本季的筆墨見真章,照例地,策展人依書法從古到今發展的歷程,為觀眾挑選了多件不同時代的名家精品(展件清單請看這 👉https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-3.html),期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞:
此帖行草書兩行:「大道久不下,豈先未然耶。」拖尾有趙孟頫(1254-1322)至元丁亥年(1287)跋:「龍跳天門,虎臥鳳閣。」此帖筆畫腴潤圓柔,第一行「大」字到「下」字,連筆而書,最後一字「耶」的末筆拉長,收筆加粗,成彎弧狀。由於王羲之(303-361)沒有這類書法風格的作品 傳世,故多數論者認為可能是米芾(1052-1108)的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
*************************
🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
同時也有7部Youtube影片,追蹤數超過38萬的網紅CH Music Channel,也在其Youtube影片中提到,《あなたの番です》 STAND-ALONE / 形單影隻 作詞 / Lyricist:aimerrhythm 作曲 / Composer:飛内将大 編曲 / Arranger:飛内将大、 玉井健二 歌 / Singer:Aimer 翻譯:澄野(CH Music Channel) 意譯:CH(CH M...
drawn by中文 在 國立故宮博物院 National Palace Museum Facebook 的最佳解答
本季的筆墨見真章,照例地,策展人依書法從古到今發展的歷程,為觀眾挑選了多件不同時代的名家精品(展件清單請看這 👉https://theme.npm.edu.tw/exh109/calligraphy10907/ch/page-3.html),期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞:
此帖行草書兩行:「大道久不下,豈先未然耶。」拖尾有趙孟頫(1254-1322)至元丁亥年(1287)跋:「龍跳天門,虎臥鳳閣。」此帖筆畫腴潤圓柔,第一行「大」字到「下」字,連筆而書,最後一字「耶」的末筆拉長,收筆加粗,成彎弧狀。由於王羲之(303-361)沒有這類書法風格的作品 傳世,故多數論者認為可能是米芾(1052-1108)的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
*************************
🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html
drawn by中文 在 人生 so 大ㄋㄟ Facebook 的最佳貼文
大家看過這個惹嗎~~~~
我整個呈現一個不分享不行的節奏XDDD
真的好熱血啊~~~!!!
#今天的造型如何啊
「這是走路痛至今最喜愛的作品。」
創作新天團(嗎).走路痛首次跨刀MV啦
到底在鬥陣什麼東西?2分鐘唱給你聽!
(YouTube有高畫質音質版,請見留言區)
曲名:【鬥陣什麼東西】
製作:走路痛
填詞:柏慎&走路痛
演唱:柏慎
音樂原創曲:Artnerdgames KOBA/林老屍
【痛哥小感】
走路痛最大的核心是:「讓作品被可愛地看見!」
我會繼續尋找厲害的人們一起玩創作,期待遇見你。
【演唱】柏慎 真心白木 成 柏慎
你還不認識走路痛御用聲優柏慎嗎!(誤)
【音樂】ArtnerdGames Artnerd Games
熱愛遊戲的音樂創作團體。(快要有中文團名了)
你以為這集沒有貓嗎?--還真的沒有。
所以來IG吸一吸:
https://www.instagram.com/walktone.tw/
#是不是要組團了
#徵求Cover加入痛哥宇宙
#真的很搞剛的在宣傳新活動欸
====================
特別說明:影片中所使用的碧姬圖片為國外繪師Ross Tran繪製。
The picture of Brigitte used in the film is drawn by Ross Tran.
https://www.facebook.com/Rossdraws/
drawn by中文 在 CH Music Channel Youtube 的精選貼文
《あなたの番です》
STAND-ALONE / 形單影隻
作詞 / Lyricist:aimerrhythm
作曲 / Composer:飛内将大
編曲 / Arranger:飛内将大、 玉井健二
歌 / Singer:Aimer
翻譯:澄野(CH Music Channel)
意譯:CH(CH Music Channel)
English Translation: lyricaljourneys
背景 / Background - petrichor, 2017 - LM7 :
https://twitter.com/__lm7__/status/820535047186825218
版權聲明:
本頻道不握有任何音樂所有權,亦無任何營利,一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。
Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.
すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽(または画像)の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。
如果你喜歡我的影片,不妨按下喜歡和訂閱,你的支持就是我創作的最大原動力!
If you like my videos, please click like and subscribe! Thx :)
粉絲團隨時獲得最新訊息!
Check my Facebook page for more information!
https://www.facebook.com/chschannel/
中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4883043
英文翻譯 / English Translation :
https://lyricaljourneys.wordpress.com/2019/05/05/stand-alone/
日文歌詞 / Japanese Lyrics :
重ねた夢の隙間 彷徨う
今もまだ 今もまだ
揺らいだ現実全て捨てて
これはまだ夢の中?
生ぬるい夜風と街並み
地下鉄にのみ込まれ
鳴り響く雑踏に溶けて
滲む eyes Neon lights
さよならって君が叫んでる
さよならって今も叫んでる
間違いだらけでも そのドアを開ければいいと
何も変われないなら
哀しい歌 ずっと歌ってもいいの?
Stand alone 歪んだ世界で
Stand alone 描いた世界へ
Bye-Bye 窓辺に月明りも届かない場所
何もかも投げ出して
暗闇に浮かぶ 星になりたい夜 そうでしょ?
ふらついた足元 指先
目の前の吐息すら
何もかも 本当か嘘かわからない
わかんない
探していたはずの線を 失くしてきたもので書いて
曖昧過ぎたのは始まりとルールのせい
もう何も守れないなら
刻んだ名前も 失くしてもいいよ
最初に君がついた嘘 夜明けは来るよと囁き
泣きたいほど あの時間こそが幸せだった
星座すら逃げ出して
一人立ち尽くす 星も見えない夜
Stand alone…
さよならって君が叫んでる
さよならって今も叫んでる
間違いだらけでも そのドアを叩けばいいと
何も変われなくても
哀しい歌 ずっと歌ってもいいと
Stand alone 歪んだ世界で
Stand alone 描いた世界へ
Bye-Bye 窓辺に月明りも届かない場所
何もかも投げ出して
暗闇に浮かぶ 星になりたい夜 そうでしょ?
中文歌詞 / Chinese Lyrics :
在交錯的夢境之間徬徨徘徊
如今依然,深陷其中
把歪斜扭曲的現實盡數捨去
這樣仍能,沉浸夢中吧?
城市街景徐來愉快的夜晚和風
伴隨欲將我吞噬其中的地鐵站
反覆迴響熙來攘往的腳步喧囂
雙雙朦朧的眼眸、模糊的霓虹燈
「再會了。」你曾這麼喊著
「再會了。」現在你也這麼喊著
哪怕早已鑄下太多的過錯,只要敞開那扇門就好
倘若已經無法再改變任何結果的話
就一直高唱著哀傷的歌又何妨?
形單影隻,佇立在這扭曲的世界
獨自一人,嘗試描繪出這世界
「掰掰。」在窗邊月色無法淌入之處
把所有一切都拋出——
拋向黑暗之中,正如成為點綴今晚寂寥夜色的星斗,對吧?
邁著踉蹌的步履
就連眼前自身的吐息,也難以維持
究竟這一切是真實還是虛假,我分不清楚
「我什麼也分不清楚......」
用至今失去的種種描繪出一直追尋著的線
全是因為開端和世界的法則過於模糊,使人難以尋覓
要是再也無法守護任何事物的話
就算淡忘深刻記憶中的名字也無妨
還記得你最初輕聲對我撒的謊:「很快就要迎來黎明了!」
令人不禁落下淚水,那段過往時日還真是幸福
就連星座也為我哀愁離去
獨自一人茫茫地佇立,望著這星光褪去的孤寂夜晚
無所依靠......
「再會了。」你曾這麼喊著
「再會了。」現在你也這麼喊著
哪怕早已鑄下太多的過錯,只要敞開那扇門就好
倘若已經無法再改變任何結果的話
就一直高唱著哀傷的歌又無妨?
形單影隻,佇立在這扭曲的世界
獨自一人,嘗試描繪出這世界
「掰掰。」在窗邊月色無法淌入之處
把所有一切都拋出——
拋向黑暗之中,成為點綴今晚寂寥夜色的星斗,也不賴吧?
英文歌詞 / English Lyrics :
Wandering around the gaps of these piled-up dreams,
Even until now, even until now.
I’ll throw this unstable reality away.
This is still a part of a dream.
The lukewarm night breeze and townscape,
are being swallowed by the subway.
The resounding hustle and bustle of the city,
melts into neon lights with blurry eyes.
The “Goodbye!” that you were calling out.
The “Goodbye!” that you are still calling out now.
Even if it’s full of mistakes, it’s fine if the doors can still be opened
And if we can’t change anything
it’s fine if this lonely song can always be sung
Stand alone in this distorted world.
Stand alone heading to a world imagined.
“Bye bye” from the window side, a place that even moonlight can’t reach.
I’ll throw away every thoughts,
that surfaces in this darkness.
This is the night I want to become a star, isn’t that right?
Even the sigh that wavers past,
the tips of my toes, in front of my eyes.
Is everything real or just lies? I don’t know.
I just don’t know.
The line I should have been searching for.
The line drawn between the things I’ve lost.
The new beginning and the rules are carried out too vaguely.
And if I can’t protect anything.
It’s fine, even if I lost the name etched in my memory.
The first lie you ever told, whispering that the dawn is coming.
I was so happy then that I wanted to cry.
Even if the constellations ran away,
and I stand still in a night where I can’t see the stars
Stand alone…
The “Goodbye!” that you were calling out.
The “Goodbye!” that you are still calling out now.
Even if it’s full of mistakes, it’s fine if the doors can still be opened.
Even if we can’t change anything,
it’s fine if this lonely song can always be sung.
Stand alone in this distorted world.
Stand alone heading to a world imagined.
“Bye bye” from the window side, a place that even moonlight can’t reach.
I’ll throw away every thoughts,
that surfaces in this darkness.
This is the night I want to become a star, isn’t that right?
drawn by中文 在 Ting Youtube 的精選貼文
來源:SCP基金會
http://scp-wiki-cn.wikidot.com/scp-239
http://www.scp-wiki.net/scp-239
圖片來源:
きっとん
https://www.pixiv.net/artworks/56201785
GGGGum
https://co.pinterest.com/pin/315392780151108239/
Hz / ハッチェ-
https://scp-l4-clef-alto-001.tumblr.com/post/72643653892/originally-found-on-pixiv-drawn-by
開頭音樂 Jimmy Fontanez & Doug Maxwell - TRAP UNBOXING
背景音樂 Far The Days Come - Letter Box
內容以Creative Commons Attribution-ShareAlike 3.0 License授權
drawn by中文 在 粒方不插電 Youtube 的最佳貼文
又要來推坑阿滴桌遊啦!這次要來玩的是戰鎚冥土世界,有興趣的話可以點以下連結:https://www.warhammer-world.info/home/product_detail/15
Warhammer Underworlds is a tactical arena combat game. This is a system designed for balanced, small-scale tactical games that can be played quickly and easily by anyone, but which even experienced players will find challenging to master. The game rules are designed with competitive play in mind; matches can be played in under 45 minutes, on a smaller surface than our larger-scale games, and will be ideal for club or tournament play. And not only that, we’ll be fully supporting an organized play system for this game, right from day one.
The forces you can use in this game will be drawn from races across the Mortal Realms, including some for factions that have not received any new miniatures since we first ventured into the Age of Sigmar. Each of these sets will be composed of a small band of easy-to-assemble, push-fit miniatures in the style of our single-pose heroes to represent a specific band of warriors from that faction. These are provided in coloured plastic, and clip together, so you can quite literally be playing with them within minutes of opening the box with no glue or paint needed! (Though they do look great painted, and your dice will roll better – probably.)
The game is played using unique dice and card decks, and these will, to an extent, be unique to each faction. Both decks of cards used in the game are fully customisable – meaning you can choose to create all manner of combinations of overlapping abilities to use and objectives to achieve. This can be a really rewarding part of the game – and means that even the same faction can be played in wildly different ways. We’re expecting to see all sorts of combinations tried out at game stores, clubs and in tournaments.
希德塔的鏡像城市是幻想和瘋狂的噩夢,不斷變化的迷宮,無盡的樓梯,狹窄的街道和高聳的拱門。原來的城市失去了各種顏色和生命,幾千年來,它已經成為一種不詳的毀滅。那些踏入城牆的不幸,勇敢或莽撞的冒險家,穿過國界之間的帷幕,被困在鏡城之中。對於這樣的頑固的人,所有的希望似乎都失去了。
戰鎚40K
戰鎚
#戰鎚
規則錯誤部分如下:
●1:13-其實是鎚子,不是斧頭。
●8:17-首領讓攻擊擲骰重擲的能力,必須在投擲攻擊骰之前宣告使用。
●12:35-每輪的先後決定擲骰是四顆,不是五顆。
●12:56-阿滴的攻擊擲骰是1爆擊、1鎚、1劍,粒方的雖然也1爆擊,但比較完爆擊後,要比較一般成功的數量。索奧奇的攻擊行動是成功符號是鎚,阿滴還有1鎚,粒方已經沒有其他成功骰,所以該該次的攻擊行動是成功的。
●15:38-野獸人的激勵條件是敵方戰幫有兩名或更多鬥士陣亡,而不是全場。不過這是官方中文版本身印刷的問題(英文是正確的)。