「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
同時也有47部Youtube影片,追蹤數超過147萬的網紅Kento Bento,也在其Youtube影片中提到,This video was created in partnership with Bill Gates, inspired by his new book “How to Avoid a Climate Disaster.” Find out more here: http://gatesnot...
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今天和明天的「哈娜麥莎微醺時刻」的來賓是誰呢?
「終於」邀請了我的靈魂好友Roma Mehta來到我的節目了~~來自印度也住在台灣30年的Red Room 紅房藝文的大家長。她是平面設計師也是畫家,也是策展人,也是藝術家。
今天同她一起前來的還有Rose Huang黃洛詩,也是策展人。今天她們特別來到節目要來分享有關女人的一個藝展「~寶島話夾子-Formosa tales」
當然還有在台灣居住了那麼久,發生的種種美好故事。
多年前,我的麻吉好友Yosifu Art / 優席夫藝術邀請我在他在Red Room 藝文紅坊的活動中清唱一曲~會後Roma眼眶含淚的握著我的手跟我說她在我的歌聲中聽到了什麼⋯在那一個美妙的霎那間,我們的心就黏在一起了~真的是一曲定友誼~🥰🥰❤️🌹
兩個不同國家、不同文化的女人,出奇的感到靈魂的相契~我們不需要多說什麼 ,常常一句兩句就能夠明白彼此的心跟彼此要做的事⋯我想那就是因為我們都共同有著大地之母的心和胸懷。
Roma是一個非常讓人能夠敞開胸懷想跟她訴說所有心事,她的包容她的溫柔她的堅毅,她對整個地球宇宙人類充滿著謙卑又敬畏的心,總是希望透過每一件小事,傳遞和平自由和愛的理念!❤️❤️🥰🌹
我非常感恩開心跟她的緣會,可以在這幾年跟她共同做了許多有意義的事跟活動 ,特別是針對女人的部分~。
Redroom紅坊國際藝術村是一群非常愛台灣,在台灣居住多年的外國藝文界的朋友,所組成的非營利事業的協會團體,之前在朱平先生的支持下提供場地,讓他們進行許多的活動,諸如小型音樂會、講座、手作工作坊、甚至舞蹈、瑜伽、戲劇表演等等~一直到後來他們在空軍總部有了場地,我就一起加入共同策劃參與許多的藝術的活動,我自己就在那裡舉辦了攝影展覽也舉辦了主題性的沙龍演唱會~。
但因為空軍總部現在有新的計劃,所以整個去年都在尋找新的場地,又因為疫情的關係,許多的活動都停擺了⋯;但是就在2021年的開始我們有了新的場地~Red Room Rendezvous 紅房餐酒館~非常Redroom Style藝術氣息濃厚的地方,全蔬食的餐廳,終於今年又可以開始紅坊的藝文活動了,也請大家持續追蹤紅坊的相關訊息。(我一定會在這裡有演唱和藝術的展演)🥰🥰🙏🙏🌹🌹❤️❤️
非常喜歡這一群在台灣的外國藝術家,可愛又真誠,無私又敞開~真的~深深感受到藝術是如何的無國界無性別無年齡⋯藝術是如何溫柔的連結人與人之間~創作是如何讓人可以釋放自己進入靈性更純粹的境界!
所以我非常推崇Redroom 的活動,從我有電台節目以來我其實一直很希望邀請介紹Roma,特別是我們兩個在女性議題跟推動女人自覺的區塊裡 ,都惺惺相惜!
我的節目「哈娜麥莎微醺時刻」也是希望鼓勵所有的女性,起來創作珍視自己內在的價值,我的節目希望可以介紹來自台灣各地美麗的女性的故事,當然更應該邀請Roma來到節目現身說法~但礙於自己怕語言的不足,沒有辦法掌控好整個錄音的品質跟流程,就遲遲不sonus 敢邀約⋯🥰🥰
後來經過上一次錄製大地之歌樂團Sonus de Gaia的採訪經驗,突然信心大增,(那一天是台灣、西班牙、德國三聲帶)❤️❤️🌹🥰🥰
才覺得真的可以邀請Roma了~~昨天現場還好友另外一個好朋友Rose現場翻譯,讓節目得以更自然順暢!❤️🌹🥰
太開心了!
三個女人節目裡面侃侃而談,特別要來介紹這一次Roma主辦的一項非常有意義,關於女性的藝術活動~將要於3月7號國際婦女節的前夕開幕⋯!
親愛的朋友一定要準時收聽今天和明天晚上八點的節目喔!

哈娜麥莎微醺時刻
第15集 2/20(六)
播出曲目
Roma & Rose 黃洛詩
介紹女人盒藝展
「寶島話夾子-Formosa tales」
1.姐妹/阿妹妹
2. La Vie En Rose/Edith Piaf
3.女人花/梅艷芳
4. Little bird/Miriam Makeba
第16集 2/21(日)
Roma & Rose 黃洛詩
介紹Redroom 紅坊國際藝術村
1.那一夜在曼哈頓/巴奈
2. Talkin’Bout A revolution /Tracy Chapman
3.A long walk/Jill Scott
4. Thank you/ 阿爆
🌹❤️🌹❤️🌹❤️🌹❤️🌹❤️🌹
「寶島話匣子
Formosa tales」,創辦人Lorraine Serena在1991年成立了「女性超越國界計劃」,透過一個木盒子,讓所有女人講述自己的故事,計劃推動以來的藝術活動,已經有30年的歷史 超過900位藝術家一萬名學生全球舉辦超過50場的展覽,非常難得在台灣終於可以啟動這一個計劃~我自己也參與這個木盒子的創作,希望所有的女性朋友一起來加入!
❤️🌹❤️🌹❤️🌹❤️🌹❤️🌹
1、寶島話匣子
Formosa tales活動連結
https://fb.me/e/3Z4mpv36e
2、寶島話匣子
Formosa tales 展覽活動
展覽期間 3/7-4/5
時間 3/7 午14:00-18:00
地點:雲森陶陶工作室
地址:台北市士林區凱旋路25巷4號
參觀活動免費哦
🌹❤️🌹❤️🌹❤️🌹❤️🌹
寶島話匣子
Formosa tales相關報導~
Red rooms x Women beyond Borders 2021, Taiwan
Women Beyond Borders
A cross-cultural exhibition connecting women
“To honour and document womens voices and visions.
To encourage collaboration and dialogue
To inspire creativity”
~ Lorraine Serena, Founder/Artistic Director
女性超越國界
一個聯繫女性的跨文化展覽
「彰顯與記錄下女性的聲音與視界,鼓勵彼此間合作與對話,並激勵各項創造性思考與表達。」
About 寶島話匣子 Formosa Tales Taiwan 2021
《寶島話匣子》——2021女性超越國界計畫,台灣站
Formosa Tales – Red Room x Women Beyond Borders Taiwan 2021
A Traveling Exhibition in celebration of International Women’s Day (March 8, 2021) and Beyond
Red Room is excited to announce our collaboration with Women Beyond Borders. WBB is a non-profit, cross-cultural exhibition of women connecting women from all walks of life within and beyond their communities across the globe via a small, wooden box. Women from internationally known artists to women with no prior artistic experience, everywhere from Argentina to Zambia, have transformed these wooden boxes into a repository that contains a story from the artist.
More information at the links below:
* WBB Taipei Signup Form in English
* WBB Taipei Signup Form in Chinese
* Women Beyond Borders Website
This is part of our International Women’s Day Celebrations 2021
More information here
《寶島話匣子》——2021女性超越國界計畫台灣站
紅坊很興奮的宣佈我們將會與Women beyond borders(女性超越國界) 合作,推動屬於台灣的響應活動:《寶島話匣子》——2021女性超越國界計畫台灣巡迴展。
WBB為一非營利性且跨文化之創作計畫,以一個小小的「木盒子」 聯繫了國與國之間、不同工作背景、不同社群環境下孕育出來的女性同胞 。「木盒子」創作計畫開始後,參與者從享譽國際的女性藝術家,到毫無經驗的素人女性;作品來自南美阿根廷,直至非洲尚比亞,串起一捲跨越界線的浪,將「木盒子」轉化,融進不同時空故事,雕琢出屬於自己的生命,將這些女性心中的色彩與溫度寄託於上。
Women beyond borders(女性超越國界)由Lorraine Serena於1991年成立,期冀能彰顯與記錄下女性的聲音與視界,鼓勵彼此間合作與對話,並激勵各項創造性思考與表達。「藝術是一個宇宙通用且不可或缺的語言形式,讓人們得以超越自身思考人性,並讚頌人性的美妙。」
計畫推動以來,各式各樣五花八門的盒子創作品已經在世界不斷的巡迴訪問,從歷史博物館旅行到加德滿都古寺、15世紀的義大利翁布利亞莊園、歐洲的古老列車,以及位於日本山頂上的美術館。《女性超越國界計畫》累積了超過900位藝術家、一萬名學生參與,一共在全球舉辦了超過50場展覽。同時也在不同場地中,透過彼此見面、對話、討論以及交換彼此的想法,觸及了超越數千個觀者同在分享。
《女性超越國界計畫》不僅挑戰了地域、政治、道德、宗教及美感的界線;在啟動後,Women Beyond Borders也逐漸以一催化劑的角色在國際間造起改變的風潮,也導引著文化間相互交融、轉換。紅坊十分榮幸能夠參與這項運動,也希望妳能跟我們一起。在這美麗的台灣島嶼上生活的人們哪,不管妳從哪裡來,要往哪裡去,都歡迎加入我們紅坊《女性超越國界計畫》巡迴展覽一起尋找更多故事。
❤️🌹❤️🌹🥰🌹
紅房餐酒館Rendezvous
https://www.facebook.com/r3.taipei/
🌹🌹❤️❤️
每週六每週日晚上
20:00-21:00
Alian96.3
原住民族廣播電台
「 哈娜麥莎微醺時刻」
每週六日晚八點
歡迎跟我蘇婭一起聽聽音樂
談談心 小小微醺一下 🥂🍷🥃🌹
App下載「Hinet Hichannel」
~「Alian FM96.3原住民族廣播電台」
Http://hichannel.hinet.net/radio/index.do
(手機電腦都可以聽)
http://alian963.ipcf.org.tw/programs_view.php
(原住民族廣播電台隨選節目網址~可以點選你喜歡的節目收聽)
🌹❤️🌹❤️🕊🕊🕊
chinese style art 在 SU YANG , 蘇婭 Facebook 的精選貼文
昨天「終於」邀請了我的靈魂好Roma Mehta來到我的節目了~~來自印度也住在台灣30年的Red Room 紅房藝文國際藝術村的大家長。
她是平面設計師也是畫家,也是策展人,也是藝術家。
多年前,我的麻吉好友Yosifu Art / 優席夫藝術邀請我在他在Red Room 紅房藝文紅坊的活動中清唱一曲~會後Roma眼眶含淚的握著我的手跟我說她在我的歌聲中聽到了什麼⋯在那一個美妙的霎那間,我們的心就黏在一起了~一曲定友誼~🥰🥰❤️🌹
兩個不同國家、不同文化的女人,出奇的感到靈魂的相契~我們不需要多說什麼 ,常常一句兩句就能夠明白彼此的心跟彼此要做的事⋯我想那就是因為我們都共同有著大地之母的心和胸懷。
Roma是一個非常讓人能夠敞開胸懷想跟她訴說所有心事,她的包容她的溫柔她的堅毅,她對整個地球宇宙人類充滿著謙卑又敬畏的心,總是希望透過每一件小事,傳遞和平自由和愛的理念!❤️❤️🥰🌹
我非常感恩開心跟她的緣會,可以在這幾年跟她共同做了許多有意義的事跟活動 ,特別是針對女人的部分~。
Redroom紅坊國際藝術村是一群非常愛台灣,在台灣居住多年的外國藝文界的朋友,所組成的非營利事業的協會團體,之前在朱平先生的支持下提供場地,讓他們進行許多的活動,諸如小型音樂會、講座、手作工作坊、甚至舞蹈、瑜伽、戲劇表演等等~一直到後來他們在空軍總部有了場地,我就一起加入共同策劃參與許多的藝術的活動,我自己就在那裡舉辦了攝影展覽也舉辦了主題性的沙龍演唱會~。
但因為空軍總部現在有新的計劃,所以整個去年都在尋找新的場地,又因為疫情的關係,許多的活動都停擺了⋯;但是就在2021年的開始我們有了新的場地~Red Room Rendezvous 紅房餐酒館紅房餐酒館~非常Redroom Style藝術氣息濃厚的地方,全蔬食的餐廳,終於今年又可以開始紅坊的藝文活動了,也請大家持續追蹤紅坊的相關訊息。(我一定會在這裡有演唱和藝術的展演)
非常喜歡這一群在台灣的外國藝術家,可愛又真誠,無私又敞開~真的~深深感受到藝術是如何的無國界無性別無年齡⋯藝術是如何溫柔的連結人與人之間~創作是如何讓人可以釋放自己進入靈性更純粹的境界!
所以我非常推崇Redroom 的活動,從我有電台節目以來我其實一直很希望邀請介紹Roma,特別是我們兩個在女性議題跟推動女人自覺的區塊裡 ,都惺惺相惜!
我的節目「哈娜麥莎微醺時刻」也是希望鼓勵所有的女性,起來創作珍視自己內在的價值,我的節目希望可以介紹來自台灣各地美麗的女性的故事,當然更應該邀請Roma來到節目現身說法~但礙於自己怕語言的不足,沒有辦法掌控好整個錄音的品質跟流程,就遲遲不敢邀約⋯🥰🥰
後來經過上一次錄製大地之歌樂團Sonus de Gaia 的採訪經驗,突然信心大增,(那一天是台灣西班牙德國三聲帶)❤️❤️🌹🥰🥰
覺得真的可以邀請Roma了~~昨天現場還好有另外一個好朋友Rose現場翻譯,讓節目得以更自然順暢!❤️🌹🥰
太開心了!
三個女人節目裡面侃侃而談,特別要來介紹這一次Roma主辦的一項非常有意義,關於女性的藝術活動~將要於3月7號國際婦女節的前夕開幕⋯!
「寶島話匣子
Formosa tales」,創辦人Lorraine Serena在1991年成立了「女性超越國界計劃」,透過一個木盒子,讓所有女人講述自己的故事,計劃推動以來的藝術活動,已經有30年的歷史 超過900位藝術家一萬名學生全球舉辦超過50場的展覽,非常難得在台灣終於可以啟動這一個計劃~我自己也參與這個木盒子的創作,希望所有的女性朋友一起來加入!
跟Roma,Rose的訪談電台播出時間為2/20,2/21六日晚上八點。請大家預先把時間留下來喔!
❤️🌹❤️🌹❤️🌹❤️🌹❤️🌹
1、寶島話匣子
Formosa tales活動連結
https://fb.me/e/3Z4mpv36e
2、寶島話匣子
Formosa tales 展覽活動
展覽期間
時間 3/7 午14:00-18:00
展覽期間 3/7-4/5
地點:雲森陶陶工作室
地址:台北市士林區凱旋路25巷4號
🌹❤️🌹❤️🌹❤️🌹❤️🌹
寶島話匣子
Formosa tales相關報導~
Red rooms x Women beyond Borders 2021, Taiwan
Women Beyond Borders
A cross-cultural exhibition connecting women
“To honour and document womens voices and visions.
To encourage collaboration and dialogue
To inspire creativity”
~ Lorraine Serena, Founder/Artistic Director
女性超越國界
一個聯繫女性的跨文化展覽
「彰顯與記錄下女性的聲音與視界,鼓勵彼此間合作與對話,並激勵各項創造性思考與表達。」
About 寶島話匣子 Formosa Tales Taiwan 2021
《寶島話匣子》——2021女性超越國界計畫,台灣站
Formosa Tales – Red Room x Women Beyond Borders Taiwan 2021
A Traveling Exhibition in celebration of International Women’s Day (March 8, 2021) and Beyond
Red Room is excited to announce our collaboration with Women Beyond Borders. WBB is a non-profit, cross-cultural exhibition of women connecting women from all walks of life within and beyond their communities across the globe via a small, wooden box. Women from internationally known artists to women with no prior artistic experience, everywhere from Argentina to Zambia, have transformed these wooden boxes into a repository that contains a story from the artist.
More information at the links below:
* WBB Taipei Signup Form in English
* WBB Taipei Signup Form in Chinese
* Women Beyond Borders Website
This is part of our International Women’s Day Celebrations 2021
More information here
《寶島話匣子》——2021女性超越國界計畫台灣站
紅坊很興奮的宣佈我們將會與Women beyond borders(女性超越國界) 合作,推動屬於台灣的響應活動:《寶島話匣子》——2021女性超越國界計畫台灣巡迴展。
WBB為一非營利性且跨文化之創作計畫,以一個小小的「木盒子」 聯繫了國與國之間、不同工作背景、不同社群環境下孕育出來的女性同胞 。「木盒子」創作計畫開始後,參與者從享譽國際的女性藝術家,到毫無經驗的素人女性;作品來自南美阿根廷,直至非洲尚比亞,串起一捲跨越界線的浪,將「木盒子」轉化,融進不同時空故事,雕琢出屬於自己的生命,將這些女性心中的色彩與溫度寄託於上。
Women beyond borders(女性超越國界)由Lorraine Serena於1991年成立,期冀能彰顯與記錄下女性的聲音與視界,鼓勵彼此間合作與對話,並激勵各項創造性思考與表達。「藝術是一個宇宙通用且不可或缺的語言形式,讓人們得以超越自身思考人性,並讚頌人性的美妙。」
計畫推動以來,各式各樣五花八門的盒子創作品已經在世界不斷的巡迴訪問,從歷史博物館旅行到加德滿都古寺、15世紀的義大利翁布利亞莊園、歐洲的古老列車,以及位於日本山頂上的美術館。《女性超越國界計畫》累積了超過900位藝術家、一萬名學生參與,一共在全球舉辦了超過50場展覽。同時也在不同場地中,透過彼此見面、對話、討論以及交換彼此的想法,觸及了超越數千個觀者同在分享。
《女性超越國界計畫》不僅挑戰了地域、政治、道德、宗教及美感的界線;在啟動後,Women Beyond Borders也逐漸以一催化劑的角色在國際間造起改變的風潮,也導引著文化間相互交融、轉換。紅坊十分榮幸能夠參與這項運動,也希望妳能跟我們一起。在這美麗的台灣島嶼上生活的人們哪,不管妳從哪裡來,要往哪裡去,都歡迎加入我們紅坊《女性超越國界計畫》巡迴展覽一起尋找更多故事。
❤️🌹❤️🌹🥰🌹
紅房餐酒館Rendezvous
chinese style art 在 Kento Bento Youtube 的最讚貼文
This video was created in partnership with Bill Gates, inspired by his new book “How to Avoid a Climate Disaster.” Find out more here: http://gatesnot.es/2ZmaeQp
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Why Hong Kong has the Longest Life Expectancy: https://youtu.be/c3JRRxxZ3Ig
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How This Lake in Northwest Asia Got Deadlier Than Chernobyl: https://youtu.be/SQCfOjhguO0
The Incredible Japanese Prison Break: https://youtu.be/oI8trlbCbU8
Why Japan's Great Pyramid of Giza Can't be Built Until 2110: https://youtu.be/w7E6rdmilyE
Has KFC Conquered Asia?: https://youtu.be/4iYt9eINS8M
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Animated documentary-style videos on extraordinary Asian events.
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Charlie Rodriguez — Illustrator
Isambard Dexter — Research assistant
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Video Title: How Hong Kong Became a Giant Refrigerator
"Here’s a statement: over the last 50 years, Hong Kong has become a giant refrigerator. Despite its hot, humid, subtropical climate, the city remains an icicle all year round. But what do I mean by this? Well, Hong Kong has a bizarre problem. It has developed an obsession with air-conditioners so extreme it no longer makes any sense—winter coats are needed during the sweltering summer, and ACs are blasted in the midst of winter. There are many countries around the world that use and abuse their air conditioners—Singapore, Japan, Saudi Arabia, the US, to name a few—but Hong Kong (the city I grew up in), takes all this to a whole new level. So this raises questions—why are there so many ACs? Why is the temperature set so low? And—strangest of all—why can‘t they just turn it off? With Hong Kong, the answer is never simple..."
![post-title](https://i.ytimg.com/vi/R2OKqMVjUwM/hqdefault.jpg)
chinese style art 在 KAOHAOCHE Official Youtube 的精選貼文
Next K-HOW Album "ZENWAVE"
2021.02.28.SUN.
_____________【ZENWAVE】_____________
專輯製作人 Producer|高浩哲 Kaohaoche
詞曲 Lyricist & Composer|高浩哲 Kaohaoche
編曲 Arrangement|Rollmeajointyella , Rayloloo , FORGOTTEN
錄音 Recording|高浩哲 Kaohaoche , Rayloloo
混音 Mixing|Rayloloo , DUSA
視覺設計 Art Direction|吳建龍 FKWU , 朱智顯 Goodboixian
專輯設計 Album Design|吳建龍 FKWU
3D 設計 CG Art | 朱智顯 Goodboixian
動畫導演 CG Director|朱智顯 Goodboixian
標準字設計 Logotype|鄧承忠 Johniizzz
周邊設計Peripheral Design|張傑夫 SUPIGS , 鄧承忠Johniizzz
行銷企劃 Marketing Planning|黃培華 Sunday Huang , 高浩哲 Kaohaoche
活動企劃 Event Planning|高浩哲 Kaohaoche , 黃培華 Sunday Huang , 魯光孟 About Ris
MV導演 Music Video Director|鄒舒斐 SHUFEIZOU
專輯文案 Album Copywriting|古尚恆 Ku Da Yeast
PRESENTED BY HELICREW OFFICIALS
「禪」是梵語「禪那」(ध्यान,dhyāna)的簡稱。原義是靜慮,意即至心一處、靜思觀修。禪可以說是一種基於「靜止」的行為模式。停止才能前進,留空才能增加。透過靜止的冥想,屏除雜念,人們才能鍛煉思維,進而發展智慧。
台灣陷阱饒舌霸主高浩哲K-HOW,繼2019年關注台灣當前青年世代困境的《日頭赤炎炎》專輯後,睽違一年再度推出個人第五張創作專輯《ZENWAVE》。經歷了多年的歌手生涯高低變化,高浩哲走過憤怒、悲傷、狂喜等多種情緒起伏。此次高浩哲選擇跨越外在世俗的直觀執念,以內在的「禪定」出發。不論人世間的爭奪喧噪,將自身的意念得以匯聚成流,高浩哲不再徬徨。生活也好、創作也好,順著自己的節奏即可持續前進。
《ZENWAVE》除了呈現高浩哲的心境轉變,同也體現其耕耘多年的音樂思維之躍升。除了足以代表其音樂風格的808 Trap,不論是80’s帶有Cyberpunk科幻風味的Synth Sound、國際潮流上逐漸嶄露頭角的Drill,甚至是嘗試搖滾、House等跨界曲風。他並不滿足只被定義為一線陷阱歌手。
製作團隊除了海底隊當家製作RAYLO、老夥伴電音唱作人Dusa,此張專輯更是邀來了曾編曲頑童MJ116〈幹大事〉、〈少年董〉等知名單曲,並固定與有著BRIDGE等大勢饒舌歌手的重慶嘻哈廠牌GO$H合作的台灣知名製作人ROLLMEAJOIENTYELLA參與編曲、製作。
從專輯的取樣成音、視覺設計,甚至是MV的造型美術,高浩哲皆大量挪用本土民俗文化,尤其是三太子。對他而言自己好比三太子般對抗權貴階級。為了台灣年輕世代奉獻生命,削肉還母、剔骨還父,最終對抗成功。世代間的衝突和對立,也一直是他關注的議題。
高浩哲用他一貫的暗黑風格,搭配上強而有力的專輯概念、企製團隊。無論成功與否,他早已在這條音樂的不歸路上留下屬於他的記號。
The concept of “Zen” originated from ancient Sanskrit(ध्यान,dhyāna),which means quiet down one’s mind, putting one’s heart into a singular focus. “Zen” can be interpreted as a behavioral pattern based on “tranquility”. One can only move forward by slowing down and earn more by empting out. Through the meditation of tranquility, erasing all the noise inside, that we can strengthen our mind and develop higher intelligence.
Since the album《日頭赤炎炎》focus on the struggle of young generation released in 2019, here comes the fifth album《ZENWAVE》from Taiwanese trap king K-How. After many year’s ups and downs, K-How went through various different emotions, anger, sadness, ecstasy…etc. This time K-How chose to transcend worldly attachment, restart from a inner status of “Zen”, disregarding all the external hustle, leaving only pure mindfulness in his heart, K-How is no longer lost, no matter life or his creations, he goes with his own flow and keep moving forward.
What《ZENWAVE》presented is not only the mental changes of K-How, but also the development of his music aesthetic over the years, except his iconic sounds of trap 808s or synth sound with 80’s cyberpunk characteristic, he even try to combines elements of Rock, House Music into this album, showing that he’s not satisfied with only being a trap music artist.
The all-star production team are comprised of Helicrew’s main producer Raylo, the usual suspect – singer/electronic music producer Dusa Naga, he also invited the well-known Taiwanese hip-hop producer ROLLMEAJOIENTYELLA who’re known for countless award-winning hit songs that he produced for across mandarin hip hop scene, from artists like Taiwan’s hip hop superstar MJ116 to Chinese top hip hop artists like BRIDGE、MACOVERSEAS to participate in the beat-making process.
From album’s sound selection, visual artwork to the subtle details in his music video, K-How implement lots of local folklore culture including imagery of Nezha. who died fighting the upper class and finally succeeded in the confrontation, which K-How symbolized himself as Nezha, sacrificing his life for young generation in Taiwan, expressing the conflict in between different generations and traditional values thru his music.
K-HOW continues his dark style on top of strong album concept, production team, no matter if he succeeds or not, K-HOW’s already leaving marks on this never-returning path.
曲目
01 ROCKSTAR LIFE
02 就是你
03 筋斗雲端
04 媽祖托夢
05 龍蛇混雜
06 就等我出山
07 做鬼也風流
08 切切
09 ZENWAVE
10 ZENAX
11 趴數
12 別人的失敗就是我的快樂
![post-title](https://i.ytimg.com/vi/D4NXrc22HEo/hqdefault.jpg)
chinese style art 在 Kento Bento Youtube 的精選貼文
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Other videos you may like:
The Bizarre South Korean Bank Heist: https://youtu.be/8JclG3gZLQI
The Incredible Japanese Prison Break: https://youtu.be/oI8trlbCbU8
The Greatest Bank Heist in Chinese History: https://youtu.be/qW0uzPJEO10
The $1,000,000,000 North Korean Bank Heist: https://youtu.be/Usu9z0feHug
The Greatest Bank Heist in Japanese History: https://youtu.be/gbeN-2ErxBw
How North Korea Held the Greatest Pro Wrestling Event in History: https://youtu.be/U_ZkqfSpbg4
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Videoblocks: https://www.videoblocks.com
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Epidemic Sound: http://epidemicsound.com
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Kento Bento — Researcher, writer, narrator, audio editor, video editor, motion graphics & art director
Charlie Rodriguez — Illustrator
Isambard Dexter — Research assistant
Nina Bento — Cheerleader
Channel Description:
Animated documentary-style videos on extraordinary Asian events
Video Description:
Follow-up questions to The Bizarre South Korean Bank Heist video
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