Suddenly ,thinking about something was happened in my life,now I think I ready to give myself a new life in the future ,I just wanna be a honesty person for myself! And I ready to fly now no one can stop me...
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📌 #design #designer #toptags #designed #designs #fashiondesign #interiordesign #architecture #architect #artist #classical #clean #beautiful #perfect #shiny #amazing #best #hairdesign #craft #antique #vintage #retro #line #linedesign #homestyling #styling #style #stylist #good #uniqlo
同時也有3部Youtube影片,追蹤數超過5,580的網紅Veronica Yen,也在其Youtube影片中提到,愛丁堡藝術節|Veronica2018鋼琴獨奏會 Edinburgh Festival Fringe 演奏會日常/Concert Vlog 紀錄Veronica 兩場愛丁堡獨奏會演出日常 看看美麗的愛丁堡城市,精彩新奇的各樣創意表演 介紹Veronica演出場地之新古典建築風格 聽Veronica新...
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new classical architecture 在 小粉紅Pink Facebook 的最佳貼文
Suddenly ,thinking about something was happened in my life,now I think I ready to give myself a new life in the future ,I just wanna be a honesty person for myself! And I ready to fly now no one can stop me...
•
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📌 #design #designer #toptags #designed #designs #fashiondesign #interiordesign #architecture #architect #artist #classical #clean #beautiful #perfect #shiny #amazing #best #hairdesign #craft #antique #vintage #retro #line #linedesign #homestyling #styling #style #stylist #good #uniqlo
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Fabrice Fouillet,
Sony世界大賽2013年職業組建築類第一名,專訪,以及他的個人網站 Project : Corpus Christi
Fabrice Fouillet is a French professional photographer based in Paris. In 2013 he won the Professional Architecture category of the Sony World Photography Awards. After earning a degree in Sociology and Ethnology, he studied Photography at The Gobelins School. Since 2004, he has been collaborating with advertising agencies and magazines focusing on Still Life and Architecture.
His personal photographic research explores the notion of identity and the close relationship between humans and the environment. Recognised for his series on new places of worship and resemblance in the 2013 Sony World Photography Awards Open Architecture category, he has gained recognition internationally.
Hi Fabrice. Tell us more about yourself - When and why did you first approach photography?
I believe my passion for photography comes from my high school studies. With courses about European cinema and art-house movies I became more sensible and passionate about themes and images in a deeper and broader sense. Then, I approached photography with a small and old camera, making basic shoots of things all around me. From my house to garden, flowers, trees, and landscape, everything became my subject and I felt I was very serious about it. At the age of 20 it appeared to me a natural thing to try and make it professionally.
Have your previous studies in sociology and ethnology influenced your investigation of space?
The education you receive at a young age influences the rest of your life and I would say that my studies not only influenced the investigation of space, but the overall way I think about my projects. At beginning, I was focusing more on still life projects while now environment and social identity interest me more and more as in the ‘Colosses’ and ‘Eurasism’ series.
Do you have a photographic philosophy?
Be truthful to your own desires and emotions for each project you make. This is my photographic philosophy as finding your own artistic path is not such an easy thing. To me the best way is to remain faithful to your passions, be inspired but not too influenced. Precision, determination, rigor, and hard work are unavoidable in photography and they also form part of my philosophy.
With your winning series ‘Corpus Christi’, capturing new spaces of worship, architecture became a way to narrate humanity and its relationship with minimalism and aestheticism. Why did you choose this theme?
I have always found a graphic quality in religious imagery and particularly in catholic iconography. As an architecture devourer, this was the starting point for this project urging me to look for evidence, confront the classical with contemporary spaces of worship, and a way to take fascinating pictures. Somehow it called me out. I saw aesthetic mystery beyond the often cold, austere and classical representation with a firm anachronism between traditional iconography and modern architecture. In ‘Corpus Christi’ I wanted to highlight this rupture between classical imagery and modern religious architecture.
You won the 2013 #SWPA Professional Architecture category. Where did this take your photography?
Being a 2013 Sony World Photography Awards winner has been a great career step forward and it helped me to span my work, gaining a lot of visibility, interviews and press coverage in France and worldwide. Thanks to the awards, The New York Times Magazine & other media companies have contacted me for architecture commissions. It was a huge satisfaction and encouraged me continue with the art and subjects I am passionate about.
What would you suggest to young photographers aspiring to make create architectural photography?
To push the button can be easy and fast, but architectural photography - and photography in general, requires strong determination. Firstly, remember that between subjects and projects there’s half of the sea. So think carefully about what and how you want to proceed. Then, be precise and rigorous, chase the light and work the frame of course. Sometimes, wait for the good moment. Try again or come back if necessary. Push the limit and don't give up even if discouragement is knocking at the door.
Talking about your new project ‘World’s Tallest Statues’ you recently stated: “I was intrigued by the human need to build these immense shrines to power”. Could you tell us more about it and how you came across this subject?
Indeed, I have just mentioned the importance of determination and these gigantic statues are the perfect example. They symbolise the strong human desire of remembrance and commemoration directly related to the size of the monument. With this project I wanted to investigate the deepest meaning of both ‘symbol’ and ‘cult of personality’ as I have always been fascinated about how historical heroes, leaders or politicians were celebrated or idealised with monumental structures for the sake of collective remembrance.
Research led me to discover lots of monument or statues dedicated to Lenin, Stalin or Mao but despite their cultural and social meaningfulness they were not that big. As the documentation went on, I unexpectedly came across the picture of a huge white statue located in the middle of Dai Kannon, in Sendai, Japan. Sadly, the picture had no caption so I first thought it was unreal, but when I had the proof of its existence, I immediately felt that these huge statues were what I wanted to talk about.
new classical architecture 在 Veronica Yen Youtube 的最佳解答
愛丁堡藝術節|Veronica2018鋼琴獨奏會 Edinburgh Festival Fringe 演奏會日常/Concert Vlog
紀錄Veronica 兩場愛丁堡獨奏會演出日常
看看美麗的愛丁堡城市,精彩新奇的各樣創意表演
介紹Veronica演出場地之新古典建築風格
聽Veronica新作曲《西班牙水漾花園》的英國首演
《當天演出實況》
🎼貝多芬奏鳴曲:
https://youtu.be/zYbxl5odnDE
🎼莫札特奏鳴曲:
https://youtu.be/dsyt6gELyGM
🎼西班牙的水漾花園全曲四樂章:https://youtu.be/yJMm6Q-OZsE?fbclid=IwAR2110_64Vu3BwnvUZH7CgXbHLf2QodY5fN3-ukcaOzSDaesNyLMHeNKVNM
🌷訂閱Veronica頻道:https://m.youtube.com/user/veronicayen?sub_confirmation=1 (記得開鈴鐺喔🔔)
🌷IG: https://instagram.com/pianistveronica/
🌷FB: https://www.facebook.com/Veronicafans
#Edinburghfestival #Veronica愛丁堡獨奏會
new classical architecture 在 haketu Youtube 的精選貼文
In this vlog, we visit Chelsea Market. To read more about this market, please click show more :)
Don't forget to subscribe my channel for more videos! Thank you!
Full playlist: https://www.youtube.com/playlist?list=PL_iBkJoa0WAmXj74itoZoRwcdB47KYfGb
About Chelsea Market
A block long and a block wide and just a short walk from the Hudson River in the area of Manhattan known as the Meatpacking District, Chelsea Market has become in just fifteen years one of the greatest indoor food halls of the world, with more than thirty-five vendors purveying everything from soup to nuts, wine to coffee, cheese to cheesecake. Attracting 6 million national and international visitors annually, it is one of the most trafficked, and written-about, destinations of any kind in New York City. Chelsea Market is a neighborhood market with a global perspective.
The area has always been the locus of food in the city, beginning with the Algonquin Indians, who traded their game and crops on the banks of the Hudson River at this same spot. The trains of the High Line once served the wholesale butchers who lined the streets beneath the tracks and cooled their provisions with blocks of Hudson River ice, and the National Biscuit Company established its factory—now reclaimed as the Chelsea Market—here to take advantage of the butchers’ lard in the nineteenth century. This long history—and the stripped-down brick architecture of the building—gives the Market a unique character. For foodies and even casual tourists, it is possible to enter the Market at one end in the morning and not exit the other until lunchtime, without ever growing bored—and certainly without ever going hungry.
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new classical architecture 在 Smart Travel Youtube 的精選貼文
請用片右下角調HD1080高清睇片。
紐約公共圖書館建立在紐約第五大道40街和42街之間的圖書館是美國最大的公共圖書館,走過第五大道,會被外表宏偉的圖書館建築物吸引,走進了圖書館,內心都不得不變得純淨爛漫起來,沿著圖書館的階梯上行,這座新古典主義的建築物內確實有著歐洲文明印記,顯示了一種收納知識海洋的蕩漾之氣,圖書館內自有一份安靜,閱讀人群坐在裡面的主閱覽室內安然度過一個紐約的下午。
走進主閱覽室,這裡四處都是開放式書架,有著長窗,房頂有大吊燈。室內是長型閱覽桌和舒服的椅子,桌上有銅台燈。裝備有電腦,可以免費Wifi上網。除此之外,你還可以在圖書館內享受免費的無線上網服務,據說,有許多著名作家都曾經在這裡搜集資料,在20世紀30年代的大蕭條時期,也有許多人在這裡進行相當於大學教育的自修。
在紐約公共圖書館門口,見到矗立著兩頭石獅子的大理石台階上,站著許多等候入門的讀者。紐約公共圖書館是一個充滿抱負的場所,學海無涯:
The more I know, the more I know I don't know!!!
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