關於 there was there were 分別 ，我們在網路上蒐集到這些相關的討論、資訊與評價

當時我們聽著音樂
還好我忘了是誰唱
當時桌上有一杯茶
還好我沒將它喝完
誰能告訴我　
要有多堅強
才敢念念不忘

當時如果留在這裡
你頭髮已經有多長
當時如果沒有告別
這大門會不會變成一道牆
有甚麼分別　
能夠呼吸的 就
不能夠放在身旁

看 當時的月亮
曾經代表誰的心　
結果都一樣
看　當時的月亮
一夜之間化做
今天的陽光

誰能告訴我　
哪一種信仰
能夠讓人　念念不忘
回頭看　
當時的月亮 　
曾經代表誰的心　
結果都一樣 　
看　當時的月亮 　
一夜之間化做
今天的陽光

當時如果沒有甚麼
當時如果擁有甚麼　
又會怎樣

We were listening to music
Fortunately I forgot who sang it
There was a cup of tea on the table
Fortunately, I didn't finish it
Who can tell me
How strong to be
I dare not forget

If I stay here at that time
How long your hair is already
If there was no farewell at that time
Will this gate become a wall
What's the difference 　
Able to breathe
Can't be placed by your side

Look at the moon at that time
Whose heart used to represent　
The result is the same
Look at the moon at the time
Overnight
Today's sunshine

Who can tell me
Which belief
Can make people remember
look back
The moon at that time 　
Whose heart has it ever represented　
The result is the same 　
Look at the moon at the time 　
Overnight
Today's sunshine

If there was nothing
What if I had it at that time　
What will happen
🌕🌹🌕🌹🌕🌹🌕🌹🌕🌹🌕🌹🌕🌹

Taiwan is like a diamond in Asia: Veteran educator Doris M. Brougham

“Taiwan is like a diamond in Asia,” U.S. educator and the founder ( ) of “Studio Classroom,” Doris M. Brougham, said on Wednesday.

“The Diamond is very small, but diamonds shine all around,” she added.

Doris M. Brougham, who has been working in Taiwan for more than 70 years, gave a speech at the opening event of the exhibition ( ) “Foreigners Love Taiwan” organized ( ) by the Taipei City Archives on Wednesday at the West Benevent Square ( ).

Echoing ( ) the theme of the exhibition, Brougham, 95, said she has stayed in Taiwan for more than 70 years and recalled ( ) that when she first came to Taiwan, the land was still developing and many people were facing illnesses.

The veteran educator explained that “the great thing about Taiwan is that people are very willing ( ) to change and to learn.”

She added that Taiwan is a beautiful place and that although “there are many beautiful places around the world, the place is not the most important thing, the most important thing is the people.”

The 95-year-old who has dedicated ( ) several decades to English education in Taiwan amusingly ( ) shared that buffaloes ( ) could even be seen on Zhongshan Road when she first arrived in Taiwan.

She recalled that she learned to speak Mandarin, Taiwanese, and even some indigenous ( ) languages. Yet, she stressed ( ) that the most important thing is to be able to communicate no matter what language we speak.

And we all communicate with each other based on the connection that we are all part of this beautiful island, she remarked ( ).

Brougham ended her speech by stressing that Taiwanese people are very tolerant ( ), and those who have been here all agree that Taiwanese people are very friendly.

“No matter what languages we speak, we are all people living in Taiwan and we are all Taiwanese.”

The “Foreigners Love Taiwan’ exhibition will open from March 10 to April 8, between 10 a.m. to 5 p.m.

‘The exhibition features three major sections ( ): “Foreigners Who Love Taiwan,” “Sentiments Beyond 100 Years,” and “High-Five Love Taiwan,” featuring ( ) the stories of foreigners who have made selfless ( ) contributions to Taiwan, such as Mackay, Marjorie Ingeleiv, Robert Swinhoe, Sidney Barton and Marjorie Landsborough, Yoichi Hatta and more.

資深教育家彭蒙惠女士 讚許台灣如鑽石般瑰麗

「台灣就像顆亞洲的鑽石，雖然面積小，但各個角落都光彩奪目，散發耀眼光芒。」空中英語教室創辦人彭蒙惠女士形容道。

在台灣深耕超過70年的彭蒙惠於週三上午參加由台北市立文獻館所舉辦位在西本願寺廣場的「吾愛台灣－愛台灣的外國人特展」開幕式活動。

呼應此次特展主題，高齡95歲的彭蒙惠表示，自己待在台灣超過70年，她回想到剛來台灣時，這片土地還在發展中，許多人面臨著病痛，在二戰結束的大環境下，台灣相較於國外復甦的更快。

彭蒙惠直截了當地點出，「台灣最大優點就是人們非常願意改變、願意學習。」

她也提到，台灣是個美麗的地方，儘管「全世界有非常多很美的地方，但地方不是最要緊的，最重要的是人。」

彭蒙惠女士奉獻台灣英語教育超過一甲子的時間，她逗趣地分享道，在她初來乍到的時代，中山路上甚至還能看到水牛在逛大街。
她表示，自己不但會說中文、閩南語、甚至還會說原住民語，然而，不管講什麼語言，最重要的是我們要能溝通，而大家彼此之間溝通連結就建立在我們都是這個美麗島嶼的一份子。

最後，她強調，臺灣人包容度非常高，且來過寶島的人都一致認同台灣人非常友善。

「不管講什麼語言，我們都是住在台灣的人，我們都是台灣人。」
「吾愛台灣——愛台灣的外國人特展」即日起到4月8日早上十點到下午五點開放民眾前往參觀。展覽分為三大展區分別是「愛台灣的外國人們」、「超越百年的情感」、「High-Five愛台灣」，展出馬偕、白寶珠、斯文豪、巴爾敦、蘭大衛與連瑪玉、八田與一等等對台灣做出無私貢獻的外國人們的事蹟。

#高雄人 #學習英文 請找 #多益達人林立英文
#高中英文 #成人英文
#多益家教班 #商用英文
#國立大學外國語文學系講師

「地獄空」攝影集即將在八月中元節前出版，由知名設計師與攝影家黃子欽設計，內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等，感恩十方大德助印，希望疫情退散，平安喜樂，後記如下：

野放台灣五十餘年，貪狼獨坐，三方四正殺破狼格局，少年多舛，白手起家，隨展覽雲遊四海，如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返，遂設幻影堂自詡堂主，一日三省「凡所有相皆是虛妄」，常宅於暗房沖片放大通宵、鍾情黑白世界之單純，彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘，了悟人生一瞬、眨眼即逝，雖非仙人，亦無道骨，初聞離垢地生清淨心，但離華嚴「不動地」尚遠，待修持也。
2017年盛暑拍畢《巨神連線》，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鑾堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開朗基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐 阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據《十八泥犁經》記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

Postscript

I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

June 2021,

Yao Jui-chung

「給晴晴：媽媽不想你經歷我所走過的彎路、再捱過我吃的苦……」
“I found very best in me because of you
One day I'll try to be a mom as great as you”

遙送「回信」給天上母親 憑歌寄意唱出最真摰情感

一張泛黃的信紙，伴隨著叫人掛念又窩心的筆跡，是歌曲《Fifth of May》誕生的起端。以新生代音樂人身份再度回歸的Robynn(葉晴晴），推出個人第二支深情之作，而今次所刻劃出的情感，源自於一份平凡卻教人動容的母愛。

歌名《Fifth of May》，5月5日正是代表著Robynn一個極其重視的日子——母親的生日。Robynn的媽媽於多年前罹癌病逝，雖無緣欣賞到女兒在出道後的舞台，但她卻一直留在Robynn的心中，無盡地給予Robynn力量與信心。而每逢5月5日，Robynn都會抽空回到她從小成長的家，感受與媽媽擁有共同回憶的地方。在一次的巧合之下，她找到了一封未曾翻閱的信，是母親在Robynn考進大學之時所書寫的。信中的內容除了讓Robynn憶記起昔日的點滴，亦被那份來自母親的憂心所感動，促使Robynn更想以媽媽作為榜樣，希望有朝一日能成為她一樣好的母親。

《Fifth of May》繼續由Robynn包辦曲詞創作，一字一句都飽含著她最真實的情感，深信在天上的媽媽也能夠收到這封「回信」。歌曲以清脆厚實的木結他聲作主軸，隨後編曲層次漸見豐富，搭配Robynn細膩的演繹更顯箇中張力。透過唱出自身所經歷那份堅定不移的母愛，Robynn希望也能同樣地把這份情感傳遞到聽眾的內心深處，也為世上每一位偉大的母親送上暖意。

MV加入親身經歷

Robynn出道9年,原本準備以個人歌手姿態回歸樂壇,驚喜迎來了天賜「禮物」，新的身份亦賦予了這首歌多一層的意義。懷胎四月拍攝了MV，與攝製隊冒熱同行為取靚景,雖然對懷孕中的她是一大挑戰,但她非常感激MV導演張蚊把兩首歌的MV連貫中有不同故事, 《Fifth of May》延續首部曲《Lost Forever》, 透過走訪小女孩曾身處的各個場景，回憶起她昔日的成長片段。而導演張蚊在創作整個故事的同時，亦巧妙地加入了兩個Robynn的親身經歷，分別是母親因癌病逝世，以及Robynn重回舊居偶然地找到一封母親寫給她封存多年從未寄出的信。透過這些細微的連繫，張蚊希望能進一步呈現出Robynn在寫這首時歌的真實心境，讓觀眾更能細味到箇中的感動,遙送「回信」給天上的母親。


Music & Lyrics by Robynn Yip
Produced & Arranged by T-Ma
Mixed by John Benedict Pereira
Mastered by Randy Merrill at Sterling Sound




Something 'bout the light breeze
on the Fifth of May
Takes me back to the bedroom
where I was raised
With the out of tune piano
that mended all my heartbreaks
I wrote my first songs ever here
while you just listened as I played


Nostalgia trickles down my face
onto your letter for me before you went away
it said...


"When I was young like you
I was tough like you
and I fought like you
but I hope it's easier for you;
I wasn’t as loved as a daughter
But as a mother oh I knew
No matter what I’d save the very best for you”


Dad hair is thinner and greyer by the day
But rest assured he’s healthy and in a happy state
Our house is so old
though he never wants to renovate
But I guess it’s great the place has
always stayed the same


Suddenly nostalgia trickles down my face
And on the fifth of May I thought of what you used to say


"When I was young like you
I was tough like you
and I fought like you
but I hope it's easier for you;
I wasn't as loved as a daughter
But as a mother oh I knew
No matter what I’d save the very best for you”


Even though you’re not here anymore
Empty house dusty frames rusty doors
Every year on this birthday of yours
I feel you here beside me


When you were young like me
You were tough for me
And you fought for me
And it wasn’t as easy as can be
You loved both your daughters
And there is one thing that holds true
I found very best in me because of you


And in your final weeks
You were tough as can be
and you fought for you
Against all the pain you went through
With every changing chapter
You’re still my rock my strength my truth
I found very best in me because of you
One day I'll try to be a mom as great as you


---------------------------------------
MV Credits






CAST:
Girl- Suey Kwok
Boy- Jeffrey Ngai Tsun Sang
Mother- Tina Cheng Pui Na
Father- Clifford Tsang


Director/ @IrvingCheung 張蚊
Assistant Director/ Lok Tsz Hong
Scriptwriter/ Ng King Lung


Director of Photography/ Tam Wai Kai
Focus Puller/ Tai Yun Hong
Camera Assistants/ Yeung Hiu Tung, Man Ho, Yu Hau Ming, Ng Yu Tat


Gaffer/ Ko Wing Chai
Lighting crew/ Lee Kwan Wai, Wong Wei Tung, Man Chi Chun


Photographer/ Quist Tsang @quistography


Art Director/ Nononino @n_n_n_o
Assistant Art Director/ Rex Loong
Costume Designers/ Jeff Mui & jumbotsang
Makeup Artist/ Anitalomakeup @anitaaal0125
Hair Stylist/ GLORIA Lam


Production Manager/ Annie Lau
Unit Manager/ Lai Yiu Chung
Production Assistants/
Christiana Yeung
Chan Siu Lun


Post-production/ Glance Limited
Post-production Producer/ Philip Chan
Editor/ Lam Chi Hang
Colourist/ Li Man Lok
On-line/ Steven Cheung Chun Ho
Graphics & Subtitling/ Nononino @n_n_n_o


Artiste Management / Jennings Wong @RYE Music
Special Thanks / amanwithahat, Dionne Lee, JT, Nicky Ma, Connie Yau

↓點進網址找到"VOTE"按鈕投票!一人有三票唷↓
https://faceawards.nyxcosmetics.com.my/video/579
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如果喜歡我可以訂閱，或者到我的臉書粉專按讚給我支持～
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我是男生, 但是女聲,
喜歡感恩, 不喜慢走~
如果你在我的歌聲找到溫暖，力量，
那是對我最大的讚美！
謝謝：）
I'm a boy with girl's voices,
thanks for like, haters bye~
if you found strength and courage within my voice,
that is the biggest compliment to me! Thank you :)
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從前有兩個王，分別掌管日與夜，他們總是合不來，每當吵架都會造成人民巨大的災難。
有一個強大又善良的女術士，為了解救人民的災難，她狠下心，詛咒了兩個王，讓他們永遠陷入沉睡，並奪取了他們的力量。
女巫同時擁有了日與夜的力量，但是因為她使用不正當的方法得到了力量，她無法成為王，她成為了掌管時間的半魔神，隱居在深山裡。她犧牲了自己的自由換取人民的安全，從此人民擁有平均的白天和夜晚，不再受苦。

Once upon a time, there were two kings. One was in charge of the light of day, while the other was in charge of the dark of night. Unfortunately, they could not get along with each other. The kings were constantly fighting with each other, so much so that they brought great disasters upon their people.
But then, a kind and powerful enchantress stepped in to save the world from the disasters. She was left with no choice but to cast powerful spells on the kings. The kings fell into deep sleep. While they were sleeping, the enchantress took the kings’ powers from them.
Although she possessed the powers of day and night, there was no way for her to wield them, for she had gotten the powers without the kings’ permission. Therefore, she would never become a queen. Nevertheless, she was transformed into half-demon half-goddess and had also gained the power to control time. She concealed herself in the deep mountains, sacrificing her freedom for the safety of the people. Ever since then, there was a balance between day and night and there were no more suffering.

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上期影片：https://www.youtube.com/watch?v=Y55uIGlfRS4
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解釋區：
剪輯軟體：Adobe Premier Pro CS6
BGM使用：
Fight or Flight
Theme for Villains
Gods of Victory
(Sponsor by Audio Network Music)
https://www..com/user/AudioNetworkMusic/featured
Majestic Hills
Majestic Hills by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100423
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The Conjuring 2, 厲陰宅2，終於上映咯！
對於The Conjuring 2，厲陰宅2
由驚悚大師，導演溫子仁執導。由於看
了上一集The Conjuring厲陰宅，更給它的陰森恐怖

的鬼屋，我當然不會錯過這次的The Conjuring 2，厲陰宅2，

回來後對The Conjuring 2，厲陰宅2的真人改編的

故事更有興趣。因此做了些研究：

讓我重現當時的情景給你們！

The Conjuring 2，厲陰宅2 的真人真事是發生在

1977年，來自英國Enfield的鬼屋靈異事件，他們也

稱作為：英國版艾美提爾。Amityville Horror

什麼是艾美提爾事件？
在1974年11月13日~~
在紐約長島一個叫Amityville小鎮的一間屋裏~~
長子Ronald Defeo舉起一把長槍槍殺害了六名家庭
成員~~
包括父母及四名弟妹~~最小的年紀為9歲~~因為他

一直聽到有聲音和他說殺了他們！！！殺了他們

！
在13個月後~~
在1975年12月18日~~一個叫Lutz的家庭搬進了這

間屋子內~~
這個家庭男主人叫George~~女的叫Kathy~~~以及

三個孩子~
因為知道之前發生過這樣恐怖的謀殺案~~
所以他就找了本地神父Father Mancuso來為他們

這間屋祝聖~~
在18日的早上~~正當Lutz family在整理他們的行李

時~~
Father Mancuso就走進這間屋子開始祈禱~~
然後在其中一間房內就發生怪事~~
他清清楚楚聽到有一把男性的聲音很肯定的對他

說 : "GET OUT!"
接着在某一晚~~George見到Kathy外表變了一個90

歲兇惡的老太婆~~
在接下來的一晚~~Kathy更加從床上飄起來~~

大家可以去看這本書：The Amityville Horror.

回到這邊。雖看起來兩件事件是分別發生在英國和

美國，但導演很巧妙的把兩個事件連在一起。
舉報恩菲爾德騷靈案的，正是四個孩子的母親

Peggy Hudgon佩姬哈吉森，她表示她的女兒Janet

告訴他，他弟弟Billy的床突然劇烈搖晃。但她不以

為然，就覺得可能是她們在說謊。
隔一天晚上，又再度聽到家中樓上有巨響，上樓後

親眼目睹衣櫃在震動，但她要按著衣櫃時，它突然

移動滑向門邊堵住出口，就像是想把她們困在房中

似的。
過後由於害怕，他們一家人就睡在同一間房間，還

是會聽到從牆壁裡傳來敲打聲，欲遠欲靜。。。像是

有人在牆裡接近着他們。
Janet就從那天開始一直聽到一個聲音：這是我家，

你們給我滾出去。也曾經被某種力量扯到半空中，

但是『每日鏡報』的記者拍下了很多照片，請看。
看起來像是她從床上跳起，所以有很多人猜測那是

造假的。但是卻又兩個在外面看到的目擊證人，他

們看到Janet飄起了，並撞向窗口。
也有兩名警察親眼目睹一張椅子移動一公尺以上，

另外本案證人還多達30多人，都是說聽到敲門聲，

家具移動，被攻擊等等。
請聽這段聲音。。。。
這是來自Janet的。一個11歲的小女孩。。
許多人視Enfield為世紀大騙局，因為Janet在過後的

訪問承認：為了 捕捉到更多證據，她捏造一些內容

，例如自己折彎湯匙，故意用被附身時的聲音說話

，但他強調整件事98%都是真的。
那究竟是真的還是惡作劇？那30個證人呢？究竟

是真是假，請看電影。
第一，如果你還沒看第一集，沒關係，這是新的故

事
第二，恐怖嗎？我比較大膽，對於我來說是還好。

但故事背景的確加深了它的陰森恐怖。
第三，值得看嗎？是值得支持的，因為這次的故事

內容很好。導演還是用了一些很駭人的手法呈現靈

異事件，還是一套值得去戲院捧場的電影！
還有你要記得，真是真人真事，當你看這套電影時

，請融入當時Janet遇到這些靈異事件是的感受是

怎樣！
如果你看了電影後，有任何疑問，請留言給我,謝謝

大家收看，bye bye

The Conjuring 2 started shown in cinema from 09

June, i watched the first episod the conjuring, i was

shocked by the gloomy haunted house,and you

can't predict when the ghost appear.That's why i

won't miss the conjuring 2.
i just watched it yesterday and i am more curious

about the true story.

so i did some research,Let me tell you the story

behind the scene.
It was happen in 1977,The haunted house in

Enfield, UK,it also called: England Amityville Horror.
So what is Amityville Horror?
In 1974, November 13,In New York long island,

Amityville town, Ronald killed six of his family

members. Included his parent and 4 siblings.
He heard some voice said: Kill Them All,Kill Them

All!!

After 13 months from this incident,Lutz Family

moved into this house,
They knew it has happened murder case,so they

invited their priest praying for them,Something

happened in one of the room,Some one shouted to

him: Get out!
one night, George saw Kathy became A 90 years old

fierce lady,Next night, Kathy was rise high in the air,

you can read this book: Amityville Horror.
Back to the conjuring 2, It seems not related for this

two incidents,but director linked them together.


The person who reported Enfield incident was their

mother, Peggy, She was told by her daughter, Janet

that her brother's bed were wobbling.
but she didn't trust them.

The next night, she heard a loud noise ,she saw a

chest of drawer moving, When she tried to stop it it

moved toward to the door and seem It was trying

to trap them in the room.

They were afraid so they stayed in the same room
But they still heard some noise inside wall,sometime

very far, but some time very near,
Seem like some one behind the wall,
Janet heard some voice talking to her, this is my

house, get out from here,she was rise by some

force, here are the photos who took by journalist ,it

looks like she jumped from her bed
That's why many people said these are fake, But

there are two witnesses from outside.
They saw Janet hanging and banging against the

window
two police officers witness a chair moving by some

invisible force, there are more than 30 witnesses in

this case, they saw furniture moving or loud noise .


Many people though that was a hoax,Because she

amitted in the interview, To show more evidences to

the public, Some haunting event was fabricated

Example bending spoon themselves or was talking

in her possessed voice, But she emphasized 98%

was real.

is it real or hoax? how about the 30 witnesses?

real? or fake. please watch the movie the conjuring

2!

1. if you still haven't watched 1st episod, its ok,

because this is new story

2. Is it scary? for me it is ok, But due to this is based

on true story


3. Is it worth to watch? yes! it is, Because the story

line this time is good, Director used a very terrify

camera angle to present the Enfield Poltergeist.


it is worth to go and support in cinema, don't

forget, this is based on true story

When you watching this movie,
please make yourselves as Janet, how she feels

when she was facing poltergeist

推薦影片：https://www.youtube.com/watch?v=KyA9AtUOqRM
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