經典大集合
用過都能體驗到的美好,
喜歡的 ,集合!
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松露、Leif、Tasteology、Freekeh
詢問度的排行榜總佔有ㄧ席之地
因為好吃、好用、好看、還兼具營養
即使已經常常使用
不時還是感到驚艷
也因此在我心目中也極具代表性
日常中毫不猶豫的囤貨選項
#現貨開團 2/24 - 3/2 PM:11:59
都是大家熟悉的 , 都有固定喜好 定期習慣的補貨商品
這次新的ㄧ年 , 全新團購優惠方式 ......這次我們隨心所欲 #任選 優惠!
✔️訂購單:https://www.liqform.com/v/gzqwtvdp
🔷 #松露系列
【 宛若魔法的松露調味品 神秘且扎實的松露極致體驗 無數米其林主廚推薦 】
✔️分享文:https://qq2q11.pixnet.net/blog/post/351231097
🔷 #leif沐浴洗髮用品
【 切入靈魂的美好 “橫掃市場”, ”有嚼勁”的沐浴洗手用品 迅速擠身頂級產品 】
【 萬古風潮與當代時髦沐浴用品的美麗交集 】
【愛是黑暗中溫暖的光 貴族與文青融合的Leif LOVE系列 】--新品上市
✔️ 分享文:https://qq2q11.pixnet.net/blog/post/352512976
🔷 #tasteology香料科學
【 當料理藝術碰上”香料科學“ 融合美味與天然 極受歡迎的Tasteology闡述美味的新角度】
【甜甜落心田 料理藝術科學Tasteology 新品風味糖漿 】
✔️分享文:https://qq2q11.pixnet.net/blog/post/351307000
🔷#freekeh
【 極營養能減重 名人趨之若鶩 風靡全球的超級食物翡麥(Freekeh) 】
✔️ 分享文: https://qq2q11.pixnet.net/blog/post/351331807
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【 #宛若魔法的松露調味品 #神秘且扎實的松露極致體驗 無數米其林主廚推薦 】
✔️分享文:https://qq2q11.pixnet.net/blog/post/351231097
松露,
法國人稱『廚房的鑽石』,歐洲人把松露與魚子醬、鵝肝並列為『世界三大珍饈』
每年產量有限,造就了它不凡且高貴的身價。
Truffle &Wine松露調味品最令人驚艷的地方在於,
它總是可以很厲害、很輕鬆的把食物往上提升一個層次,宛若魔法一般!
[ Truffle & Wine 介紹 ]
來自澳洲西南方小城鎮曼吉馬普(Majimup)的Truffle & Wine,
是全世界最大的黑松露單一供應商,
他們生產的是罕見且品質極高的黑冬松露(Black Winter Truffle)。
於1997年在滿是葡萄藤、果園、綿延的山丘中創立了。
[ 松露採集 ]
一般來說,松露都生長在地面下,採集並不容易,往往要靠嗅覺靈敏的豬或是狗來尋找並挖掘松露
Truffle & Wine是用狗來採集,所以整個莊園裡有好幾隻狗,像是拉布拉多犬,都是訓練來採集松露的
[ 知名主廚推薦、知名餐廳使用 ]
• Peter Gilmore,五次入選世界50最佳餐廳Quay
• Umberto Bombana,米其林三星主廚,有”白松露國王”美稱的廚師
• Shane Osborn,米其林二星主廚
• Peter Rudolph,米其林餐廳Madera
• Poh Ling Yeow, 知名廚師,身兼演員、作家、電視節目主持人
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【 當料理藝術碰上”香料科學“ 融合美味與天然 極受歡迎的Tasteology闡述美味的新角度】
【甜甜落心田 料理藝術科學Tasteology 新品風味糖漿 】
✔️分享文:https://qq2q11.pixnet.net/blog/post/351307000
如果根據自己的使用心得,要用最簡單的形容Tasteoloy
我想是..... [ #美食速成班 ]
Tasteology的天然材料,
搭配出美味且獨特不俗氣的味道。
即使沒有什麼烹飪經驗的人,
也可以在稍微拿捏香料的用量後,做出有特色的好吃料理,
真的讓人有種上過美食速成班的錯覺。
從字面上,Tasteology可以簡單翻譯為,味道學。
家庭主婦我, 一開始當然是被Tasteology的外型給吸引,
簡單卻設計感十足。
白淨簡潔的設計,擺放在廚房,完全不需要特別收到櫃子裡,
因為Tasteology本身就可以當作裝飾。
喜歡它的取名,簡單明瞭,順耳好聽。
Tasteology,就是這麼簡單地傳達出:味道學!
松露與各式香料, 就是廚藝再不好都能美味的神奇
不只是”美食速成班“ 能稱得上 ”#主廚速成班“!!💕😋
各種香料 松露產品....廚房裡的兩大魔法推手
Tasteology糖漿產品,
不知道為何,品嚐過後,
心中很自然的湧現四個字,“瓊筵玉液”
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【 切入靈魂的美好 “橫掃市場”, ”有嚼勁”的沐浴洗手用品 迅速擠身頂級產品 】
【 萬古風潮與當代時髦沐浴用品的美麗交集 】
🆕【愛是黑暗中溫暖的光 貴族與文青融合的Leif LOVE系列 】--新品上市
✔️ 分享文:https://qq2q11.pixnet.net/blog/post/352512976
Leif從外觀到味道
Leif ~ Made in Australia
#有嚼勁的沐浴用品
[#切入靈魂的美好 ]
什麼是”美好“?
每個人都有自己的標準。
很喜歡一個作家的說法:
當一個東西可以具體筆直地切入到一個人的靈魂,
不說分由,產生微妙的悸動,那就是了。
Leif,
幾年前崛起,
火速橫掃貴婦、雅痞、文青的沐浴與洗手用品,
就讓我深深體會到什麼叫”具體筆直的切入靈魂“的美好!
< #最舒服的中間值 >💕
人各有所好
有的人喜歡洗完像徹底脫層皮的感覺
有的人偏好洗完還滑滑的 沖洗不完的感覺
Leif的質感
很剛好取到最舒服的中間值
乾淨又滑膩適中
應該這也符合很多人的期許 所以才這麼熱銷
Leif是一個讓人覺得很用心很有創意的品牌
用心地尋找最符合大家舒服的中間值
用創意讓包裝外觀都是完整美好的體驗
[ #萬古風潮與當代時髦沐浴用品的美麗交集 ]
約兩三年前,
2017、2018左右,
澳洲的餐飲界,由數名國際知名主廚引領了一波澳洲當地叢林植物(Bush Food/Plant)做為食材的風潮
澳洲叢林植物,
一直以來就以豐沛滋養功能、營養美味、顏色造型獨特著稱
加上國際精緻餐飲(Fine Dining)的推波助瀾,
澳洲叢林植物這兩三年瞬間火熱起來,甚至有國際間搶購的現象
傳統上,
所謂的 #叢林植物 是澳洲當地原住民,在叢林中慢慢搜尋採集而來,
當中結合了祖先在地長期累積傳承的經驗智慧,
與澳洲地理位置上豐厚獨特的天然資源,進而孕育而成珍貴的資源
除了食用,
澳洲叢林植物更被稱為天然的皮膚保養品,
豐富的維生素、獨特自然的香氣、富含抗菌、滋潤效果,
市面上只要是運用得宜的產品 (無論沐浴保養品、餐廳餐點)都讓人趨之若鶩
稱得上是 #萬古風潮與當代美麗交集的典範
沐浴清潔用品當中,產品外型設計屢獲激賞,
常見於最潮的餐廳、飯店民宿,甚至瓶身被擺上在美術館展覽的Leif
絕對是把 #澳洲叢林在地精神與當代時髦設計結合 的最佳典範
Leif產品巧妙地把主流的沐浴洗手產品,
結合當地品質極佳、稀少珍貴的天然植物,
橫跨古今絲毫沒有違和感,還做了一個微妙的最佳融合
< #與當代藝術博物館合作 Leif >
沐浴用品與博物館合作.....
Leif應該是我知道的第一個
備受澳洲當地人喜愛的海德當代美術館(Heide Museum of Modern Art, MoMA)
因為欣賞Leif對生活美好的追求, 特別與Leif合作在當代藝術博物館展出
每天使用尤如藝術品的沐浴清潔用品 真的是滿幸福的
[ 橫掃市場 頂級產品 ]
Leif很年輕,
但是也可能因此完全沒包袱,
不但可以不陷入窠臼,
還可以朝向自己最理想的方向設計與製造產品。
而市場也像是太久沒有獨特新穎又好用的產品,
Leif的推出彷彿在悶熱的房間,打開窗戶灌入新鮮的空氣,
大家都拚命地深呼吸Leif帶來的氧氣。
短短幾年,
越來越多時髦新穎、品味獨特的地方可以發現Leif的身影,
甚至可以說是用橫掃來形容。
[ #有嚼勁 ]
如果要形容Leif,
“有嚼勁”是我腦中閃過的第一個字眼。
因為我自己越用越喜歡,
就像是“有嚼勁”的食物,
沒有虛華不實,反而越吃越夠味,到後來停不下來。
Leif無論是外形到味道,
每看一次,使用一次,就更加喜歡一點。
讓人印象深刻,卻又不譁眾取寵。
🆕
🆕
💕【 愛是黑暗中溫暖的光 貴族與文青融合的Leif LOVE系列 】💕
Leif從外觀到味道
都讓我有種桀驁不遜的貴族氣
優異的質感猶如貴族血統
不倫俗套獨特的設計 又像是品味獨具的文青
Leif會佔據各個時尚文青商店、飯店、餐廳 不是沒有道理
2021推出全新LOVE系列
飽和的底色,配上飽滿的愛心
愛心在黑暗中還可以發光
猶如黑夜中 溫暖的一道光
無論何時持續散發出愛的力量
🆕buddha wood洗手露
#滾滾瓶
< 線條極可愛 超值選項 胖胖瓶 >
因為疫情 大家清潔手的頻率越來越高
對於洗手清潔產品需求不斷提升
Leif推出的超大容量 1.5L洗手路
除了滿足大家常常洗手的需求 無序常常更換
價格上也相當優惠
外觀設計上 採用了寬厚的線條
微妙的散發出老實可愛的氣息
搭配Leif著名的半透明瓶身 美感十足
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【 極營養能減重 名人趨之若鶩 風靡全球的超級食物翡麥(Freekeh) 】
✔️分享文: https://qq2q11.pixnet.net/blog/post/351331807
所謂的”超級食物”,應該算是一個俗稱,並沒有官方的標準。
基本上是指”對健康非常好,甚至對某些疾病有幫助的食物”。
再通俗一點,
只要是營養價值非常高的食物也可以稱為”超級食物“。
不過覺得最厲害, 也最吸引我的是......
Freekeh還有很明顯營養健康數據,
其中一項“減肥”更是明顯
Freekeh是一個已經在國外火紅一段時間,包含美國、加拿大、英國、澳洲、日本、韓國...,
台灣2019才正式引進的超級食物,翡麥(Freekeh)。
[什麼是翡麥(Freekeh)?]
翡麥(Freekeh)源自北非,
早在西元前2300年就存在的古老、營養價值極高的超級食物。
Freekeh的概念是在穀物還很年輕、養分最充足的時候就收割處理。
跟過熟的穀物比較起來,
Freekeh含有更多的蛋白質、維他命、礦物質、纖維,對“ 人體有益”的養分比起一般的穀物高。
對“ 人體負面” 成分,
如碳水化合物、升糖指數,比起一般的穀物又更低。
等於說優點更多,缺點更少,
難怪很多地方都報導過Freekeh是最新的超級食物!
而且更近一步的,
還有官方機構證實
Freekeh可以幫助控制糖尿病、降低罹患直腸癌等疾病。
也因為處理方式包含了日曬、烘烤,所以煮起來特別香,吃起來也別具風味。
[ 翡麥(Freekeh)的好處 ]
以下資料大多數有政府機認證。
1. 高纖維(比起一般穀物多了30-35%)、低碳水化合物
2. 高蛋白質(14-16%,一般白飯大約6%,AGAL 澳洲政府分析試驗室認證),而且是品質很好容易消化的蛋白質。
3. 富含鈣、鐵、鋅(AGAL澳洲政府分析試驗室認證)
4. 低升糖指數(GI, Glyaemic Index),極佳的胰島素反應指數(對第二型糖尿病有助益)。
Freekeh的升糖指數約40~55,低於糙米、米飯。
(CSIRO認證,聯邦科學與工業研究組織)
5. 減肥
6. 超低脂肪相關成分(AGAL, Australian Government Analytic Laboratories 澳洲政府分析試驗室認證)
7. 改善腸道健康。對腸躁症有幫助,幫助排便,與一般的腸道健康
8. 改善結腸癌症,大腸發炎
Freekeh是我們天天在吃得主食
著眼點在於它的營養價值、熱騰騰簡單的香氣 ,
所以也沒有什麼特別的食譜 花俏的烹調方式
只是原原本本接受Freekeh最天然的面貌
心裡踏實的吸收Freekeh那卓越的營養
也因此
文章的重點是和大家分享Freekeh的營養價值
還有一些各地的迴響
( 推薦大家仔細看ㄧ下 這”超級健康食物“ 喔!)
訂購單:https://www.liqform.com/v/gzqwtvdp
★現貨商品, 付款完成一~三日出貨
★付款方式:刷卡或ATM轉帳
★下單後尚未24小時完成付款訂單, 會失效喔!可以再重新下單
同時也有1部Youtube影片,追蹤數超過1,620的網紅Crescent Lament,也在其Youtube影片中提到,◆【噤夢】數位專輯搶先聽:https://reurl.cc/a5V5qX ◆ 博客來實體專輯:https://reurl.cc/R1x2m6 ◆ Listen to the album here: https://reurl.cc/a5V5qX 台灣民謠金屬樂團 Crescent Lament 恆...
「post modern government」的推薦目錄:
- 關於post modern government 在 2Q11~Your birth our growth Facebook 的精選貼文
- 關於post modern government 在 周慕姿 Facebook 的最佳解答
- 關於post modern government 在 盧斯達 Facebook 的最佳貼文
- 關於post modern government 在 Crescent Lament Youtube 的最讚貼文
- 關於post modern government 在 Politics in Practice: What is postmodernism? - YouTube 的評價
post modern government 在 周慕姿 Facebook 的最佳解答
敝小團新專輯#噤夢 MV-- #孤燈微微 #BytheLoneLight 終於上線!敬請支持分享!
想買專輯的朋友,歡迎來專輯巡迴場購買,12/11首賣!
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★【夢迴】Crescent Lament X 暴君 ◆ 噤夢 專輯巡演首賣 ★
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#高雄場:2020/12/11 W5 🤘 https://reurl.cc/n0XxKd
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#台中場:2020/12/20 W7 🤘 https://reurl.cc/j5pVzD
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#台北場:2021/01/09 W6 🤘 https://reurl.cc/Q3DNrM
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#完成歌詞歌曲介紹:
https://www.youtube.com/watch?v=TNqA6eHiLVc
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台灣民謠金屬樂團 Crescent Lament 恆月三途,將於2020年底推出第三張專輯 —【噤夢 Land of Lost Voices】。【噤夢】以終戰後國民政府來台前期的台灣社會為背景,除了在音樂上融入更豐富的民俗樂器,也將上張專輯【花殤 Elegy for the Blossoms】的主角阿香再度帶入歌曲中,藉著藝妲阿香與戀人明風兩人未完的緣分,娓娓道出歷史洪流中台灣人民遭遇的悲傷故事。
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首支MV —「孤燈微微 By the Lone Light」,從阿香及明風的視角出發,描述二二八事件發生後,無數台灣人面臨的生離死別。
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--- 專輯歌詞本節錄 ---
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……如同那年代無數台灣有志青年,受過現代教育的明風,對台灣的未來懷抱無比熱忱。1947年3月8日,即將出門的明風說道:「聽講基隆港咧欲出代誌矣,為著妳佮囡仔的未來,我愛去看覓(聽説基隆港快要出事了,為了妳跟孩子的將來,我必須去看看)。」接著他擁著阿香,繼續說:「我下暗就會轉來。若是趕袂轉來,我會先去社寮島的阿兄兜蹛一暝(我傍晚就會回家。倘若趕不回來,我會先去社寮島的大哥家住一晚)。」
.
.
然而,明風再也沒有回來。隔日,阿香從鄰居口中得知,中國來的援軍已從基隆港登陸,船還沒靠岸就架起機槍掃射民眾,岸上軍隊也沿街瘋狂開槍;成群學生被軍隊割掉耳鼻及生殖器後,用刺刀戳死;其餘沒死的市民被軍隊抓起來,三、五人一組遭鐵線刺穿手掌足踝,串成一排排帶到港邊,朝頭上開一槍後踢到海裡。幾天後,浮起的屍體漂滿基隆港,隨著浪一波波打回岸邊。阿香經不起如此巨大打擊,終日以淚洗面。
.
.
明風的屍體從來沒被找到。接下來兩個月,國民政府在全台進行血腥鎮壓及恐怖清鄉,約兩萬名民眾遭軍隊屠殺,青壯世代傷亡猶重;而醫師、律師、教授、議員等台灣菁英,更遭大規模處決,整個世代的台灣人被集體消音……
.
.
--- 專輯歌詞本節錄 ---
.
.
噤聲的人,無聲的夢。
每個殷切期盼的背後,往往都是永盼不到一面的魂斷夢空。
紀念那些為了成就心中的台灣夢,而被噤聲的台灣人。
Crescent Lament第三張專輯 —【噤夢】,2020年12月11日,正式發行。
.
.
--------------------------------------------------------------------
* Turn on the caption to activate the English subtitle of this video.*
Crescent Lament’s third album "Land of Lost Voices" will be released on December 11, 2020. A sequel to our second album, the story continues from where "Elegy for the Blossoms" left off: the unfinished romance between A-hiong and her lover, Bîng-hong. They once believed that they would not see each other again, but fate has brought them back together. They would go through the collapse of Taiwanese society in the post-WWII era, experience horrifying days that were even more miserable than wartime, and finally witness the destined tragedy of the 228 Incident.
The current MV “By the Lone Light” recounts the bereavement that A-hiong suffered, after realizing Bîng-hong has died from the indiscriminate massacre in March 1947.
(Excerpt from the lyrics booklet)…… Like all young Taiwanese of that era, Bîng-hong, who had received modern education, was passionate about Taiwan’s future. “I heard something happened at Keelung harbor, I need to check it for you and our kid,” Bîng-hong told A-hiong before he headed out on 8 March 1947. “I’ll be back in the evening—if I don’t return before nightfall, I’ll spend the night at my brother’s home at Sia Liao Island,” he said, giving A-hiong a hug as he left.
Bîng-hong never came home. The next day, A-hiong heard from neighbors that Chinese troops landed in Keelung the day before, and started shooting people with machine guns even before the vessels docked. Troops on land also shot people indiscriminately on the streets. Groups of students had their noses, ears, and genitals cut off, before being stabbed with bayonets. Those who survived were arrested by soldiers, and strung up with barbed wire through their palms and ankles. Then, they were shot in the back of their heads, and kicked into the harbor. Days later, innumerable floating bodies blocked the harbor, and piled up on the shore. A-hiong could not take it anymore, and was in tears all day.
Bîng-hong’s body was never found. In the following two months, the KMT government violently cracked down on uprisings, and purged rebels across Taiwan. Around 20,000 civilians were murdered by the troops, most of whom belonged to the young generation. Doctors, lawyers, professors, and councilors were executed in large numbers, and an entire generation was muted……(Excerpt from the lyrics booklet)
In memory of what happened in 1947, Taiwan.
Crescent Lament - Land of Lost Voices.
【孤燈微微 / By the Lone Light】
.導演/Director:林峻 Chun Lin
.演員/Actress & actor:黃惟, 徐肇勵
.詞/Lyrics:周慕姿 Muer Chou
.曲/Music:周岳弘 Komet Chou
.英譯/English translation:Happy Metal Guy, 賴昱伸 lok-sin LOA
.英文校正/English revision & proofread:Happy Metal Guy
.收錄專輯/Album:噤夢 Land of Lost Voices (2020)
.專輯製作人/Producer:
劉允墨 Jesse Black Liu & Crescent Lament 恆月三途
.專輯錄音/Recorded by:
劉允墨 Jesse Black Liu - 黑頻工作室 Black Frequency Studio
.音軌剪輯/Editing by:
劉允墨 Jesse Black Liu - 黑頻工作室 Black Frequency Studio
Joakim Dahlström - The Sweetspot Studio(Sweden)
.專輯混音/Mixed by:
Rickard Bengtsson - The Sweetspot Studio(Sweden)
Assisted by Joakim Dahlström
.母帶後期處理/Mastered by:
Mika Jussila - Finnvox Studios(Finland)
.Crescent Lament 恆月三途:
主唱 Soprano:周慕姿 Muer Chou
鼓 Drums:周岳弘 Komet Chou
貝斯 Bass:許至維 Wick Hsu
吉他 Guitars:邱振華 Wat Chiu
二胡 Erhu:Jedi Yeh
鍵盤 Synths & Piano:魏大昕 Sebastian Wei
嗩吶 (客座) Suona (guest):黃博裕 Po Yu Huang
.特別感謝武雄老師 Bu-hiông 提供台語歌詞之填詞與唱法指導。
.特別感謝氫酸鉀 KCN 繪製專輯封面及團徽。
.特別感謝美術編輯總監 Hollowcorpse。
.追蹤我們的最新消息 / Stay up to date on Crescent Lament
Facebook - https://www.facebook.com/crescentlament
Website - https://crescentlament.wixsite.com/home
post modern government 在 盧斯達 Facebook 的最佳貼文
New York Times 第三擊
【China’s Hong Kong Policy Is Perverse. It Always Has Been.】
By Lewis Lau Yiu-man
HONG KONG — Beijing says it wants to safeguard “one country, two systems,” the principle that supposedly guarantees Hong Kong’s semiautonomy from the mainland. In reality it is weaponizing the policy to crush the city’s freedoms.
On Thursday, the Chinese government announced a plan to pass national security laws for Hong Kong. It has long been after something like this, though previously it expected the local authorities to do the job. Not this time. This law would be ratified in Beijing — at worst, as soon as next week.
This sinister move caps several weeks of mounting acts of repression in Hong Kong, in almost all spheres of public life — politics, law, education, the media.
Last week, students sitting for a university-entrance history exam were asked if they agreed with this statement: “Japan did more good than harm to China in the period of 1900-45.” The Hong Kong Education Bureau promptly complained that the question was “leading” and asked that it be stricken from the exam, even though some students had already answered it.
The Education Bureau also claimed that the question “seriously hurt the feelings and dignity of the Chinese people who suffered great pain during the Japanese invasion of China.” For many traditional Chinese patriots there is simply no way the Japanese could have brought any benefit whatsoever to China; to merely ask that question is to somehow prettify the Second Sino-Japanese War of 1937-45.
Never mind that the exam referred to the years between 1900 and 1945, rather than solely to the war. And never mind that there is ample historical evidence showing that Japan’s vast influence on China during that period also served China well in some ways. Sun Yat-sen, the most famous early leader of post-imperial modern China; major actors in China’s socialist movement; even Lu Xun, arguably the greatest writer in modern Chinese literature, were all inspired or shaped to a certain extent by contact with Japan.
More than anything, questions such as this one have been a fixture of history exams in Hong Kong. I studied history at university, and I remember this exam question from 2006: “Some people think Emperor Wen of Sui (541-604) did more harm than good. Do you agree with that?”
Then this week pro-Beijing lawmakers hijacked the election for chairperson of a committee of Hong Kong’s legislative council, calling in security guards to control the scene, and placed at the committee’s head a pro-establishment legislator accused of abuse of power.
“Headliner,” a satirical show of the public broadcaster RTHK, was canceled after Hong Kong authorities complained that it denigrated the Hong Kong police.
And the government, even as it is relaxing various social-distancing rules to fend off Covid-19, just extended restrictions on group gatherings to June 4 — the anniversary of the 1989 massacre at Tiananmen Square. The commemorative protest vigil that has been held that day every year may not take place for the first time in three decades. (It occurred even during the SARS outbreak of 2002-03.)
Next week, Hong Kongers face another blatant effort by Beijing to instill in them patriotism for China and loyalty to the Chinese Communist Party: The local Legislature will consider a bill that would criminalize the misuse of China’s national anthem or insults toward it. And, of course, there is the national security legislation.
The Chinese Communist Party is ambitious, and it is impatient. It doesn’t just want to control Hong Kong; it wants to remodel the minds and souls of the Hong Kong people.
Chinese state media said of the history exam controversy that it was an occasion for Hong Kong to “surgically detoxify” its education system so as to make it “compatible” with “one country, two systems.” What they really were calling for is a radical change of the status quo.
“One country, two systems” is designed, in theory, to safeguard the fundamental rights of Hong Kong’s people. In fact, our rights are gradually being taken away in the name of safeguarding “one country, two systems” — Beijing’s version of it. The policy isn’t dead so much as it is perverse. Which it always has been.
“One country, two systems” was a ploy from the outset, a tactic for China to buy time, the better to absorb Hong Kong sooner or later. Preferably sooner, it seems.
post modern government 在 Crescent Lament Youtube 的最讚貼文
◆【噤夢】數位專輯搶先聽:https://reurl.cc/a5V5qX
◆ 博客來實體專輯:https://reurl.cc/R1x2m6
◆ Listen to the album here: https://reurl.cc/a5V5qX
台灣民謠金屬樂團 Crescent Lament 恆月三途,於2020年底推出第三張專輯 —【噤夢 Land of Lost Voices】。【噤夢】以終戰後國民政府來台前期的台灣社會為背景,除了在音樂上融入更豐富的民俗樂器,也將上張專輯【花殤 Elegy for the Blossoms】的主角阿香再度帶入歌曲中,藉著藝妲阿香與戀人明風兩人未完的緣分,娓娓道出歷史洪流中台灣人民遭遇的悲傷故事。
首支MV —「孤燈微微 By the Lone Light」,從阿香及明風的視角出發,描述二二八事件發生後,無數台灣人面臨的生離死別。
--- 專輯歌詞本節錄 ---
……如同那年代無數台灣有志青年,受過現代教育的明風,對台灣的未來懷抱無比熱忱。1947年3月8日,即將出門的明風說道:「聽講基隆港咧欲出代誌矣,為著妳佮囡仔的未來,我愛去看覓(聽説基隆港快要出事了,為了妳跟孩子的將來,我必須去看看)。」接著他擁著阿香,繼續說:「我下暗就會轉來。若是趕袂轉來,我會先去社寮島的阿兄兜蹛一暝(我傍晚就會回家。倘若趕不回來,我會先去社寮島的大哥家住一晚)。」
然而,明風再也沒有回來。隔日,阿香從鄰居口中得知,中國來的援軍已從基隆港登陸,船還沒靠岸就架起機槍掃射民眾,岸上軍隊也沿街瘋狂開槍;成群學生被軍隊割掉耳鼻及生殖器後,用刺刀戳死;其餘沒死的市民被軍隊抓起來,三、五人一組遭鐵線刺穿手掌足踝,串成一排排帶到港邊,朝頭上開一槍後踢到海裡。幾天後,浮起的屍體漂滿基隆港,隨著浪一波波打回岸邊。阿香經不起如此巨大打擊,終日以淚洗面。
明風的屍體從來沒被找到。接下來兩個月,國民政府在全台進行血腥鎮壓及恐怖清鄉,約兩萬名民眾遭軍隊屠殺,青壯世代傷亡猶重;而醫師、律師、教授、議員等台灣菁英,更遭大規模處決,整個世代的台灣人被集體消音……
--- 專輯歌詞本節錄 ---
噤聲的人,無聲的夢。
每個殷切期盼的背後,往往都是永盼不到一面的魂斷夢空。
紀念那些為了成就心中的台灣夢,而被噤聲的台灣人。
Crescent Lament第三張專輯 —【噤夢】,2020年12月11日,正式發行。
----------------------------------------------------------------------------------------------------
* Turn on the caption to activate the English subtitle of this video.*
Crescent Lament’s third album "Land of Lost Voices" is released on December 11, 2020. A sequel to our second album, the story continues from where "Elegy for the Blossoms" left off: the unfinished romance between A-hiong and her lover, Bîng-hong. They once believed that they would not see each other again, but fate has brought them back together. They would go through the collapse of Taiwanese society in the post-WWII era, experience horrifying days that were even more miserable than wartime, and finally witness the destined tragedy of the 228 Incident.
The current music video “By the Lone Light” recounts the bereavement that A-hiong suffered, after realizing Bîng-hong has died from the indiscriminate massacre in March 1947.
(Excerpt from the lyrics booklet)…… Like all young Taiwanese of that era, Bîng-hong, who had received modern education, was passionate about Taiwan’s future. “I heard something happened at Keelung harbor, I need to check it for you and our kid,” Bîng-hong told A-hiong before he headed out on 8 March 1947. “I’ll be back in the evening—if I don’t return before nightfall, I’ll spend the night at my brother’s home at Sia Liao Island,” he said, giving A-hiong a hug as he left.
Bîng-hong never came home. The next day, A-hiong heard from neighbors that Chinese troops landed in Keelung the day before, and started shooting people with machine guns even before the vessels docked. Troops on land also shot people indiscriminately on the streets. Groups of students had their noses, ears, and genitals cut off, before being stabbed with bayonets. Those who survived were arrested by soldiers, and strung up with barbed wire through their palms and ankles. Then, they were shot in the back of their heads, and kicked into the harbor. Days later, innumerable floating bodies blocked the harbor, and piled up on the shore. A-hiong could not take it anymore, and was in tears all day.
Bîng-hong’s body was never found. In the following two months, the KMT government violently cracked down on uprisings, and purged rebels across Taiwan. Around 20,000 civilians were murdered by the troops, most of whom belonged to the young generation. Doctors, lawyers, professors, and councilors were executed in large numbers, and an entire generation was muted……(Excerpt from the lyrics booklet)
In memory of what happened in 1947, Taiwan.
Crescent Lament - Land of Lost Voices.
【孤燈微微 / By the Lone Light】
.導演/Director:林峻 Chun Lin
.演員/Actress & actor:黃惟, 徐肇勵
.詞/Lyrics:周慕姿 Muer Chou
.曲/Music:周岳弘 Komet Chou
.英譯/English translation:Happy Metal Guy, 賴昱伸 lok-sin LOA
.英文校正/English revision & proofread:Happy Metal Guy
.收錄專輯/Album:噤夢 Land of Lost Voices (2020)
.專輯製作人/Producer:
劉允墨 Jesse Black Liu & Crescent Lament 恆月三途
.專輯錄音/Recorded by:
劉允墨 Jesse Black Liu - 黑頻工作室 Black Frequency Studio
海波浪製作 Wave Productions
.音軌剪輯/Editing by:
劉允墨 Jesse Black Liu - 黑頻工作室 Black Frequency Studio
Joakim Dahlström - The Sweetspot Studio(Sweden)
.專輯混音/Mixed by:
Rickard Bengtsson - The Sweetspot Studio(Sweden)
Assisted by Joakim Dahlström
.母帶後期處理/Mastered by:
Mika Jussila - Finnvox Studios(Finland)
.Crescent Lament 恆月三途:
主唱 Soprano:周慕姿 Muer Chou
鼓 Drums:周岳弘 Komet Chou
貝斯 Bass:許至維 Wick Hsu
吉他 Guitars:邱振華 Wat Chiu
二胡 Erhu:Jedi Yeh
鍵盤 Synths & Piano:魏大昕 Sebastian Wei
嗩吶 (客座) Suona (guest):黃博裕 Po Yu Huang
.特別感謝武雄老師 Bu-hiông 提供台語歌詞之填詞與唱法指導
。
.特別感謝氫酸鉀 KCN
繪製專輯封面及團徽。
.特別感謝美術編輯總監 Hollowcorpse。
.追蹤我們的最新消息 / Stay up to date on Crescent Lament
Facebook - https://www.facebook.com/crescentlament
Website - https://crescentlament.wixsite.com/home
post modern government 在 Politics in Practice: What is postmodernism? - YouTube 的推薦與評價
What is postmodernism? In this video, Palgrave author Thomas de Zengotita discusses the impact of postmodernism on our sense of selves, ... ... <看更多>