關於 after effects 2021 ，我們在網路上蒐集到這些相關的討論、資訊與評價

Now on Sale

https://takaya.zaiko.io/e/hanayuishi2021

Live streaming from Konkai-Komyoji Temple in Kyoto

Saturday, October 30, 2021

15:30 Start on fine weather
17:30 Start on rainy weather

Archive video will be available on Zaiko until 23:59, Wednesday 2/11/2021. (You can watch as many times as you want during this period)

NOTICE: *In case of raining, the performance starts at 17:30. You will receive an email from Zaiko if the time is changed on the day.

【Tickets】
2250yen (including 250yen for handling fee)
Available on Zaiko from 1 Oct (Fri) 10:00 - 3 Nov 21:00 (JST)
*You will need to register for a ZAIKO account to purchase tickets.

【Before Watch】
Register and watch guide
https://www.youtube.com/watch?v=BwDzQxC8vlE

☆Please refer to the support page on the ZAIKO website for information on how to watch the show and detailed settings.
https://zaiko.io/support
ーーーーーーーーーーーーーーーーーーーーーー
Tohru Yamasaki
President of T2Generation
Organizer of “TSUKENOKAI”. Tsukeuchi (tsuke percussionist) for Kabuki.Born in Kojima, Kurashiki City, Okayama Pref. on 28 February, 1969. Blood Type: B
1989: Joined in LIFE SOGOBUTAI Co.,Ltd. (formerly known as LIFE Bijutsusha Ltd.) located in Takamatsu City, Kagawa Pref. Autumn 1990: Moved to Tokyo.October 1992: Joined in Pacific Art Center Inc. after working freelance. Assigned to SHINBASHI ENBUJO (theater) to start a career as a tsukeuchi (tsuke percussionist). Since then, engaged in Kabuki performances in and outof Japan. August 2020: Resigned from Pacific Art Center Inc. Established T2Generation to start supporting cultural activities through tsukeuchi performance. Based on the career, trying various performances of art and culture by collaborating with others from different fields.
�Tsuke is one of the sound effects to emphasize the movements and power of the characters on the stage, which impresses the play more effectively. It is often used for the important scenes: when the main character is appearing on stage, changing his/her clothes, when the stage setting changes (stage elevator rises or a building collapses), and to highlight the effect of props.“Oto (sound) wo tsuke-ru” means “adding sound to the play”, which is the reason why it is called “tsuke”. The two wood blocks to make sounds are called “tsuke-uchi”. Tsukeuchi (tsuke percussionist) sits on the stage left (audience’s right side) where he makes sounds using tools, tsuke-ita (tsuke wood board)and tsuke-gi (two wood blocks).
WEBT2Generation https://t-yamasaki.wixsite.com/t2generation
TSUKENOKAI https://t-yamasaki.wixsite.com/tsukenokai

HANAYUISHI TAKAYA
TAKAYA, as known as HANAYUISHI, is an artist based inkyoto who combines floristry with art and fashion to create one-of-a kind headdresses. Takaya has invented and developed a technique of tying living plants like flowers.vegetables.fruits.twigs.plants and even taxidermy into hairs to make highly unique and ethereal works - as he describes as a “unity of human and nature.”
Takaya creates his works on the spot,choosing flowers to with cloth or personality of the person. It is an intuitive and spontaneous work that it is almost impossible to plan the design ahead since flowers are living things every bloom is different.every stems has its own line.There is beauty of working with living plants as opposed to dried plants - as if Takaya intensifies the energy of the living plants.the result of his stylings are so vibrant and memorable.
Takaya shows his work through photography and live performance.
Performances are often held in unique locations like Buddhis temples and museums in throughout Japan and Sweden. He has been featured in numerous publications and broadcasts around the world, including Daily Telegraph, Glamour Italia, Holland Herald, and NHK World TV.
Takaya also collaborates with Yumi Katsura, a well-known bridal fashion designer for Yumi Katsura Grand Collection.
http://www.takaya

KONKAI-KOMYOJI TEMPLE
https://www.kurodani.jp/en/

《 #籠罩下的巨大哀愁 》
正式開展啦～
歡迎各位到台北當代藝術館

/
詳細資訊｜https://reurl.cc/bXy09v

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A Dark Cloud of Sorrow Looms Over

by Yu-Jun LIN

Late mornings and sleepless nights. Frustration. Anxiety.

They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.

In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.

However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.

Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.

A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.

Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.

Chung Chih Ting｜I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.

Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.

Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?

Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.

Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.

Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?

Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
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《籠罩下的巨大哀愁》展覽資訊
展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間｜ Mon. ─ Sun. 16:00-21:00

特別感謝｜ 贊助單位
厭世會社 @mis.society

#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社

My #vaccination day. Done 1st dose #Pfizer . It’s not pain but after that my #shoulderpain for few days. But everything is fine YEAY💪

So last minutes until I forgot to wear my face shield @@

The whole process is around 40-50 mins including 30 mins waiting after vaccinated.

Staffs here are all friendly and provides efficient service. However I feel very not comfortable for the sitting arrangement .. they want us to sit very close to each other when waiting, while there are still plenty of sit in the hall....

Have you vaccinated ? Are u worry of vaccine effects? Share your thoughts in the comment!

#covid19 #fightcovid19 #staysafe #2021

シャーマンキングはアニメ進んでるならあるかも

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【BGM音源・効果音・背景使用元はこちらになります】
DOVA-SYNDROME：http://dova-s.jp/

効果音ラボ：http://soundeffect-lab.info
After Effects Style：http://ae-style.net/materials/
※使用していない場合があります
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Twitter：http://twitter.com/gamikun_mnst

けんちゃんの離乳食ついに始まりました。
最近トイレを完璧マスターしたお姉ちゃんも離乳食作りお手伝いしてくれるそうです。（やけんて汚いねぇ〜は・・・笑）
また色々食べれるようになったらパパの料理も久しぶりにやっていきます！

●2018年4月28日に夫婦待望の第一子「ななちゃん」が誕生しました。そして2021年3月17日に長男の「けんちゃん」も誕生しました。
元気いっぱいのななちゃんやけんちゃんとパパ、ママのばやし家の日々を動画にしたチャンネルです。●

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【動画の登場人物】
ななちゃん…ばやし家の長女。あまり夜泣きもせずに肝っ玉座ったお嬢。泣くよりとにかく笑うことが大好き。

けんちゃん...ばやし家の長男。お風呂が大好き！また顔を見つめられると嬉しそうに微笑み返してくれます。めっちゃ泣きます（笑）

パパ（ばやし）…中学生時代から映像制作に没頭し今は自営業で様々な映像を制作。2013年よりYouTuberデビュー。水泳の先生の経験もあるため、子育て知識もちょこっとある。

ママ…パパが一人でYouTubeをやってる頃に知り合って2016年に結婚。日頃は優しいけどスイーツのことになると目がない。イラストデザインや編集が担当。顔出しはNG

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【ななちゃんのおすすめの動画】
■生後２週間の時のナナちゃんの1日
https://youtu.be/MZV29p1f68Q

■生後2ヶ月のななちゃんが産まれてまでの変化！
https://youtu.be/7CP-HJJFaNY

■初の納豆に挑戦！パパは嫌いだけどななちゃんはまさかの！？
https://youtu.be/xNjmAUXV-kg

■生後10ヶ月 赤ちゃんの1日密着！ 離乳食後期 3回食 動画撮影 外遊び！
https://youtu.be/IfEhxdcXcO4

■ママが病気で寝込んでしまったので赤ちゃんと２人きりになったパパはどうする？
https://www.youtube.com/watch?v=xjep2NeGTQc&t=363s

■注射はやっぱ怖い！１歳赤ちゃん半年ぶりの注射でガクブル‥
https://youtu.be/NX9kJBQuoPM

■赤ちゃんとママのモーニングルーティーン
https://youtu.be/Nth4T6in-3E

■1歳0ヶ月 1日密着 牧場でパパとママとバーベーキュー
https://youtu.be/fgA4kg5SNL0

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●ばやばなチャンネルの歴史●
2013年4月 パパ独身時代より「今林佑太のなんでもない話(通称 ばやばな)」スタート(レビュー動画がメイン)
2014年7月 チャンネル登録者1000名達成
2016年4月 ダイエットのため顔出し動画を休止(事実上休止状態)
2018年12月 子供育児系チャンネルとしてばやばな再始動
2019年6月 ゴールデンモンキーに所属
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[ばやばな使用機材]
カメラ:Panasonic LUMIX DMC-GH5 MarkⅡ
iPhone12Pro
iPhone11
編集ソフト: Apple Final Cut ProX
Apple motion5
Adobe Premiere Pro CC 2021
Adobe After Effects CC 2021
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素材提供： PIXTA
　　　　　 YouTube audio Library
甘茶の音楽工房
　　　　　 DOVA-SYNDROME
みゅーじっくぱずるーむ
https://www.youtube.com/channel/UCh77gKo-XloHF7VhrK_orsw
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【SNS】
Instagram→https://www.instagram.com/bayabana_channel/
ママのTwitter→https://twitter.com/BAYAMAMA
（ママ目線のななちゃん。成長記録など。たまにスイーツ？w）
ママのブログ→https://ameblo.jp/bayamama/
（動画では表現しにくいものを文字でお伝えしております）
パパのTwitter→https://twitter.com/bayabana
パパの個人YouTubeチャンネル→https://www.youtube.com/channel/UC1934ReQ0l1_U5B1C6g9ffQ/featured
（ガジェット紹介やダイエット方法などパパのまた違った一面も！）
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お仕事のご依頼はこちらからお願いします
golden-monkey.tv/kigyou.html

お手紙等の送付先はこちら(お待ちしております！w)
〒916-0008
福井県鯖江市入町14-50-7
株式会社ゴールデンモンキー
ばやばなチャンネル 宛
※なまもの、食品、生花など腐りやすいものはご遠慮ください

チャンネル登録&コメントもよろしくお願いします♪
※チャンネルの特性上、コメントは承認制を採用させていただいております。

► 內容綱要
00:00 開場白
01:26 手動方式建立字幕
02:55 AI 語音辨識
06:26 字幕編輯
07:40 新增字幕樣式
09:10 新增第二幕軌
10:01 綜藝字卡設定
11:43 字幕輸出和內嵌

► 練習檔下載
載點一 https://tinyurl.com/yfy4yj28
載點二 https://share.weiyun.com/lLzAwcrH

► 影片中操作的軟體版本
Adobe Premiere Pro 2021
https://tinyurl.com/wzl4ode

► Papaya 電腦教室 - 會員專區 (加入後可觀看會員專區的影片喔)
加入頻道會員 https://tinyurl.com/sxt3d2b
會員專區影片目錄 https://tinyurl.com/y6mvo38a

► 小額贊助 Papaya 電腦教室
ECPay： https://p.ecpay.com.tw/A1B71E8
Paypal： https://www.buymeacoffee.com/papayaclass

► Papaya 剪輯影片所使用的軟體 / 素材來源
Camtasia Studio https://www.techsmith.com/video-editor.html
Adobe After Effects https://www.adobe.com/products/aftereffects/
Adobe Audition https://www.adobe.com/products/audition.html
Keynote https://www.apple.com/tw/keynote
Envato Elements https://elements.envato.com
Vecteezy https://www.vecteezy.com
學生訪談影片 https://youtu.be/xE2pNYVi3Ck
背景配樂 https://www.bensound.com

#記得打開影片的CC字幕喔 #PremierePro #Caption #Subtitle #字幕 #語音辨識