當代攝影創作以及主要的攝影出版、展演活動、藝術場館與新生空間,乃至韓國官方及民間設置的獎補助機制等面向作了頗為全面的引介,為我們認識韓國攝影文化樣態開啟了一個絕佳的入口。
此次是《攝影之聲》首次展開的亞細亞跨境編輯製作,在這個專題系列中,我們的編輯陣線所帶來的觀察、書寫與對話,目的不在競賽或炫示任何國族的文化腕力;相反地,讀者在這個系列中將看到的,是來自每一個貼近亞洲攝影文化現場、誠懇而具批判性的審視和反思。以這個系列專題做為節點,我們將一起橫觀當代攝影在亞洲的發展動態,分享、學習彼此相似與差異的經驗,並共感當代攝影創作、歷史和文化在不同地域所蘊含的潛力及挑戰,藉以反身回視我們的文化處境。
在韓半島分斷議題因近期國際政治波動,屢屢成為世界矚目的頭條焦點之際,正在製作這份專題的我們,也切實再感受到東亞歷史與地緣政治的連動性,而更加深了我們對於關注亞洲區域連帶與文化狀態的需要。期望能透過這個專題系列,使作為亞洲文化圈一份子的我們,能夠不斷突破對於「世界(攝影)觀」的認知框架,縮減我們與鄰近區域的距離,並獲得更為多樣、更為清晰的認識圖景。
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▍請大家幫忙分享新刊訊息,謝謝 ! 🙌
“A Study of Contemporary Photography in Asia”, a special series initiated by Voices of Photography, takes a close look at contemporary photography culture and art practice from the Asian perspective and aims to gradually expand our knowledge of image culture and reflection with our readers. In this series, we extended our reach and invited image cultural workers and creators from across Asia to join the editing lineup at Voices of Photography in order to draw a profile of the development of Asia’s contemporary photography scene through multi-cultural observations, in the field discussions and cross references.
In the first installment of this series, we take off from the Korean Peninsula in Northeast Asia. We invited Sujong Song, the founder and director of the Seoul Lunar Photo and now working in the National Museum of Modern and Contemporary Art in Seoul, South Korea, to join us as a Guest Editor and discuss in depth the development of photography in South Korea in the past decade. At the same time, she features ten South Korean contemporary photographers whose work sheds light on the current state of photography in South Korea. Song also hosted an intergenerational dialogue in Seoul specially for this feature with Bohnchang Koo and Honggoo Kang, both photographers, as well as image education and cultural workers, and Jinhwon Hong, an image creator and director of “space nowhere”. Together, they examined closely the ups and downs of South Korea’s contemporary photography art and culture. In addition, Jungmin Lee, a South Korean curator, and Jisoo Park, the editor of the photography magazine Vostok, explore in detail South Korea’s contemporary photography works, publications, exhibitions, art venues and “new(sinsaeng) spaces”, and the mechanism of government and private awards and subsidies in the country, allowing us insight into the culture of photography in South Korea.
This is our first attempt at a collaboration with editors from across Asia. In this special series, as our team of editors share their observations, writings and dialogues, their aim is not to outdo one another, nor show off the cultural power of their countries. On the contrary, what the readers can see for themselves in this series are sincere yet critical analyses and reflections of the cultural scene of photography in Asia. Using this series as a pivot, we will take a transverse view of the development of contemporary photography in Asia and share our experiences both similar and different, as well as the potential and challenges of contemporary photography creation, history and culture in different regions. Through this, we also look back at our own cultural situation.
As we were making the South Korea photography feature, the divided North and South Korea hit headlines across the world due to recent international political turbulence making us feel keenly conscious of the interconnectedness of East Asian histories and geopolitics. We also realized the need to pay close attention to regional linkages and influences in Asia. As members of the Asian cultural circle, we hope to continue to have breakthroughs in how we appreciate the world (and photography) and bring our neighboring regions closer to us so that our understanding can become clearer and more diverse, all through this special series.
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Voices of Photography 攝影之聲
www.vopmagazine.com
critical geopolitics 在 コバにゃんチャンネル Youtube 的最讚貼文
critical geopolitics 在 大象中醫 Youtube 的最佳解答
critical geopolitics 在 大象中醫 Youtube 的最佳解答
critical geopolitics 在 Critical Geopolitics - an overview | ScienceDirect Topics 的相關結果
Critical geopolitics responds to geopolitical narratives by examining the geographical knowledge portrayed by those narratives and how they represent the world. ... <看更多>
critical geopolitics 在 Ian Klinke: Five minutes for critical geopolitics – A slightly ... 的相關結果
Critical geopolitics is a loose platform that emerged in the 1990s at the interface between Political Geography and International Relations. ... <看更多>
critical geopolitics 在 Critical geopolitics - Wikipedia 的相關結果
The basic concept behind critical geopolitics is that intellectuals of statecraft construct ideas about places; these ideas have influence and reinforce ... ... <看更多>