YAS! I AM BACK ON BLOG!❤️
I have taken a really long break from my blog as I felt a bit lost about blog writing since last year. I have heard a lot saying that no one really reads blog now but after thinking about this topic thoroughly, I have decided that blogging to me isn't just a trend, instead, it's a platform for me to share my outfits and fashion opinion, to document photography/production projects done by @kenzeleung and I, and most importantly, to let us review our works every now and then so that we can improve and be better content creators. Sometimes, taking a break isn't a bad thing at all!. .
已有一年沒有寫 Blog, 現在決定再寫,目標更明確!停頓,有時令我們更明白自己想要什麼。可能 content creation 做太久,真的就要自我提醒下, 創作才不會滑啞 。而這次的停頓,令我和 @kenzeleung 更清楚明白我們想要的從來都不是速食的畫面,而是有素質和靈魂的拍攝。期待以後做更多好看的給你們❤️❤️❤️. .
HEAD TO EZZENTRICBLOG.COM TO READ MY LATEST BLOG POST NOW. .
#EzzentricBlog #EzzentricTwee #EzzentricLook
同時也有3部Youtube影片,追蹤數超過3,910的網紅Marion St Joan,也在其Youtube影片中提到,I'm entering a new phase in my life so the first thing I did was declutter my wardrobe. I will be writing it more on my website (link below) on how mu...
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blog writing on fashion 在 喜劇演員 Facebook 的最讚貼文
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The Fifth Element(1997)
Director:Luc Besson
Cinematographer:Thierry Arbogast
2nd unit DOP:Nick Tebbet
Production Designer:Dan Weil
Key grip:Joe Celeste
Camera grip:Jean Pierre Mas
Stunt coordinator:Marc Boyle
Costume Designer:Jean-Paul Gaultier
Visual Effects supervisor:Mark Stetson
Creature Effects supervisor:Nick Dudman
Miniature Effects supervisor:Niels Nielsen
Visual Effects DOP:Bill Neil
Special Effects supervisor:Neil Corbould
Pyrotechnics supervisor:Thaine Morris
Luc Besson said he started writing the screenplay when he was 16, creating the vivid fantasy universes to combat the boredom he experienced living in rural France. But it didn't reach the screen until he was 38 years old; by that time, he felt he was old enough to actually have something to say about life.
According to costume designer Jean Paul Gaultier, the enfant terrible of the fashion world who once gave Madonna conical breasts, designed the futuristic costumes for The Fifth Element—more than 1000 of them. He didn't just design them, either For crowd scenes, where there might be hundreds of extras wearing his costume designs, he'd go around making adjustments to ensure everyone looked right before the cameras rolled.
According to Gaultier, Besson had lined up Mel Gibson, Julia Roberts, and Prince to play the leads in 1992, before financial problems delayed the project. (It's not clear whether any of them had officially signed on or were merely considering it.) Besson arranged for Gaultier to meet with Prince when the singer was in Paris so he could show him sketches of his designs. The meeting proved awkward (as one assumes many meetings with Prince are), and The Purple One later told Besson that he found the costumes "a bit too effeminate." It's entirely possible that the production delays would have prevented Prince from committing anyway, but it's fun to think about what Ruby Rhod would have been like in different hands. Gaultier had also unwittingly offended Prince with his description of one proposed outfit, a mesh suit with a padded, fringe-bedecked rear. Gaultier kept referring to this part of the suit as a "faux cul" ("fake ass"), but because of his thick accent, he said Prince misheard him as saying, "F-\-\- you!" Tucker has said he took inspiration from both Prince and Michael Jackson in crafting his performance as Ruby Rhod.
When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for this movie's visual style when he started writing the movie in high school, Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (U.S.) movie Heavy Metal (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until this movie, started renderings for this movie in the early 1990s and are responsible for the majority of the overall look of the movie, including the vehicles, spacecrafts, buildings, human characters, and aliens. However, only Giraud is credited, and even then, he wasn't even granted a premium when the movie was eventually produced.
Some of the most memorable moments from the film are views of a future New York, complete with flying cars and a mass of new and old skyscrapers. The film was one of Digital Domain’s huge miniature shows released that year – the others being Dante’s Peak and Titanic – while also heralding the fast-moving world of CGI in the movies. The New York scenes were created using a combination of CGI (for the flying cars), live action (the people), and scale models (the buildings). A crew of 80 on the production design team spent five months building dozens of city blocks at 1/24th scale.The visual effects for The Fifth Element were realized with a masterful combination of motion control miniatures, CG, digital compositing and effects simulations by Digital Domain. The flying traffic created by the visual Effects team allowed artists to create personalized license plates. Though never visible in the movie, the state slogan printed on all license plates reads "New York, The F***-You State."The people populating the roofs, decks, and windows during the visual effects sequences in New York City are the artists and employees at Digital Domain.
The text scrolling across a Times Square theater marquee as Korben dives down through traffic is actually an excerpt from an e-mail dispute between several artists at Digital Domain. Other signs on digital and practical, miniature buildings contain similar in-jokes and references and the large cylindrical tanker truck that Korben's cab almost hits at the end of his descent is decorated with the logo of a Venice, California, pizza parlor that was a favorite of Digital Domain artists.
‘You know, Mark, I don’t want to do these ‘fancy panning around and seeing the whole world shots’. I’d much rather set a camera looking down a street, having a cab rush towards me, and cut as it passes by, and then cut to a reverse of it passing by, and construct my film that way.’ – The Fifth Element visual effects supervisor Mark Stetson relates what director Luc Besson said to him about staging the film’s New York City shots.
This was Mark Stetson’s first visual effects supervisor role, this is what he had to say about it in a VFX blog article
Mark Stetson: I wasn’t afraid of the size of it. I didn’t think it was huge at the time. I mean, it was sort of standard tent pole-ish at the time and I was confident that I could do that, but it was my first one and there was a ton I had to learn, especially about digital visual effects. And I was very supported by Digital Domain. It was Digital Domain 1.0 back then, and they really gave me a great team. It was a great experience all around.
During the prep period, cinematographer Thierry Arbogast worked extensively with production designer Dan Weil to integrate various lighting units — primarily fluorescent and occasionally ultraviolet fixtures — within the sets themselves. More often than not, the futuristic spaces dictated the types of fixtures that could be used.
Arbogast had some challenges on the film he said this about the opera scene.
“Most of the lights you see in the opera house were already there. The difficulty was in lighting the people in the audience without illuminating the white facades of the balcony. Therefore, we used a lot of flags to focus our lighting precisely on the people.”
Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a nearly constant motif in this movie. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
In keeping with the hands-on approach Besson established on Le Dernier Combat and has practiced on all of his successive films — Subway (1985), The Big Blue (1988), Atlantis (1990), La Femme Nikita (1991) and The Professional (1994) — the filmmaker operated the camera himself throughout the entire shoot. While such a working situation is rare for directors working within the Hollywood system, Besson prefers it because he can maintain better control of the onscreen action. "I create the frame and the movement within it," he explains. "Why lose time explaining everything to someone else? He's going to be slightly off, and then I'm going to freak out and say, 'No, this is not what we discussed. I want the camera here!' So it's better for everyone involved if I just do it myself.
"I write each action scene as if it is a ballet; the movements fit with the music. Generally, I'll shoot a fight sequence for 10 days using just one or two cameras and a very small crew. I've already written out the fight scene in my head, shot by shot. I do this for each and every sequence so that we can just shoot it, and then put the scene together in the editing room. At the same time, when you're on the set, you can have an idea at the last moment; you realize that from a different angle the light might be better, so you change the perspective [of the shot]. But I'll always write down and block out this [new] progression."
The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost went beyond control. It took twenty-five minutes to put out.
At the time, it was the most expensive movie ever produced outside of Hollywood, most expensive French production history, and at $80 million USD, the visual effects budget of the movie was the highest of its time.
The wonder on Bruce Willis' face when the Diva sings is real. That was the first time he'd heard it and seen the actress in full make-up.
Bruce Willis, Milla Jovovich, Chris Tucker and Gary Oldman are all left-handed.
The director had been married to Maïwenn Le Besco, who plays the Diva Plavalaguna, since 1992 (when she was 16 and he was 33, but that's another story). She didn't want to be in the film, adhering to the old adage that married people shouldn't work together and co-workers shouldn't marry each other. But when the actress Besson had cast as the Diva dropped out, Le Besco took the part got painted blue and gave a memorable performance. Alas, Besson didn't share his wife's policy of not mixing work with relationships. He left her during the production for Milla Jovovich, whom he married at the end of 1997 and divorced two years later... then that happened
From Mental floss,vfx blog,ASCmag article,IMDb,YouTube visual element doc.
blog writing on fashion 在 Yes Please Enjoy by Fanning Tseng Facebook 的最讚貼文
英國部落客同時也是時尚觀察家Susie Lau從2006年開始撰寫以時尚為主題的部落格內容。不只文字富有魅力,她的個人造型也獨特有個性,以詼諧幽默卻又直白的觀點漸漸在英國與全球備受矚目。這次有機會與她做簡短採訪,更是讓我近距離瞭解她的風采。
Susie Bubble受Bicester Village之邀,因應中國農曆新年所策劃的China Pop-Up Boutique活動。Susie Lau以她多年在英國與亞洲時尚界的經驗與觀察,邀請了十位華人設計師來到Bicester Village共同參與。
在Susie帶領之下,所有參與這場開幕發表會的中外來賓對所有設計師的作品都投注了高度的關注與熱情。而Susie與在場設計師以淺顯易懂的方式將華人時尚設計的魅力帶入了歐洲,讓人喜愛。
完整的經驗都在部落格內文中,請點選個人檔案中的連結閱讀。也歡迎你與我分享你對「時尚」的觀點,以什麼樣子呈現的時尚對你來說最剛好呢?
► 閱讀故事與我的感動 https://goo.gl/RJv789
Susie Lau has been writing her fashion blog content since 2006. Not only is her character fascinating, but her personal style is also unique and individual. Her humorous but straightforward point of view has gradually attracted attention in the UK and the world. This time I had the opportunity to do a short interview with her, to know her style deeper.
Susie Bubble (Susie Lau) is invited by Bicester Village to host the China Pop-Up Boutique event to celebrate the Chinese Lunar New Year. Susie Lau invited ten Chinese fashion designers to Bicester Village to participate and present their collection.
Under the introduction of Susie, all the guests who participated in the opening ceremony put a lot of attention and enthusiasm on the works of all designers. Susie and the present designers brought the charm of Chinese fashion design to Europe in an easy-to-understand way.
The whole story and interview is just online to my blog, feel free to read it. Also, please share with me your point of view about Fashion.
Bicester Village / Ingolstadt Village / Wertheim Village
blog writing on fashion 在 Marion St Joan Youtube 的最佳貼文
I'm entering a new phase in my life so the first thing I did was declutter my wardrobe. I will be writing it more on my website (link below) on how much clothes I have and the two tips to follow when decluttering your wardrobe.
Instagram - @marionstjoan - http://instagram.com/marionstjoan
My Last Video - https://youtu.be/mzhkFijVDCw
Wardrobe Decluttering 2018 Blog Post - https://bit.ly/2QjwmVW
My Online Store - www.mimirello.com/shop
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✉️ B U S I N E S S E N Q U I R I E S
⎝ marion@mimirello.com
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blog writing on fashion 在 Brenda Tan Youtube 的最讚貼文
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» WHAT'S THAT I'M WEARING?
☛ Top: Thrifted
This video is sponsored by Shopee (thank you!) All other products that were sent to me were mentioned in the video. All opinions are honest.
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Hi, I'm Brenda! I'm 21 and I hail from Singapore. I post all sorts of videos every week! If you like my videos and want to see more, please hit the subscribe button to catch my videos hot off the press! Your support keeps me motivated to produce better content (and to post more frequently). Feel free to click the thumbs up and leave a comment down below of what you'd like to see next. I read every single comment (seriously, I do) and will try my best to respond! :-) Thank you once again for watching my videos, have a blissful day! x
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blog writing on fashion 在 Brenda Tan Youtube 的最讚貼文
Hey guys!
This is another get ready with me filmed quite a while ago but I've never taken the time to edit it because I thought the lighting was wayyyyy too yellow. Turns out, it can be salvaged so yay!!! I was being an idiot and trying to transfer things around halfway through editing because I was running out of memory space and ended up writing over some of the files so I'm really sorry about that, hopefully the video is still interesting and helpful! I don't know if anyone actually wants to know what products I used so if you want a list, let me know and I'll write it here! If not then I won't because it takes up quite a bit of time and I'm really tired from school right now HAHA. Alright, thank you for watching my video and please click subscribe for more videos and click like on this video if you enjoyed it! I love you guys, byeeeee!!
MEGA HUGS
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Hi, I'm Brenda! I'm from Singapore and I just turned 20 this year. Currently, I'm a freshman in the National University of Singapore under the faculty of Arts and Social Sciences. I post videos every week about whatever I feel like talking about! If you like my videos and want to see more, please hit the subscribe button next to my name because it keeps me motivated to produce better content :-) Feel free to click the thumbs up and leave a comment down below of what you'd like to see next. Thank you once again for watching my videos, you can find me on my other social media platforms if you need to reach me. Have a blissful day! x
Some other ways to find and contact me:
▶ E-MAIL: wordweed@gmail.com
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▶ TWITTER: https://twitter.com/wordweed
▶ SNAPCHAT: @wtfisair
▶ ASK ME ANYTHING: http://ask.fm/wtfisair
▹ I film and edit everything myself!
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