Northwest's Salmon Population May Be Running Out of Time
A Washington state report put it bluntly ( ): Because of the devastating ( ) effects of climate change and deteriorating ( ) habitats ( ), several species of salmon in the Pacific Northwest are “on the brink of ( ) extinction ( ).”
Of the 14 species of salmon and steelhead trout in Washington state that have been deemed ( ) endangered ( ) and are protected under the Endangered Species Act, 10 are lagging ( ) recovery goals, and five are considered “in crisis,” according to the 2020 State of Salmon in Watersheds report.
“Time is running out,” said the report, which is produced every other year ( ) by the Washington state Recreation and Conservation Office. “The climate is changing, rivers are warming, habitat is diminishing ( ), and the natural systems that support salmon in the Pacific Northwest need help now more than ever.”
Researchers say recovery efforts — involving state and federal agencies, Native American tribes, local conservation groups and others — have helped slow the decline of some salmon populations. The report found that two species — the Hood Canal summer chum and Snake River fall chinook — were approaching ( ) their recovery goals. It also noted that no new salmon species had been added to the endangered list since 2007.
“We are at least treading water,” said Kaleen Cottingham, director of the Washington state Recreation and Conservation Office. “We have not, however, seen the kind of progress ( ) that we had hoped for.”
With the effects of climate change expected to accelerate ( ), researchers said that more must be done to prevent further population decline and the possible extinction of some species.
Salmon play a vital ( ) role in the environment, economy and culture of the Pacific Northwest. At least 138 species depend on salmon for their food in some way. Salmon support an estimated ( ) 16,000 jobs in the fishing industry, and they are a draw ( ) for tourists.
Before the 20th century, an estimated 10 million to 16 million adult salmon and steelhead trout returned annually to the Columbia River system. The current return of wild fish is 2% of that.
One of the largest factors inhibiting salmon recovery is habitat loss. A growing human population has led to development along the shoreline and the addition of bulkheads, or sea walls, that encroach ( ) on beaches where salmon generally find insects and other food. More pavement ( ) and hard surfaces have contributed to an increase in toxic stormwater runoff ( ) that pollutes Puget Sound.
美國西北部鮭魚 陷瀕臨絕種危機
華盛頓州一篇報告直截了當指出,由於氣候變遷跟棲地劣化的毀滅性影響, 美國西北部有數種鮭魚「瀕臨滅絕」。
根據《2020年水域內鮭魚狀況報告》,華盛頓州有14種鮭魚和虹鱒被認定為瀕危物種,並受到《瀕危物種法》保護,其中10種復育進度未能達標,有5種更被認定「處於危機之中」。
這份由華盛頓州休閒與保育辦公室兩年發表一次的報告說:「時間不多了。氣候正在改變,河流水溫正在升高,棲地正在減少,供養美國西北部鮭魚生存的自然系統,如今比以往任何時候都更需要幫助。」
研究人員說,由州與聯邦機構、美國原住民部落、地方保育組織和其他機構共同參與的復育行動,緩和了一些鮭魚數量的減少。報告中發現胡德運河夏天的鉤吻鮭與蛇河秋天的帝王鮭兩種鮭魚,復育正接近目標。報告還指出,自2007年以來沒有新的鮭魚種列入瀕危名單。
華盛頓州休閒與保育辦公室主任Kaleen Cottingham說:「我們至少勉強穩住了情況,但我們沒有看到我們所期望的進展。」
研究人員表示,氣候變遷的影響料將加速,必須更加努力以防止鮭魚數量進一步減少和一些魚種的滅絕。
鮭魚在美國西北部環境、經濟與文化中扮演至關重要角色。在某種程度上,至少有138個物種以鮭魚為食。鮭魚為漁業提供約1萬6千個工作,並吸引大量遊客。
20世紀以前,估計每年有1000萬到1600萬成年鮭魚和虹鱒回到哥倫比亞河水系。目前返回的野生鮭魚數量只有這個數字的2%。
阻礙鮭魚復育的最大原因之一為棲地喪失,不斷成長的人口導致海岸沿線的開發,加上隔板或海堤的增加,這些侵占了鮭魚平常尋找昆蟲及其他食物的海灘。更多的鋪裝路面和堅硬的地面導致有毒雨水流量的增加,進而汙染了普吉特海灣。
#高雄人 #學習英文 請找 #多益達人林立英文
#高中英文 #成人英文
#多益家教班 #商用英文
#國立大學外國語文學系講師
同時也有96部Youtube影片,追蹤數超過34萬的網紅Dong ASMR,也在其Youtube影片中提到,The first 100 people to download Endel at https://app.adjust.com/b8wxub6?campaign=dongasmr_june&adgroup=youtube will get a free week of audio experien...
「environment sound」的推薦目錄:
- 關於environment sound 在 多益達人 林立英文 Facebook 的最讚貼文
- 關於environment sound 在 黃心健 Hsin-Chien Huang Facebook 的最讚貼文
- 關於environment sound 在 黃心健 Hsin-Chien Huang Facebook 的最讚貼文
- 關於environment sound 在 Dong ASMR Youtube 的最佳解答
- 關於environment sound 在 Dong ASMR Youtube 的最佳解答
- 關於environment sound 在 Dong ASMR Youtube 的最佳貼文
- 關於environment sound 在 Sound Environment Centre at Lund University - Facebook 的評價
- 關於environment sound 在 ESC-50: Dataset for Environmental Sound Classification 的評價
environment sound 在 黃心健 Hsin-Chien Huang Facebook 的最讚貼文
2021 ARS ELECTRONICA FESTIVAL Garden Taipei/ Formosa
2021 奧地利林茲電子藝術節台灣展區「台北/福爾摩沙花園:島嶼壯遊」
展區 ✨ 【新媒體之旅 】(New Media Tour )
預告片來囉 ✨ https://www.youtube.com/watch?v=movZlI2pPQQ
Thanks to the digital era and the rapid advancement of technologies, the mediums available to the modern artists are not limited to canvas on an easel. Instead, they utilize video, sound, electronic music, installation, and various new media to explore different issues, such as family, memory, city, society, landscape, and environment. Hence, in the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai). A link for a time-limited viewing and the introduction of the artists will be available.
在數位時代與科技快速的演進下,當代藝術家所可運用的媒材不再停留在畫架上的油布而已,進而從錄像(video)、聲音(sound)、電子音樂(electronic music)、裝置(installation)與各種新媒體(new media)的數位載體,以此各自表達所關注的多元議題,如家族、記憶、城市、社會、地景與環境等。因此,在「新媒體之旅」 (New Media Tour)的展區裡,將分享9件台灣藝術家所帶來的精彩作品,以此作為「島嶼壯遊」的中繼點,我們堅信數位工具也能夠呈現出現實環境的溫度與情感。此展區將展出《景觀色譜-樂群村、華陰街、西螺鎮》:吳修銘、《信使II - 永恆漫遊與熱帶追尋》:林羿綺、《滾滾》:洪小澎、《彼・此》:胡鈞荃、《光廊》:胡縉祥、《海邊的巴別塔》:馮偉中、《如何向一支手機解釋愛情》:楊傑懷、《U+617E_v2.∞》:詹嘉華、《無人的在場》:蔡寧。本展區的作品將提供限時觀看與藝術家介紹的網址連結。
💬線上展覽時間為2021年9月8日至12日!更多精彩內容直接進入官方網站🤩 本展區的作品將提供 #限時觀看 與藝術家介紹的網址連結哦!
👉🏻台北/福爾摩沙花園:島嶼壯遊 專區 http://garden2021.metarealitylab.com/
:::::::各展區預告片解鎖中:::::::
✔️【食壤計畫】 https://www.youtube.com/watch?v=nl80hcdI_jY
✔️【沉浸之旅】https://youtu.be/6TvpTQIYWaw
✔️【動畫之旅】https://youtu.be/6SSXdiKl2oM
✔️台北/福爾摩沙花園:島嶼壯遊預告片
https://www.youtube.com/watch?v=opZLSEh_L14
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
#newdigitaldeal
environment sound 在 黃心健 Hsin-Chien Huang Facebook 的最讚貼文
🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
environment sound 在 Dong ASMR Youtube 的最佳解答
The first 100 people to download Endel at https://app.adjust.com/b8wxub6?campaign=dongasmr_june&adgroup=youtube will get a free week of audio experiences!
Once again, thank you to Endel for sponsoring this video!
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The only time I am able to record an ASMR video is at 3-4am... and
I got to tell you that it is really difficult to film ASMR at home...
the environment isn't really asmr friendly so I appreciate it if you would give me a thumbs up!! it will really help out my channel!
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environment sound 在 Dong ASMR Youtube 的最佳解答
how many times did dong say alright
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The only time I am able to record an ASMR video is at 3-4am... and
I got to tell you that it is really difficult to film ASMR at home...
the environment isn't really asmr friendly so I appreciate it if you would give me a thumbs up!! it will really help out my channel!
———————— ?????? ????? ———————
Instagram: @dongasmr
Discord: https://discord.gg/cmWzx9NB8c
———————— SUPPORT ME! ———————
Patreon: https://www.patreon.com/dongasmr
Support Me! : https://paypal.me/dongasmr?locale.x=e

environment sound 在 Dong ASMR Youtube 的最佳貼文
Install Raid for Free ✅ IOS/ANDROID/PC: https://clcr.me/DongASMR_June and get a special starter pack ? Available only for the next 30 days
Hope you guys enjoyed this ~ All the ideas have been amazing so far…
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The only time I am able to record an ASMR video is at 3-4am... and
I got to tell you that it is really difficult to film ASMR at home...
the environment isn't really asmr friendly so I appreciate it if you would give me a thumbs up!! it will really help out my channel!
———————— ?????? ????? ———————
Instagram: @dongasmr
Discord: https://discord.gg/cmWzx9NB8c
———————— SUPPORT ME! ———————
Patreon: https://www.patreon.com/dongasmr
Support Me! : https://paypal.me/dongasmr?locale.x=e

environment sound 在 ESC-50: Dataset for Environmental Sound Classification 的推薦與評價
Title Accuracy Paper Code
AST: Audio Spectrogram Transformer 95.70% gong2021 📜
🎧 Human accuracy 81.30% piczak2015a 📜
Objects that Sound 79.80% arandjelovic2017b ... <看更多>
environment sound 在 Sound Environment Centre at Lund University - Facebook 的推薦與評價
The Sound Environment Centre (LMC) at Lund University is an interdisciplinary centre initiating,... Helgonavägen 3, 223 62 Lund, Sweden. ... <看更多>