關於 create a web form ，我們在網路上蒐集到這些相關的討論、資訊與評價

[Đài Loan] Asian Youth Forum 2020 - Funded

Hiện nay Đài Loan là một trong những quốc gia chống dịch Covid-19 tốt nhất thế giới. Do tình hình dịch bệnh ở cả hai nước đều khá ổn định, tháng 7 này Việt Nam mình và Đài Loan sẽ mở lại đường bay. Đây là tin vui với các bạn trẻ đang tìm kiếm cơ hội tham gia nhiều hoạt động chương trình tại nước ngoài nè 👏 Nhân dịp này, chị sẽ chia sẻ một chương trình học bổng ngắn hạn tới Đài Loan cho các bạn nhé!

1. Thời gian: 5/9-8/9

2. Địa điểm: National Tsing Hua University and Landis Inn Chuhu

3. Độ tuổi tham gia: 18-30t
Đặc biệt, năm nay họ sẽ dành tới 40 suất cho sinh viên quốc tế. Như vậy là các bạn có tỷ lệ đậu cao hơn nhiều rồi

4. Chủ đề chính của chương trình: Online Education, Cultural Heritage and Innovation, Future of Fintech in Asia, Environmental Sustainability in Industry

5. Chi phí tham gia: $100 USD, đặc biệt, đây là chi phí duy nhất khi tham gia chương trình. Các chi phí về vé máy bay, ăn ở,... sẽ được hỗ trợ nha!

6. Cách apply:
B1: Tìm hiểu thông tin tại: https://www.facebook.com/2020AsianYouthForum

B2: Apply tại form: https://forms.gle/xFkNkMkNmKtc6yfx6

B3: Trả lời các câu hỏi trong form (bắt buộc)✍️:
- Bài 500 từ về background, motivation và expectations khi tham gia chương trình
- Bài 400 từ viết về một trong những chủ đề trên, áp dụng tại nơi bạn đang sống
- Bài 400 từ viết về thay đổi của bản thân sau khi tham gia chương trình
- Video 2p về "’How can the youth create a marvelous generation?"

B4: Chờ kết quả ting ting về mail nha!!

DEADLINE: 6/7

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📜 [專欄新文章] Create a Simple Decentralized Application with React
✍️ Sheng Yang Liu
📥 歡迎投稿： https://medium.com/taipei-ethereum-meetup #徵技術分享文 #使用心得 #教學文 #medium

Decentralized applications are typically created in form of web pages or desktop applications. This article is going to get your feet wet with web page version of Dapp. I will elaborate how to create a simple single page application with React.
...Continue Reading

Brian Eno在明年1月出版繼The Ship後的新專輯Reflection。

Reflection – 1st January 2017: http://brian-eno.net

Reflection is the latest work in a long series. It started (as far as record releases are concerned) with Discreet Music in 1975 ( - or did it start with the first Fripp and Eno album in 1973? Or did it start with the first original piece of music I ever made, at Ipswich Art School in 1965 - recordings of a metal lampshade slowed down to half and quarter speed, all overlaid?)

Anyway, it’s the music that I later called ‘Ambient’. I don’t think I understand what that term stands for anymore - it seems to have swollen to accommodate some quite unexpected bedfellows - but I still use it to distinguish it from pieces of music that have fixed duration and rhythmically connected, locked together elements.

The pedigree of this piece includes Thursday Afternoon, Neroli (whose subtitle is Thinking Music IV) and LUX. I’ve made a lot of thinking music, but most of it I’ve kept for myself. Now I notice that people are using some of those earlier records in the way that I use them - as provocative spaces for thinking - so I feel more inclined to make them public.

Pieces like this have another name: they’re GENERATIVE. By that I mean they make themselves. My job as a composer is to set in place a group of sounds and phrases, and then some rules which decide what happens to them. I then set the whole system playing and see what it does, adjusting the sounds and the phrases and the rules until I get something I’m happy with. Because those rules are probabilistic ( - often taking the form ‘perform operation x, y percent of the time’) the piece unfolds differently every time it is activated. What you have here is a recording of one of those unfoldings.

Reflection is so called because I find it makes me think back. It makes me think things over. It seems to create a psychological space that encourages internal conversation. And external ones actually - people seem to enjoy it as the background to their conversations. When I make a piece like this most of my time is spent listening to it for long periods - sometimes several whole days - observing what it does to different situations, seeing how it makes me feel. I make my observations and then tweak the rules. Because everything in the pieces is probabilistic and because the probabilities pile up it can take a very long time to get an idea of all the variations that might occur in the piece. One rule might say ‘raise 1 out of every 100 notes by 5 semitones’ and another might say ‘raise one out of every 50 notes by 7 semitones’. If those two instructions are operating on the same data stream, sometimes - very rarely - they will both operate on the same note…so something like 1 in every 5000 notes will be raised by 12 semitones. You won’t know which of those 5000 notes it’s going to be. Since there are a lot of these types of operations going on together, on different but parallel data streams, the end result is a complex and unpredictable web.

Perhaps you can divide artists into two categories: farmers and cowboys. The farmers settle a piece of land and cultivate it carefully, finding more and more value in it. The cowboys look for new places and are excited by the sheer fact of discovery, and the freedom of being somewhere that not many people have been before. I used to think I was temperamentally more cowboy than farmer… but the fact that the series to which this piece belongs has been running now for over 4 decades makes me think that there’s quite a big bit of farmer in me.