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郎世寧對傳統文人畫也有涉獵,當年他學習的對象是宮廷畫家唐岱,而唐岱則是師從王原祁。策展人說,從這件作品畫面的山頭造型,雜樹布置、皴 法、苔點,都可以看見郎世寧學習唐岱筆法的痕跡,而且兩人也曾多次奉旨合作作畫。
#神筆丹青 #郎世寧
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神筆丹青-郎世寧來華三百年特展
【清 郎世寧 畫山水(軸)】陳列室:204
Special Exhibit: Portrayals from a Brush Divine: A Special Exhibition on the Tricentennial of Giuseppe Castiglione's Arrival in China
【Landscape】(Gallery: 204)
Lang Shining (Giuseppe Castiglione, 1688-1766), Qing dynasty
Hanging scroll, ink and colors on silk, 143.2 x 89.1 cm
展期(Dates):2015/10/06~2016/01/04
策展人的話:
層巒疊翠山間,山嵐雲煙縈繞,村舍、涼亭、小橋掩映。郎世寧融入皴擦鉤勒法與類似素描的點法,呈現物象不同的質感。樹葉有乾濕濃淡細膩變化,設色明淨細秀。隱約可見的煙嵐,益增畫面深遠的空間感。
郎氏對傳統文人畫也有涉獵,學習對象是宮廷畫家唐岱(1673-1752以後),唐岱則師從王原祁(1642-1715)。畫面山頭造型,雜樹布置、皴 法、苔點,都可看見學習唐岱筆法,兩人曾多次奉旨合作,此種關係確立清初畫壇「正統」風格一脈相承。
Clouds and mists linger amongst lush mountains rising layer upon layer in this painting with village houses, pavilions, and small bridges scattered here and there. Guseppe Castiglione has combined traditional methods of Chinese texturing and outlining with a technique akin to drawing, creating a completely new manner for the motifs. The tree leaves delicately range from dry to moist and light to dark, the coloring also luminous and beautifully refined. The faint mists increase the sense of remote distance for a sense of space in the painting.
In addition to his proficiency in various styles, Castiglione also dabbled in literati painting, learning from the court artist Tang Dai (1673-after 1752), who had studied under the Orthodox master Wang Yuanqi (1642-1715). The forms of the mountaintops, arrangement of the trees, texturing, and “moss dots” all reveal Castiglione’s instruction from Tang Dai. In fact, the two were often ordered to collaborate, thereby placing Castiglione within the “Orthodox Style” of painting circles in the early Qing dynasty.
【清 郎世寧 画山水 軸】
軸 絹本着色,縦143.2cm 横89.1cm
連なり重なる山々の間を雲霧がたなびき、家屋や東屋、小さな橋が見え隠れしている。郎世寧は皺擦法と鉤勒法、素描に似た点法を取り入れ、物象ごとに異なる質感を表現している。樹木の葉は乾湿濃淡の微妙な変化で表され、丹念に施された着色は明るく清らかである。朦朧と浮かびあがる雲霧が画面に奥行きを与えている。
郎世寧は伝統的な文人画を学んだ経験もあり、その対象は宮廷画家の唐岱(1673-1752以降)だった。唐岱は王原祁(1642-1715)の弟子である。山頭の造型や雑木の配置、皺法、苔点などに唐岱の筆法を学んだ痕跡が見られる。二人は幾度も共作したことがあり、このような関係により清代初頭の画壇における「正統」な画風の継承が確立された。
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網站(Website):http://theme.npm.edu.tw/ex…/giuseppecastiglione/…/index.html
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