🎹鋼琴的大千世界/名家名言:「為何稱我為大師?主人在這裡(指著鋼琴),我只是他的奴才。」
— 李斯特著名的弟子,德國鋼琴家、作曲家、教育家 萊森奧爾(Alfred Reisenauer)
Why, there is the master (pointing to the piano), I am only the slave.”
— Alfred Reisenauer (1 November 1863 – 3 October 1907) German pianist, composer, and music educator.
📹 跟隨在李斯特學習長達十二年至李斯特過世(1874-1886)的萊森奧爾,演奏李斯特的第十號匈牙利狂想曲:
https://youtu.be/e12YwuHiQtY
📰 延伸閱讀 - 【李斯特學派 / the school of Liszt】♩.♪
https://www.facebook.com/notes/fan-chiang-yi-%E8%8C%83%E5%A7%9C%E6%AF%85/%E6%9D%8E%E6%96%AF%E7%89%B9%E5%AD%B8%E6%B4%BE-the-school-of-liszt/289155141104454/
———————————————————————1905-1906 鋼琴名家萊森奧爾(Alfred Reisenauer)在美國進行數月的巡迴演出,並接受美國著名音樂雜誌”Etude”的專訪。文章於1906年七月出版,隔年他在德國巡迴演出期間於下榻的飯店房間內過世。
📰 藝術家的養成 - 萊森奧爾的見解
The Making of an Artist - The Views of Alfred Reisenauer.
▪️With Liszt
“When I had reached a certain grade of advancement it was my great fortune to become associated with the immortal Franz Liszt. I consider Liszt the greatest man I have ever met. By this I mean that I have never met, in any other walk of life, a man with the mental grasp, splendid disposition and glorious genius. This may seem a somewhat extravagant statement. I have met many, many great men, rulers, jurists, authors, scientists, teachers, merchants and warriors, but never have I met a man in any position whom I have not thought would have proved the inferior of Franz Liszt, had Liszt chosen to follow the career of the man in question. Liszt’s personality can only be expressed by one word, ‘colossal.’ He had the most generous nature of any man I have ever met. He had aspirations to become a great composer, greater than his own measure of his work as a composer had revealed to him. The dire position of Wagner presented itself. He abandoned his own ambitions— ambitions higher than those he ever held toward piano virtuosity—abandoned them completely to champion the difficult cause of the great Wagner. What Liszt suffered to make this sacrifice, the world does not know. But no finer example of moral heroism can be imagined. His conversations with me upon the subject were so intimate that I do not care to reveal one word.
▪️Liszt’s Pedagogical Methods
“His generosity and personal force in his work with the young artists he assisted, are hard to describe. You ask me whether he had a certain method. I reply, he abhorred methods in the modern sense of the term. His work was eclectic in the highest sense. In one way he could not be considered a teacher at all. He charged no fees and had irregular and somewhat unsystematic classes. In another sense he was the greatest of teachers. Sit at the piano and I will indicate the general plan pursued by Liszt at a lesson.”
Reisenauer is a remarkable and witty mimic of people he desires to describe. The present writer sat at the piano and played at some length through several short compositions, eventually coming to the inevitable “Chopin Valse, Op. 69, No. 1, in A flat major.” In the meanwhile, Reisenauer had gone to another room and, after listening patiently, returned, imitating the walk, facial expression and the peculiar guttural snort characteristic of Liszt in his later years. Then followed a long “kindly sermon” upon the emotional possibilities of the composition. This was interrupted with snorts and went with kaleidoscopic rapidity from French to German and back again many, many times. Imitating Liszt he said, “First of all we must arrive at the very essence of the thing; the germ that Chopin chose to have grow and blossom in his soul. It is, roughly considered, this:(見譜例圖四)
Chopin’s next thought was, no doubt:(見譜例圖五)
But with his unerring good taste and sense of symmetry he writes it so:(見譜例圖六)
Now consider the thing in studying it and while playing it from the composer’s attitude. By this I mean that during the mental process of conception before the actual transference of the thought to paper, the thought itself is in a nebulous condition. The composer sees it in a thousand lights before he actually determines upon the exact form he desires to perpetuate. For instance, this theme might have gone through Chopin’s mind much after this fashion:(見譜例圖七)
The main idea being to reach the embryo of Chopin’s thought and by artistic insight divine the connotation of that thought, as nearly as possible in the light of the treatment Chopin has given it.
“It is not so much the performer’s duty to play mere notes and dynamic marks, as it is for him to make an artistic estimate of the composer’s intention and to feel that during the period of reproduction, he simulates the natural psychological conditions which affected the composer during the actual process of composition. In this way the composition becomes a living entity—a tangible resurrection of the soul of the great Chopin. Without such penetrative genius a pianist is no more than a mere machine and with it he may develop into an artist of the highest type.”
▪️A Unique Attitude.
Reisenauer’s attitude toward the piano is unique and interesting. Musicians are generally understood to have an affectionate regard for their instruments, almost paternal. Not so with Reisenauer. He even goes so far as to make this statement: “I have always been drawn to the piano by a peculiar charm I have never been able to explain to myself. I feel that I must play, play, play, play, play. It has become a second nature to me. I have played so much and so long that the piano has become a part of me. Yet I am never free from the feeling that it is a constant battle with the instrument, and even with my technical resources I am not able to express all the beauties I hear in the music. While music is my very life, I nevertheless hate the piano. I play because I can’t help playing and because there is no other instrument which can come as near imitating the melodies and the harmonies of the music I feel. People say wherever I go, ‘Ah, he is a master.’ What absurdity! I the master? Why, there is the master (pointing to the piano), I am only the slave.”
▪️The Future of Pianoforte Music.
An interesting question that frequently arises in musical circles relates to the future possibilities of the art of composition in its connection with the pianoforte. Not a few have some considerable apprehension regarding the possible dearth of new melodic material and the technical and artistic treatment of such material. “I do not think that there need be any fear of a lack of original melodic material or original methods of treating such material. The possibilities of the art of musical composition have by no means been exhausted. While I feel that in a certain sense, very difficult to illustrate with words, one great ‘school’ of composition for the pianoforte ended with Liszt and the other in Brahms, nevertheless I can but prophesy the arising of many new and wonderful schools in the future. I base my prophecy upon the premises of frequent similiar (sic) conditions during the history of musical art.” These are Reisenauer’s views upon this matter.
Continuing, he said: “It is my ambition to give a lengthy series of recitals, with programs arranged to give a chronological aspect of all the great masterpieces in music. I hope to be enabled to do this before I retire. It is part of a plan to circle the world in a manner that has not yet been done.” When asked whether these programs were to resemble Rubinstein’s famous historical recitals in London, years ago, he replied: “They will be more extensive than the Rubinstein recitals. The times make such a series posssible (sic) now, which Rubinstein would have hesitated to give.”
As to American composers, Reisenauer is so thoroughly and enthusiastically won over by MacDowell that he has not given the other composers sufficient attention to warrant a critical opinion. I found upon questioning, that he had made a genuinely sincere effort to find new material in America, but he said that outside of MacDowell, he found nothing but indifferently good salon-music. With the works of several American composers he was, however, unfamiliar. He has done little or nothing himself as a composer and declared that it was not his forte.
▪️American Musical Taste.
Reisenauer says: “American musical taste is in many ways astonishing. Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr. Leopold Damrosch and Theodore Thomas enough for their unceasing labors. Thanks to the impetus that they gave the movement, it is now possible to play programs in almost any American city that are in no sense different from those one is expected to give in great European capitals. The status of musical education in the leading American cities is surprisingly high. Of course the commercial element necessarily affects it to a certain extent; but in many cases this is not as injurious as might be imagined. The future of music in America seems very roseate to me and I can look back to my American concert tours with great pleasure.
▪️Concert Conditions in America.
“One of the great difficulties, however, in concert touring in America is the matter of enormous distances. I often think that American audiences rarely hear great pianists at their best. Considering the large amounts of money involved in a successful American tour and the business enterprise which must be extremely forceful to make such a tour possible, it is not to be wondered that enormous journeys must be made in ridiculously short time. No one can imagine what this means to even a man of my build.” (Reisenauer is a wonderfully strong and powerful man.) “I have been obliged to play in one Western city one night and in an Eastern city the following night. Hundreds of miles lay between them. In the latter city I was obliged to go directly from the railroad depot to the stage of the concert hall, hungry, tired, travel worn and without practice opportunities. How can a man be at his best under such conditions—yet certain conditions make these things unavoidable in America, and the pianist must suffer occasional criticism for not playing uniformly well. In Europe such conditions do not exist owing to the closely populated districts. I am glad to have the opportunity to make this statement, as no doubt a very great many Americans fail to realize under what distressing conditions an artist is often obliged to play in America.”
同時也有11部Youtube影片,追蹤數超過40萬的網紅ayakoishikawatv,也在其Youtube影片中提到,世界的に有名なピアニスト、ランラン作曲の超絶ピアノ曲「荒野狂想曲」を完全再現! ランランとMVコラボ演奏となっています。 お楽しみください。 The world-famous pianist, Lan Lang composed a transcendental piano song "A wi...
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- 關於famous pianist 在 ayakoishikawatv Youtube 的最佳解答
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- 關於famous pianist 在 10 Best Piano Players on YouTube | Free Online Piano Lessons 的評價
- 關於famous pianist 在 Famous Piano and Keyboard Players - Pinterest 的評價
famous pianist 在 梁軒安 Eagle-軒爺 Facebook 的精選貼文
世界疫情的憂鬱,分享出來讓大家聽一聽,安撫一下心情。
《梁祝》鋼琴獨奏編曲暨演奏巫漪麗老師
laine Wu YiLi's "Butterfly Lovers" Piano concerto at Older But Wiser Forum
巫漪麗女士生於1931年是中國第一代鋼琴家,中國鋼琴啟蒙人之一。自幼酷愛音樂,曾隨前上海交響樂團指揮,著名鋼琴家,音樂教育家梅帕器(Maesteo Mariopaci)學習鋼琴。梅帕器是世界鋼琴大師李斯特的再傳弟子。1949年首次和上海交響樂團合作演出貝多芬第一鋼琴協奏曲反應熱烈。
1950年參加上海交響樂團擔任鋼琴獨奏家和室內樂演奏家,並任教於上海樂學院及中國福利會兒童劇團。1954年在北京中央樂團擔任獨奏家和室內樂演奏家,1962年被淘汰國家一級鋼琴演奏家,得到周恩來總理在中國海懷仁堂的親自接見。
1982年在美國深造,隨即美國鋼琴協會主席Ozan Marsh學習鋼琴表演藝術及新式“形象”的教學法,獲得“音樂家”稱號。
在她演奏李斯特,舒曼和肖邦的作品中,我們能夠做到領悟。她對中國作品深入鑽研,對樂曲的她是著名的《梁山伯與祝英台》小提琴協奏曲鋼琴部分的首創及首演者。每次演奏《松花江上》時都熱淚盈眶。改編的廣東音樂《娛樂昇平》受到熱烈歡迎。
她在伴奏工作方面一直秉承前蘇聯著名聲樂家蘇石林所教導的原則:“伴奏應該是藝術指導,而又是演奏音符,是和合作者共同進入音樂意境,是音樂背景的共同創造者,要她和著名的小提琴家孔昭暉合作演奏的五首中國樂曲錄製成CD專輯,暢銷國內外。2004年她隨新加坡“百合女聲藝術團”參加在無錫古董的第七界國際合唱她雖人到晚年,仍“老驥伏櫪,志在千里”,猶如一朵綻放開已久的玫瑰,繼續散發餘香。
巫漪麗2019年4月20日晚上10點於新加坡逝世。享年89歲。
感謝贊助Special Thanks to our Sponsors:
Piano Master International
Triple One Properties Pte Ltd
陳延謙基金Tan Ean Kian Foundation
TKNP International
國家藝理會NAC和新加坡藝術基金 Artsfund
文字和影片取自於:https://youtu.be/c4YzLPXyV6w
Born in Shanghai, China, Mdm Elaine Wu has ardent love of music since childhood. She was the first award winner in the 1st Shanghai Children's Music competition of 1939 in shanghai after 1 year's piano study. Then she was introduced to study with the world's famous pianist, Maestro Mario Paci who is the grand pupil of Franz Liszt and conductor of former Shanghai Municipal Symphony Orchestra.
She made her debut in 1949: playing Beethoven's Piano concerto No. 1 with the Shanghai Symphony Orchestra and won extraordinary fame. She also taught in Shanghai Conservatory of music and Mdm Sun Yat-sien Children Ensemble. She also worked in the Shanghai Symphony Orchestra both as pianist and chamber musician.
In 1954 she was both the pianist and chamber musician in the Central symphony Orchestra in Beijing. She was the first pianist to play in the joint-recital with the famous violinist Yang Bim Suen. The show was warmly welcomed. She was conferred the title of "First Class National Pianist" and then the Prime Minister Zhou Enlai met her in Zhongnanhai. In order to expand music field, since 1982, she studied the art of piano performing and the new trend "Visualization Teaching Method" with Ozan Marsh, president of American Pianists Association and won the certificate of 'wonderful musician'.
Her rendering is enthusiastic delicate, good quality and variety of tone. She can express the compositions from the bottom of the music mingled with the literature, art painting and nature. She turned her ardent love of music to the unusual music.
Apart from the piano teaching and performing, she also composed and arranged numerous Chinese piano music including the piano part of the well -known violin concerto Butterfly Lovers, and Cantonese music Peace and Prosperity.
Living in Singapore, she keeps active in piano solo and accompaniment. In 2004, she joined Singapore's Bai-He Lady Chorus in the 7th International Chorus Festival in China and won award of Excellence Piano Accompaniment. Now, she is nurturing and training the adult students using the new pedagogy methods she learned in USA and is widely welcomed.
Elaine Wu passed away in Singapore on 20 April 2019 at 10pm.
famous pianist 在 林懿德 Facebook 的最佳解答
I love his piano music so so so much!!!
He is Yiruma.
It's a famous romantic pianist in Korea.
His Korean name is 이루마 李閏珉
He is a new century musical pianist and composer of music from Seoul.
我非常喜歡他的鋼琴演奏曲!
他是Yiruma
韓國著名的浪漫主義鋼琴家。
他的韓文名字是이루마 李閏珉
他是一位來自首爾的新世紀音樂鋼琴家和作曲家!
“Kiss the Rain”the song always moves my heart ❤️
#yiruma #이루마 #pianomusic #romantic
famous pianist 在 ayakoishikawatv Youtube 的最佳解答
世界的に有名なピアニスト、ランラン作曲の超絶ピアノ曲「荒野狂想曲」を完全再現!
ランランとMVコラボ演奏となっています。
お楽しみください。
The world-famous pianist, Lan Lang composed a transcendental piano song "A wildness fantasy song"!
It is MV collaboration performance with Lang Lang.
Please enjoy.^^
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アルバム発売を記念して、毎週水曜日にYouTube・ニコニコ生放送・LINE LIVEでの
発売記念生配信『週刊 AYAKO TIMES』が決定!
第4回放送は8月19日(水)20時スタート!オンラインサイン会も実施いたします!
皆様からのおたよりコーナーを実施予定ですので
・石川綾子へのメッセージ(デビュー10周年のお祝い・質問等)
・石川綾子へのリクエスト曲
・AYAKO TIMESに関するご意見 などなど
ぜひ番組宛にメッセージをお送りください♪
■宛先はこちら!
at_info@ayako-ishikawa.com
石川綾子NEWアルバム『AYAKO TIMES』リリース記念生放送『週刊 AYAKO TIMES 』vol.4
生演奏/お便りコーナー/MV鑑賞などをお送りいたします^ ^
☆YouTube/LINE LIVE/ニコニコにて無料生放送
生放送でご紹介させていただく石川綾子へのお便りを募集中♪
at_info@ayako-ishikawa.com
☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆
『週刊 AYAKO TIMES』vol.4
放送日時:8月26日(水)20:00〜21:00
▶︎YouTube
https://youtu.be/agJ70JlS7nc
▶︎LINE LIVE https://live.line.me/channels/671/upcoming/14680138
▶︎ニコニコ生放送 https://live2.nicovideo.jp/watch/lv327639651
今後の配信日程:8/26、9/2、9/9、9/16 、9/23、9/30
(今後のオンラインサイン会は9/2、9/16 の2日程となります。)
☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆
『あやニコ』!!!※チャンネル会員/プレミアムチャンネル限定放送です
放送日時:8月26日(水)21:00〜22:00
▶︎ニコニコ生放送 https://live2.nicovideo.jp/watch/lv327639651
AYAKO TIMESの放送終了後、ニコニコ生放送はそのまま同じURLでチャンネル会員放送をお届けいたします!
▶︎LINE LIVE https://live.line.me/channels/671/upcoming/14680159
この度、石川綾子はLINE LIVEプレミアムチャンネルを開設致しました!
(月額580円(税込)/無料トライアル1ヶ月!!デジタル会員証つき!)
今後はニコニコ生放送だけでなくLINE LIVEでも
『あやニコ』!!!をご覧いただけます♪
☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆...☆
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石川綾子がCDデビュー10周年を記念したアルバム、
『AYAKO TIMES』のリリースが9月30日(木)に決定いたしました!!
“TIMES”(時間、掛け算)をコンセプトに、10年の音楽的キャリアを振り返るとともに、ショパン、ラヴェル、ベートーベンなどクラシックの名曲からSuchmos「STAY TUNE」、RADWINPS「グランドエスケープ」ほかJ-popの意外な楽曲をマッシュアップさせるなど、さらに進化した石川綾子渾身のフルアルバムです。
アレンジをギタリスト・プロデューサーの鳥山雄司、チェリストの伊藤修平が手がけ、ポップオペラ歌手の藤澤ノリマサ、人気声優の鈴木みのりがゲストボーカリストとしてコラボレーション、また自身の書き下ろしオリジナル楽曲を3曲収録したキャリアの節目にふさわしい充実した内容となっています。
そしてリリース記念6週連続企画として、
7/29より毎週水曜日に楽曲先行配信&MV公開が決定いたしました!
毎週一曲、NEWアルバムの楽曲を先行配信、またMVをYouTubeにて公開いたします!
配信予定日: 7/29、8/5、 8/19、8/26、9/2、9/9
また、合わせてYouTubeでの発売記念生配信『週刊 AYAKO TIMES』も決定!
こちらではアナザージャケットの予約とYouTubeを使用したオンラインでのサイン会も実施いたします!
配信日程:7/29、8/5、8/19、8/26、9/2、9/9、9/16 、9/23、9/30
(オンラインサイン会は7/29、8/19、9/2、9/16 の4日程となります。)
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NEW ALBUM『AYAKO TIMES』
2020.9.30 ON SALE!!
初回封入特典 :イベントご招待/非売品プレゼント抽選応募申し込み用紙封入!
全10曲収録
ご予約はこちらから
CD 3,000円(税別) https://amzn.to/30Tg1xm
CD+DVD 4,200円(税別) https://amzn.to/31aEPkD
豪華版 CD+Blu-ray+豪華版プレミアムブック 7,500円(税別) https://amzn.to/3hHWzKA
(amazonアフィリエイトリンクを使用しております。)
楽曲先行配信はこちら
itunes/Apple Music :https://music.apple.com/jp/album/1525166126
ドワンゴジェイピー :http://r.dwango.jp/e001VkC5
e-onkyo:https://www.e-onkyo.com/music/album/tmi00006/
そのほか、amazon/LINE MUSIC/YouTube Musicなど配信リンクまとめ
https://linkco.re/3Ap4MucP
<収録曲>
1 A Mother's Song -無償の愛-
2 Swan Lakin'
3 Erlkönig × Bolero feat. 藤澤ノリマサ
4 Crying Violin
5 Pavane × STAY TUNE
6 Chopin Etude No.3 × Traumerai
7 Liar
8 Grand Escape × Sonata No.8 feat. 鈴木みのり
9 Prelude
10 Une larme d'ange
<DVD/Blu-ray収録映像>
Pavane x STAY TUNE MV
Crying Violin MV
AYAKO TIMES MAKING MOVIE
AYAKO TIMES INTERVIEW ※Blu-rayのみ収録
<Bonus MV>
YOU RAISE ME UP MV
unravel MV
ひまわりの約束 MV
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#荒野乱斗
#超絶技巧
#LangLang
#郎朗
【Website】http://www.ayako-ishikawa.com
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![post-title](https://i.ytimg.com/vi/WaMpJp0lYY0/hqdefault.jpg)
famous pianist 在 CANACANA family Youtube 的精選貼文
I played this song that I also love with all my soul!
You can always hum! Please enjoy its song with piano arrangement!
When I am abroad, I ask to foreign friends what famous Japanese songs. He said , CHA-LA HEAD-CHA-LA! Lol
Goku was a hero in the world!
With the sound of the piano, you can relieve stress and relieve tension, get well, and so on. I play the piano with a feeling that resonates with everyone's heart so that it can be useful a little. Study, sleep, work, housework, parenting ... Please also listen to the daily BGM.
It is delivered movies with my brother in charge of video editing.
♬Subscribe and click the 🔔bell to get notified on new uploads!(^-^)
🎹 Sheet Music(Eng Only)
▶︎https://www.mymusicsheet.com/canacanafamily
🎹 악보
▶︎https://www.mapianist.com/profile/409018/sheet/post?boardType=music
🎹 楽譜
▶︎https://www.kokomu.jp/profile/678/post?boardType=music
♬Instagram▶︎http://instagram.com/canacana_piano
♬twitter▶︎http://twitter.com/CANACANA_broth
Other Channel
🎹CANACANA magic - CANACANA Light piano channel
▶︎https://www.youtube.com/channel/UC5o1iHRS_1uyF74aPNa280w
🎻🎸W Strings - guitar and the violin Channel
▶︎https://www.youtube.com/channel/UCSEvmUvRId_ZIPozWgIYhvA
🍜Food Traveler - food and travel Channel
▶︎https://www.youtube.com/channel/UCRTaEHxtLAG8otd6I4dU6Ow
📩If you have any requests, feel free to send it to me via e-mail♪
【mail address】brothfamily1@gmail.com
Pianist: CANACANA Movie editor: brother
![post-title](https://i.ytimg.com/vi/udq37WeQ9KA/hqdefault.jpg)
famous pianist 在 Jang Li Harmonica 李讓 Youtube 的最佳貼文
蕭邦:小狗圓舞曲 Chopin:Minute Waltz Op. 64 No. 1
半音階口琴 Chromatic Harmonicist|李讓 Jang Li
鋼琴Pianist|金墨雨 Morris Kim
Director & Videographer|M.S.Zenky (https://www.facebook.com/M.S.Zenky.tw)
Editor|李讓 Jang Li
Special Thanks|台藝方家演藝廳
【簧格時代】2019李讓口琴獨奏會
繼2011《十年日記》後睽違8年,李讓口琴獨奏會再次登場!
2019/4/4(四)19:30 臺中國家歌劇院 中劇院
演出人員|口琴/李讓 Jang Li、 鋼琴/金墨雨 Morris Kim
░ 線上購票|https://goo.gl/7Ku8q9
░ 購票請洽全臺超商&兩廳院售票系統
░ 詳細節目資訊與票價詳情請鎖定【李讓 Jang Li】Facebook粉絲專頁
░ 訂閱【Jang Li】官方YouTube頻道並開啟小鈴鐺,別錯過最新的口琴音樂影片
李讓 Jang Li 官方臉書|https://www.facebook.com/Jang.Li.Harmonica/
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Jang Li, a famous & professional harmonica performer from TAIWAN. THREE WORLD CHAMPIONS of World Harmonica Festival (2009 Jazz Chromatic Harmonica & Diatonic Harmonica:blues/rock/folk/country, 2013 Harmonica Trio)
李讓來自台灣,曾獲得世界口琴大賽(WHF)2009雙料冠軍(半音階口琴爵士組&十孔口琴藍調/搖滾/民謠/鄉村組)、2013口琴三重奏冠軍,現為專職口琴音樂家與作曲家
![post-title](https://i.ytimg.com/vi/9lRLC9CCdwg/hqdefault.jpg)
famous pianist 在 Famous Piano and Keyboard Players - Pinterest 的推薦與評價
May 16, 2015 - Explore Giacoletti Music Center's board "Famous Piano and Keyboard Players" on Pinterest. See more ideas about piano, musician, piano player. ... <看更多>
famous pianist 在 10 Best Piano Players on YouTube | Free Online Piano Lessons 的推薦與評價
A prolific YouTube pianist who churns out videos twice a week, Rousseau pairs popular piano classics with a colorful visualizer that shows just ... ... <看更多>