【Fjällräven 2019 秋冬新品 到貨!】
沒錯,半年很快又過去了!
新貨這麼一眨眼的又出現在我們面前
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fjallraven:https://outdoorman.co/brand/fjallraven
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這次活動很多,以下沒看完的錯過可惜
❖ Part I:滿額贈
2019/10/04(五)~2019/11/18(一),凡FR商品消費結帳金額滿$8,000 (至少含一件服飾) 即贈送「Fjällräven琺瑯杯 乙個」。
※滿額贈不累計贈送,數量有限送完為止
※贈品圖樣共五種,隨機贈送不提供挑選
❖Part II:服飾單一特價
☑Greenland Down Liner Jacket (89739)
定價$9,500,特價$6,990
☑Pine Half Zip/Skare Half Zip (81446/89766)
定價$2,600,特價$1,950
❖Part III:Singi背包加價購
2019/10/04(五)~ 2020/02/28(五)
購買以下任一款2019年秋冬全新Singi家族後背包,即可加價購以下兩款專屬配件包
☑Singi Side Pocket (23323)
定價$980,加購價$680
☑Singi Gear Holder (23324)
定價$880,加購價$580
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同時也有3部Youtube影片,追蹤數超過7,860的網紅Asma' Nasa,也在其Youtube影片中提到,CREATING NEW MEMORIES WITH MY SISTER IN LONDON. ICE-SKATING FOR THE FIRST TIME realising London is most beautiful in Autumn. AUTUMNAL INSPIRED MAKEUP...
「down jacket liner」的推薦目錄:
down jacket liner 在 100mountain 百岳 Facebook 的精選貼文
【燒燙燙a~門市新貨快報】
Fjällräven 小狐狸秋冬新品:好看!
(音樂下)來,歡迎百岳門市模特兒出列,為大家展示 Fjällräven 小狐狸最新到貨。新品外套、長褲、襯衫與配件,不論是剪裁、配色,還是經典細節...都讓門市夥伴心動不已。
(😍 小狐狸最新通知!!! )
2018/10/4(四) – 11/18(日) 滿額贈,口袋真的要破洞惹啦!!!
✔️單筆消費滿 $6,000 (需含至少一件FR服飾) 即贈送 Fjällräven 環保吸管組一組。
✔️單筆消費滿 $12,000 (需含至少一件FR服飾) 即贈送 MORAKNIV X Fjällräven 聯名刀具一支。
🔥【外套】
✔ HC Eco-Shell Padded Jacket 化纖防水外套 男
防水、輕量的化纖填充保暖外套,適合日常穿搭。有深卡其、雷霆灰、黑三色。
✔ HC Eco-Shell Padded Parka 化纖防水外套 女
防水、輕量的化纖填充保暖外套,適合日常穿搭。有雷霆灰、深卡其兩色。
✔ Greenland Eco-Shell Jacket 防水外套(男/女)
三層結構的防水外套,適合於潮濕天候作為日常生活的穿搭,且不含氟碳化合物。 男女各有黑、暮灰兩色。
✔ Keb Lite Jacket 軟殼外套(男/女)
輕盈、柔軟的薄款殼夾克,採用四向彈性布料製成,肩部和背面下襬採用G-1000® Lite Eco局部加強耐磨,適合春夏秋三季從事戶外活動或是休閒旅行時穿搭。男有深森綠、石頭灰/黑兩色,女有石頭灰/黑色。
✔ Keb Touring Jacket 軟殼外套 女
採用四向彈性布料製成的機能型軟殼外套,以G-1000® Eco局部加強肩部和衣服下擺處,適合冬季健行、滑雪、冰攀等雪地活動時穿搭。
✔ Övik Stretch Padded Jacket 化纖外套(女)
結合輕量耐久的G-1000®Eco表布與輕量保暖的 G-Loft®Supreme,是一款溫暖又耐穿的戶外夾克,在寒冷的天氣裡,無論是健行、旅行和日常生活都很實穿。有暗深藍、月桂綠兩色。
✔ Greenland Down Liner Jacket 羽絨外套(男/女)
輕便的保暖羽絨外套,以蓬鬆係數 600FP 的羽絨填充製成,可搭配 Greenland Jacket 或 Greenland Eco-Shell Jacket 作為保暖裡層。男有橡子、暮灰兩色,女有大麗菊、暮灰兩色。
🔥【 長褲 】
✔ Keb Lite Trousers 健行長褲(男/女)
健行長褲,這款輕量的健行褲以四向彈性布料為主,臀部以G-1000® LiteEco做加強耐磨,適合在春夏秋三季從事健行活動時穿搭。男有石頭灰/黑、深森綠兩色,女有石頭灰/黑色。
✔ Keb Touring Trousers 軟殼長褲(男/女)
採用耐磨彈性布料製成,並以G-1000® Eco加強局部的耐磨,適合秋冬從事健行或是雪地戶外活動時穿搭。男有風暴藍/夜空藍、黑兩色,女有深榴紅/夜空藍、黑兩色。
🔥【 襯衫/排汗衣 】
✔ Fjällglim Shirt 保暖襯衫 男
此款鈕釦領之長袖襯衫採用機能材質聚酯棉絨,胸前配置附鈕扣口袋、筆插口袋及拉鍊口袋。共有黑、深森綠兩色。
✔ Fjällglim Stretch Shirt LS 保暖襯衫女 霜綠
輕柔保暖的襯衫,適合單穿,或是在微涼的天候作為薄外套穿搭。合身剪裁,線條迷人。
✔ Bergtagen Woolmesh Sweater 羊毛排汗衣 男 灰
使用美麗諾羊毛混紡製成的機能底層衣。
🔥【 配件 】
✔ Kånken laptop Case 13
專為13吋筆電設計的保護套,採用耐磨的G-1000®HeavyDuty Eco S 製成,適用於上學、工作、休閒旅行等攜帶筆電使用。有霜綠、黑、海軍藍等色。
✔ Two-Tone Stripe Beanie
保暖帽,柔軟溫暖的保暖帽,採用羊毛混紡製成,無論是日常生活中,或是身處在森林和田野都一樣溫暖舒適。有海軍藍/霧灰、霜綠/霧灰兩色。
#快來逛逛 #Fjällräven #小狐狸 #秋冬新品 #外套 #軟殼外套 #褲子 #襯衫 #羽絨衣 #帽子 #北高門市同步到貨 #好好看
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100mountain 戶外探索最齊備
http://100mountain.com
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【shops】OPEN12:30-21:20
台北市內湖區新湖二路146巷33號 ( Hiking 登山館 )
02-2794-8399
台北市內湖區新湖三路125號 ( Camping 露營館 )
02-2793-8399
高雄市前鎮區民權二路456號 ( 高雄總店 )
07-330-8399
down jacket liner 在 YOSHITOMO NARA Facebook 的最佳貼文
Nobody’s Fool ( January 2011 )
Yoshitomo Nara
Do people look to my childhood for sources of my imagery? Back then, the snow-covered fields of the north were about as far away as you could get from the rapid economic growth happening elsewhere. Both my parents worked and my brothers were much older, so the only one home to greet me when I got back from elementary school was a stray cat we’d taken in. Even so, this was the center of my world. In my lonely room, I would twist the radio dial to the American military base station and out blasted rock and roll music. One of history’s first man-made satellites revolved around me up in the night sky. There I was, in touch with the stars and radio waves.
It doesn’t take much imagination to envision how a lonely childhood in such surroundings might give rise to the sensibility in my work. In fact, I also used to believe in this connection. I would close my eyes and conjure childhood scenes, letting my imagination amplify them like the music coming from my speakers.
But now, past the age of fifty and more cool-headed, I’ve begun to wonder how big a role childhood plays in making us who we are as adults. Looking through reproductions of the countless works I’ve made between my late twenties and now, I get the feeling that childhood experiences were merely a catalyst. My art derives less from the self-centered instincts of childhood than from the day-to-day sensory experiences of an adult who has left this realm behind. And, ultimately, taking the big steps pales in importance to the daily need to keep on walking.
While I was in high school, before I had anything to do with art, I worked part-time in a rock café. There I became friends with a graduate student of mathematics who one day started telling me, in layman’s terms, about his major in topology. His explanation made the subject seem less like a branch of mathematics than some fascinating organic philosophy. My understanding is that topology offers you a way to discover the underlying sameness of countless, seemingly disparate, forms. Conversely, it explains why many people, when confronted with apparently identical things, will accept a fake as the genuine article. I later went on to study art, live in Germany, and travel around the world, and the broader perspective I’ve gained has shown me that topology has long been a subtext of my thinking. The more we add complexity, the more we obscure what is truly valuable. Perhaps the reason I began, in the mid-90s, trying to make paintings as simple as possible stems from that introduction to topology gained in my youth.
As a kid listening to U.S. armed-forces radio, I had no idea what the lyrics meant, but I loved the melody and rhythm of the music. In junior high school, my friends and I were already discussing rock and roll like credible music critics, and by the time I started high school, I was hanging out in rock coffee shops and going to live shows. We may have been a small group of social outcasts, but the older kids, who smoked cigarettes and drank, talked to us all night long about movies they’d seen or books they’d read. If the nighttime student quarter had been the school, I’m sure I would have been a straight-A student.
In the 80s, I left my hometown to attend art school, where I was anything but an honors student. There, a model student was one who brought a researcher’s focus to the work at hand. Your bookshelves were stacked with catalogues and reference materials. When you weren’t working away in your studio, you were meeting with like-minded classmates to discuss art past and present, including your own. You were hoping to set new trends in motion. Wholly lacking any grand ambition, I fell well short of this model, with most of my paintings done to satisfy class assignments. I was, however, filling every one of my notebooks, sketchbooks, and scraps of wrapping paper with crazy, graffiti-like drawings.
Looking back on my younger days—Where did where all that sparkling energy go? I used the money from part-time jobs to buy record albums instead of art supplies and catalogues. I went to movies and concerts, hung out with my girlfriend, did funky drawings on paper, and made midnight raids on friends whose boarding-room lights still happened to be on. I spent the passions of my student days outside the school studio. This is not to say I wasn’t envious of the kids who earned the teachers’ praise or who debuted their talents in early exhibitions. Maybe envy is the wrong word. I guess I had the feeling that we were living in separate worlds. Like puffs of cigarette smoke or the rock songs from my speaker, my adolescent energies all vanished in the sky.
Being outside the city and surrounded by rice fields, my art school had no art scene to speak of—I imagined the art world existing in some unknown dimension, like that of TV or the movies. At the time, art could only be discussed in a Western context, and, therefore, seemed unreal. But just as every country kid dreams of life in the big city, this shaky art-school student had visions of the dazzling, far-off realm of contemporary art. Along with this yearning was an equally strong belief that I didn’t deserve admittance to such a world. A typical provincial underachiever!
I did, however, love to draw every day and the scrawled sketches, never shown to anybody, started piling up. Like journal entries reflecting the events of each day, they sometimes intersected memories from the past. My little everyday world became a trigger for the imagination, and I learned to develop and capture the imagery that arose. I was, however, still a long way off from being able to translate those countless images from paper to canvas.
Visions come to us through daydreams and fantasies. Our emotional reaction towards these images makes them real. Listening to my record collection gave me a similar experience. Before the Internet, the precious little information that did exist was to be found in the two or three music magazines available. Most of my records were imported—no liner notes or lyric sheets in Japanese. No matter how much I liked the music, living in a non-English speaking world sadly meant limited access to the meaning of the lyrics. The music came from a land of societal, religious, and subcultural sensibilities apart from my own, where people moved their bodies to it in a different rhythm. But that didn’t stop me from loving it. I never got tired of poring over every inch of the record jackets on my 12-inch vinyl LPs. I took the sounds and verses into my body. Amidst today’s superabundance of information, choosing music is about how best to single out the right album. For me, it was about making the most use of scant information to sharpen my sensibilities, imagination, and conviction. It might be one verse, melody, guitar riff, rhythmic drum beat or bass line, or record jacket that would inspire me and conjure up fresh imagery. Then, with pencil in hand, I would draw these images on paper, one after the other. Beyond good or bad, the pictures had a will of their own, inhabiting the torn pages with freedom and friendliness.
By the time I graduated from university, my painting began to approach the independence of my drawing. As a means for me to represent a world that was mine and mine alone, the paintings may not have been as nimble as the drawings, but I did them without any preliminary sketching. Prizing feelings that arose as I worked, I just kept painting and over-painting until I gained a certain freedom and the sense, though vague at the time, that I had established a singular way of putting images onto canvas. Yet, I hadn’t reached the point where I could declare that I would paint for the rest of my life.
After receiving my undergraduate degree, I entered the graduate school of my university and got a part-time job teaching at an art yobiko—a prep school for students seeking entrance to an art college. As an instructor, training students how to look at and compose things artistically, meant that I also had to learn how to verbalize my thoughts and feelings. This significant growth experience not only allowed me to take stock of my life at the time, but also provided a refreshing opportunity to connect with teenage hearts and minds.
And idealism! Talking to groups of art students, I naturally found myself describing the ideals of an artist. A painful experience for me—I still had no sense of myself as an artist. The more the students showed their affection for me, the more I felt like a failed artist masquerading as a sensei (teacher). After completing my graduate studies, I kept working as a yobiko instructor. And in telling students about the path to becoming an artist, I began to realize that I was still a student myself, with many things yet to learn. I felt that I needed to become a true art student. I decided to study in Germany. The day I left the city where I had long lived, many of my students appeared on the platform to see me off.
Life as a student in Germany was a happy time. I originally intended to go to London, but for economic reasons chose a tuition-free, and, fortunately, academism-free German school. Personal approaches coexisted with conceptual ones, and students tried out a wide range of modes of expression. Technically speaking, we were all students, but each of us brought a creator’s spirit to the fore. The strong wills and opinions of the local students, though, were well in place before they became artists thanks to the German system of early education. As a reticent foreign student from a far-off land, I must have seemed like a mute child. I decided that I would try to make myself understood not through words, but through having people look at my pictures. When winter came and leaden clouds filled the skies, I found myself slipping back to the winters of my childhood. Forgoing attempts to speak in an unknown language, I redoubled my efforts to express myself through visions of my private world. Thinking rather than talking, then illustrating this thought process in drawings and, finally, realizing it in a painting. Instead of defeating you in an argument, I wanted to invite you inside me. Here I was, in a most unexpected place, rediscovering a value that I thought I had lost—I felt that I had finally gained the ability to learn and think, that I had become a student in the truest sense of the word.
But I still wasn’t your typical honors student. My paintings clearly didn’t look like contemporary art, and nobody would say my images fit in the context of European painting. They did, however, catch the gaze of dealers who, with their antennae out for young artists, saw my paintings as new objects that belonged less to the singular world of art and more to the realm of everyday life. Several were impressed by the freshness of my art, and before I knew it, I was invited to hold exhibitions in established galleries—a big step into a wider world.
The six years that I spent in Germany after completing my studies and before returning to Japan were golden days, both for me and my work. Every day and every night, I worked tirelessly to fix onto canvas all the visions that welled up in my head. My living space/studio was in a dreary, concrete former factory building on the outskirts of Cologne. It was the center of my world. Late at night, my surroundings were enveloped in darkness, but my studio was brightly lit. The songs of folk poets flowed out of my speakers. In that place, standing in front of the canvas sometimes felt like traveling on a solitary voyage in outer space—a lonely little spacecraft floating in the darkness of the void. My spaceship could go anywhere in this fantasy while I was painting, even to the edge of the universe.
Suddenly one day, I was flung outside—my spaceship was to be scrapped. My little vehicle turned back into an old concrete building, one that was slated for destruction because it was falling apart. Having lost the spaceship that had accompanied me on my lonely travels, and lacking the energy to look for a new studio, I immediately decided that I might as well go back to my homeland. It was painful and sad to leave the country where I had lived for twelve years and the handful of people I could call friends. But I had lost my ship. The only place I thought to land was my mother country, where long ago those teenagers had waved me goodbye and, in retrospect, whose letters to me while I was in Germany were a valuable source of fuel.
After my long space flight, I returned to Japan with the strange sense of having made a full orbit around the planet. The new studio was a little warehouse on the outskirts of Tokyo, in an area dotted with rice fields and small factories. When the wind blew, swirls of dust slipped in through the cracks, and water leaked down the walls in heavy rains. In my dilapidated warehouse, only one sheet of corrugated metal separated me from the summer heat and winter cold. Despite the funky environment, I was somehow able to keep in midnight contact with the cosmos—the beings I had drawn and painted in Germany began to mature. The emotional quality of the earlier work gave way to a new sense of composure. I worked at refining the former impulsiveness of the drawings and the monochromatic, almost reverent, backgrounds of the paintings. In my pursuit of fresh imagery, I switched from idle experimentation to a more workmanlike approach towards capturing what I saw beyond the canvas.
Children and animals—what simple motifs! Appearing on neat canvases or in ephemeral drawings, these figures are easy on the viewers’ eyes. Occasionally, they shake off my intentions and leap to the feet of their audience, never to return. Because my motifs are accessible, they are often only understood on a superficial level. Sometimes art that results from a long process of development receives only shallow general acceptance, and those who should be interpreting it fail to do so, either through a lack of knowledge or insufficient powers of expression. Take, for example, the music of a specific era. People who lived during this era will naturally appreciate the music that was then popular. Few of these listeners, however, will know, let alone value, the music produced by minor labels, by introspective musicians working under the radar, because it’s music that’s made in answer to an individual’s desire, not the desires of the times. In this way, people who say that “Nara loves rock,” or “Nara loves punk” should see my album collection. Of four thousand records there are probably fewer than fifty punk albums. I do have a lot of 60s and 70s rock and roll, but most of my music is from little labels that never saw commercial success—traditional roots music by black musicians and white musicians, and contemplative folk. The spirit of any era gives birth to trends and fashions as well as their opposite: countless introspective individual worlds. A simultaneous embrace of both has cultivated my sensibility and way of thinking. My artwork is merely the tip of the iceberg that is my self. But if you analyzed the DNA from this tip, you would probably discover a new way of looking at my art. My viewers become a true audience when they take what I’ve made and make it their own. That’s the moment the works gain their freedom, even from their maker.
After contemplative folk singers taught me about deep empathy, the punk rockers schooled me in explosive expression.
I was born on this star, and I’m still breathing. Since childhood, I’ve been a jumble of things learned and experienced and memories that can’t be forgotten. Their involuntary locomotion is my inspiration. I don’t express in words the contents of my work. I’ll only tell you my history. The countless stories living inside my work would become mere fabrications the moment I put them into words. Instead, I use my pencil to turn them into pictures. Standing before the dark abyss, here’s hoping my spaceship launches safely tonight….
down jacket liner 在 Asma' Nasa Youtube 的最佳貼文
CREATING NEW MEMORIES WITH MY SISTER IN LONDON.
ICE-SKATING FOR THE FIRST TIME realising London is most beautiful in Autumn.
AUTUMNAL INSPIRED MAKEUP TUTORIAL with a secret giveaway and talking about my insecurities about my skin flaws.
HOW TO JOIN THE GIVEAWAY:
1. Leave a comment below in this vlog; List down the cafes I went to (just because lol) and the shade of lipstick I was wearing at the end of the video in my Autumnal makeup tutorial. Don’t forget to share your Instagram name/handle in the comment you leave below.
2. I will announce the 2 winners on my instagram on the 24th December 2018.
3. Open to only Malaysians.
Thank you for watching!
Salam and Love,
Asma'
*This vlog contains paid collaboration with Bobbi Brown for the Luxe Lip range. The Giveaway is all from my own, not part of the collaboration.*
SUBSCRIBE - https://www.youtube.com/user/TheAsmaNasa
INSTAGRAM - @asma.nasa
BLOG - www.asmanasa.com
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Make Up Worn -
Luxe Lipstick colours worn - https://bbrwn.co/2zJI6ui (Au Natural 1, Hibiscus, Semi-Nude)
Foundation - https://goo.gl/VxR3Ud (I wear shade 4.75)
CC Serum - https://goo.gl/J5czce
Eyebrow Kit - https://goo.gl/u81Wno
Bronzing Powder - https://goo.gl/aWNp5J
Highlighter - https://goo.gl/KzLXNx
Eye liner - https://bbrwn.co/2xNMEjB
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WHAT I WORE -
At Home before flight
Top - https://bit.ly/2zJyIGY
Filly Pants - https://bit.ly/2L0G1OG
Blouse - https://bit.ly/2yHfIIA
Scarf - https://bit.ly/2SucyPR
London
Plaid Skirt - https://bit.ly/2BT0LoR
Long Sleeveless Vest - https://bit.ly/2Ek09Lk
Faux Leather leggings - https://go.zara/2BUtNo4
Striped Turtleneck - https://go.zara/2BSEojk
Furry Jumper - https://go.zara/2BVoS6t
Black Transparent Heel Boots - https://go.zara/2UmVvkn
Flowy White Blouse - https://bit.ly/2Qe9HOi
Tweed Jacket - https://go.zara/2QgzN3n
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Airbnb We Stayed At - https://bit.ly/2SvFib6
Hotel We Stayed At - https://georgianhousehotel.co.uk
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Camera I used to shoot this vlog - Canon G7X Mark ii
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down jacket liner 在 Jessica Vu Youtube 的最佳貼文
9 DAYS LEFT!!! Who's counting down with me ?
FOLLOW ME!
✧ IG: http://www.instagram.com/jessyluxe
✧ SNAPCHAT: https://www.snapchat.com/add/luxejessy
✧ SOUNDCLOUD: https://soundcloud.com/jessyluxe
✧ TWITTER: https://twitter.com/luxejessy
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edit: sorry about the intro saying Week 1 i can't believe i didnt catch that TT__TT
Hey U! Have you watched Vlogmas Week 1 yet? ? http://youtu.be/u_c37Pjpu2s
Sorry I wasn't able to get this up yesterday! The file was quite large and I've been editing a few videos at the same time so my laptop ran out of storage (iДi)I had to delete 27 GB of files last night
Oh and about the FCC Net Neutrality thing, I didn't realize Youtube restricts what links you can put up as cards so I'll just leave some links here http://bit.ly/1nEO2Zq http://bit.ly/2l6zvwd
I know I don't really show you guys much in my vlogs lol but I really wanted to do vlogmas this year because it's nearing January 3rd (which is when I uploaded my first video) and I don't think you can really see who I am in my videos so I just wanted to do vlogmas as a fun way to show u a bit more of me behind the makeup!
+ a new makeup tutorial IS going up soon so please look forward to that!
˙˚ʚ(´◡`)ɞ˚˙
♡ xo
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W E A R I N G + other mentioned items
DAY 8:
INC.redible Products http://bit.ly/2k3qAJh
[$38] beautyblender 4-Pc. all. about. face Set http://bit.ly/2CEDqW9
[$89] Soko Glam The Illuminate Value Set http://bit.ly/2oon15n
[$46] Hanskin Hyaluron Skin Essence http://bit.ly/2AHwaaC
[$8] Headband: Double Dare OMG! Mega Hair Band (HotPink) http://bit.ly/2AWKIaF
[$15] Innisfree Super Volcanic Pore Clay Mask http://bit.ly/2j6lo6J
DAY 9:
[$39] Blue Set: Dabagirl Oversized Sweatshirt and Tapered Pants Training Set http://bit.ly/2Bub2IN
[$29] Denim Jacket: Blue Drop Shoulder Sherpa Lined Denim Jacket http://bit.ly/2xD9zui
[$16] Lip Tint: Peripera Peri's Ink The Velvet (#006 Celeb Deep Rose) http://bit.ly/2yJQG8P
[$16] Lipstick: Em Cosmetics Infinite Lip Cloud (Faded Clementine)
[$4] Lip Liner: NYX Slim Lip Pencil (Peekaboo Neutral) http://bit.ly/2BleQtg
[$34] Highlighter: FENTY BEAUTY by Rihanna Killawatt Freestyle Highlighter (Mean Money/Hu$tla Baby) http://bit.ly/2Co7hBo
[$20] Earrings: Crystal Star Earrings http://bit.ly/2Cnqt22
[$16] Contact Lenses: O-Lens Russian Velvet Brown http://bit.ly/2yPWZuU
DAY 10:
[$16] Yellow "Antidote" Top: YesStyle Cattie Boxy Long-Sleeve Print T-Shirt http://bit.ly/2AGPC7F
DAY 11:
[$16] Yellow "Antidote" Top: YesStyle Cattie Boxy Long-Sleeve Print T-Shirt http://bit.ly/2AGPC7F
[$40] Curling Wand: Bed Head A Wave We Go Adjustable Deep Waver http://bit.ly/2fMDWJJ
[$6] DIY Cotton Sheet Masks: YesStyle Litfly Condensed Mask Cotton 50 pcs (Peach) http://bit.ly/2kAJvuM
DAY 12:
[$29] Sweater: Turtleneck Wide Sleeve Knit Top (Green) http://bit.ly/2BiHMCf
[$19.20] Etude House Glow On Base Oil Volume Universe Special Edition http://bit.ly/2j6DUMd
[$5.20] Etude House Universe Dear My Lips-Talk Case http://bit.ly/2BxdmhT
Earrings: No longer available
[$16] Yellow "Antidote" Top: YesStyle Cattie Boxy Long-Sleeve Print T-Shirt http://bit.ly/2AGPC7F
[$16] Contact Lenses: O-Lens Russian Velvet Brown http://bit.ly/2yPWZuU
DAY 13:
[$8] Headband: Double Dare OMG! Mega Hair Band (HotPink) http://bit.ly/2AWKIaF
[$27] Origins Clear Improvement Active Charcoal Mask to Clear Pores http://bit.ly/2BwWGqV
[$49] Too Faced Chocolate Gold Metallic/Matte Eyeshadow Palette http://bit.ly/2CJ5lo7
DAY 14:
[$20] Reebok Women's Performance Heather Quarter Zip Long Sleeve Shirt XS (Hthr Caviar Tonal Dd) http://bit.ly/2k4ZnGa
[$13] Striped T-Shirt: YesStyle Windflower Striped Boxy T-Shirt (Green) http://bit.ly/2yKyD2o
[$16] Contact Lenses: O-Lens Russian Velvet Brown http://bit.ly/2yPWZuU
T E C H
Camera: Sony Alpha a5100 Mirrorless Camera + Canon Rebel T6i + iPhone 8
Lens: with 16–50mm Retractable Lens + Kit Lens EF-S 18-55mm f/3.5-5.6 IS STM Lens
Mic: Rode Videomic Go
SD Card: Lexar SDXC Class 10 128 GB
Editing Program: Final Cut Pro X 10.3.2
♪ M U S I C ♪
DJ Quads - Your Christmas
Kevin MacLeod - Jingle Bells
E's Jammy Jams - Jolly Old St Nicholas (Inst.)
Ariana Grande - Santa Tell Me (Inst.)
FTC: Some of these links are affiliate links
down jacket liner 在 Anys Nadhilah Youtube 的最佳貼文
Hey love, enjoy the video ya ! :D
This video is a collaboration with Tara Lee. Don't forget to check and subscribe to her channel! She is so cute and awesome :)
Tara Lee channel :
https://www.youtube.com/channel/UC3d2-yFt3SkeOlQSZ3Vraew
Tara Lee video : https://www.youtube.com/watch?v=nlMXbXS1Xow
Questions!!!
makeup:
blush or bronzer
lip gloss or lipstick
eye liner or mascara
foundation or concealer
neutral or color eye shadow
pressed or loose eye shadows
brushes or sponges
nails:
OPI or china glaze
Long or short
Acrylic or natural
Brights or darks
Flower or no flower
body:
perfume or body splash
lotion or body butter
body wash or soap
lush or other bath company
fashion:
jeans or sweat pants
long sleeve of short
dresses or skirts
stripes or plaid
flip flops or sandals
scarves or hats
studs or dangly earrings
necklaces or bracelets
heels or flats
cowboy boots or riding boots
jacket or hoodie
forever 21 or charlotte russe
abercombie or Hollister
saks 5th or nordstrom
hair:
curly or straight
bun or ponytail
bobby pins or butterfly clips
hair spray or gel
long or short
light or dark
side sweep bangs or full bangs
up or down
random:
Rain or shine
Summer or winter
Fall or spring
Chocolate or vanilla
East coast or west coast
Where to find me
Instagram ♥︎ : anysanezz
Read about my life ♥︎: http://blurrr4evablurr.blogspot.com/
Where do you live : Malaysia
How old are you : 20 y/o ♥︎
Love, Anys