關於 ocean name for girl ，我們在網路上蒐集到這些相關的討論、資訊與評價

你眼中的 我的聖誕樹
2020不確定氛圍
唯一確定想被你們的💗包圍

12月歌單【好事自在Latte】

12/31(四)
14:04:08明天/蕭亞軒
14:08:33When You Know What Love/Craig David
14:11:46你是不是誤會什麼/呂薔/YELLOW
14:16:45手心的太陽/張韶涵
14:21:14To you, Tomorrow/SUPER JUNIOR-D&E
14:25:13哈囉/艾怡良
14:32:48Thinking Of Me/Olly Murs
14:36:11你好可愛/吳克群/宋智孝
14:40:57微光/梁靜茹
14:50:04I Say You Say I Love You/moumoon
14:54:49黃色夾克/梁文音

15:04:31鼓聲若響/新寶島康樂隊
15:08:47Eyes Like Yours/Shakira
15:12:38早晨瑜伽/Matzka/小S
15:19:44揮著翅膀的女孩/容祖兒
15:22:44SPOILER/ EPIK HIGH
15:27:17黑白灰/方大同
15:35:44Nice to 密 you/Gestalt Girl
15:39:48傷心太平洋/任賢齊
15:47:54騙人，不！/周蕙
15:52:38Clocks/Coldplay

16:04:12光陰的故事/羅大佑
16:07:27緩緩/張惠妹
16:11:06It's My Life/No Doubt
16:17:30OMG What's Happening/Ava Max
16:20:26愛無赦/蔡依林
16:28:36給你/陳奕迅
16:33:14Afterglow/Ed Sheeran
16:38:15No Way Man/AKB48
16:47:19黏度最佳新人/邵雨薇
16:50:55You Smile/Sweetbox
16:54:25Beat in love/酷懶之味

12/30(三)
14:04:33猴喜翻/庾澄慶
14:08:34Mambo Mambo/Lou Bega
14:11:32女力/溫嵐
14:16:04聽媽媽的話/周杰倫
14:20:24翅膀/張語噥/婁峻碩
14:23:46Pop! Goes My Heart/Hugh Grant
14:31:17Back To You/Louis Tomlinson/BeBe Rexhea
14:35:40最笨的人是我/方炯鑌
14:44:25修煉愛情/林俊傑
14:49:51只要有你/樹里
14:54:471.2.3.4/李遐怡

15:04:35約會/南台灣小姑娘
15:07:54珍珠奶茶/品冠
15:11:17Punch Drunk Love/SHINee
15:16:59東岸/BCW/家家
15:20:58Matches/Britney Spears
15:23:46GYM/自由發揮
15:32:39willow/Taylor Swift
15:37:17Forever Love/王力宏
15:42:00愛上屬於你的天空/F.I.R.飛兒樂團
15:50:29My Cherie Amour/Charlie Green
15:53:49神隊友/慢慢說樂團

16:04:01鍾愛一生/杜德偉
16:08:37忘不了/陶吉吉
16:12:31I Love You Always Forever/Betty Who
16:18:14Get Up/Ciara 席亞拉
16:22:20假高潮/Spark/Karencici
16:25:1310 Out Of 10/2PM
16:32:54第三人稱/蔡依林
16:37:33我比從前想你了/Bii畢書盡
16:43:16想在妳心中舞蹈/B'z
16:50:52快給我愛/蔡秋鳳
16:54:21One More Night/Maroon 5

12/29(二)
14:04:09夏天的浪花/張惠妹
14:08:10Gimme!Gimme!Gimme!/ABBA
14:12:49Wow! Wow!! Wow!!!/SUPER JUNIOR
14:17:56北極雪/陳慧琳/馮德倫
14:22:01還能擁抱/潘嘉麗
14:26:32Shut Up/The Black Eyed Peas
14:35:59騙人，不！/周蕙
14:39:36Body on me/Nelly
14:43:39每每/陳大天
14:51:18City of Stars/Ryan Gosling/Emma
14:54:45來互相傷害/八三夭/A-Lin

15:04:23Cowbell/曹雅雯
15:08:53輸情歌/J.Sheon
15:12:28DON'T WANNA GO HOME/Jason Derulo
15:17:51我想你的快樂是因為我/洛客班
15:21:35乖乖/櫻桃幫
15:24:47Yeah! Yeah! Yeah!/androp 安哲洛普
15:33:35Sunset/鮮于貞娥
15:36:36空位/張信哲
15:42:36心絲蟲/noovy
15:49:26Afterglow/Ed Sheeran
15:53:34自由/張震嶽

16:04:05傻瓜/蘇慧倫
16:07:49Kick Off/Kick The Can Crew
16:12:16來日方長/朱俐靜
16:19:10絕/莫文蔚
16:22:48Love Really Hurts Withou/Billy Ocean
16:25:35Welcome to my world/曹格
16:33:11遺失的美好/阿沁
16:37:12是什麼讓我遇見這樣的你/白安
16:42:27Something Just Like This/The Chainsmokers/ColdPlay
16:50:51SKYWALKER/怕胖團
16:54:41Now Or Never/CNBLUE

12/28(一)
14:03:57New Day/Alicia Keys
14:07:57好了啦/徐若瑄
14:10:59愛投羅網/羅志祥
14:17:31分不開的兩個人/品冠
14:22:18Miss You/BTOB
14:26:17環繞世界一周/南拳媽媽
14:34:05MUST BE A REASON WHT/SHAYNE WARD
14:37:23WuHa/潘瑋柏
14:42:16我睡不著/守夜人
14:49:15修煉愛情/林俊傑
14:55:50反正就這樣/大島麻衣

15:04:36花若離枝/蘇芮
15:10:27在你身邊/張學友
15:13:35方寸之間/吳柏蒼
15:21:42Waiting For Tonight/Jennifer Lopez
15:25:43我最搖擺/庾澄慶
15:29:45SPIT IT OUT/Solar頌樂
15:37:46郵票/KIMBERLEY 陳芳語/瘦子
15:42:44剛好遇見你/李玉剛
15:49:36好想吃SUSHI/Orange Range
15:53:49飛向你飛向我/小旺福

16:04:01癡癡為你等/鄭秀文
16:08:52再見的彼端/許富凱
16:13:54想要快樂/杜德偉
16:19:14Honey/王心凌
16:22:44一杯水/B1A4
16:26:03Venus/No Angels
16:33:26Love Is Love/Culture Club
16:37:08歲月這把刀/林凡
16:42:29保險櫃/小春Kenzy
16:49:23需要你的愛/F.I.R.飛兒樂團
16:54:19Nobody Compares/One Direction

12/25(五)
2:04:05 Baby It's Cold Outside/Norah Jones/Willy
2:07:54修煉愛情/林俊傑
2:13:17愛我的請舉手/莫文蔚
2:19:07女人心事/陶晶瑩
2:23:46以後別做朋友/周興哲
2:27:53 Look What You Made Me Do/Taylor Swift
2:36:06 Kill This Love/BLACKPINK
2:40:20我不會喜歡你/陳柏霖
2:51:25明治Chelsea之歌/Chemistry
2:54:43我想買可樂/Erika 劉艾立
2:57:14 Skyline/FKJ

3:05:21鹹汫/曹雅雯
3:09:56我難過/5566
3:14:25 Stay In Love/Hilary Duff
3:20:21Good is Gone/Rihanna
3:24:39 Hit That Drum/Red Velvet
3:32:25光年之外/鄧紫棋
3:36:15原來妳什麼都不要/迪克牛仔
3:41:22愛情的密西根搖滾/莉娜
3:49:35少年/周華健
3:54:42 I Kissed A Girl/Katy Perry

4:03:58寶貝，對不起/草蜢
4:08:09我要你愛/美秀集團
4:14:16 12月25日/張芸京
4:19:08開不了口/周杰倫
4:23:46 Tulips/Christopher
4:31:55 Make It Right/BTS
4:35:34你點的歌救了我/A-Lin/J.Sheon
4:39:57 Everyday/嚴爵
4:49:47 PaTing/柯泯薰
4:54:16 Christmas is not Christmas till you get here/Kylie Minogue

12/24(四)
14:04:27Santa Claus Is Coming ToTown/Michael Buble
14:07:14兒歌/魏如萱
14:10:32愛‧星球/Tension
14:15:47演員/薛之謙
14:20:03哭了又哭/DAVICHI
14:23:19少女A/山東
14:31:09I Need To Know/Marc Anthony
14:34:54妳是我的花朵/伍佰
14:40:04愛了很久的朋友/田馥甄
14:48:37太好了/曾昱嘉
14:53:09Can You Keep A Secret/宇多田 光

15:05:22到這為止/楊肅浩
15:09:02飄洋過海來看你/梁靜茹/艾怡良
15:13:40甜蜜苦澀/SUPER JUNIOR
15:20:42Holla/Baha Men
15:23:54維納斯/MP 魔幻力量
15:32:26曙光/Hakubi
15:36:50寬恕/神木與瞳
15:42:36牛仔很忙/周杰倫
15:49:12一個人的聖誕節/RuRu醬
15:54:06Blurred Lines/Robin Thicke

16:04:01旋轉木馬/金智娟
16:07:17BE FUNKY!/NEWS
16:11:06回憶已成過去/鍾雅
16:16:21我也不想這樣/王菲
16:21:11走散/曹楊
16:25:27WE LOVE YOU/槙原敬之
16:34:42Next To You/Chris Brown
16:39:02被愛妄想症/麻吉弟弟/文慧如
16:43:48懶人漫遊/戴佩妮
16:51:55另個時空的你/柯泯薰/吳青峰
16:56:04Winter Wonderland/Jason Mraz

12/23(三)
14:05:13雪/許哲珮
14:09:17Let It Snow! Let It Snow! Let It Snow! /Robbie Williams
14:11:21Start it !/許書豪
14:16:38是但求其愛/陳奕迅
14:20:59連名帶姓/張惠妹
14:26:20She Wants To Move/N.E.R.D.
14:34:19聽我說/李洪基
14:38:04幸好有你愛我/方炯嘉
14:41:38妥協/蔡依林
14:50:00Feeling Fine/L'Arc~en~Ciel
14:54:42呼呼/安心亞

15:04:54好膽你就來/那那大師
15:08:08Poker Face/Lady Gaga
15:14:46一整夜/艾怡良
15:19:04Star/Loco/俞勝恩
15:22:04打分數/黃立行
15:30:54Oh Santa!/Mariah Carey
15:35:05單純的美好/趙詠華
15:39:32寂寞先生/曹格
15:47:52薩哈星球/蕭敬騰
15:52:26Distance/宇多田 光

16:03:57這些日子以來/范怡文/張清芳
16:07:45滿座/李榮浩
16:13:07The Plan/Travis Scott
16:18:27請你嫁給我/韋禮安
16:21:45WONDER BOY/After School-BLUE
16:29:58敵人/鄭中基
16:34:00很用力/閻韋伶
16:39:17夢的地圖/柚子
16:48:29自戀的自虐/柯泯薰
16:53:31MC來了/MC Hot Dog

12/22(二)
14:03:55Mr.Right/Leona Lewis
14:07:04不安小姐/徐佳瑩
14:10:46快樂崇拜/潘瑋柏/張韶涵
14:16:11太好了/曾昱嘉
14:19:33花季未了/劉若英
14:23:51Feel Good/CNBLUE
14:31:25Baby I'm Jealous/Bebe Rexha
14:35:05給電影人的情書/蔡琴
14:40:13Goodbye My Friends/生命樹樂團
14:48:29雙城故事/莫文蔚
14:53:46Do you.../嵐

15:04:27罔市只能回味/曹雅雯
15:10:18Home/Michael Buble
15:14:02聖誕之吻/陶吉吉
15:20:45Can't Get You Out Of My Head/Kylie Minogue
15:24:40甜心咒/楊丞琳
15:33:39Better/BoA
15:38:04斷了思念/信樂團
15:50:49一串心/錦繡二重唱
15:54:23Flamingo/米津玄師

16:04:08有夢有朋友/伍思凱/優客李林
16:08:39好想好想妳/鄧紫棋
16:12:00Crazy All My Life/Daniel Powter
16:18:19Summer Hate/ZICO/Rain
16:21:21ROMANLESS/婁峻碩
16:24:50準備好了沒有/蕭亞軒
16:33:22天使在唱歌/S.H.E
16:36:41Why/平井堅
16:43:29一個人的聖誕節/RuRu醬
16:51:58拋/柯泯薰
16:55:32One Way Or Another/One Direction

12/21(一)
14:04:01Deck The Rooftop/Glee Cast
14:06:25Oh!/少女時代
14:09:32請你嫁給我/韋禮安
14:14:50很自己/伍家輝
14:18:36How Would You Feel/Ed Sheeran
14:23:10零缺點/孫燕姿
14:31:31Higher/Shawn Mendes
14:34:07Never Be The Same/艾怡良
14:38:59燭光/任賢齊
14:51:09HONKY JILL ~69的藍調~/桑田佳祐
14:54:54Just Do What I Want/邵雨薇

15:04:12歹逗陣/江蕙/Ella 陳嘉樺
15:08:13我們之間/張立昂/子閎
15:11:25My Girl/VIXX-KEN
15:18:40I Love You/蕭賀碩
15:22:39貪心/張震嶽
15:26:49UP!/Shania Twain
15:34:51Give It to Me/孫盛希
15:38:45Freedom/Love Psychedelico
15:48:05Endless Love/Mariah Carey
15:53:29最美的時刻/伍佰& China Blue

16:04:05明明白白我的心/陳淑樺/成龍
16:08:50下雨的夜晚/蘇打綠
16:13:1510億點擊/EXO-SC/Moon
16:18:57Please Me/Cardi B/Bruno Mars
16:22:14Devil inside/宇多田 光
16:26:07愛琴海/李玟
16:34:05知足/五月天
16:39:24薩哈星球/蕭敬騰
16:43:22My sweet darlin'/矢井田瞳
16:51:26飄浮/柯泯薰
16:55:50Winter Wonderland/Kylie Minogue

12/18(五)
14:04:04Christmas Love/西野加奈
14:08:40說走就走/周杰倫
14:13:02我喜歡/陶吉吉
14:19:01認真的女人最美麗/高慧君
14:23:11至少我還記得/周興哲
14:28:06All Around The World/Justin Bieber
14:36:41雷陣雨/慢慢說樂團
14:40:48天后/陳勢安
14:50:16Promises/The Cranberries
14:56:05Come Back to Me/Bii畢書盡

15:04:17愛情的摩托車/林慧萍
15:08:00愛享瘦/羅志祥
15:11:33勇往直前Cha Cha Cha/NEWS
15:17:46The Ketchup Song/ LAS
15:21:14Chill嗨嗨/noovy
15:28:42那女孩對我說/黃義達
15:33:08星期六的晚上/PIA吳蓓雅
15:37:51French Kiss/泫雅
15:49:2112345 木頭人跳舞/陳惠婷
15:53:30Speed Of Sound/Coldplay

16:04:01遺憾/許美靜
16:08:36太好了/曾昱嘉
16:12:08Desert Rose/Sting
16:19:14把你丟進淡水河裡/冼佩瑾
16:22:58佔據我的心/燦多
16:26:47愛人為快樂之本/喬毓明
16:35:44Piano/范逸臣
16:40:06裝睡的人/邵雨薇
16:44:05Fanfare/GReeeeN
16:50:52想怎樣/李友廷/魏如萱
16:55:00Undiscovered/James Morrison

12/17(四)
14:04:08Extraordinary Merry Christmas/Glee
14:07:47日期/戴佩妮
14:13:13阿峰今天沒有來/萬芳
14:17:56其實都沒有/楊宗緯
14:21:39LOVE/CNBLUE
14:29:59Turn Around/Conor Maynard
14:33:46119/大嘴巴
14:37:49重來/蔡健雅/
14:49:42Lazy Mind/秦宇子
14:54:17Runaway/嵐

15:04:12祝福/許富凱
15:08:19變成陌生人/王心凌
15:12:39I'll Be Missing You/Puff Daddy
15:19:49香火/小春Kenzy/李英
15:24:04What's My Name?/Rihanna/DRAKE
15:28:24萬眾矚目/許慧欣
15:36:37Happiness/LUCKY TAPES/HARU
15:41:17重傷/林凡
15:49:08HOLO/李遐怡
15:53:08猴喜翻/庾澄慶

16:03:58你說你比較習慣一個人/裘海正
16:08:19愛你/尹美來
16:12:18空中飛人/MP 魔幻力量
16:18:38Yeah/Usher
16:22:46糖衣/Matzka/Karencic
16:30:20黑白/方大同
16:34:08徐志摩/Chick en Chicks
16:39:28深邃森林/Do As Infinity
16:48:18你醜的像是髒話/李友廷
16:52:40My Only Wish/Britney Spears

12/16(三)
14:04:04Jingle Bells/Michael Buble
14:06:40不愛最大/黃小琥
14:12:54不管有多苦/那英
14:17:14By My Side/SG Wannabe
14:20:51狂想.曲/蕭亞軒
14:29:00I Would/One Direction
14:32:18薩哈星球/蕭敬騰
14:37:25捨不得你/鄭秀文
14:46:34你啊你啊/魏如萱
14:53:01Have It All/Jason Mraz

15:04:10落雨聲/江蕙
15:09:00我盡力了/李宣榕
15:12:43Do You Know/Enrique Iglesia
15:18:36HEART of GOLD/三代目
15:22:30Luv Me Luv Me/關詩敏
15:31:48Therefore I Am/Billie Eilish
15:34:35雙陳記/陳珊妮/陳怡文
15:40:08凌晨三點鐘/張智成
15:49:29Dreaming/圭賢
15:54:34怪美的/蔡依林

16:04:00和天一樣高/張雨生
16:08:15Thank You For Loving Me/Bon Jovi
16:13:15回不去的回憶/小男孩樂團
16:19:59愛不留/張信哲
16:24:33有多少光就有多少黑/Crispy脆樂團
16:28:08Take My Hand/GOT7
16:36:08給你的沙拉/Dreams Come True
16:39:45好想跟你/寶兒
16:44:08誘/林宥嘉
16:53:08如果你也愛我就好了/李友廷
16:56:32Holly Jolly Christmas/Meghan Trainor

12/15(二)
14:04:48It Doesn't Often Snow At Christmas/寵物店男孩
14:08:21Venus/孫燕姿
14:13:23不想睡/梁靜茹
14:18:26時代/夏川里美
14:24:29巴別塔慶典/吳青峰
14:31:52法蘭西多士/告五人
14:35:35Us Against the World/Olly Murs
14:40:05沒那種命/陳小春
14:49:24Lazy Mind/秦宇子
14:53:59 Be my love/酷懶之味

15:04:04祝福/許富凱
15:08:11more than love/moumoon
15:12:15Everything's gonna be allright/溫嵐/自由發揮
15:18:22輕熟女27/MC HotDog/關彥
15:22:51i'm so tired…/Lauv/Troye Sivaian
15:30:32First Page/趙權/先藝
15:35:14我坐在這裡/林憶蓮
15:40:37我跟你卡好/玖壹壹/羅志祥
15:48:08無窮/吳汶芳
15:51:54Cupid/Daniel Powter
15:55:32L.O.V.E/郭采潔

16:04:05零下幾度C/楊林
16:08:10Have I Told You Lately That I Love U/Michael Buble
16:11:33請你嫁給我/韋禮安
16:17:36U Can't Touch This/MC Hammer
16:21:45Oops!!/SUPER JUNIOR
16:29:58魚/陳綺貞
16:34:45我多麼羨慕你/江美琪
16:41:01scream & shout/will.i.am
16:50:43山西刀削麵/李友廷
16:54:28Move It Like This/Baha Men

12/14(一)
14:04:53Last Christmas/Wham!
14:09:09Maybe Baby/Bii畢書盡
14:12:39馬德里不思議/蔡依林
14:18:29那一夜你喝了酒/彭佳慧
14:22:03如果我們當時一起會怎麼樣/丁世光
14:26:03All Rise/BLUE
14:34:11沈睡的森林/王心凌
14:37:42TT/TWICE
14:41:57單數/曹格
14:50:28太認真你就輸了/吳卓源/terrytyeLee
14:54:53Rainbow/安室奈美惠

15:05:04心肝寶貝/鳳飛飛
15:09:41天真世界的叛徒/理想混蛋
15:14:13I Hate Myself For Loving/Joan Jett
15:22:41No New Friends/LSD
15:25:33Different Man/吳建豪
15:33:45沒顏色的花/徐佳瑩
15:38:29The Snowy Night/Shinhwa
15:49:43大人情歌/艾怡良/金貴晟
15:54:12Tokyo Night Fighter/橘慶太/岡崎體育

16:04:08你愛誰/伍思凱
16:08:38Little by little/CHEEZE
16:12:57絕/莫文蔚
16:19:10In The End/Linkin Park
16:22:16冥王號/OVDS/陳惠婷
16:31:02體面/于文文
16:35:34寂寞邊界/張棟樑
16:41:05Week End/星野 源
16:50:14誰/李友廷
16:54:15Through The Dark/One Direction

12/11(五)
2:04:01 PMVive Le Vent/Mika
2:06:47 PM藍色啤酒海/家家
2:10:18 PM青蘋果/泫雅/BTOB-鄭鎰
2:16:05 PM戀上另一個人/游鴻明
2:21:06 PM三十而慄/郁可唯
2:25:46 PMGreat DJ/聽聽樂團
2:34:06 PMBack For Good/Take That
2:38:04 PM千千萬萬個你/周蕙
2:43:35 PMSHERO/S.H.E
2:50:12 PMYou Haven’t Seen the Last of Me/Cher
2:54:35 PM最後一次/高爾宣

3:04:12 PM苦海女神龍/李翊君
3:08:12 PM太好了/曾昱嘉
3:11:35 PM因為你/BEAST
3:18:09 PMCan't Stop Thinking Abou You/Boyzone
3:21:39 PM心電心/王心凌
3:30:35 PM刻在我心底的名字/陳昊森
3:35:52 PM旋木/王菲
3:41:05 PM呼吸/菅田將暉
3:47:46 PM年少有為/李榮浩
3:53:27 PMMove Your Body/Sia

4:04:05 PM動不動就說愛我/芝麻龍眼
4:07:58 PMBecause You Loved Me/Celine Dion
4:12:24 PM如果你也愛我就好了/李友廷
4:18:57 PM你懂個屁/李玖哲
4:22:39 PMHow To Love/Cash Cash/Sofia
4:31:10 PM凝望/江美琪
4:34:47 PM長久/Kiroro/久保田利伸
4:41:00 PM 此時/逃走鮑伯
4:51:05 PM未來留聲機/羅文裕/詹森准
4:54:11 PMCome On Over/Christina Aguilera

12/10(四)
14:04:47Oh Santa!/Mariah Carey/Ariana Grande
14:08:03Encore LaLa/郭靜
14:10:55Ba Ba Ba/草蜢
14:16:47一千遍我愛妳/伊能靜
14:21:12把你還給你/方泂鑌
14:25:12i'M THE TREND/(G)I-DLE
14:33:07CTO/C.T.O
14:37:13好愛你/大塚 愛
14:41:47想要跟你飛/鳳飛飛
14:49:20Carcrashes/Standfast
14:53:53紅心皇后與撲克士兵/楊士弘

15:04:17批/蘇明淵
15:08:48逃亡/孫燕姿
15:13:26You Win Again/Bee Gees
15:21:05COLORS/Jason Derulo
15:24:11表白/蕭亞軒
15:32:47OBER ROCK/Novel Core
15:36:59孤單北半球/歐得洋
15:41:12一個像夏天 一個像秋天/范瑋琪
15:51:21不上班/李千娜
15:54:37Green Light/少女時代

16:04:08初戀/紅孩兒
16:08:10Larger Than Life/Backstreet Boys
16:14:31飛鳥/魏如萱
16:19:40太好了/曾昱嘉
16:23:38世界上最危險的東西就是希望/八三夭
16:32:34Beautiful Liar/Beyonce/SHAKIRA
16:35:44厭世吉娃娃/MC HotDog
16:40:28蒼蒼/張信哲
16:49:20茶頂山的風/羅文裕
16:52:56She's Madonna/Robbie Williams

12/9(三)
14:04:09Merry Xmas Everybody/Robbie Williams/Jamie Calume
14:07:40漂亮女孩/小宇-宋念宇
14:13:03我知道你愛我/JS
14:18:07不可惜/楊丞琳
14:21:44Somebody To Love/BIGBANG
14:29:34口的形狀/林宥嘉
14:32:56Mr.Bartender/Sugar Ray
14:37:30用餘生去愛/張學友
14:47:32開到荼靡/蕭敬騰
14:53:27Lotta Love Lotta Love/Buono!

15:04:12不通將阮放/孫淑媚
15:08:20致某個城市中的你/大橋三重唱
15:13:09我就是我/田亞霍
15:19:38Heartbeat/安立奎
15:23:51巨星 Superstar/滿人/葉瑋庭
15:27:42許個願吧/暖暖
15:36:19Go Crazy/Chris Brown
15:39:13最高品質靜悄悄/9m88/leo王
15:43:42本草綱目/周杰倫
15:49:02沒那麼簡單/黃小琥
15:55:10Shot Reverse Shot/Jack Johnson

16:03:58恨情歌/陳昇
16:08:09念念不忘/Bii畢書盡
16:11:33Red 紅色/Taylor Swif
16:17:44Fire Burning/Sean Kingston
16:21:41癡情玫瑰花/Under Lover
16:30:43情難枕/林慧萍
16:35:28想你了/光良
16:40:48狂風的花/米津玄師
16:48:49哥哥留下來的吉他/羅文裕
16:52:52Take Me Away/Janet Jackson

12/8(二)
2:04:55 PMPlease Don't Go/No Mercy
2:08:51 PM情人/潘嘉麗
2:12:33 PM散播快樂散播愛/草蜢
2:18:39 PM深邃與甜蜜/張清芳
2:23:26 PM太好了/曾昱嘉
2:26:51 PMDream High/澤演/秀智/金修
2:35:07 PMStill Falling For You/Ellie Goulding
2:39:03 PM觸動/潘瑋柏
2:43:43 PM永不結束的故事/阮丹青/許茹芸
2:51:05 PM喜歡待在家/慢慢說樂團
2:54:05 PMStuck On You/伊藤由奈

3:04:08 PM風吹風吹/江蕙
3:08:29 PM東京/手島 葵
3:12:38 PM乾杯/五月天
3:19:45 PMBad Guy/Billie Eilish
3:22:55 PM你是不是誤會什麼 /呂薔/YELLOW
3:26:10 PM你想娶我嗎/袁詠琳
3:34:59 PM2easy/NIve/Heize
3:38:34 PM輸情歌/J.Sheon
3:43:19 PM愛我的請舉手/莫文蔚
3:49:19 PM不完美/李玖哲
3:54:02 PMSurvivor/Destiny's Child

4:04:00 PM浪人情歌/伍佰
4:08:23 PMWhenever Wherever/Shakira
4:11:44 PMGive It to Me/孫盛希
4:17:06 PM可以不可以/丁噹
4:21:29 PM再見不見/童立安
4:25:45 PMUm Oh Ah Yeh/MAMAMOO
4:33:42 PM迷幻/蔡依林
4:37:06 PMI Feel Love/Sam Smith
4:42:24 PM美好的日子/清水翔太
4:50:33 PM你的名字像一首詩/羅文裕/彭佳慧
4:54:07 PMQueen/Shawn Mendes

12/7(一)
14:05:11脫掉 聖誕版/杜德偉
14:09:55How Does It Feel?/Julie Thompson
14:16:39閉上眼默唸3遍/183Club/七朵花
14:20:23好風景/萬芳
14:25:30There She Goes/Sixpence None The Richer
14:32:41HUH 嗯哼/4MINUTE
14:36:12眉飛色舞PLUS/八三夭/鄭秀文
14:40:12執迷不悔/彭佳慧
14:47:51可樂/林采欣
14:53:25Everybody needs somebody/Love Psychedelico

15:04:04林森北路/七月半
15:08:57黑色柳丁/陶吉吉
15:13:12Bring Me To Life/Evanescence
15:21:20Angel/Westlife
15:25:40我不知道愛是什麼/艾怡良
15:30:26不知好歹/林曉培
15:39:22打電話給我/阿達/吳卓源
15:43:231-4-3/Henry 劉憲華
15:49:14天天想你/陳綺貞
15:54:37Mr. White/NEWS

16:04:05愛相隨/周華健
16:07:35暖暖/梁靜茹
16:11:20I Say/嵐
16:17:36Take it off/Kesha
16:20:52許個願吧/暖暖
16:24:02聽說愛情回來過/林憶蓮
16:32:08像今天這樣的眼淚/許閣
16:38:23 愛不凋零/李宓
16:49:33南下列車/羅文裕
16:53:51ONE THING/One Direction

12/4(五)
14:04:09比較大的大提琴/周杰倫/梁心頤/楊瑞代
14:08:14Holidays/Meghan Trainor
14:13:14Ophelia/魏如萱
14:18:24你愛我嗎/范逸臣
14:22:43Bom Bom Bom/ROY KIM
14:30:32Bad/Michael Jackson
14:34:37暫時停止呼吸/鼓鼓
14:40:14多難得/解偉苓
14:47:13走遠了/連晨翔
14:53:16Mickey/Toni Basil

15:04:05笑笑看一切/謝金燕
15:09:01刀劍如夢2.0/八三夭
15:12:02Kung Fu Fighting/The Vamps
15:17:39姐 妳睡了嗎/徐若瑄
15:21:58愛你多一點/槙原敬之/KURO
15:27:17勝者精神/方大同
15:35:15傷得起/蔡黃汝
15:40:24Gone/Nsync
15:49:20陣雨Sudden Rain/Eric Nam
15:53:40拼圖日記/莊鵑瑛

16:03:57愛情傀儡/巫啟賢
16:07:51相信我/劉德華/倪妮
16:11:48Everthing's Gonna Be Alr/Sweetbox
16:17:27Run Devil Run/少女時代
16:20:47On the floor/JENNIFER LOPEZ
16:29:49想你的習慣/小宇-宋念宇
16:33:51Fantasy/Mariah Carey
16:39:42他是末日預言中的宇宙碎片/陳珊妮
16:49:19我愛台妹/MC HotDog
16:53:14Stop Stop Stop/Nu Virgos

12/3(四)
14:04:26Hello My Love/Westlife
14:07:54好心情/S.H.E
14:11:19好想跟你/寶兒
14:16:57獨唱情歌/TANK/Selina
14:21:46只有妳/SUPER JUNIOR-始源
14:25:55女神/朱俐靜
14:33:51邊吃巧克力邊倒立/瑞瑪席丹
14:37:29秘密/葛仲珊/盧廣仲
14:41:47Wo Wa/安室奈美惠
14:50:14怪天氣/YELLOW 黃宣/9m88
14:54:21I Try/Macy Gray

15:04:08祝福/許富凱
15:08:15向左走向右走/光良
15:12:10Dreams/The Cranberries
15:20:07When love takes over/David Guetta
15:23:12我不是壞女孩/高以愛
15:32:08Bluebell/Naz
15:35:55第一個清晨/王力宏
15:41:36兄弟/五月天
15:49:36Stay With Me/Chanyeol/PUNCH
15:53:52有一種愛叫等待/邱鋒澤

16:04:00愛如此神奇/劉德華
16:07:20重遊舊地/吳汶芳
16:11:02LUCKY GUY/金賢重
16:16:51American Life/Madonna
16:21:13別想我放過你/田亞霍
16:24:15Work/西野加奈
16:31:47長鏡頭/那英
16:35:53SOMEBODY TOLD ME/Charlie Puth
16:40:42FLY OUT/兄弟本色
16:49:19最最愛/王詩安
16:53:03Charlie Brown/Coldplay

12/2(三)
14:04:02I Wish It Could Be Chris/Wilson Philips
14:07:04Ring Ding Dong/SHINee
14:13:10留不住的故事/張清芳
14:17:42台三線/陳昇
14:22:05Coming Around Again/Simon Webb
14:30:12Turn up/周湯豪
14:33:49Turn Up The Love/Far East Movement/Cover Drive
14:38:12親愛的路人/劉若英
14:47:53通勤打理/呂士軒
14:52:14Oh I.../SAKURA

15:04:04我愛過/江蕙
15:08:47走遠了/連晨翔
15:13:43My My My!/Troye Sivan
15:19:36太空瑪莉的偵探愛情電影/許哲珮
15:22:51Treasure/Bruno Mars
15:31:26Prisoner/Miley Cyrus
15:35:20Love Song/方大同
15:39:42咖桃呼/朱俐靜
15:47:55COLORFUL/婁峻碩
15:52:36Somebody's girl/平井堅

16:04:05守護你/Eason/蔣三省
16:07:49放風吹/許富凱
16:11:50雙雙對對/許富凱/游美齡
16:18:29打開幸福的滋味/游美齡/Richard
16:24:04孩子氣的成熟/王語昕
16:36:21How You Like That/BLACKPINK
16:39:16國王皇后/大嘴巴
16:43:47島嶼的歌聲/流氓阿德
16:50:20花漾/黃美珍
16:54:03Viva La Gloria?/Green Day

12/1(二)
2:04:24 It Doesn't Often Snow At/寵物店男孩
2:07:58 D.I.S.C.O./溫嵐
2:11:36 Red Dress/Red Velvet
2:16:51一天一萬年/游鴻明
2:21:33 Nobody Knows/Boyzone
2:25:40 MURMURSHOW/慢慢說樂團
2:33:08不屑完美/A-Lin/倪子岡
2:35:28 Greenlight/Pitbull/Flo Rida
2:40:06沙灘/陶吉吉
2:48:06熊麻吉/八三夭
2:51:58夏之王者/KinKi Kids
2:56:39 I Must've Screwed Up Really Bad/王若琳

3:05:28祝福/許富凱
3:09:36 Now And Forever/Richard Marx
3:13:02灌溉愛/郭采潔
3:18:37 Gugoo Game/吳映潔/PIKO太郎
3:20:33奇蹟的香舞/松浦亞彌
3:30:40過去、現在和未來/CNBLUE
3:35:08一次幸福的機會/蕭敬騰
3:40:01不難/徐佳瑩
3:46:57 Like I Do/Christina Aguilera
3:52:30寂寞包廂/周定緯

4:04:01歲月的眼睛/金瑞瑤
4:07:15在一起/安心亞
4:10:12 Okay/The Piano Guys
4:16:19上帝救救我/伍佰
4:20:04 Heaven on earth/Britney Spears
4:24:52愛磁場/張韶涵
4:32:24情人/Beyond
4:38:15如果你也愛我就好了/李友廷
4:42:46 What a feeling/DJ Bobo/Irene
4:51:15我最紅/2NE1
4:54:41 No Joke/羅志祥
#歌單
#好事989BESTRADIO
#好事自在Latte

[Remember 12 names. Save 12 HK Youths.]

Retweet: https://twitter.com/joshuawongcf/status/1310545929699647488

Global petition: https://bit.ly/save12youthspetitions

It has been 37 days since 12 Hongkongers were arrested by the China Coast Guard in the name of illegal entry - contacts with family members lawyers are still rejected while no information has been received from the detainees.

They are a group of young people who love Hong Kong; while their detainees. Your attention on the issue, though might not be able to necessarily bring them back to Hong Kong immediately, can at least protect them, bringing a glimpse of hope to their family members.

喬映瑜 (Qiao)

Despite a lack of related information, she is a girl who loves Hong Kong. Under severe depression, hardly can we imagine how she could endure 33 days without the assistance of medicine, alone.

張俊富 22歲 (Cheung, 22)

Being a student form the Open University of Hong Kong, he should have been similar to other people, leading a simple life. Instead of opting for pleasant university life, he chose to stand up for Hong Kong. We hope that he can safely return home, together with 11 of the others.

嚴文謙 21歲 (Yim, 21)

He is also a student. It was alleged that he was in Yantian, ShangShen China. At that time, his hair had been totally shaved and his eyes dully glazed over – could anyone imagine what had he experienced?

黃臨福 16歲 (Hoang, 16)
Wong is a 16-year-old secondary school student, the youngest among the 12 detainees. Supposedly, as a teen under 18 (the legal age in Hong Kong), he cannot entrust a lawyer on his on device. John Lee Ka-Chiu, the Security for Security, however, claimed that Wong voluntarily did so. Wong’s family lawyers afterwards requested for a meeting with Chinese officials but were forced to withdraw.

鄧棨然 30歲 (Tang, 30)

Suffering from asthma and skin disease, 30-year old Tang might not have medicine since related information was not found. Worrying, his mother’s every single word in the press conference was heartbreaking to many.

李宇軒 29歲 (Andy Li, 29)

He is a 29-year old youngster who has a strong interest in Manga. As a computer engineer, he endeavoured on the career path with self-study. But if he was to choose between personal interest and the future of Hong Kong, he undoubtedly chose the latter. Nevertheless, due to the possible retrospective period of the National Security Law, his trust in the legal systems vanished, having no choice but to escape.

張銘裕 20歲 (Cheung, 20)

As a youngster in his twenty, Cheung originally was similar to other young people, having hobbies ranging from playing football, rock climbing to diving. Since he is relatively more mature, he takes care of himself well. Such an active youngster was however arrested during the Anti-extradition Law movement, being entitled with a criminal charge.

Cheung had once told his father that he needs to “fight for democracy and freedom”, which was questioned by his father as to for what he was fighting for. “For the next generation”, Cheung answered resoundingly. Such a firmed belief continued to glow upon the moment he was on board. He understood that to fight for the next generation, he should first stay alive.

李子賢 29歲 (Lee, 29)

Lee is a 29-year old cat lover - going to sleep with the two cats he adopted was the most valuable moment in his life. Attempting to leave Hong Kong, he took the initiative to take a photo with his mother. Before going on board, he took out the photo, thinking about his mother who was always proud of his helpfulness and filial piety. Tracing back to his mother’s birthdays on which he made cheesecake and sang a song, he hoped that his mother would know he loves Hong Kong, too.


郭子麟 18歲 (Kok, 18)

Apart from his family, Kwok, an HKU Engineering Student who loves drama, was also thinking about a girl whom he knew from the Drama Club. Perhaps she is, indeed, the main cast of his life.

Before leaving his homeland, he plucked up all his courage to confess to the girl, echoing to one of HKU students’ sayings - “striving all your effort and leaving no regrets (BJMF)”. Life is like a play. Contemplating on the rippling waters, was he wondering whether this his affection would simply be buried, like a pearl sinking into in the vast ocean?

鄭子豪 17歲 (Cheng, 17)

Bringing with him a fishing rod and bucket; claiming that he was going to fishing – it was the way Cheng waved goodbye to his family; it was the white lie Cheng told in order to leave without notice, protecting his family from worrying.

Before leaving, Cheng used his pocket money to purchase a phone for his mother as a birthday gift. The phone is still here while the receiver has been so distant away. Cheng loves Hong Kong no less than his family. He was willing to bear the burden and go away, taking all the fishing equipment and leaving overnight.

廖子文 17歲 (Liu, 17)

Liu will become 18 after less than one week. To celebrate his birthday, he used to dine outside with his family – such usual practice, however, became a memory. Nevertheless, he actually has already participated in the Rites of Passage Ceremony – because what he experienced was much more than any other others.

Liu is a tough guy, hiding most of the emotions.

When he was small, knowing his older brother being bullied, he would directly ride on a bicycle to drive away the bullies. Most probably, his insistence on justice was what drives him to embark on the journey of the Movement.

黃偉然 29歲 (Wong, 29)

“Forgive my selfishness. In face of the parting of life and death, millions of words inside my throat can only be expressed between written lines.” – this was what written by Wong, a 29-year old motor mechanic, who left in his room the letter written with wordings like “I’m so sorry”, “sorry, mom” and “forgive my selfishness”.

Even since being released from Lai Chi Kok Reception Centre, Wong had been more distant to his friends and family. Rarely did he have dining with his family, but often did he lock himself inside the room. He even reduced contacts with two of his favourite cats. Probably, he was paving the way for the departure with his family who may be more accustomed to living a life without Wong.

【水世界】的前製設定與現場劇照

WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD

The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.

Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.

This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.

The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.

Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.

Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,

“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.

He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.

As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.

Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.

The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.

The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.

The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.

Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,

“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”

The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.

During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.

They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.

Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.

The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.

Shooting out on the open sea presented a series of logistical problem as Reynolds describes,

“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.

And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.

Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.

And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”

The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.

Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.

During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.

The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!

Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.

sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.

There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.

This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.

Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.

In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.

Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.

Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.

Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.

As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,

“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.

And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.

Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.

And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,

“Well, it didn’t suck.”

It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.

During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.

As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.

The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,

“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.

When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,

“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.

Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,

“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”

Written by John Abbitt | Follow John on twitter @UKFilmNerd

If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
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ポケユナ歴：１日

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葉山舞鈴(Hayama Marin)です！
急な配信もあるので、通知ONにしていつでも遊びに来てね！
Hello.
My name is Marin Hayama.
I can only speak Japanese and I can speak a little English.
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Please use simple English slowly.
I don't understand English and sometimes I can't reply. sorry.
If you like this channel Subscribe to my channel!♡
My streaming is almost every day from about 1 am Japan time to the morning. Occasionally it will be streamed in the evening, so please turn on notifications and come visit us.

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@天宮 こころ / Amamya Ch.
@愛園 愛美/Aizono Manami
@森中花咲
@長尾 景 / Nagao Kei【にじさんじ】
@葉山舞鈴 / Hayama Marin


ポケユナ歴：１日

for NintendoSwitch


OP曲 Ocean Meets Girl!! (オリジナル曲) / 葉山舞鈴
https://youtu.be/EFLSZysFbro

ED曲 きらいじゃないもん (Cover) / 葉山舞鈴
https://youtu.be/5U3JLlu8N60


【期間限定☆お知らせ】
①期間限定再販！「お月見ボイス2020」🐇🌙（9/10 23:59まで）
https://shop.nijisanji.jp/s/niji/item/detail/dig-00120?ima=5136

②ゲストボーカルで参加させていただきました！🐍💝
https://youtu.be/HWTyXYc9BtQ


▼ おはやま常設ボイスはこちらから ▼
https://shop.nijisanji.jp/s/niji/artist/068/item?ima=4152


葉山舞鈴(Hayama Marin)です！
急な配信もあるので、通知ONにしていつでも遊びに来てね！
Hello.
My name is Marin Hayama.
I can only speak Japanese and I can speak a little English.
I understand a little English,
Please use simple English slowly.
I don't understand English and sometimes I can't reply. sorry.
If you like this channel Subscribe to my channel!♡
My streaming is almost every day from about 1 am Japan time to the morning. Occasionally it will be streamed in the evening, so please turn on notifications and come visit us.

#にじさんじポケユナ大会　#葉山舞鈴　#生け捕り町おこし
でツイートしてねねねε(＾o＾)з


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♆ Youtube ♆
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♆ Twitch ♆
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