Q1: What is success mean to you?
I'm not sure what defines success, for me, success or failure is just a “phenomenon” that keeps changing. “Everything with form is unreal; if all forms are seen as unreal, the Tathagata will be perceived.” There is no rule to achieve success, we don’t know whether or not we can succeed before we start exploring.
Q2: How did you get into film and media? Can you tell me about your childhood?
As a child, I was obsessed with children's literature and illustrations, it was the reason I decided to study Design in HK PolyU. My first scriptwriting class in School of Creative Media, was a turning point. Dr. Tam Ka Ming’s teachings guided me towards the film industry. All I know is that I couldn’t help but follow my desire to use a camera to tell stories. It’s what led me drifting down this life-long career path. At the age of 23, I filmed my first movie, “High Noon". It portrays the dilemma of teens becoming adults and stepping into society.
Q3: How do you approach story or scene as a director, and what do you want to achieve on set?
The motifs of my movies are youth, growth, desire, bright and dark sides of human nature.
I think making movie is a journey of “Discovery”, “Recovery” and “Being”. Youth and teen growth is not only the topic for my debut, it is the topic of life that I concern.
Q4: Why you also started a talent agency? You also produce, why you choose to do so many things?
When I started my company Dumb Youth, my 1st intention was to protect those artists. Then I realize that a part of my role in life is to embrace my life with my "companions". I believe that the people and things around us coexists in the same space for a reason. I live by the Kahlil Gibran quote: “And all work is empty save when there is love”.
Q5: What inspires you about the film world and in HK Film Industry?
Love and Death, Lust and Desire, Humanity and Spirituality, lightness, heaviness and thickness.
For Hong Kong Film industry, I think the creativity and imagination always inspire me the most, and most importantly, people here have the ability to find humor amongst adversity.
Thanks Prestige HK 🙏🏼🤍
Makeup & Hair for Heiward
Thanks Makeup - @tammyau_makeup 🤍
Hair - @jayyeung.theedge 🤍
#Repost @prestigehk
On the #prestige40under40 list this year, Heiward Mak is a talented film director, producer, scriptwriter and artist manager. She recounts her incredible journey in the film industry via the link in bio.
Video - @whats.in.the.bozz
Editing - @novisuals
Photo - @studio.incline
Makeup/Makeup Assistant
@jenny.tziong & Venus Ngan
Hair - @domanictao
@prestigehk 🥂 #prestigehk40under40 #prestigehk #40under40 #bmwhongkong #breguethk #rareskinfuel #amihongkong
同時也有77部Youtube影片,追蹤數超過239的網紅邱舒 ShuChiu,也在其Youtube影片中提到,9.24 於公廣金鐘入圍茶會演唱 🔸 中文字幕高畫質版:https://youtu.be/sur9pugrjVM 🔹英文字幕高畫質版:https://youtu.be/GyAPQEhBp7U 無垢鳥 (改編自客語童謠〈阿啾箭〉) White Drongo ( Adapted from ...
a nature film 在 Facebook 的最佳解答
Wearing a mask is more than just protecting yourself. It’s protecting others from yourself too. As the virus continues to mutate and we go day by day living the new normal, It’s our responsibility to follow proper guidelines and get vaccinated if we can.
Share this post to remind everyone that you care.
#wearyourmask #besafe #newnormal
#education #musical #acting #film #movie #actorslife #motivation #strength #dedication #lifestyle #children #kids #arts #learning #training #slowingdown #zen #philosophy #listening #nature
a nature film 在 Collins Tin Facebook 的最佳貼文
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a nature film 在 邱舒 ShuChiu Youtube 的最讚貼文
9.24 於公廣金鐘入圍茶會演唱
🔸 中文字幕高畫質版:https://youtu.be/sur9pugrjVM
🔹英文字幕高畫質版:https://youtu.be/GyAPQEhBp7U
無垢鳥 (改編自客語童謠〈阿啾箭〉)
White Drongo ( Adapted from a Hakka nursery rhyme "Black Drongo" )
作詞改編:徐麗雯 Sub Author : Herb Hsu
作曲改編:蔣韜 Sub Composer : Jiang Tao
演唱:邱舒 Performer : Shu Chiu
文/徐麗雯 By Herb Hsu
〈無垢鳥〉的歌詞係由《維摩詰所說經·方便品》以及客語童謠〈阿啾箭〉所發想而成。
The lyrics are inspired by “The Vimalakirti Sutra” and the Hakka nursery rhyme “Black Drongo”.
阿啾箭為大卷尾的客語稱法,是地域性很強的鳥類,昔常見於農村牛背上;維摩的梵語是清淨、無垢的意思,結合以上二者,故曲名題為〈無垢鳥〉。
A black drongo is a highly territorial bird often seen resting on the back of a cow in the countryside. “Vima” in Sanskrit language means clean and pure, which is why the song is named “White Drongo”.
〈阿啾箭〉這首童謠使用在電影《光的孩子》的劇情關鍵處,藉由不同角色的無伴奏哼唱,前後串連出生命、情感的一脈相承。〈阿啾箭〉的童謠歌詞迴環反覆、直白簡要,指出無父無母的處境、追尋的失落,剛好扣合電影的角色際遇,也與《維摩詰所說經·方便品》的核心精神相呼應。
The Hakka nursery rhyme “Black Drongo” is used in an important part of the film “The Child of Light”. Hummed by different characters without the accompaniment, it expresses how our lives and feelings are interrelated. With the rotatory and straight forward lyrics, we know how it feels when you’ve lost your parents and try to find something but in vain, which is what the protagonist of the film has been through and in accordance with the core of “The Vimalakirti Sutra”.
〈無垢鳥〉歌詞以聚沫、泡、燄、幻、夢、影、浮雲、電等喻,示明無常的諦理;而〈阿啾箭〉童謠則提供了一個生活感的基底;兩者一虛一實,精神層面和現實景況交匯共振,成為了普世無盡的扣問。
A cluster of foam, a bubble, a flame, an illusion, a dream, a shadow, a cloud and lightning in the lyrics show us how transitory life is while the nursery rhyme “Black Drongo” itself describes an ordinary daily routine. The former is unreal while the later is real. When the spirituality meets the reality, endless questions arise ubiquitously.
〈無垢鳥〉是電影《光的孩子》的片尾曲。原初的構想是希望片尾曲能有不斷往前、往前,最後隨風消散的感覺,意圖在影片結束時,以對自然的感知、經文的無常空相,延擴至更超然的識界,並帶給人飛昇、療癒的力量。
“White Drongo” is the ending song of the film “The Child of Light”. The initial conception about ending song is to deliver the feelings of going forward and fading away eventually. We expect that the ending shows the sense to nature and the impermanence of sutra expending to the unlimited ambit, and also provides people the power of inspiration and mind-curing.
影片封面相片 / 楊鈺崑 攝影
a nature film 在 台灣1001個故事 Youtube 的最讚貼文
The first nature documentary series on global endangered species in Taiwan, 《Orphans of the Earth》presents three new episodes in 2021 《Elves of Taiwan》,that reach out to the sky, the sea and the grasslands only to reveal precocious footages of the endangered endemic species that are known for extreme rarity, minimal sighting rate and videotaping challenges—Taiwan Grass Owls, the Taiwanese Humpback Dolphins, and the Formosan pangolins.
The production crew of “Elves of Taiwan” partakes in perhaps the most difficult animal rescue operations in line with conservation efforts and the most dignified science-based survey projects. The program unveils diversified local landscapes and endemic species completed by various angles and perspectives—from aerial rescues, ocean investigations, to underground bone excavations; it is indeed a brutally honest series that documents the conservation and restoration of the terrestrial, oceanic, and airborne endemic species in Taiwan.
A pangolin is hunted every five minutes in the world on average. It’s the most seriously poached mammal on earth. The film crew climbs the rock and follows Dr. Ching-Min Sun, a renowned pangolin researcher, in his tracking for pangolins. We monitor their life journeys and try to dig out burrows and the truth behind their deaths. In 50 years, Taiwan has transformed from a hunting ground to a breeding ground for pangolins. After years of conservation, pangolins in Taiwan are increasing with the highest wildlife density in the world. The island has become the last fortress for pangolins worldwide.
■台灣1001個故事 說不完的故事
每周日晚間9點,請鎖定東森新聞【台灣1001個故事】唷!
更多精彩內容鎖定《台灣1001個故事》
https://www.youtube.com/user/ettvtaiwan1001
#台灣的精靈 #地球的孤兒 #台灣穿山甲 #白心儀 #台灣1001個故事 #孫敬閔 #野生動物急救站 #暨南大學神獸 #自然科學紀實節目
a nature film 在 台灣1001個故事 Youtube 的最讚貼文
The first nature documentary series on global endangered species in Taiwan, 《Orphans of the Earth》presents three new episodes in 2021 《Elves of Taiwan》,that reach out to the sky, the sea and the grasslands only to reveal precocious footages of the endangered endemic species that are known for extreme rarity, minimal sighting rate and videotaping challenges—Taiwan Grass Owls, the Taiwanese Humpback Dolphins, and the Formosan pangolins.
The production crew of “Elves of Taiwan” partakes in perhaps the most difficult animal rescue operations in line with conservation efforts and the most dignified science-based survey projects. The program unveils diversified local landscapes and endemic species completed by various angles and perspectives—from aerial rescues, ocean investigations, to underground bone excavations; it is indeed a brutally honest series that documents the conservation and restoration of the terrestrial, oceanic, and airborne endemic species in Taiwan.
The film crew participates in Taiwan humpback dolphin surveys by Ocean Conservation Administration on the sea, captures a rare humpback dolphin group, and explores root causes behind their dwindling populations. Also, we document the largest pygmy killer whale rescue effort by 2,000 people over 56 days. We follow researchers to Orchid Island, an outer islet of Taiwan, to uncover the bones of a baby sperm whale, and record the tragic deaths of stranded melon-headed whales and blue whales. Their survivals and deaths are symptomatic of a deteriorating marine environment.
■台灣1001個故事 說不完的故事
每周日晚間9點,請鎖定東森新聞【台灣1001個故事】唷!
更多精彩內容鎖定《台灣1001個故事》
https://www.youtube.com/user/ettvtaiwan1001
#台灣的精靈 #地球的孤兒 #台灣白海豚 #白心儀 #台灣1001個故事 #海洋保育署 #成大鯨豚研究中心 #四草鯨豚搶救站 #台大獸醫系 #蘭嶼 #小虎鯨救援 #自然科學紀實節目