My sister, Michelle-Ann Iking's 3% chance of conceiving naturally was a success! Here's her story:
(My apologies as I've been overwhelmed with personal matters. I've only managed to get to my desk. So finally got around posting this).
This is the story behind my sister's pregnancy struggle and how she shared her journey over her Facebook page.
Because some may have not caught her LIVE session chat with me (https://www.facebook.com/daphneiking/videos/687743128744960/) , or read her lengthy post (as it's a private page);
she's allowed me to copy and paste it over my wall, in case you need to know more about her thought process on how AND why she focused on the 3% success probability. Read on.
-------------------------------------------
Posted 10th May 2020.
FB Credit: Michelle-Ann Iking
A week ago today I celebrated becoming a mother to our second, long awaited child.
Please forgive this mother's LONG (self-indulgent) post, journalling what this significant milestone has meant for her personally, for her own fallible memory's sake as well as maybe to share one day with her son.
If all you were wondering was whether I had delivered and if mum and bub are OK, please be assured the whole KkLM family are thriving tremendously, and continue scrolling right along your Newsfeed 😁.
OUR 3% MIRACLE
All babies are miracles... and none more so than our precious Kiaen Aaryan (pronounced KEY-n AR-yen), whose name derives from Sanskrit origins meaning:
Grace of God
Spiritual
Kind
Benevolent
...words espousing the gratitude Kishore and I feel for Kiaen's arrival as our "3% miracle".
He was conceived, naturally, after 3 years of Kishore and I hoping, praying and 'endeavoring'... and only couples for whom the objective switches from pure recreation to (elusive) procreation will understand how this is less fun than it sounds ...
3 years during which time we had consensus from 3 different doctors that we, particularly I (with my advancing age etc etc) had only a 3% chance of natural conception and that our best hope for a sibling for our firstborn, Lara Anoushka, was via IVF.
Lara herself was an 'intervention baby', being one of the 20% of babies successfully conceived through the less intrusive IUI process, after a year and a half of trying naturally and already being told then my age was a debilitating factor.
We had tried another round of IUI for her sibling in 2017 when Lara was a year old. And that time we fell into the ranks of the 80% of would-be parents for whom it would be an exercise in futility... who would go home, comfort each other as best they could, while individually masking their own personal disappointment... hoping for the best, 'the next time around'...
So the improbability ratio of 97% against natural conception of our second baby, as concurred by the combined opinion of 3 medical professionals, was a very real, very daunting figure for us to have to mentally deal with.
Deep, DEEP, down in my heart however, though I had many a day of doubt... I kept a core kernel of faith that somehow, I would again experience the privilege of pregnancy, and again, have a chance at childbirth.
And so, the optimist in me would tell myself, "Well, there have to be people who fall in the 3% bucket... why shouldn't WE be part of the 3%?"
Those who know me well, understand my belief in the Law of Attraction, the philosophy of focusing your mind only on what you want to attract, not on what you don't want, and so even as Kishore and I prepared to go into significant personal debt to attempt IVF in the 2nd half of 2019, I marshalled a last ditch effort to hone in on that 3% chance of natural conception... through research coming across fertility supplements that I ordered from the US and sent to a friend in Singapore to redirect to me because the supplier would not deliver to Malaysia.
I made us as a couple take the supplements in the 3 month 'priming period' in the lead up to the IVF procedure - preconditioning our bodies for optimum results, if you will.
At the same time, I had invested in a sophisticated fertility monitor, with probes and digital sensors for daily tracking of saliva and other unmentionable fluid samples, designed to pinpoint with chemical accuracy my state of fertility on any given day.
(UPDATE: For those interested - I obtained the supplements and Ovacue Fertility Monitor from https://www.fairhavenhealth.com/. Though I had my supplies delivered to a friend in Singapore, and redirected to me here since the US site does not deliver to Malaysia, there are local distributors for these products, you will just have to research the trustworthiness of the vendors yourself...)
I had set an intention - in the 3 months of pre-IVF priming, I would consume what seemed like a pharmacy's worth of supplements, and track fertility religiously... in hopes that somehow, within the 3 month priming period, we would conceive naturally and potentially save ourselves a down payment on a new property... and this was just a projection on financial costs of IVF, not even considering the physical, emotional and mental toll it involves, with no guarantee of a baby at the end of it all...
It was a continuation of an intention embedded even with my first pregnancy, where all the big ticket baby items were consciously purchased for use by a future sibling, in gender neutral colours, in hopes that sibling would be a brother "for a balanced pair", though of course any healthy child would be a welcome blessing.
It was a very conscious determination to always skew my thoughts in service of what the end objective was. For example, when 3+year old Lara would innocently express impatience at not yet having a sibling, at one point suggesting that since we were "taking too long to give her a baby brother/sister", perhaps we should just "go buy a baby from a shop", instead of getting defensive or berating the baby that she herself was, we enlisted Lara's help to pray for her sibling... so in any place of worship, or sacred ground of any kind that we passed thereon, Lara would stop, close her eyes, bow her small head and place her tiny hands together in prayer, reciting earnestly, "Please God, please give me a baby brother or baby sister."
After months and months of watching Lara do this, in the constancy of her childlike chant, Kishore started feeling the pressure of possibly disappointing Lara if her prayer was not answered. Whereas for me, Lara's recitation of her simple wish became like a strengthening mantra, our collective intention imbued with greater power with each repetition, and the goal of a sibling kept very much in the forefront of our minds (hence our calling Lara our 'project manager' in this endeavour).
And somehow in the 2nd month of that 3 month period, a positive + sign appeared on one of the home pregnancy tests I had grown accustomed to taking - my version of the lottery tickets others keep buying in hopes of hitting the jackpot, with all the cyclical anticipation and more often than not, disappointment, that entails...
This time however I was not disappointed.
With God's Grace, (hence 'Kiaen', a variation of 'Kiaan' which means 'Grace of God'), my focus on our joining the ranks of the 3% had materialised.
It seems poetic then, that Kiaen chose to make his appearance on the 3rd May, ironically the same date that his paternal great-grandfather departed this world for the next... such that in the combined words of Kishore and his father Kai Vello Suppiah,
"The 1st generation Suppiah left on 3rd May and the 4th generation Suppiah arrived on 3rd May after 41yrs...
One leaves, another comes, the legacy lives on..."
***
KIAEN AARYAN SUPPIAH'S BIRTH STORY
On Sunday 3rd May, I was 40 weeks and 5 days pregnant.
The baby was, in my mind, very UN-fashionably late past his due date of 29th April, so as much as I had willed and 'manifested' the privilege of pregnancy, to say I was keen to be done with it all was an understatement.
In the weeks leading to up to my full term, I had experienced increasingly intense Braxton-Hicks 'practice contractions' - annoying for me for the discomfort involved, stressful for Kishore who was on tenterhooks with the false alarms, on constant alert for when we would actually need to leave home for the hospital.
Having become a Hypnobirthing student and advocate from my first pregnancy with Lara, and thus being equipped with
(1) a lack of fear about childbirth in general and
(2) a basic understanding of how all the sensations I would experience fit into the big picture of my body bringing our baby closer to us,
I was less stressed - content to wait for the baby to be "fully cooked" and come out whenever he was ready... though I wouldn't have minded at all if the cooking time ended sooner, rather than later.
With Lara, I had been somewhat 'forced' into an induced labour, even though she was not yet due, and that had resulted in a 5 DAY LABOUR, a Birth Story for another post, so I was not inclined to chemically induce labour, even though I was assured that for second time mothers, it would be 'much faster and easier'...
That morning, I had a hunch *maybe* that day was the day, because in contrast to previous weeks' sensations of tightening, pressure and even spasms that were concentrated in the front of my abdomen and occasionally shot through my sides and legs, I felt period - like cramping in my lower back which I had not felt before throughout the pregnancy.
It was about 8am in the morning then, and my 'surges' were still relatively mild ('surges' being Hypnobirthing - speak for 'contractions', designed to frame them with the more positive connotations needed to counteract common language in which childbirth is presented as something that is unequivocally painful and traumatic, instead of the miraculous, powerful and natural phenomenon it actually is).
I recall (masochistically?) entertaining the thought of opting NOT to have an epidural JUST TO SEE WHAT IT WOULD BE LIKE...
I figured this would be the last time I would be pregnant and so it would be my 'last chance' to experience 'drug free labour' which, apart from the health benefits for baby and mother, might be *interesting* in a way that people who are curious about what getting a tattoo and skydiving and bungee jumping are like, might find these *interesting*...even knowing there will be pain and risk involved...
Since I have tried tattoos and skydiving (unfortunately not being able to squeeze in bungee-jumping while my life was purely my own to risk at no dependents' possible detriment) a similar curiousity about a no-epidural labour was on my mind...
In the absence of other signs of the onset of labour (like 'bloody show' or my waters breaking), I wanted to wait until the surges were coming every few minutes before we actually left the house for the hospital, not wanting to be one of those couples who rushed in too early and had interminable waits for the next stage in unfamiliar, clinical surroundings and/or were made to go home in an anti-climatic manner.
I was even calm enough through my surges to have the presence of mind to wash and blowdry my hair, knowing if I did deliver soon I would not be allowed this luxury for a while.
Around 9am I asked Kishore to prep for Lara and himself to be dressed and breakfasted so we could head to hospital soon, while I sent messages to family members on both sides informing them 'today might be the day.'
My mother, who had briefly served as a midwife before going back into general nursing and then becoming a nursing tutor, prophetically stated that if what I was experiencing was true labour, "the baby would be out by noon".
The pace in which my surges grew closer together was surprisingly quicker than I expected; and while I asked Lara to "Hurry up with breakfast" with only a tad more urgency than we normally tell her to do, little Missy being prone to dilly-dallying at meals, I probably freaked Kishore out when about 930am onwards, I had to instinctively get on my hands and knees a couple of times, eyes closed, trying to practice the Hypnobirthing breathing techniques I had revised to help along the process of my body birthing our child into the world.
I recall him saying a bit frantically as I knelt at our front door, doubled over as he waited for Lara to complete something or other, "Lara hurry up! Can't you see Mama is in so much pain and you are taking your own sweet time??!!"
SIDETRACK: Just the night before, Lara and I had watched a TV show in which a woman gave birth with the usual histrionics accompanying pop culture depictions of labour.
Lara watched the scene, transfixed.
I told her, simply and matter-of-factly, "That's what Mama has to do to get baby brother out Lara, and that's what I had to do for you also."
In most of interactions with my daughter, I have sought to equip her to face life's situations with calmness, truthful common sense, and ideally a minimum of drama.
Those who know the dramatic diva that Lara can be will know that this is a work-in-progress, but her response to me that night showed me some of my 'teachings' were sinking in:
She looked at me unfazed, "But Mama," she said. "You won't cry and scream like that lady, right? You will be BRAVE and stay calm, right?"
#nopressure.
So as we prepped to leave for the hospital I did indeed attempt to be that role model of calm for her, asking her only for her help in keeping very quiet,
"Because Mama needs to focus on bringing baby brother out and she needs quiet to concentrate...".
As we left the house at 10.11am, I texted Kishore's sister Geetha to please prep to pick up Lara from the hospital, and was grateful Kishore had the foresight to ask our gynae to prepare a letter for Geetha to show any police roadblocks between my in-laws' home in Subang Jaya and the hospital in Bangsar, this all happening under the Movement Control Order (MCO).
To Lara's credit, in the journey over to the hospital, she - probably sensing the gravity of the situation, sat very quietly in her seat at the back, and the silence was punctuated only by my occasional deep intakes of breath and some variation of my Ohmmm-like moans when the sensations were at their height.
By the time we got to Pantai Hospital at around 10.30am, my surges were strong enough I requested a wheelchair to assist me in getting to the labour ward, as I did not trust my own legs to support me... and Kishore would have to wait until Geetha had arrived to take Lara back to my in-laws' house before he himself could go up.
I slumped in the wheelchair and was wheeled up to the labour room with my eyes closed the whole time, trying to handle my surges.
I didn't even look up to see the attendant who pushed me... but did make the effort to thank him sincerely when he handed me over, with what seemed like a palpable sense of relief on his part, to the labour ward nurses.
The nurse attending me at Pantai was calm, steady and efficient. I answered some questions and changed into my labour gown while waiting for Kishore to come up, all the while managing the increasingly intense surges with my rusty Hypnobirthing breathing techniques.
By the time Kishore joined me at around 11am (I know these timings based on the timestamps of the 'WhatsApp live feed' of messages Kishore sent to his family), I was asking the nurse on duty, "How soon can I get an epidural??" thinking what crazy woman thought she could do this without drugs???!!!
The nurse checked my cervix dilation, I saw her bloodied glove indicating my mucous plug had dislodged, and she told me, "Well you are already at 7cm (which, for the uninitiated, is 70% of the way to the 10cm dilation needed for birthing), you are really doing well, if you made it this far without any drugs, if can you try and manage without it... I suspect within 2 hours or less you will deliver your baby and since it will take about that time for the anaesthesiologist to be called, epidural to be administered and kick in... it might all be for nothing... but of course the decision is completely up to you... "
So there I was, super torn, should I risk the sensations becoming worse... or risk the epidural becoming a waste?? And of course I was trying to decide this as my labour surges were coming at me stronger and stronger...
I was in such a dilemma...because as a 'recovering approval junkie' there was also a silly element of approval-seeking involved, ("The nurse thinks I can do this without drugs... maybe I CAN do this without drugs... Yay me!") mixed with that element of curiosity I mentioned earlier ("What if I actually CAN do this without drugs... plenty of other women have done it all over the world since time immemorial.. no big deal, how bad can it be...??") so then I thought I would use the financial aspect to be the 'tiebreaker' in my decision making...
I asked the nurse how much an epidural would cost and when she replied "Around MYR1.5k", I still remember Kishore's incredulous face as I asked the question, i.e."Seriously babe, you are gonna think about money right now? If you need the epidural TAKE IT, don't worry about the money!!!"... and while we are not rich by any stretch of the imagination, thankfully RM1.5k is not a quantum that made me swing towards a decision to "better save the money"...
So in the end, I guess my curiosity won out, and I turned down the epidural "just to see what it would be like and if I had it in me" (in addition of course to avoiding the side effects of any drugs introduced into my and the baby's body).
My labour occuring in the time of coronavirus, it was protocol for me to have a COVID19 test done, so the medical staff could apply the necessary precautions. I had heard from a friend Sharon Ruba that the test procedure was uncomfortable, so when the nurse came with the test kit as I was starting another surge, I asked, "Please can I just finish this surge before I do the test?" as I really didn't think I could multitask tackling multiple uncomfortable sensations in one go.
The COVID19 test involved what felt like a looong, skinny cotton bud being inserted into one nostril... I definitely felt more than a tickle as it went in and up, being told to take deep breaths by the nurse. Then she asked me to "Try to swallow" and I felt it go into my nasal cavities where I didn't think anything could go any further, but was proven wrong when she asked me to swallow again and the swab was probed even deeper. Then she warned me there would be some slight discomfort as she prepared to collect a sample... but at that point all I could think about was:
(i) I really don't have much of a choice
(ii) please let this be over before my next surge kicks in
(iii) if all the people breaking the MCO rules knew what it feels like to do this test maybe they won't put themselves at risk of the need to perform one...
In full disclosure as I was transferred into the actual delivery room at some point after 11am, another nurse offered me 'laughing gas' to ostensibly take some of the edge off... I took the self-operated breathing nozzle passed to me but don't recall it making any difference to my sensations..so didn't use it much as it seemed pretty pointless.
I recall some measure of relief when I heard my gynae Dr. Paul entering the room, greeting Kishore and me, and telling us it was going well and it wouldn't be long now and he would see us again shortly.
From my previous labour with Lara I knew the midwives pretty much take you 90% of the way through the labour and when the Dr is called in you are really at the home stretch, so was very relieved to hear his voice though knowing he would leave and come back later meant it wasn't quite over yet.
I do remember realising when I had crossed the Thinning and Opening Phase of labour to the Birthing Phase, by the change in sensations... it is still amazing to me that as the Hypnobirthing book mentioned, having this knowledge I was instinctively able to switch breathing techniques for the next stage of labour .
Was my opting against epidural the right choice for me?
Overall? Yes.
Don't get me wrong.
I *almost* regretted the decision several times during active labour... especially when I felt my body being taken over by an overwhelming compulsion to push that did not seem conscious and was accompanied by involuntary gutteral moans where I literally just thought to myself, "I surrender, God do with me what you will..." (super dramatic I know but VERY real at the time...).
I think I experienced 3-4 such natural explusive reflexes (?), rhythmically pushing the baby down the birth path, one of which was accompanied by what felt like a swoosh of water coming out of a hose with a diameter the size of a golf ball... this was when I realised my water had finally broken...
The nurses kept instructing me to do different things, to keep breathing, to move to my side, then to move to the middle, to raise my feet... and when I didn't comply, Kishore (who was with me throughout both my labours) tried to help them by repeating the instructions prefaced with "Sayang..." but I basically ignored all the intructions because I felt I had no capacity to direct any part of my body to do anything and someone else would have to physically manoeuvre that body part themselves.
When I heard Dr. Paul's voice again and the flurry of commotion surrounding his presence, I knew the time was close... and when I heard the nurse say to Kishore, "Sir, these are your gloves, for when you cut the baby's cord", it was music to my ears...
I'm very, VERY grateful Kiaen slid out after maybe the 4th of those involuntary pushes... the wave of RELIEF when he came out so quickly... it still boggles my mind that my mother was essentially right and as his birth time was 12.02pm, it was *only* about 1.5 hours between our arrival at the hospital and his arrival into the world.
Kiaen was placed on my chest for skin to skin bonding and remained there for a considerable time.
For our short stay in the hospital he would be with us in my maternity ward number C327... another trivially serendipitous sign for me because he was born on the 3rd (May) and our wedding anniversary is 27th (July).
I was discharged the following day 4th May at about 5.30pm, after I got an all clear on COVID19 and a paediatric surgeon did a small procedure on Kiaen to address a tongue-tie that would affect his breastfeeding latch... making the entire duration of our stay about 31 hours.
I have taken the time and effort to record all this down so that whenever life's challenges threaten to get me down I can remind myself, "Ignore the 97% failure probability, focus on the 3% success probability".
Also that the human condition is miraculous and it is such a privilege to experience it.
To our son Kiaen Aaryan, thank you for coming into our lives and choosing us as your parents.
Even though Papa and I are both zombies trying to settle into a night time feeding routine with you, I look forward to spending not only all future Mother's Days, but every day, with you and your Akka...
And last but not least, to my husband Kishore...without whom none of this would be possible - we did it sayang, I love you ❤️
Photo credit: Stayhome session with Samantha Yong Photography (http://samanthayong.com/)
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anti fun meaning 在 Arisa Chow Facebook 的最佳貼文
My fave local comic artist is being cyberbullied for having strong opinions (logical ones in fact). This is a free country, if one does not agree with another they should just bite their tongue and move on. Not breach other people's privacy and leak personal information just to create a stupid manhunt. Don't ever use religion to justify stupidity, seriously any religion at all. As far as I know religion has taught me to forgive people and be humble.
I had this experience last year when someone took my daughter's death and started blowing things out of proportion with absurd assumptions and threats that I had to delete 80% of the people in my personal account (so don't bother adding me) it has taught me a harsh lesson to never trust anyone including friends as they could be the reason how your personal information gets leaked in the first place.
Hello everyone.
I'm guessing that you know what was going on involving myself and my opinions released on social media. I believe I owe an explanation and an apology to my audience and people out there. I hope you take your time reading to the end. (Malay translation in the comments)
[please do take note that I may edit this post if I needed to do corrections or add extra info]
From my understanding he doxxing happened because of years of dissatisfaction towards my content which is accused as anti-Islam and anti-Malay, and the people who strongly disagreed with me happened to find my personal information and decided to use them as a personal attack.
However, please keep in mind that I have no intentions to insult Islam, because when I draw stuff I use "Don't blame Islam, blame the Muslims" as a principle, and I expected people use the same principle to when they read my content. If I were to insult the religion, I would have drawn caricatures of Rasulullah and cherrypick Quranic verses to make fun of. Just to be clear, I've drawn well-mannered and well-meaning Muslims in some of my comic strips (Story of Adrian, and the one on child marriage), but I guess the good characters are overlooked >_<.
Regarding my photo being leaked, I have come in terms with this because there are people who have already met me and took photos with me. To use it to insult my appearance is futile because I'm already comfortable with the way I look.
Regarding my name being leaked, my friends are aware of VulpineNinja's full name so it's not a surprise. Clients that commissioned me already knew my real name. Unfortunately, I have deactivated my facebook to avoid more personal information being leaked, and in order to protect my friends and family from being attacked too.
Regarding what I have said on twitter, I genuinely apologize for writing such statement. I admit I typed it out of anger. First of all, I was frustrated that a lot of religious scholars enable child marriages, that I wish Islam has made it haram since centuries ago as they deemed LGBT haram. It would be a much easier solution than to make many muslims confused of what is correct and what is not. Secondly, again, there was no intention to insult Islam, but I'd like to highlight that we should look at other factors instead of just simply supporting child marriage because syara' allows it. Think about underaged pregnancy the child might have to go through, and the health risk is explained in the medical field.
Thirdly, under the tweet there was actually a long discussion regarding the matter, so I can say that the screenshot of that tweet could have been taken out of context. I have also deleted that tweet.
Yes all knowledge come from Allah Himself, however let's not deny that a lot of knowledge are discovered by people who don't even practice Islam (Note: The scholars from the Golden Age of Islam plays a huge role in seeking knowledge, but they were also labeled as 'heretics' from doing so). There are people who sought knowledge without religion telling them to.
I believe Islam is a guide, it has answers to certain problems, and scholars are still revising laws that fit with the modern world.
Regardless, I'm still sorry that the words slipped out of my fingers, no "account kena hack" excuse whatsoever. I take responsibility for what I said and I completely understand if you're angry with me.
There are those who assume that my intention is to "spread liberal ideology" through this page. I don't have the motivation to spread any ideologies, but the reason I draw comic strips is to just transcribe what I think about certain issues on canvas. I like meeting people who have the same thoughts as I do, and I've met wonderful friends along the way, it just feels great to know that i'm not alone with such thoughts. That said, it's okay if you disagree with me, and I'm not here to force my ideology on you.
There are issues which I did not cover because I did not have any strong opinion on it, or I was too busy to draw anything, or I'm keeping the idea until I have a better story for it. Last year I went on hiatus, at the same time I was thinking of how to write bette and minimize damages. However, sometimes people will still misconstrue the message negatively, as seen in the "Penindas dan yang ditindas" comic, where I did not explicitly mention any race or community. And I admit there are contents which I don't think is 'overboard' but people may see it otherwise.
Regarding the pro-LGBT stance, I do not want to say much except that I am with Dr Mujahid and Dr. MAZA's opinion, that the government doesn't have to acknowledge them, accept that it's a sin in Islam but at the same time there's no reason to discriminate them
That said, I completely accept the consequences and once again I'm sorry for causing such ruckus.
I'm against cyberbullying, even during Kiki's (angry steering lock girl) case, although I find that she's rude, I'm against people making fun of her way too much. Therefore, please do not bully the person who intended to harm me, nor his peers.
Final word, I'm going to take a break for some time, rethink about my content again and concentrate on other projects. I won't be having much social media presence until things die out, probably even on twitter. I won't be replying any personal messages or comments. My page will still be moderated by another admin.
Thank you for the love and support you have given me, and i my friends are reading this sorry for making you worry.
P/S: if you have anything to say to me, feel free to meet up at VAX this weekend, I might be around.
anti fun meaning 在 漂流出口 Outlet Drift Facebook 的精選貼文
明天又將毀滅自我,毀滅是終極之美
《當江山成為事實 藝改就是義務》江山藝改所成立一週年派對
《When Jiang Shan is a Fact, Yi Gai is a Duty》Jiang Shan Yi Gai Suo 1st Anniversary Party
時間 Time/
2014/05/17(六) 15:00 ~ 22:00
地點 Venue/
江山藝改所 (新竹市江山街17-4號/城隍廟旁/江山街13.15號巷縫中)
Jiang Shan Yi Gai Suo (No.17-4, Jiang Shan St., Hsinchu City/near Cheng Huang Temple/in the alley between No.13 & 15, Jiang Shan St.)
票價 Admission/
預售票 Advance $300 (發售至5/16 23:59前)
現場票 At Door $400
@ 購票方式 How to buy tickets:
1. 於本所營業時間現場購票 Pay cash at JSYGS during open time.
2. FB傳訊預約 Send a message to our Facebook page.
3. 來電預約 Call 03-5266456 during open time.
交通方式/
●大眾運輸
火車站出口出來,沿著左前方林森路直走約100公尺,於左手邊「台灣銀行」前搭乘大遠百免費接駁車,在第三個停靠站(中山路北門街口)下車,往前直走約50公尺右轉仁德街(地標為貢茶),直走約50公尺左轉江山街,找到13號及15號之間的防火巷,進入巷子約15公尺右手邊即為本空間正門。
●步行
火車站出口出來,沿著左前方林森路直走,看到右手邊的「南門醫院」後右轉復興路並直走東門街,看到城隍廟前廣場往正前方找到仁德街(地標為貢茶),進入仁德街直走約50公尺左轉江山街,找到13號及15號之間的防火巷,進入巷子約15公尺右手邊即為本空間正門。(約15~20分鐘)
●地圖 Map
中文版:
https://www.facebook.com/photo.php?fbid=418695844895096&set=a.418695798228434.1073741838.401184409979573&type=3&theater
English version:
https://www.facebook.com/photo.php?fbid=420338138064200&set=a.418695798228434.1073741838.401184409979573&type=3&theater
///////////////////////////////////////////////////////////////
演出順序 Lineup/
15:00~15:50 Betty Apple 鄭宜蘋
16:00~16:50 再見!奈央! Goodbye Nao
17:00~17:50 理化兄弟 Physical Chemical Brother
18:00~18:50 漂流出口 Outlet Drift
19:00~19:50 黑狼/黃大旺龍捲風 Blackwolf Tornado
20:00~20:50 KbN 凱比鳥
21:00~22:00 Vice City + VJ Carl_Westman
///////////////////////////////////////////////////////////////
表演者簡介 About The Performers/
Betty Apple 鄭宜蘋
1986年生於台灣嘉義,現於台北創作。身上流著聲音藝術家與電子樂創作者的新數位混種基因。受臥室電子樂與次文化影響甚深,往來舞曲與噪音之間毫無阻礙。台北藝術大學戲劇系主修表演,2008年畢業後開始使用個人電腦創作臥房電子樂,2010年進入台北藝術大學新媒體藝術研究所研究媒體藝術;作品內容多半為聲音與行為表演的現場藝術,探究身體操作聲音的新形態,擅長利用自身的身體語彙提出身體政治的精神意識形態。嘗試讓次文化精神與藝術思維混種的實驗。
曾跨界參與聲音藝術,電子樂表演,劇場音樂設計。為2012年電子樂推廣團體「耕聲人」主辦人之一,於當年九月促成台灣第一張以臥室電子樂反核人共同發起的「i love nuclear」的反核電音合輯,為台灣新生代聲音藝術搖籃的「失聲祭」2013年駐祭藝術家。更被國際前衛藝術雜誌「white fungus」多次邀請,與國際知名電子聲響藝術家Merzbow、EVOL、Zbigniew Karkowski、Scott Afford、王福瑞、Samin Son同台演出。
Betty Apple is a composer, DJ, and sound and performance artist. Apple has made an impact in Taipei with visceral noise/performance art pieces using synthesizers, field recordings and amplified vibrators. In 2013, Apple was the artist in residence at Lacking Sound Festival. In addition to her own performances, she curated a series of events exploring notions of sound in relation to femininity. Apple is at the forefront of a new wave of Taiwanese artists who are beginning to fuse their work with political activism. The anti-nuclear movement has grown exponentially in Taiwan over the past few years, in particular, since the meltdown at Fukushima, and Apple is among those who have organized events and produced music to support it.
http://www.bettyapple.com/
再見!奈央! Goodbye Nao
Goodbye!Nao!是一支不需要樂團簡介的樂隊
它在每個人心中都有不同具像 不斷被詮釋 解剖 試圖理解
表演起因 素材 精神或意義 無法歸類
他們所期待重視 僅是他們的姿態 能給觀眾的觸發
觀者 表演者 沉浸渾沌一氣的哲意場景
唯有踏入 才有機會透徹
非搖滾 後搖滾 工業噪音 行動聲響藝術 範籌
如鋼鐵 如流雲 如詩般的善意
全都 全都 回到自身感應衝擊
當然如果 你相信以上全都是放屁
那你大概也向他們靠攏了一點 (by babywhite)
「正如他們所聲明的,他們的音樂不過是無意識的囈語以及突如其來的悲傷」- Taipei Times
「後卡通手槍時代的樂團」-破報
「春天吶喊狀況多 樂手調音不順摔吉他」- 東森新聞
「為什麼你們的現場表演跟CD不一樣?」- 眾多友人
「我從來沒有聽懂再見奈央過,對,一次也沒有。」- freakeels(PTT 後搖滾版版主)
「Roo!」- 德州樂團The Octopus Project
「髒三樂團上海巡演,台灣樂團暖場,吉他手演出脫衣秀」- 東森新聞
「或许"傻逼"才是更合适他们的标签吧」、「我觉得他们实在是太烂了,烂到我搜肠刮肚也找不出任何正面的评论可以奉献给他们。」- 大陸網友
2005年10月 「再見!奈央!」首次在台北地下樂團最重要的舞台 THE WALL LIVE HOUSE 演出並受到PTT後現代搖滾版POST ROCK 版主的讚賞
2006年「再見!奈央!」成立首演之後即受邀參加台北市立美術館 <疆界>藝術展開幕-噪動之夜
Goodbye! Nao! needs no introduction. This band can be dissected and understood in many ways because how and what they play can’t be categorized. The only thing they anticipate is the energy and creativity they bring to the audience during performance.
網站:
http://www.indievox.com/goodbyenao
http://www.myspace.com/goodbyenao
理化兄弟 Physical Chemical Brother
獨立音樂圈版本:
電子皮、搖滾骨、數位魂 - 當8-BIT(8位元音樂)從遊戲中獨立出來,這已經不只是獨立音樂,更是獨立電子 - 翻玩古早任天堂電玩影像以及音樂的理化兄弟,將場景轉移到舞廳,創作風格橫跨Electro,Techno,Drum and bass,甚至到Dubstepush buttons。
狹義藝術圈版本:
當年差點組樂隊的無名氏兄弟,始終遙遙無期,於失散多年後在一場奇異的廟會相遇,各自吞了一顆濟公搓揉的腋下仙丹,各自幻化成DJ與VJ,理化兄弟於是誕生。目前的團員編制為創作型DJ :林昭宇 與半創作型VJ:黃真。目前有點專注於研究 8-bit 樂音,也稱為chiptune或是 Gameboy music。我們試圖運用現代科技來翻玩並探討當時曾經是頂風的影音技術,場域則從個人電玩機台到派對,再轉換進入表演空間進行與不同觀眾的對話。
Physical Chemical Brother sampling 8 bit sounds and graphic from Nintendo games, creating tracks who's style ranges from Electronic, Techno, DNB to Dubstep. Then places the mix on the dancefloor
where it becomes not just indie music but electro indie.
漂流出口 Outlet Drift
三位台東阿美族青年是來自比西里岸部落的碧海兄妹與都蘭部落的林肯。自父母親那一代許多族人為了生存來到了城市打拼,在文明社會的環境成長之下我們早已習慣了現代音樂與前衛音樂。因為興趣結識下我們一起玩音樂,模仿過很多影響自己的偉大藝術家。
對於環境和原住民族群的生活感受之下,尋找著自我的價值;不斷的徬徨、自省、振奮、墮落之下,對喜歡文學的巫尚,初期創作理念甚至出於唐代落魄詩人詩集。像是一句「冠蓋滿京華,斯人獨憔悴」的現象:雖然到我長大才認同自己的身分,但也很慶幸的回到家鄉看到了原住民本身非常特別的文化與音樂,也知道用我的感受來創造音樂的衝擊力。
發展出堅定的鼓聲,跳躍的低音,迷幻的吉他音效,現場像來到陰森的山林,雲霧繚繞,一位小男孩往前跑,在森林裡吶喊。這是朝著結合台灣原住民傳統小調,噪音民謠實驗樂隊,漂流出口。
Three aboriginal Taiwanese youths from Taitung jam together in the big city, united by their shared love of modern and avant-garde music.
Once lost in the value of life under influence of environment and being in a part of aboriginal groups, he’s finally found his identity in his culture through music and hoping to make an impact with his emotions through music.
Firm drums, bouncing bass and psychedelic guitar sound as if a little boy running and screaming in a creepy, foggy woods. This is a band blending traditional aboriginal Taiwanese tunes with experimental noises.
黑狼龍捲風(黃大旺) Blackwolf Tornado (Dawang Yingfan Huang)
「先天性表演者」黑狼(黃大旺)企圖延續表演生命的另一種挑戰。
It is yet another challenging attempt to continue the performing life of congenital artist Blackwolf Dawang Huang.
KbN 凱比鳥
以添加搖滾元素的實驗電子聲響著稱。成軍超過十年的他們,長期以來一直默默地為更多的聲音可能性,實現各種不同的創意發揮與改造。
Adding rock’n’roll elements to experimental electronic sounds in over ten years, they’ve been looking for and creating endless possibility of sounds.
專輯:
KbN - Before 2005 CD&DVD (2006)
19992005 (Orange Disk, 2013)
合輯 :
I Forgot Everything(2002)
蘿蔔一代 (小白兔唱片, 2003)
沈默的約定 (默契音樂, 2003)
2002貢寮海洋音樂季紀念專輯(角頭音樂, 2003)
FC5-118(台北之音, 2005)
Da Party(一瞬之光制作所, 2008)
The Message(Agnes b, 2010)
電擊夜市(Fun Music, 2011)
來做一張地下社會合輯(Underworld, 2012)
電影/短片配樂:
最好的時光(侯孝賢)2005坎城影展入圍
愛莉絲的鏡子(姚宏易)2005南特影展入圍
美人胚子(王梅蓉/駱巧梅)28屆金穗獎最佳劇情動畫
牛奶人(蘇話雅)31屆金穗獎最佳實驗片
漫畫配樂:
音速愛情(夏紹虞)2007
裝置:
Dance Floor@台北關渡美術館 2008
繪畫:
我們終於有一做島嶼(陳敬元)2010
網站:
http://kbn.tw/
http://soundcloud.com/funkbnice
http://k-b-n.blogspot.com/
http://www.myspace.com/funkbnice
Vice City
2009年開始舉辦派對,2010年起陸續與友人成立太初有舞、耕聲人、電音反核陣線等電子音樂文化推廣組織。
Vice City特別喜愛同時具有寬廣時間感、空間感,加上豐富身體感的音樂,有點像冥想、瑜珈,能夠帶來解放與覺知的神奇能量。
喜歡結合看似相互衝突的音樂元素,諸如大自然聲響、傳統部落樂器與吟唱、現代工業城市等都是她的靈感與採樣來源。
Vice City loves music that has broad sense of time and space, and rich physical sense that can bring liberation and magical energy of awareness that often comes with meditation or yoga. Any elements that seem conflicted such as natural sounds, traditional tribal music instruments and singing and modern industrial city are her sources of inspiration.
Soundcloud: https://soundcloud.com/vicecitybeats
FB: https://www.facebook.com/vicecity2013
VJ Carl Westman
長期旅居台灣的南非籍藝術家Carl Westman,創作遍及繪畫、平面設計、VJ影像、電子舞曲、噪音等形式,他的音樂就如同其視覺作品,在幾何線條與大量交疊的色彩中,既繁複又簡單,充滿了一股迷幻中帶著深邃黑暗的氛圍,反映他對生命、宇宙之意義與可能性的探索。
Long term resident of Taiwan, South African artist Carl Westman's type of creation includes painting, graphic design, VJ, electronic music and noise. Similar to his visual work by overlapping geometric shapes and colors, his music is both complex and simple in a deep and dark psychedelic atmosphere, reflecting his exploration in the meaning of life and universe.
網站:http://wooyapa.deviantart.com/prints/
FB: https://www.facebook.com/WooYapa
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