There’s rhythm in writing! 🎶
這個禮拜Presentality的Andrew來分享英文寫作的節奏!
★★★★★★★★★★★★
我的工作需要看非常多的英文。
其中有英文母語的人寫的,也有非母語的人寫的。最近,我注意到一個兩者之間很明顯的差別。這個差別很少有人提到,因為它無關文法正確,也不是有學問的用語,或是文雅的詞彙。
是句子的長短。
Well,更正確的來說,是長句跟短句的交錯。我發現,非母語人士寫的英文句子,不但比英文母語的人寫的長,而且是大部分句子都很長。
母語的人,尤其是很會寫的人,則是會把長句跟短句混合搭配。
那又怎樣?
★★★★★★★★★★★★
你可能會說 ok,以英文為母語的人比較會用短的句子,那又怎樣?句子的長短,跟我寫作的好壞,有關嗎?
關係可大了。
就像音樂,或是影片,文字也是「內容」。只要是「內容」,就有它的節奏。你可以想像一首曲子,從頭到尾都是很長的音,而且一點變化都沒有嗎?或是一部很長的影片,從頭到尾都是很長的畫面,而且一點節奏的變化都沒有嗎?
Well actually,你應該可以想像,這些就是要幫助我們睡眠的。
如果你不想要你的讀者覺得無聊或甚至睡著,我建議適度變換你文字的節奏。
但我們先看案例。
我拿一篇台灣人寫的文,跟另一篇美國人寫的,來做比較:把每個句子都分拆成不同的段落,句子的長短就一目了然了。
★★★★★★★★★★★★
但我們先看案例。
我拿一篇台灣人寫的文,跟另一篇美國人寫的,來做比較:把每個句子都分拆成不同的段落,句子的長短就一目了然了。
📌 台灣案例:Taipei Times Opinion
1. The TAIEX last month rose above 17,000 points as rallies in steel, shipping and some non-tech stocks offset a weakness in semiconductor and electronics stocks.
2. While news about a cluster of local COVID-19 infections connected with China Airlines cargo pilots and a hotel in Taoyuan fueled selling pressure early this month and pushed the local stock market into consolidation mode, the daily market turnover in the first two trading sessions of this month hit fresh highs.
3. Moreover, Taiwan’s stock trading volume last month began to surpass that of Hong Kong for the first time in 15 years, which was beyond most market participants’ expectations.
4. Taiwan’s daily market turnover exceeding Hong Kong’s might gradually become a new normal from this year, and there are good reasons for this.
5. First, Hong Kong’s stock market has lost its appeal to foreign investors since China last year imposed national security legislation on the territory, triggering a potential flight of capital and talent.
6. Second, many wealthy Taiwanese tend to park their overseas funds in Hong Kong, China, Singapore, Switzerland and the US, but government statistics showed that more than 80 percent of funds repatriated by wealthy individuals last year were from Hong Kong, as they saw the political situation in the territory worsen after its self-governance, human rights and freedom of speech were further suppressed.
7. Third, China’s new NASDAQ-style stock board — the Shanghai Stock Exchange’s STAR board — has emerged as a fast-growing capital markets center for Chinese companies at a time when rising China-US tensions have triggered concerns about their prospects of listing in New York, posing a growing challenge to the Hong Kong stock exchange.
8. On the other hand, Taiwan’s economic fundamentals, the central bank’s adoption of extraordinary monetary easing and the government’s fiscal policies have fueled continued rallies in the nation’s stock market since last year.
9. It might be too early to tell how long the consolidation trend might last, as a resurgent COVID-19 outbreak is coloring the global economic outlook, but some insight can be drawn from the stock market:
10. Taiwan’s GDP grew a larger-than-expected 8.16 percent in the first quarter, as exports and private investment remained healthy.
都是一堆很長的句子對不對?我們來看美國人寫的句子,也是一個主流媒體的 opinion 文。
★★★★★★★★★★★★
📌 美國案例:New York Times Opinion
1. I miss torturing Liz Cheney.
2. But it must be said that the petite blonde from Wyoming suddenly seems like a Valkyrie amid halflings.
3. She is willing to sacrifice her leadership post — and risk her political career — to continue calling out Donald Trump’s Big Lie.
4. She has decided that, if the price of her job is being as unctuous to Trump as Kevin McCarthy is, it isn’t worth it, because McCarthy is totally disgracing himself.
5. It has been a dizzying fall for the scion of one of the most powerful political families in the land, a conservative chip off the old block who was once talked about as a comer, someone who could be the first woman president.
6. How naïve I was to think that Republicans would be eager to change the channel after Trump cost them the Senate and the White House and unleashed a mob on them.
7. I thought the Donald would evaporate in a poof of orange smoke, ending a supremely screwed-up period of history.
8. But the loudest mouth is not shutting up.
9. And Republicans continue to listen, clinging to the idea that the dinosaur is the future.
10. “We can’t grow without him,” Lindsey Graham said.
📌 Note: 即使是比較長的句子,這位作者也會用標點符號拆散它:She is willing to sacrifice her leadership post — and risk her political career — to continue calling out Donald Trump’s Big Lie. 這就好比用句點一樣,讓我們讀起來有點停頓休息的時間。
★★★★★★★★★★★★
📌 注意到了嗎?
台灣人寫的英文,句子都偏長,而且長度都差不多。
美國人寫的就不一樣了:一個只有五個字的句子開頭,然後一堆稍微長一點的句子,然後再來一串短句。
你可能懷疑我故意挑選很極端了例子出來,而且幹嘛專門打台灣人呢?
所以想到這裡,我從我的書架上,隨便挑了兩本跟科技有關的書出來。左邊的,是美國人,矽谷知名投資人 Peter Thiel。右邊的是德國人,但注意了,是一個英文非常好的德國人。他不但是世界經濟論壇的創辦人,研究所也是在哈佛大學唸的。
★★★★★★★★★★★★
📌 兩本書 Introduction 是怎麼寫的?
Klaus Schwab (德國):
Of the many diverse and fascinating challenges we face today, the most intense and important is how to understand and shape the new technology revolution, which entails nothing less than a transformation of humankind.
We are at the beginning of a revolution that is fundamentally changing the way we live, work, and relate to one another.
In its scale, scope and complexity, what I consider to be the fourth industrial revolution is unlike anything humankind has experienced before.
Peter Thiel (美國):
Whenever I interview someone for a job, I like to ask this question: "What important truth do very few people agree with you on?"
The question sounds easy because it's straightforward.
Actually, it's very hard to answer.
It's intellectually difficult because the knowledge that everyone is taught in school is by definition agreed upon.
See the difference?
★★★★★★★★★★★★
📌 如何變換節奏呢?
需要Andrew的完整分享請留言「There’s rhythm in writing~」。
Follow Presentality for more!
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同時也有5部Youtube影片,追蹤數超過6萬的網紅Hà Lê Official,也在其Youtube影片中提到,Tate McRae "you broke me first" - Hà Lê Cover (Lyrics Video) #HaLe #tatemcrae #ybmf #cover Singer: Hà Lê Music producer: Tùng Tic -----------------...
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calling someone miss 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳貼文
Farewell. Ida – Ida Haendel 192?-2020
So Ida has left us – a legend has departed. What a violinist! What a woman! Magnificent, unique, incorrigible – she was a law unto herself.
First, the playing: a film about her was aptly entitled: ‘I AM the Violin.’ And she was! The violin was her life; she mastered it, devoted so much of her existence to it, cared so much about it. Every performance was an event, which she took absolutely seriously, giving each concert her all. She spoke through her violin, proved herself through it, lived within the music she made. She was a marvel, an icon; each note she played was the result of total conviction – and as a consequence was totally convincing. She had been groomed from the beginning to be a star – and a star she was.
But she was also an adorable person. I had heard of her, of course, from my childhood onwards – hadn’t everybody? But I didn’t meet her until - I think - 2000, when I attended a memorable recital she gave at the Wigmore Hall (apparently her debut there!), concluding with a magisterial performance of Enescu’s 3rd sonata. I’d heard, to my delight, that she’d heard me somewhere, and had liked it, so I dared to go backstage afterwards. Having enthused about her playing, I rather uncertainly told her that I was Steven. She looked at me disbelievingly. ‘You’re NOT’ she announced, in her wonderful deep voice. I assured her that I certainly had been last time I looked in the mirror. She accepted this, and proposed that we play the Brahms Double together. It was such an honour; but alas, I just couldn’t do the dates she suggested.
I came across her shortly thereafter, however, at the Verbier Festival. I’d seen that she was giving masterclasses there, so when I saw her, I asked how they were going. She looked at me severely. ‘Steven,’ she boomed, wagging her finger. ‘I don’t teach.’ I was puzzled; she was, after all, advertised as the teacher of the violin class. ‘So you like teaching?’ I said, provoking her. The finger wagged again. ‘Steven,’ she repeated with equal seriousness, ‘I don’t teach.’ ‘So how’s the teaching going?’ I asked. Her finger was on its way in my direction, and she’d started to say my name in the same tone of voice – when suddenly her face broke into a big smile. ‘Oh – so you’re a tease,’ she said. After that, we got on famously. My other main memory of that Verbier encounter was of her examining something – I couldn’t see what - in the hotel lobby, and then calling me over. It turned out that the object in her hands was an album of recent photos of her. ‘Look, Steven,’ she commanded urgently. ‘Don’t I look gorgeous?’
Later, we took her to dinner near her flat in London. Tottering through the streets in her high heels, she suddenly came to a stop in front of a (closed) clothes shop, where either a pair of gold shoes or a gold dress (I can’t remember which) had caught her eye. It was impossible to budge her, late though we were for the restaurant. ‘Wouldn’t I look wonderful in that?’ she asked us challengingly. We agreed that she would. ‘I’m coming back here tomorrow morning,’ she assured us. She spoke that night about her appearance. ‘You think I dress like this just to go out?’ she asked. ‘No! Catch me at breakfast – I’ll look just the same.’ Her pride in her appearance was never-changing. Perhaps in someone else it could have been too much – but with Ida, it was wonderful, admirable; life-affirming, in fact, like her pride in her playing.
It is funny that already I’ve seen two obituaries giving her age five years apart. She’d certainly have preferred the younger estimate… It was impossible to get the truth out of her. I remember asking another glorious violinist-character, Lorand Fenyves, whether he knew Ida. ‘Oh yes, of course!’ he replied. ‘I knew her when I was 16 and she was 15.’ He paused. ‘And now I’m 80 and’ his eyes twinkled, ‘she’s 55!’
Although we never got to play the Brahms Double together, we did perform the Beethoven Triple concerto with Martha Argerich and the Rotterdam Philharmonic under the then little-known Yannick Nezet-Seguin in (I think) 2006. Now THAT was an experience – to put it rather mildly… Playing with those two way-larger-than-life ladies was something not to be forgotten; the two adored each other, and it was great fun to witness their interaction. Ida had only played the piece once before, as I remember; but she played it with utter conviction. And Martha was – well, Martha. And Yannick kept the whole thing together, somehow. So – it was special…
It was supposed to happen again, in Miami (where Ida lived); but alas, it didn’t. Still, I kept in touch with Ida and on one memorable occasion got to interview her at the Wigmore Hall (there’s a recording of that occasion on Youtube). She also came down to Prussia Cove once for three days, her visit culminating in a breathtaking account of the Bach Chaconne (she sported an almost equally breathtaking dress to match!) at the Hall for Cornwall. We also played and taught/didn’t teach together in 2010 at the Summit Music Festival, just outside New York. That was another unforgettable experience. At the concert that concluded the festival, Ida played virtuoso pieces with the orchestra that would have been impressive in someone thirty years younger – even younger – than she was. But equally Ida-ish was the post-concert experience. For some reason, it got very late, and it was well after midnight when we were taken in search of food. Not surprisingly, there were few options in the countryside at that time of night; but eventually we found a 24-hour diner. We went in and occupied a table. Looking around at the bikers and other rather unpredictable-looking types, I was a tad nervous; not Ida. I fortified myself with a margarita; she had tea. At one point, the conversation turned to Schumann, and his 2nd violin sonata (which at that time I didn’t know very well). I asked a question about it. ‘You want to hear how it goes?’ Ida demanded to know. She strode over to her violin-case, pulled out the violin, and to the astonishment (and then, luckily the delight) of the assembled company, began to play it. A photo taken at the time (below) shows me a little less than comfortable – and her absolutely in her element.
Oh, Ida. By the last time I spoke to her – too long ago, but not that long ago – I’d heard that she’d become very forgetful, so wasn’t quite sure whether to call her or not. But I dialled anyway, and the phone was answered. ‘Hello, Ida?” ‘Who is it?’ ‘It’s Steven – Steven Isserlis.” Silence – then the phone went dead. Oh dear. I tried again. This time I was able to hold her attention long enough to remind her who I was. We started to talk, and as the conversation progressed, she evidently remembered more and more about our friendship. It was true that she repeated herself a lot; but still – she was very much Ida, the same wonderful voice, the same love of life.
And now she’s gone. Farewell, Ida the legend; we humanoids will miss you – but thank you, thank you for giving us so much. Everything, in fact.
calling someone miss 在 渡辺レベッカ Rebecca Watanabe Facebook 的精選貼文
(English is below)
リクエストに応じて、米津玄師の「パプリカ」を英語でカバーしてみました♪
今回の英語詞はネルソン・バビンコイさんによるオフィシャルなものを使いました。
歌うと元気が出る曲ですね~♪ Enjoy!
(キーはGです)
By request, an English cover of Kenshi Yonezu's "Paprika." The English lyrics are the official ones by Nelson Babin-Coy. Enjoy!
(Key: G)
~♪~♪~♪~♪~♪~
曲情報 / SONG INFO
~♪~♪~♪~♪~♪~
Foorin/パプリカ
2019年リリース
作詞曲:作曲:米津玄師
英語詞:ネルソン・バビンコイ
Foorin / Paprika
Released 2019
Music/Lyrics: Kenshi Yonezu
English Lyrics: Nelson Babin-Coy
~♪~♪~♪~♪~♪~
歌詞/LYRICS
~♪~♪~♪~♪~♪~
Twisting and turning, down this road we go
Running to the forest where we can play all day
The sun shines so brightly on our country town
Someone’s always calling out your name
And when summer comes, see our shadows grow
Always know I will miss you so
Come on, look up, find the first star in the sky
I hope tomorrow will be sunny, too
*Paprika, when our flowers start to bloom
Put the seeds into your hands and throw them in the sky
Paprika, we can make our dreams come alive
Rain or shine, we’ll find a way to play again another day
It’s raining and pouring, the moon’s hiding away
I think I can hear someone crying in the shade
Don’t worry I promise, there’s no need to be afraid
Someone’s always calling out your name
Come and count with me all the happy things
So much joy you always bring
Now it’s time to go, I’ll see you tomorrow
Memories will light the way back home
*Repeat
I will run to you
Through the forest where we played
Singing songs we made
And I will fill both hands
With flowers along the way
La-di la-di-da
会いに行くよ 並木を抜けて
ai ni yuku yo namiki wo nukete
歌を歌って
uta wo utatte
手にはいっぱいの 花を抱えて
te ni wa ippai no hana wo kakaete
らるらりら
la-lu la-li-la
パプリカ 花が咲いたら
Papurika hana ga saitara
晴れた空に種を蒔こう
hareta sora ni tane wo makou
ハレルヤ 夢を描いたなら
hareruya yume wo egaita nara
心遊ばせあなたにとどけ
kokoro asobase anata ni todoke
かかと弾ませこの指とまれ
kakato hazumase kono yubi tomare
https://youtu.be/TaSWIaIYY_s
calling someone miss 在 Hà Lê Official Youtube 的精選貼文
Tate McRae "you broke me first" - Hà Lê Cover (Lyrics Video)
#HaLe #tatemcrae #ybmf #cover
Singer: Hà Lê
Music producer: Tùng Tic
--------------------------------
? Listen & Download the original “you broke me first” by Tate McRae:
https://smarturl.it/xyoubrokemefirst
? Nghe và tải về audio bản gốc “you broke me first” của Tate McRae tại đây: https://smarturl.it/xyoubrokemefirst
??LYRICS:
maybe you don’t like talking too much about yourself
but you shoulda told me that you were thinking bout someone else
you’re drunk at a party or maybe it’s just that your car broke down
or your phone’s been off for a couple months, so you’re calling me now
i know you, you’re like this
when shit don’t go your way you needed me to fix it
and like me, i did
but i ran out of every reason
now suddenly you’re asking for it back
could you tell me where’d you get the nerve
ya, you could say you miss all that we had
but i don’t really care how bad it hurts
when you broke me first
took a while, was in denial when i first heard
that you moved on quicker than i coulda ever
you know that hurt
swear for a while i would stare at my phone just to see your face
but now that it’s there, i don’t really know what to say
i know you, you’re like this
when shit don’t go your way you needed me to fix it
and like me, i did
but i ran out of every reason
now suddenly you’re asking for it back
could you tell me where’d you get the nerve
ya, you could say you miss all that we had
but i don’t really care how bad it hurts
when you broke me first
what did you think would happen?
what did you think would happen?
i’ll never let you have it
what did you think would happen?
now suddenly you’re asking for it back
could you tell me where’d you get the nerve
ya, you could say you miss all that we had
but i don’t really care how bad it hurts
when you broke me first
---------------------------------------------------
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►Hà Lê Youtube Channel :https://bit.ly/2KgKUVP
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►Sony Music Entertainment Vietnam: https://bit.ly/2FujXwM
---------------------------------------------------
© Bản quyền thuộc về Sony Music Entertainment Vietnam
© Copyright by Sony Music Entertainment Vietnam ☞ Do not Re-up.
![post-title](https://i.ytimg.com/vi/z4vMj8gOvlU/hqdefault.jpg)
calling someone miss 在 Gina music Youtube 的最佳解答
Don't forget to turn on the bell icon for future uploads 🔔✔️
追蹤Gina music社群挖掘更多音樂🌹
facebook👉 https://www.facebook.com/Ginamusicland
instagram👉https://www.instagram.com/gina_yujia_liu/
spotify 歌單👉https://open.spotify.com/playlist/2EfPjFfdqN8NzUwj1XNoZC
🌺贊助GINA讓頻道走得更長久•̀.̫•́✧👉https://p.opay.tw/WSwM8
Donate and support my channel (PayPal) 👉https://paypal.me/ginamusic?locale.x=zh_TW
想讓更多人認識你的聲音嗎?歡迎投稿😎
Submit your music 👉ginamusictaiwan@gmail.com
For business inquiries about copyright issues, photos and song submissions,
please contact👉 https://www.facebook.com/Ginamusicland
____________________________________________________
Social Media:
▶ Download / Stream link : https://open.spotify.com/track/45a2FXUp6JBrYwhQhpywM7
👑Steve Kroeger:
https://facebook.com/stevekroegermusic
https://twitter.com/stevekroegermus
https://instagram.com/stevekroegermusic
👑Skye Holland:
https://facebook.com/iamskyeholland
https://twitter.com/iamskyeholland
https://instagram.com/iamskyeholland
___________________________________________________
Lyrics:
[Intro]
You broke me first
是你先傷了我的心
[Verse 1]
Maybe you don’t like talking too much about yourself
也許你不太喜歡談論你自己
But you shoulda told me that you were thinking ‘bout someone else
但你應該告訴我你曾心有所屬
You’re drunk at a party or maybe it’s just that your car broke down
你說你的車壞了 但卻在派對上酩酊大醉
Or your phone’s been off for a couple months, so you’re calling me now
或者手機關機幾個月 所以你現在才給我打電話
[Pre-Chorus]
I know you, you’re like this
我瞭解你 你就這德行
When shit don’t go your way you needed me to fix it
當事情不順利的時候 你需要我來解決
And like me, I did
雖然我曾經也一樣
But I ran out of every reason
但我沒有那些陳詞濫調
[Chorus]
Now suddenly you’re asking for it back
現在你突然回來
Could you tell me where’d you get the nerve
膽子真夠大的
Yeah, you could say you miss all that we had
是阿 你說你懷念過去的一切
But I don’t really care how bad it hurts
但我不在乎你是不是傷心欲絕
When you broke me first
當你先傷了我的心
You broke me first
是你先傷了我的心
[Verse 2]
Took awhile, was in denial when I first heard
當我聽到你已經走出傷痛時
That you moved on quicker than I coulda ever
我還不能自已
You know that hurt
你應該明白的
Swear for a while I would stare at my phone just to see your name
說實話我確實曾盯著手機期待你的消息
But now that it’s there, I don’t really know what to say
事已至此 我也沒什麼好說的了
[Pre-Chorus]
I know you you’re like this
我知道你就這樣
When shit don’t go your way, you needed me to fix it
事情不如意的時候你要我來擺平
And like me, I did
我曾經也是一樣的
But I ran out of every reason
但我從不推辭
[Chorus]
Now suddenly you’re asking for it back
現在你忽然回來
Could you tell me where’d you get the nerve
你也挺有勇氣的
Yeah, you could say you miss all that we had
是阿 你說懷念在一起的日子
But I don’t really care how bad it hurts
但我也不在乎你是不是真的傷心
When you broke me first
當你先傷了我的心
You broke me first
是你先傷了我的心
[Bridge]
What did you think would happen?
你覺得我會答應嗎?
What did you think would happen?
你覺得有這可能嗎?
I’ll never let you have it
我不會讓你得逞
What did you think would happen?
你覺得說些好聽的話就沒事了嗎?
[Chorus]
Now suddenly you’re asking for it back
別再來打擾我了
Could you tell me where’d you get the nerve
怎麼還有臉回來
Yeah, you could say you miss all that we had
是阿 你說想念過去的日子
But I don’t really care how bad it hurts
可我不關心你是不是悲痛欲絕
When you broke me first
當你先傷了我的心
#SteveKroeger #SkyeHolland #YouBrokeMeFirst #chill #輕電音
![post-title](https://i.ytimg.com/vi/7UljXsMjgFg/hqdefault.jpg)
calling someone miss 在 ボンボンアカデミー Youtube 的精選貼文
BomBom Academy is an official educational YouTube channel. This channel posts songs, dances, folk tales and storytelling videos that are useful for viewers who work in the education field, such as childcare workers and teachers.
Some of our older viewers may be nostalgic for the seasonal songs and dances that are shown to the public.
We also have songs, chants and folk tales in English and Japanese that are perfect for adults to learn foreign languages.
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─ Lyrics ───────────────────
"Paprika"
Music, Lyrics & Produce _ Kenshi Yonezu
Twisting and turning, down this road we go
Running to the forest where we can play all day
The sun shines so brightly on our country town
Someone's always calling out your name
And when summer comes, see our shadows grow
Always know I will miss you so
Come on, look up, find the first star in the sky
I hope tomorrow will be sunny, too
Paprika, when our flowers start to bloom
Put the seeds into your hands and throw them in the sky
Paprika, we can make our dreams come alive
Rain or shine, we'll find a way to play again another day
It' s raining and pouring, the moon' s hiding away
I think I can hear someone crying in the shade
Don't worry I promise, there's no need to be afraid
Someone s always calling out your name
Come and count with me all the happy things
So much joy you always bring
Now it's time to go, l' ll see you tomorrow
Memories will light the way back home
Paprika, when our flowers start to bloom
Put the seeds into your hands and throw them in the sky
Paprika, we can make our dreams come alive
Rain or shine, we’ll find a way to play again another day
I will run to you
Through the forest where we played
Singing songs we made
And I will fill both hands with flowers along the way
La-di la-di-da
Through the forest where we played
Singing songs we made
And I will fill both hands with flowers along the way
La-di la-di-da
Paprika, when our flowers start to bloom
Put the seeds into your hands and throw them in the sky
Paprika, we can make our dreams come alive
Rain or shine, we’ll find a way to play again another day
Let’s all come together now, point our fingers to the sky
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◎Singer, Dancer
Icchy(Kato Ichika)
Naru(Kinjo Narumi)
◎Arranger
Nash
http://nashssnakepit.info/
#Foorin #Paprika #パプリカ
![post-title](https://i.ytimg.com/vi/PRuEfw8A_Oo/hqdefault.jpg)