關於 overcome meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

Today, in the Bible Study shared in the GEM patrons chat group, we talked about “More Than Enough Grace for your Needs”:

- The meaning of Zerubabbel’s name and the parallel with Moses.

- How to overcome great mountains in our way and turn them into flat plains.

- How to respond with faith instead of fear to receive the power of Christ resting mightily upon you.

Receive freshly written daily Bible Studies for patrons only when you become a GEM tier patron or above on Patreon: http://Patreon.com/miltongohblog

人活着就是为了解决困难。
这才是生命的意义，
也是生命的内容。
逃避不是办法，
知难而上往往是解决问题的最好手段。

People live to solve difficulties. This is the meaning and content of life. Evasion is not the solution, and the best way to solve the problem is to overcome difficulties.

新刊預覽 👀⚡️⚡️⚡️

Voices of Photography 攝影之聲
Issue 29 : #被攝影史──成為影像的台灣
History of the Photographed:
Taiwan as an Image

延續我們對於攝影史的關注，本期審視屬於我們自身的攝影經驗──被攝影的歷史。從台灣的殖民史出發，自十九世紀中葉以降歷經的人類學調查採集、二十世紀初隘勇線推進下的暴力顯影，到帝國博覽會裡的「台灣」意象與人種展示──這是一段最為系統性地將台灣影像化的初始時期。我們如何成為被攝影的對象？如何化為一具科學標本和一幅想像圖騰？如何在視覺上被納編（或排除）於國族與文化的整頓編程，並糾結至今？此一影像的潛歷史──被攝影的歷史──是我們返視「攝影史」的一處起點。

藉此，本期試圖反詰「歷史」，思考致使我們「成為影像」、「進入攝影史」的支配與佈局，嘗試突破以往「攝影（者）的歷史」框架，開啟我們的「被攝影（者）的歷史」覺察，或許將能發現對我們而言更為重要的攝影的歷史遺產，生成屬於我們的另翼影像史觀。

專題中收錄的影像與文論，標記了我們在「被攝影」的歷史經驗裡的複雜和衝突──我們從已故人類學者胡家瑜對早年台灣人類學田野調查至戰後發展的介紹專論開始，探看影像採集的知識化歷程及當代意涵；黃翰荻追尋日本人類學者鳥居龍藏與森丑之助在殖民年代的台灣原住民族群踏查足印，細述二人巨大的歷史身影；高俊宏在總督府「理蕃時期」的諸多「討伐」寫真帖中，重新諦視「歸順者」肖像裡的幽微目光；瓦歷斯．諾幹以解／反殖民書寫，展現自身與族人生命經驗裡實切的影像歷史感知；松田京子則以東京拓殖博覽會中對殖民地的活人陳列展演，析解形塑「台灣」的視覺策略。

本期Artist’s Showcase單元，我們與藝術家葉偉立進行長篇訪談，呈現他這些年來以行動介入所構成的獨特影像場域，記錄其未曾間斷的勞作沉思。而在影像論述單元，本期新闢由影像研究者李立鈞執筆的科學攝影專欄，揭示平時隱沒在科學實踐中的「影像問題」，首篇從圖繪細菌與拍攝細菌在十九世紀引發的論爭談起，一探科學家對於攝影「客觀性」的認知辯證。謝佩君接續前期對於影像／視覺理論的引介，深入闡論歐美學界近年如何反駁過去以視覺機具作為現代性發展的線性觀點。黎健強探究香港攝影源流的連載系列，揭載「作為影像的香港」在1850年代末首次出現於可供西方觀眾賞玩的遠東立體照片。此外本期亦特邀黃建宏撰文紀念近期辭世的法國哲學家貝拿爾．斯蒂格勒，記述其影像哲理綿延的技術與時間之論。

在本期出版（焦頭爛額）之際，也正是《攝影之聲》邁入第十年的開端，回想起來真是一段不可思議的旅程。感謝所有的讀者共同撐起這份小刊，也要再次感謝參與《攝影之聲》、支持我們的朋友與工作伙伴，給予我們面對艱困的勇氣，繼續在蜿蜒的道路上行進。
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購書 Order | http://bit.ly/vop-29
台灣讀者免運費優惠中！
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As we continue on the topic of the history of photography, we turn to our own photography experiences in this issue – our history of being photographed. It takes root in Taiwan’s colonial history, from the collection of anthropological surveys in the 19th century, to the acts of violence at the defence lines as they pushed on during the Japanese colonial era in the early 20th century, as well as the exhibition of the “Taiwanese” imagery and ethnicity at various expositions held during the Japanese colonial rule. These form the beginnings of a systematic effort to visualize Taiwan. How did we become the photographed, a scientific specimen, a totemic image? How did we become visually part of (or excluded from) the rectification process of nationality and culture, that continues to trouble us till now? The veiled history of such an image – the history of being photographed – guides the beginning of our journey of looking back at the “history of photography”.

With this, we attempt to cross-examine “history” and think through the control and disposition that led us into “becoming an imagery” and “going into the history of photography”, hoping to break free from the existing framework of “the history of the photograph(er)” and enlighten our awareness of the “history of the photographed”. We reckon this could allow us to discover the historical heritage of photography that is even more important to us and generate our very own alternative view of the history of photography.

The collection of imagery and essays in this series marks the complexity and conflicts in our historical experience of “being photographed”. We begin with the late anthropologist Hu Chia-Yu’s field research of Taiwan’s anthropology from the early years to the post-war period as we explore the knowledge-based development and contemporary meaning of imagery collection. Huang Han-Di traces the footsteps of Japanese anthropologists Torii Ryuzo and Mori Ushinosuke in their study of the Taiwanese indigenous peoples in the colonial era, detailing the historical impact that they had. Kao Jun-Honn takes a second look at the faint gaze in the eyes of those who had pledged allegiance, as captured in the many portraits of the “submissives” kept at the Governor-General’s office during the Japanese rule. Walis Nokan expresses his and his fellow people’s real perception of the history of photography as they had experienced it in his de-/anti-colonization writings. Matsuda Kyoko analyses the visual strategy of shaping “Taiwan” through the living displays at the Tokyo Colonization Exposition of 1912.

In this issue’s “Artist’s Showcase”, we feature an in-depth interview with artist Yeh Wei-Li, showing our readers his unique field of imagery that extends from his art of intervention, a record of his neverending contemplation with regard to labor and art. Moving on to essays on visual imagery, we present a new scientific photography column by imagery researcher Lee Li-Chun, who unveils the “imagery problem” that underlies scientific practice, beginning with cognitive dialectics of “objectivity” of photography by scientists that stemmed from the debate sparked by illustrating and photographing bacteria in the 19th century. Hsieh Pei-Chun continues with her introduction to imagery/visual theory from an earlier issue, and explains in detail how Western academia has refuted the existing linear view of visual machinery as a modern development. Edwin K. Lai’s series on the origins and development of Hong Kong photography tells us about the first 3D photograph from the Far East that aimed to entertain a Western audience with “Hong Kong as an image” in the late 1850s. In addition, we specially invited Huang Chien-Hung to commemorate the French philosopher Bernard Stiegler, who had recently passed, and the continuous techniques and time that stems from his philosophy of imagery.

At the same time as we (run off our feet to) prepare for the publication of this issue, Voices of Photography is going into its 10th year, and what an incredible journey it has been. We sincerely thank all our readers for keeping us going, and express our heartfelt gratitude once again to all our friends and partners who have worked with us and given us the courage to overcome our difficulties to march on on this winding road.
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本期目錄 Contents
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文化調查、標本收藏與攝影
——十九世紀中葉起的台灣調查採集動力與歷史脈絡
Cultural Investigations, Material Collections and Photography:
Agencies and Historical Contexts in Taiwan Since the Mid 19th Century
#胡家瑜 Hu Chia-Yu

「空中鳥跡」與「依風彩畫」——寄鳥居龍藏與森丑之助
“The Trail of Birds in Flight” and “Paintings in the Wind”: A Letter to Torii Ryuzo and Mori Ushinosuke
#黃翰荻 Huang Han-Di

「不看」的能指——關於理蕃攝影中的「歸順者」之眼
The Significance of “Not Seeing”: On the Eyes of the “Submissives” in the Photography of the Aboriginal Taiwanese
#高俊宏 Kao Jun-Honn

關於日據時期老照片的解／反殖民書寫練習
Interpreting Old Photographs from the Japanese Occupation Period De-/Anti-Colonization Practice Writings
#瓦歷斯諾幹 Walis Nokan

人類的「展示」與殖民地再現——以1912年拓殖博覽會為中心
The “Exhibition” of Mankind and the Resurgence of Colonization: A Look at the Tokyo Colonial Exposition of 1912
#松田京子 Matsuda Kyoko

如何「做」視覺民族誌？——讀《學做視覺民族誌》
How to “do” a visual ethnography?: Understanding Doing Visual Ethnography
#顧錚 Gu Zheng

我們可以祛除帝國主義嗎？——《潛在的歷史》的指引
Can We Unlearn Imperialism?
Methods and Lessons from Potential History by Ariella Azoulay
史蒂芬．席海 #StephenSheehi

Artist’s Showcase: #葉偉立 Yeh Wei-Li

故事之野——訪葉偉立
A Field of Stories: Interview with Yeh Wei-Li
#李威儀 Lee Wei-I

「可怖的客觀性」——十九世紀的顯微攝影
“Dreadful Objectivity”: Photomicrography in the 19th Century
#李立鈞 Lee Li-Chun

偉大的否定——負影像史
The Great Disavowal: A Counter History of Image
#謝佩君 Hsieh Pei-Chun

追夢人的藥控——離散的「貝拿爾．斯蒂格勒」影像
Pharmakon by Dreamer: Discrete Image of Bernard Stiegler
#黃建宏 Huang Chien-Hung

浴火重生的香港攝影（上）——最早為香港留下照片的攝影師
Hong Kong Photography: Rising from the Ashes (I) – The Photographer Who Left Behind the First Images of Hong Kong
#黎健強 Edwin K. Lai

攝影書製作現場⑤ : 便利堂
Photobook Making Case Study #5: Benrido
#羅苓寧 Lo Ling-Ning

七等生 : 重回沙河
Qi Deng Sheng(1939-2020): A Return to Sand River
李威儀 Lee Wei-I

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更多訊息 More info :
www.vopmagazine.com

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Shanghai's duo Dirty Class remixes Al Rocco's newest single All On Me, featuring Blow Fever, turning the new hit from Trap into Future Bass House. 100 free DLs here http://soundcloud.com/alrocco

Official single available everywhere now on iTunes, Spotify, Apple Music, Tidal, Bandcamp, Soundcloud, Xiami, Tudou and more. http://alrocco.com

All On Me Music Video out now https://youtu.be/JiHl35l3c_w
Official All On Me Single https://youtu.be/gQWI2ZsnujM

Buy now on iTunes: http://itun.es/hk/ksJpbb
Listen now on Spotify: http://spoti.fi/1Th1Fhm
Play now on Soundcloud: http://bit.ly/1VgvzCt
Play on Grooves Planet (App Store): http://apple.co/1QIlwmL

In every decision we make, with every move we take, the weight is all on us. #AllOnMe portraits those who hustles smart for their dreams to become a reality. No matter how big or small the goals are, everyone has the opportunity when focus, consistency and a strong belief is taken religiously to the heart. Success is an uphill battle with many obstacles to overcome but that’s because nothing great comes easy. The only way is to just do it. Nobody else is going to do it for you, but you, so what you gonna do?

With 9 mixtapes in catalog since 2012, Al Rocco releases his first original single #AllOnMe exclusively on iTunes this March 25th. Bilingual in English and Chinese, featuring Blow Fever and produced by Chace, the official music video will premier this April 23rd on #TheNextUnicorn. (An international TV show about start up companies competing with each other to be "the next Unicorn” meaning reaching the hundred million dollar status.) #AllOnMe will also be available on the popular mobile game #GroovesPlanet this May 2016 at the App store and Google play. 

@ALROCCO
http://alrocco.com
http://instagram.com/alrocco

@BLOWFEVER
http://weibo.com/blowfever
http://instagram.com/feverwonderful

PROD BY @DIRTYCLASSOFFICIAL
http://weibo.com/dirtyclass
http://instagram.com/dirtyclass

First Verse: Al Rocco

I started from the bottom
And I’m climbing to the top
Red money yeh I got them
And they telling me to stop
But i cant stop and i won’t stop i won't
On that jack ma getting paper but you know
And we working and we working and we working now
And we murking and we murking and we get it down
Cause everything i do i do for family
And I ain't got the time to waste my energy
And I gotta do it for my legacy
Ain't nobody gonna do it now its all on me
It's all on me it's all on me
Hundred million dollars like this melody
To be the only legendary UNI-C
Ain't no body gonna do it next it's all on me

Chorus: Al Rocco

It's all on me
It's all on me
It's all on me
To be the only legendary uni-c

It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me

Second Verse: Blow Fever

Fever Fever

我一直相信努力相信自己
做事高调做人lowkey
爱慕虚荣全都抛弃
再一步就能到目的
几乎每天工作直到late night
从来没有忘记追求best life
迷了路 回头看你pass life
要经历风雨的成功才叫class right？
有时候漫天雾霾不见flashing light
生活陷入灰色很难分清黑与白
是否付出的努力都能得到回报？
STOP！只有坚持信念才能get it right
走自己选的路让他们说命运有安排
更多压力能量就更多苦尽会甘来
一百分的拼 unicorn是目标
时间就是money remember what ur dream is

Let's do it

Chorus: Al Rocco

It's all on me
It's all on me
It's all on me
To be the only legendary uni-c

It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me

Bridge: Al Rocco

You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it

You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it

Chorus: Al Rocco

It's all on me
It's all on me
It's all on me
To be the only legendary uni-c

It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me

Written by Al Rocco & Blow Fever
Produced & Composed by Dirty Class

Available everywhere now on iTunes, Spotify, Apple Music, Tidal, Bandcamp, Soundcloud, Xiami, Tudou and more. http://alrocco.com

Official "All On Me" Music Video out now! https://youtu.be/JiHl35l3c_w

From $elfmade EP availabe now eveywhere
Buy now on iTunes: http://itun.es/hk/ksJpbb
Listen now on Spotify: http://spoti.fi/1Th1Fhm
Play now on Soundcloud: http://bit.ly/1VgvzCt
Play on Grooves Planet (App Store): http://apple.co/1QIlwmL

Premiering official music video on National China TV ICS @TheNextUnicorn (04/23) April 25th on Youtube (04/25)

In every decision we make, with every move we take, the weight is all on us. #AllOnMe portraits those who hustles smart for their dreams to become a reality. No matter how big or small the goals are, everyone has the opportunity when focus, consistency and a strong belief is taken religiously to the heart. Success is an uphill battle with many obstacles to overcome but that’s because nothing great comes easy. The only way is to just do it. Nobody else is going to do it for you, but you, so what you gonna do?

With 9 mixtapes in catalog since 2012, Al Rocco releases his first original single #AllOnMe exclusively on iTunes this March 25th. Bilingual in English and Chinese, featuring Blow Fever and produced by Chace, the official music video will premier this April 23rd on #TheNextUnicorn. (An international TV show about start up companies competing with each other to be "the next Unicorn” meaning reaching the hundred million dollar status.) #AllOnMe will also be available on the popular mobile game #GroovesPlanet this May 2016 at the App store and Google play. 

@ALROCCO
http://alrocco.com
http://instagram.com/alrocco

@BLOWFEVER
http://weibo.com/blowfever
http://instagram.com/feverwonderful

PROD BY @CHACEMUSICOFFICIAL
http://weibo.com/chace1998
http://instagram.com/chacemusicofficial

First Verse: Al Rocco

I started from the bottom
And I’m climbing to the top
Red money yeh I got them
And they telling me to stop
But i cant stop and i won’t stop i won't
On that jack ma getting paper but you know
And we working and we working and we working now
And we murking and we murking and we get it down
Cause everything i do i do for family
And I ain't got the time to waste my energy
And I gotta do it for my legacy
Ain't nobody gonna do it now its all on me
It's all on me it's all on me
Hundred million dollars like this melody
To be the only legendary UNI-C
Ain't no body gonna do it next it's all on me

Chorus: Al Rocco

It's all on me
It's all on me
It's all on me
To be the only legendary uni-c

It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me

Second Verse: Blow Fever

Fever Fever

我一直相信努力相信自己
做事高调做人lowkey
爱慕虚荣全都抛弃
再一步就能到目的
几乎每天工作直到late night
从来没有忘记追求best life
迷了路 回头看你pass life
要经历风雨的成功才叫class right？
有时候漫天雾霾不见flashing light
生活陷入灰色很难分清黑与白
是否付出的努力都能得到回报？
STOP！只有坚持信念才能get it right
走自己选的路让他们说命运有安排
更多压力能量就更多苦尽会甘来
一百分的拼 unicorn是目标
时间就是money remember what ur dream is

Let's do it

Chorus: Al Rocco

It's all on me
It's all on me
It's all on me
To be the only legendary uni-c

It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me

Bridge: Al Rocco

You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it

You talking about it I’m walking about it
You talk about nothing I’m keeping it 100
And now they know that i came and i done it
And now they be wondering how i could do it

Chorus: Al Rocco

It's all on me
It's all on me
It's all on me
To be the only legendary uni-c

It's all on me
It's all on me
It's all on me
Ain't no body gonna do it next it's all on me

Written by Al Rocco & Blow Fever
Produced by Chace
Copyright 2016 alrocco.com