第十五任總統副總統就職紀念 | 郵票設計
Design for the commemorative stamps of
The 15th-term Presidential and Vice Presidential Inauguration, Taiwan, R.O.C
_______________________________________
勇敢自信,世界同行。
Courageous and confident, in step with the world.
中華民國第十五任總統蔡英文女士、副總統賴清德先生於民國109年5月20日宣誓就職,中華郵政特發行「第十五任總統副總統就職紀念郵票」。四枚郵票圖案以點、線、面、漸層等元素構成,傳遞綻放、民主、就位及方向四種意涵,透過當代美學觀點詮釋多元價值之實踐、對話、準備就緒及對家的情感。
小全張無距離呈現生活在同一片土地上總統及副總統的日常,傳遞總統、副總統從政以來的初心,堅定無畏的實踐多元且平等的價值,踏實且透明。
Tsai Ing-wen and Lai Ching-te has begun serving the 15th terms of ROC president and vice president, respectively, on May 20, 2020. In celebration, Chunghwa Post has issued a set of stamps on their inauguration: “The Inauguration of the 15th-term President and Vice President Commemorative Issue.” The pictures of four stamps draw on the basic components of points, lines, planes and gradients to convey the four concepts of blossoming, democracy, coming into place, and direction. The stamps take contemporary aesthetic approaches to convey the ideas of pluralistic values being realised, dialogue, preparedness and affection for home.
In the souvenir sheet a close-in shot of the president and vice president on a regular day, living their lives in Taiwan like the people they represent, conveys their intentions as president and vice president to determinedly and fearlessly work to realise their values of pluralism and equality in a transparent manner.
_______________________________________
Client —— 中華郵政 Chunghwa Post
Coordinator —— 文總 GACC
..........
Design for the project —— Aaron Nieh Workshop
Art director —— 聶永真 Aaron Nieh
Designers —— 陳聖智 Even Chen、聶永真 Aaron Nieh
Project manager —— 張閔涵 Han Chang @ 平面室
Photographer for souvenir sheet —— 康志豪 Kris Kang
Photo assistant —— 黃煌智 Kokochi
..........
Promotion motion —— 莊仲凱 Kyle Jhuang
同時也有2部Youtube影片,追蹤數超過255的網紅Lyn Lai,也在其Youtube影片中提到,(Vietnamese below) This is just a short video, to smile when watching again because the weekend of April 2020, I'm 23 and my life is very cute. I lo...
art aesthetic pictures 在 Gucci Facebook 的最讚貼文
Gu Ye for #GucciGram Tian
顾爷拥有深厚的策展艺术感。这位艺术家透过他极受欢迎的微博,把自己描写成来自艺术史的著名画家,如克林姆和梵谷。这些影像就像一种伪装,让这位东方艺术家可想象身为西方艺术家的滋味。他也会为他的关注者发布一些经典画作,如卡拉瓦乔和鲁索的作品。当艺术世界愈趋网络化之际,像顾爷这种艺术家将扮演重要角色。他们将使作品的美学设计变得全球化。在这里,他为Gucci Tian手袋塑造出一个传统的中国形像,完美融合不同风格。— Kyle Chayka
Gu Ye has a deeply curatorial sensibility. Through his wildly popular Weibo (austingu), the artist pictures himself as famous artists from art history—Gustav Klimt, for example, or Vincent van Gogh. The images form a kind of dress-up, allowing a non-western artist to take on the western canon and make it his own. The artist also posts historic artworks for his followers, with favorites like Caravaggio and Rousseau. As the art world increasingly moves online, artists like Gu Ye will be key as aesthetic forces working on a global scale. Here, he shows Gucci Tian bags melded into a traditional Chinese image, melding styles seamlessly. — Kyle Chayka
See more artists here: gucci.com/guccigram-tian
art aesthetic pictures 在 Photo_Hunter Facebook 的最佳貼文
Fabrice Fouillet,
Sony世界大賽2013年職業組建築類第一名,專訪,以及他的個人網站 Project : Corpus Christi
Fabrice Fouillet is a French professional photographer based in Paris. In 2013 he won the Professional Architecture category of the Sony World Photography Awards. After earning a degree in Sociology and Ethnology, he studied Photography at The Gobelins School. Since 2004, he has been collaborating with advertising agencies and magazines focusing on Still Life and Architecture.
His personal photographic research explores the notion of identity and the close relationship between humans and the environment. Recognised for his series on new places of worship and resemblance in the 2013 Sony World Photography Awards Open Architecture category, he has gained recognition internationally.
Hi Fabrice. Tell us more about yourself - When and why did you first approach photography?
I believe my passion for photography comes from my high school studies. With courses about European cinema and art-house movies I became more sensible and passionate about themes and images in a deeper and broader sense. Then, I approached photography with a small and old camera, making basic shoots of things all around me. From my house to garden, flowers, trees, and landscape, everything became my subject and I felt I was very serious about it. At the age of 20 it appeared to me a natural thing to try and make it professionally.
Have your previous studies in sociology and ethnology influenced your investigation of space?
The education you receive at a young age influences the rest of your life and I would say that my studies not only influenced the investigation of space, but the overall way I think about my projects. At beginning, I was focusing more on still life projects while now environment and social identity interest me more and more as in the ‘Colosses’ and ‘Eurasism’ series.
Do you have a photographic philosophy?
Be truthful to your own desires and emotions for each project you make. This is my photographic philosophy as finding your own artistic path is not such an easy thing. To me the best way is to remain faithful to your passions, be inspired but not too influenced. Precision, determination, rigor, and hard work are unavoidable in photography and they also form part of my philosophy.
With your winning series ‘Corpus Christi’, capturing new spaces of worship, architecture became a way to narrate humanity and its relationship with minimalism and aestheticism. Why did you choose this theme?
I have always found a graphic quality in religious imagery and particularly in catholic iconography. As an architecture devourer, this was the starting point for this project urging me to look for evidence, confront the classical with contemporary spaces of worship, and a way to take fascinating pictures. Somehow it called me out. I saw aesthetic mystery beyond the often cold, austere and classical representation with a firm anachronism between traditional iconography and modern architecture. In ‘Corpus Christi’ I wanted to highlight this rupture between classical imagery and modern religious architecture.
You won the 2013 #SWPA Professional Architecture category. Where did this take your photography?
Being a 2013 Sony World Photography Awards winner has been a great career step forward and it helped me to span my work, gaining a lot of visibility, interviews and press coverage in France and worldwide. Thanks to the awards, The New York Times Magazine & other media companies have contacted me for architecture commissions. It was a huge satisfaction and encouraged me continue with the art and subjects I am passionate about.
What would you suggest to young photographers aspiring to make create architectural photography?
To push the button can be easy and fast, but architectural photography - and photography in general, requires strong determination. Firstly, remember that between subjects and projects there’s half of the sea. So think carefully about what and how you want to proceed. Then, be precise and rigorous, chase the light and work the frame of course. Sometimes, wait for the good moment. Try again or come back if necessary. Push the limit and don't give up even if discouragement is knocking at the door.
Talking about your new project ‘World’s Tallest Statues’ you recently stated: “I was intrigued by the human need to build these immense shrines to power”. Could you tell us more about it and how you came across this subject?
Indeed, I have just mentioned the importance of determination and these gigantic statues are the perfect example. They symbolise the strong human desire of remembrance and commemoration directly related to the size of the monument. With this project I wanted to investigate the deepest meaning of both ‘symbol’ and ‘cult of personality’ as I have always been fascinated about how historical heroes, leaders or politicians were celebrated or idealised with monumental structures for the sake of collective remembrance.
Research led me to discover lots of monument or statues dedicated to Lenin, Stalin or Mao but despite their cultural and social meaningfulness they were not that big. As the documentation went on, I unexpectedly came across the picture of a huge white statue located in the middle of Dai Kannon, in Sendai, Japan. Sadly, the picture had no caption so I first thought it was unreal, but when I had the proof of its existence, I immediately felt that these huge statues were what I wanted to talk about.
art aesthetic pictures 在 Lyn Lai Youtube 的最佳貼文
(Vietnamese below)
This is just a short video, to smile when watching again because the weekend of April 2020, I'm 23 and my life is very cute.
I love the weekends I get to draw, if I don't draw then go to work like filming / taking pictures. For me to do those things freely, is a peace. These are the moments when we step through a new world, and return to being more kind to the present.
Having just been socially isolated after the epidemic is under control, I am returning to life and problems in future plans that I have not yet solved. So maybe this is a weekend called peace with me will be very rare to be repeated. Instead, the next few weeks will not go out again, do not do any crazy art ideas anymore, I will be more serious in making graduation projects. I will have to be a bit more strict, but I still like the architectural work the most.
How about your weekend and your life now?
.
Mình yêu những cuối tuần mình được vẽ, nếu không là vẽ thì là đi làm việc như quay film/ chụp ảnh. Đối với mình được làm những điều đó tự do, là một sự bình yên. Đó là những lúc được bước qua một thế giới mới, và trở về tử tế hơn với sự hiện tại. Chắc là nó thật sự "must have" in life cho một đứa nhạy cảm từ rất bé như mình. Nếu không sẽ tiêu cực đến chết mất đối với thế giới này. Mặc dù nó đẹp thì nhiều hơn. Thanks god put me in my right way!
Vừa được giãn cách xã hội sau khi dịch được kiểm soát, mình đang phải quay lại cuộc sống và những vấn đề trong kế hoạch tương lai mà mình chưa giải quyết xong. Nên có lẽ đây là một cuối tuần được gọi là bình yên với mình và nó sẽ rất hiếm được lặp lại. Thay vào đó là những tuần sau sẽ không ra ngoài như vậy nữa, không làm những ý tưởng nghệ thuật điên rồ nào nữa, mình sẽ nghiêm túc hơn trong việc làm đồ án tốt nghiệp. Mình sẽ phải hơi nghiêm khắc hơn một xíu nhưng mình vẫn thích công việc kiến trúc nhất.
Đây là một video ngắn thôi, để mỉm cười khi xem lại vì cuối tuần những ngày tháng 4/ 2020, mình 23 tuổi và cuộc sống mình rất rất dễ thương.
Sau dịch, mình có nhiều bạn hơn, mình cũng dễ vui hơn, chăm sóc bản thân hơn, giờ thì, mình cũng chuẩn bị chăm sóc cho đồ án tốt nghiệp nữa. Điều mà mình muốn truyền tải cho các bạn học trò mình mỗi ngày cũng là vậy, các em muốn thật sự vui khi làm việc sau này, thì phải dành thời gian cho bản thân, cho những điều mình yêu trước, và sau đó dùng tâm trạng thoải mái đó để luyện tập hay làm việc có kỉ luật hơn.
Một video ngắn nhưng lá thư dài quá nè! ^^
●Social
Instagram: @la.ilyn https://www.instagram.com/la.ilyn/
Facebook: @Lại Yến Nhi https://www.facebook.com/lyn.lai.19
Tiktok: @liynnhi
●Business inquires
Gmail: [email protected]
●Song used:
updating...
?POPULAR AESTHETIC SONGS FOR INTROS, OUTROS, & BACKGROUND | NO COPYRIGHT. Link: https://www.youtube.com/watch?v=Nignt...
This time i only use youtube familiar songs.
Enjoy the music and
????? ??? ??? ???????? ?
art aesthetic pictures 在 Lyn Lai Youtube 的最讚貼文
(Vietnamese below)
This is just a short video, to smile when watching again because the weekend of April 2020, I'm 23 and my life is very cute.
I love the weekends I get to draw, if I don't draw then go to work like filming / taking pictures. For me to do those things freely, is a peace. These are the moments when we step through a new world, and return to being more kind to the present.
Having just been socially isolated after the epidemic is under control, I am returning to life and problems in future plans that I have not yet solved. So maybe this is a weekend called peace with me will be very rare to be repeated. Instead, the next few weeks will not go out again, do not do any crazy art ideas anymore, I will be more serious in making graduation projects. I will have to be a bit more strict, but I still like the architectural work the most.
How about your weekend and your life now?
.
Mình yêu những cuối tuần mình được vẽ, nếu không là vẽ thì là đi làm việc như quay film/ chụp ảnh. Đối với mình được làm những điều đó tự do, là một sự bình yên. Đó là những lúc được bước qua một thế giới mới, và trở về tử tế hơn với sự hiện tại. Chắc là nó thật sự "must have" in life cho một đứa nhạy cảm từ rất bé như mình. Nếu không sẽ tiêu cực đến chết mất đối với thế giới này. Mặc dù nó đẹp thì nhiều hơn. Thanks god put me in my right way!
Vừa được giãn cách xã hội sau khi dịch được kiểm soát, mình đang phải quay lại cuộc sống và những vấn đề trong kế hoạch tương lai mà mình chưa giải quyết xong. Nên có lẽ đây là một cuối tuần được gọi là bình yên với mình và nó sẽ rất hiếm được lặp lại. Thay vào đó là những tuần sau sẽ không ra ngoài như vậy nữa, không làm những ý tưởng nghệ thuật điên rồ nào nữa, mình sẽ nghiêm túc hơn trong việc làm đồ án tốt nghiệp. Mình sẽ phải hơi nghiêm khắc hơn một xíu nhưng mình vẫn thích công việc kiến trúc nhất.
Đây là một video ngắn thôi, để mỉm cười khi xem lại vì cuối tuần những ngày tháng 4/ 2020, mình 23 tuổi và cuộc sống mình rất rất dễ thương.
Sau dịch, mình có nhiều bạn hơn, mình cũng dễ vui hơn, chăm sóc bản thân hơn, giờ thì, mình cũng chuẩn bị chăm sóc cho đồ án tốt nghiệp nữa. Điều mà mình muốn truyền tải cho các bạn học trò mình mỗi ngày cũng là vậy, các em muốn thật sự vui khi làm việc sau này, thì phải dành thời gian cho bản thân, cho những điều mình yêu trước, và sau đó dùng tâm trạng thoải mái đó để luyện tập hay làm việc có kỉ luật hơn.
Một video ngắn nhưng lá thư dài quá nè! ^^
●Social
Instagram: @la.ilyn https://www.instagram.com/la.ilyn/
Facebook: @Lại Yến Nhi https://www.facebook.com/lyn.lai.19
Tiktok: @liynnhi
●Business inquires
Gmail: [email protected]
●Song used:
updating...
?POPULAR AESTHETIC SONGS FOR INTROS, OUTROS, & BACKGROUND | NO COPYRIGHT. Link: https://www.youtube.com/watch?v=Nignt ...
This time i only use youtube familiar songs.
Enjoy the music and
????? ??? ??? ???????? ?